Category: Art & Entertainment

Posted on

Two talented young girls learn charity at an early age

For Eden Gross and Jorie Blake Rosen — two young South Florida residents — talent and charity go hand in hand. Both girls have a penchant for philanthropy, acting, and creating music.

Ten-year-old Parkland resident Eden Gross, a fourth-grade student at Donna Klein Jewish Academy (DKJA) in Boca Raton, along with her twin brother Jordan, sits on the philanthropy board of the DKJA Philanthropic Kids in Action.

“It’s a great initiative,” says Eden’s mom, Shirley Gross. “Every school should have it. They plant the seeds for kids to understand giving and become mensches and (wo)mensches.”

The board meets every week after school to focus on giving initiatives. During school hours, they visit other classrooms to present philanthropic topics as a way to engage their fellow students.

While both Eden and Jordan love music — Jordan plays the guitar and viola — Eden is more the extrovert who loves the spotlight and recently recorded her first song titled “Shadows on the Wall,” relaying a message of strength and of overcoming your fears.

Available on all music sites, the song costs $1.29, and as part of Eden’s philanthropic efforts, a portion of all sales will go to JAFCO (Jewish Adoption and Family Care Options) and Eagles Haven, a community wellness center created for the Marjory Stoneman Douglas−Parkland community.

Eden is dedicating this series of songs to kids who struggle with mental health issues, especially during the pandemic.

“I want kids to know that they can overcome fears by seeing the light,” she says, echoing the lyrics to her song. “And we shouldn’t listen to those voices that tell us we’re not good enough. Because we are.”

“Find the light inside you so you can shine and face your fears,” she says.

“Helping others means supporting them when they need it the most,” says Eden. “Nothing makes me feel better than knowing I was able to be there for them.”

Across town in Boca Raton, 9-year-old singer and actor Jorie Blake Rosen is also making her own music, with a song titled “Make Your Own Music.”

The fourth-grader at Morikami Park Elementary School in Delray Beach lost a number of acting roles she was up for once the quarantine started.

Not one to lay on the couch or feel sorry for herself, Jorie found a new love for writing music. To cope with her feelings during quarantine, she began writing down her feelings in a journal, which eventually turned into songs.

“You can start from the bottom but can go to the top — if you work hard, you will never stop,” Jorie sings on the single. “I can give you some lessons to sing, act, and dance; I can hold your hand; this is your chance to open a new door to something you haven’t done before.”

“Think about what you want to do because you … can make your own music,” goes the refrain, encouraging kids to follow their dreams.

The song, chosen as an artist pick on Spotify, was released in March on playitforward.com, and proceeds from the download will benefit the local South Florida chapter of the Make-A-Wish Foundation.

In the first two weeks, Jorie’s song raised $2,000. “Writing music helped Jorie find her voice, and start to smile again,” says her mom, Randi Rosen.

“In addition, we believe in paying it forward,” says Randi. “Each month, Jorie picks a ‘mitzvah’ project as a way to encourage her to be grateful and to give back to her community.”

“Over the years, she has worked with charities such as the Tri-County Animal Shelter, Toys for Tots, No Kid Hungry, and Mini Mitzvahs,” says Randi.

Additionally, during 2020, Jorie performed in a number of benefit concerts to raise money for the Actors Fund.

With the release of “Make Your Own Music,” Jorie knew she wanted to affiliate with a charity.

“My mom and I discussed a number of charities,” she says. “I chose Make-A-Wish Foundation because I love everything they do and I felt it connected well to my song.”

“‘Make Your Own Music’ is about following your heart and making your dreams come true,” says Jorie. “And the Make-A-Wish Foundation helps dreams come true for children, which is something I love.”

She hopes to put out her first album by the end of the summer and will look to connect her debut album to a charity as well.

“I know I am a very lucky girl,” says Jorie. “I look up to artists like Taylor Swift who perform many benefit concerts. I’m hoping I can do a lot of that by using my own voice and talents.”

