New art form captures the magnificence of birds
Coral Springs resident Meir Martin is the creator of “aetherography”—an art form that transcends photography to capture time, motion, and the rhythm of nature through birds. By fusing together hundreds of photos of individual birds into one large-scale image, Martin reimagines nature not as a frozen moment, but as an unfolding experience.
“It is the art of layering time,” explains Martin. “Where photography isolates, aetherography gathers. Where photography freezes, aetherography flows. And what it reveals is the truth of life as it actually happened: chaotic, abundant, overwhelming, and magnificent.”
Martin—who admittedly spends at least 340 days per year taking photos of birds in the Everglades each morning—has amassed a collection of about 1.5 million photos. “Everything in my life is birds, birds, birds. I’m addicted to it, and there’s no cure,” he jokes. With such an extensive library to sort through, it sometimes takes him years to complete certain pieces, which contain hundreds of bird photos. “I keep looking until I find the image that will fit.”
Walking into Martin’s home, which he converted into his gallery after his wife’s passing, is a surreal experience that pulls you deep into the vision of an impassioned creator. Every surface—from the ceilings to the windows and soon the floors—is covered with artwork, each piece set in a custom wood frame that Martin makes himself.
Before birds became his calling, Martin, born in Israel, began his career primarily as a wedding photographer. But one day, when a man walked into his store asking for a camera with a 400-millimeter lens, Martin’s trajectory changed. Sick of the photography he was doing, he joined the man on a field trip and fell in love with photographing birds.
Martin spent the early 1980s photographing desert birds in Israel. In 1983, while on a trip to the Dead Sea, he became the first person to take a color photograph of a pair of desert tawny owls, and in 1986, he published a book, “Desert Birds of Israel.”
“Israel is one of the most amazing places in the world for birding,” says Martin. “Nobody knew that until I published a book in 1986. In America, you have only three species of eagles. In Israel, which is the size of New Jersey, we have about 12.”
After moving to Florida with his wife, Martin took a break from photography and—an innate creator—invented a new system to clean pet urine from oriental rugs. In 2008, after a chance encounter with a man at a dog park while walking his 172-pound Neopolitan Mastiff, he was drawn back into photography, joining a camera club.
“I went to the club, and everyone was taking regular pictures,” recalls Martin. “The digital camera came to the world, and everyone is taking pictures. My pictures would just be one of them. This is not what I want. This is not my style. I have to find something else.”
There was a competition in the club every Thursday to see who had taken the best photo that week. The first time Martin entered, his photo didn’t garner much attention. But the second time he did, the members took notice. Using Photoshop, he had combined images from multiple photographs he had taken, to create something different.
While Martin’s work received attention, acceptance was a different story. “The guy from the photography club said we are photographers and this is not photography. They didn’t accept it, so I left the club,” he says.
After leaving, Martin devoted himself fully to this emerging art form, and aetherography was born. “I’m the first one in the world making this new artwork,” he says—an assertion he supports through extensive research, including the use of ChatGPT, in search of anything resembling aetherography across the globe.
That sense of originality extends beyond technique into meaning. Each piece carries its own narrative, one Martin eagerly brings to life when he speaks about his work. “Everything that you do, you have to have a story,” he says. “What is the image for? What is the artwork for?”
Recently, he began the months-long application process to turn his home from a gallery into a museum. “This house will now become the Aetherography Museum,” enthuses Martin, who wants people to be able to experience this new art form in person.
While he wants to share his work and his stories with the public, he is still unsure about selling his pieces. “Right now I don’t sell any artwork. It’s mine, I love it,” explains Martin. “When I open the museum, it’s probably going to be different.”
Martin is currently working on a piece to honor the anniversary of the Marjory Stoneman Douglas High School shooting. He was across the street from the school that day and heard the gunfire. The artwork, which will be featured in the February issue of the Parklander, includes a golden eagle from a photograph he took in Israel in the 1980s. Above the eagle are 17 birds, each representing the 17 victims of the shooting. “This is a very powerful image with a lot of history in it,” says Martin, who is willing to donate the piece to the high school.
For more information, visit www.meirmartin.com.