For Eden Gross’s music, go to Amazon, Apple Music, Boomplay, MediaNet, YouTube Music, iTunes, or Spotify. Visit eagleshaven.org and jafco.org.

 

For Jorie Blake Rosen’s music, visit www.playitforward.com/projects/334 or https://wish.org.

Posted on

Actors 50 and over examine dementia and death

The Show Must Go On | Pigs Do Fly Productions

Actors 50 and over examine dementia and death

By Jan Engoren

With the emphatic moniker, Pigs Do Fly, Ellen Wacher, founder and producer of Pigs Do Fly Productions, wanted people to know, women (and men) of a certain age are still relevant.

“When pigs fly,” might be an ironic comment meant to convey the unlikeliness of something happening, but Pigs Do Fly stands for people over 50 living interesting, active lives, according to Wacher, a 60-something who founded the theatre company in 2014.

With a mission is to produce plays that highlight the actor over 50 as a viable, fully involved, full of life character, Wacher says she wants to engage the 100 million plus Americans who are over age 50 and are under-recognized by the marketers of other popular culture.

“We don’t do plays about dementia or death,” says Wacher from her home in Miami.  “I’m interested in vibrant, active people living their lives and pursuing their passions.”

All of the company’s plays focus on this demographic and feature actor over 50.  The company is a professional theatre company and all employees are paid.

Seven years ago, Wacher presented her first production, title, “Fifty Plus — A Celebration Of Life . . . As We Know It,” a collection of short plays featuring actors 50+, and focused on active folks of the same age group.

On March 6, 2020, Wacher’s latest production, “Helen on Wheels,” an original play by Oregon-based playwright Cricket Daniel premiered at the Empire Stage in Ft. Lauderdale, but was indefinitely postponed as theatres shut down due to the COVID-19 pandemic.

“I’d give my eye teeth to be back live,” says Wacher who is gauging things on a daily basis as to when the theatre might resume.

She’s also concerned, about whether her audience – also people of a certain age – will return.   Noting that many theatres and other arts venues have moved their programming on-line, Wacher defers, saying, “By definition, theatre is meant to be shared live and in person.”

A native of Miami, Wacher worked for the state of Florida as a teacher and lobbyist and retired with 30 years under her belt.

“I always wanted to be an actress,” Wachter remembers, “but didn’t have the courage to starve.  Eating and dressing nicely were always at the top of my list.”

So, once she retired, she decided to pursue her passion and appeared in local productions of Neil Simon’s “Rumors,” “The Sisters Rosensweig,” “Joseph Andrews” and “The False Witness.”

“Now I can do what I always wanted to do and not worry about the money,” she said.

However, it was a shock to learn that she had aged out of the commercial acting market.

“I didn’t fit the stereotype of what they wanted for older women,” she remembers.  “I got really mad and decided to start my own theatre company.  I didn’t have a clue what I was doing, but I was committed to the idea.”

“I was headstrong and determined,” Wacher says.  “I lucked out, found the right people and in spite of not knowing what I was doing, managed to get it done.”

“We picked plays, held auditions and the audiences came,” she says.  “I got positive feedback from my audience.”

Currently, Wacher is vice president of the SAG-AFTRA Miami local and as chair of the women’s committee, works on the need to better recognize actors (and audiences) over 50 in theater, television and film.

During the quarantine and pandemic, Wacher, despite eating what she says is a bit too much ice-cream, attended SAG Zoom meetings, watched reruns of Seinfeld (her favorite), Friends and Everyone Loves Raymond and founded the Miami Radio Players, a group of professional actors based in Miami, who perform live radio shows.

Once she gets the all-clear to resume productions, Wacher is ready to go with re-launches of two of her most popular productions – Daniel’s “Helen on Wheels” and an original comedy by playwright Jerry Mayer titled, “2 Across,” about the New York Times crossword puzzle and a chance encounter aboard a San Francisco BART train.

She also has her eye on mounting “The Savannah Sipping Society,” a comedy by Nicholas Hope, Jessie  Jones and  Jamie Wooten.

As one audience member proclaimed to Wacher, after a previous show, “Thank god someone’s doing something for people like us.”

 

Visit pigsdoflyproductions.com

Posted on

Civil War spawned our Memorial Day

By Ellen Marsden

Memorial Day is the end-of-May holiday that unofficially kicks off summer. But what is the holiday really about?

First, let’s clear up the confusion between Memorial Day and Veterans Day. Memorial Day, observed on the last Monday in May, commemorates those who died in military service to the country. Veterans Day, always observed on November 11, honors everyone who has or is serving the country, in wartime or peacetime.

Memorial Day started as a Civil War remembrance

While honoring those who have been killed in combat goes back to the ancient Greeks and Romans who marked their passing with public remembrances and decorating graves with flowers, our national holiday begins with the Civil War

Toward the end of the war, thousands of Union soldiers were held as prisoners of war in Charleston, South Carolina, at what was formerly a racetrack. Hundreds died from maltreatment, and they were buried in a mass grave there.

In May 1865, newly freed slaves, along with regiments of the U.S. black troops, gathered to honor and properly bury those soldiers. They sang hymns and put flowers on the graves.

Nearly 620,000 soldiers were killed in the Civil War. In May 1868, John A. Logan, Union general and commander-in-chief of the Union veterans group, the Grand Army of the Republic, called for a nationwide day of remembrance to be held yearly on May 30.

General Logan named it Decoration Day, and he called on citizens to put flowers and decorations on the graves of those who had died in the war. (Logan’s name may not be among the most prominent of the Union generals, but Logan Circle in Washington, D.C., is named after him.)

Over time, Memorial Day came to honor all of those lost in military service, not only in the Civil War. In 1968, Congress passed the Uniform Monday Holiday Act, and Memorial Day moved from the set observance on May 30, no matter what day of the week that fell on, to the last Monday in May. Memorial Day became a federal holiday in 1971.

 

Why poppies are a symbol of the holiday

World War I was raging in Europe in 1915 when Canadian soldier and surgeon John McCrae was serving in Belgium. Inspired by the bright red poppies growing in Flanders Fields (located in southern Belgium and northwest France), despite the bleak and brutal battles there, he wrote “In Flanders Fields,” a poem giving voice to the dead soldiers lying beneath the flower-covered ground.

A few years later, Moina Michael — a professor at the University of Georgia and a volunteer at the training headquarters for YWCA overseas workers — who had read McCrae’s poem, was moved to write her own poem commemorating those who had died at Flanders Fields. She, too, referenced poppies in her poem, “We Shall Keep the Faith.”

After the war, realizing there was a need to support disabled veterans, Michael championed the selling of silk poppies to help raise funds. As a result, a movement began to make wearing a red poppy a symbol of remembrance on Memorial Day. Through the years, the symbolism has extended to represent all veterans, so wearing a poppy on Veterans Day has become common as well.

 

Memorial Day today

For many of us, Memorial Day is a fun day of traditions celebrated with parades, long weekend vacations, barbeques and get-togethers with friends and family. But there are more formal traditions as well. Flags are supposed to be flown at half-staff until noon and then raised.

And by congressional legislation passed in 2000, at 3 p.m. local time on Memorial Day, Americans are encouraged to think about the meaning of the holiday during the National Moment of Remembrance.

Wishing you a happy and meaningful Memorial Day.

 

 

In Flanders Fields

 

In Flanders fields the poppies blow

Between the crosses, row on row,

That mark our place; and in the sky

The larks, still bravely singing, fly

Scarce heard amid the guns below.

 

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

Loved and were loved, and now we lie

In Flanders fields.

 

Take up our quarrel with the foe:

To you from failing hands we throw

The torch: be yours to hold it high.

If ye break faith with us who die

We shall not sleep, though poppies grow

In Flanders fields.

⎯John McCrae, May 1915

 

 

We Shall Keep the Faith

 

Oh! You who sleep in Flanders Fields,

Sleep sweet ⎯ to rise anew!

We caught the torch you threw

And holding high, we keep the Faith

With All who died.

 

We cherish, too, the poppy red

That grows on fields where valor led;

It seems to signal to the skies

That blood of heroes never dies,

But lends a luster to the red

Of the flower that blooms above the dead

In Flanders Fields.

 

And now the Torch and Poppy Red

We wear in honor of our dead.

Fear not that ye have died for naught;

We’ll teach the lesson that ye wrought

In Flanders Fields.

⎯Moina Michael, November 1918

Posted on

May the Fourth be with you!

By Sheryl Dunn

Stories from the Star Wars universe have been delighting and enthralling fans young and old alike since “A New Hope” first debuted in 1977. “May the force be with you” became a catchphrase, and eventually, as with many things on the internet ⎯ a pun and a holiday were born.

May the Fourth be with you! Regardless of your opinions on the prequels (Episodes I through III) and sequels (Episodes VII through IX), the popularity of the Star Wars franchise continues with the Star Wars: Galaxy’s Edge attraction at Disney’s Hollywood Studios in Orlando and with “The Mandalorian,” the TV show on Disney+.

However, you don’t have to travel all the way to Orlando and brave the crowds just to have some Star Wars−themed fun. Even though May 4th is a Tuesday this year, you can still have fun dressing up at school, at work, or at home and having watch parties with your friends and family.

What can hard-core Star Wars fans do if they want to up their costume game or meet other diehards? There are, in fact, international, nonprofit social clubs ⎯ the 501st Legion and the Rebel Legion ⎯ with local chapters in South Florida. Founded in 1997, the 501st Legion is an international, 501(c)(7), nonprofit social club first organized by Albin Johnson. As of April 2, 2021, they have 14,188 members in 69 countries. In Florida, there are 602 members who make up the Florida Garrison. The garrison is further divided into five squads with South Florida covered by the Everglades Squad, which was first founded in 2003.

Since then, the 501st has participated in thousands of events and currently has 101 active members in its service. Active members are defined as those members who participate in at least one event, or “troop,” per year; complete their annual organizational census; and own, via building or commissioning, at least one screen-accurate costume that has been reviewed and approved according to specifications listed in the costume reference libraries (CRLs). These CRLs include not only stormtroopers, but also any antagonist or morally gray character from the Star Wars galaxy.

In January 2000, in response to the rise of the 501st, and wanting to celebrate the heroes of the Star Wars galaxy, the Rebel Legion was officially founded by Tony Troxell, Richard Fairbrother, Doug Fesko, and Ed O’Connell.

The 501st Legion and the subunits thereof have three primary missions: (1) to promote interest in Star Wars, (2) to facilitate the use of costumes, and (3) to contribute to a variety of charitable causes. To accomplish these missions, they attend various private and community events throughout the year at no charge to event organizers. For private events, they generally encourage organizers to donate any amount to a charity of the organizer’s choosing in the 501st Legion’s name. This request is by no means mandatory, though. For public events, the 501st Legion visits libraries, schools, children’s hospitals, fundraising initiatives, weddings, birthday parties, comic conventions, municipal parades, movie premieres, select Disney events, and many more. In 2019, prior to the pandemic, the Everglades Squad attended approximately 142 different events in South Florida throughout the year.

For more information, visit the following websites:

The 501st Legion is a worldwide Star Wars costuming organization comprised of and operated by Star Wars fans. While it is not sponsored by Lucasfilm Ltd., it follows generally accepted ground rules for Star Wars fan groups. Star Wars, its characters, costumes, and all associated items are the intellectual property of Lucasfilm.©™ Lucasfilm Ltd. All rights reserved. Used under authorization.

Posted on

Let’s Fiesta! – A Cinco de Mayo collaboration

Let’s Fiesta! – A Cinco de Mayo collaboration

By Rachel Hunter

Owner of Celebrate You Events offering bespoke party planning for all occasions.

Tel: 305.389.0550

CelebrateYou2020@gmail.com

While Cinco de Mayo originated as an historic battle won in the city of Puebla, Mexico, here in the US, it has become a celebration of Mexican heritage. So, grab your sombreros and get ready to party! Here are some family-friendly ideas to liven up your hump day.

A few days before the holiday, get the kids involved in creating the decorations. The local dollar store has tons of seasonal, inexpensive crafts. Make them together, or give them the tools and enjoy a few minutes of downtime. (Wishful thinking, I know!)

On the actual day, I like to set up a festive kids table with more activities. Don’t put the Easter eggs away just yet! Save a few for them to make their own maracas. Simply have them put dried beans inside the egg, grab a couple spoons and secure the egg in the spoons with some colorful tape. They’ll enjoy decorating them as well as dancing around afterwards with their new musical instrument. I also found a free, downloadable Cinco de Mayo themed “I Spy” for them to play. Throw in some adorable avocado cookies, and you’ll have some happy kids!

While the kids are busy with their crafts, make yourself a well-earned margarita. Instead of a salted rim try using Tajin for extra bite. Order food from your favorite Mexican restaurant, or whip up some quick fajitas like we did. But be sure to treat yourself to some almost-too-cute-to-eat sweets like these festive cookies and stunning cakes. Believe me, these coconut lime cactus cupcakes will not disappoint.

 

Stay safe and enjoy your Cinco de Mayo!

 

For information on any of these activities contact:

Rachel Hunter of Celebrate You Events (IG: @celebrate.you.events) – Concept creation, party styling & banners

Kelley Jomant of Caked with Love by Kelley Inc (IG: @cakedwithlovebykelleyinc) – Custom cakes

Ana Ortiz of AO Craft Décor (IG: @aocraftdecor) – Extra-large paper flowers

Claudia Ovalle of Claumellows (IG: @claumellows) – Custom cookies

Crystal Aguila of Riley Black Designs (IG: @rileyblackdesigns) – Custom signs & acrylic lime wedges

Posted on

Road Tripping in Florida

By Amy Martin

If you’ve ever had dreams of swinging high beneath the big top, or if
you’ve ever been bemused by circus-themed-historical-Americana,
look no further than our own backyard.

In 1884, five Ringling brothers launched their first circus in Baraboo,
Wisconsin. They traveled town to town, like many other small circuses,
using animal-drawn caravans. The circus grew, and shortly after their
debut, they were soon able to transport their circus by train, bringing
“oohs” and “ahhs” far and wide across the entire country.

The Ringling Bros. purchased the Barnum & Bailey Greatest Show
on Earth in 1907 and operated the circuses separately until 1919.
Combined in the 1930s, Ringling Bros. and Barnum & Bailey Circus
became the largest and most renowned circus in the world.

The Ringling Estate in Sarasota is an homage to our American culture
— and to our adoration of thrill-seeking entertainment and amusement.

The property includes multiple sites of interest: The John and Mable
Ringling Museum of Art (the official state art museum of Florida),
Ringling’s mansion Ca’ d’Zan (Venetian for “House of John”), the
Circus Museum, the historic Asolo Theater, the Tibbals Learning
Center, the Ringling Art Library, Mable Ringling’s Rose Garden, the
Secret Garden, the Dwarf Garden, Bayfront Garden Tours, the FSU
Center for the Performing Arts, and the gravesites of John and Mable
Ringling.

The Ringling Estate encourages artists to use the grounds as an
inspirational space to make art, asking only that posted guidelines are
respected.

Just a hop, skip, and swing away from Parkland, you’ll be there in 3.25
hours.

While you’re visiting Sarasota, you may want to check out these
other electrifying acts:
Take a class and fly trapeze at the school of circus arts, and/or see a
show. https://circusarts.org/flyingtrapeze/
Drive one hour north of Sarasota to Gibsonton to visit the community
of retired circus and carnival performers.
https://en.wikipedia.org/wiki/Gibsonton,_Florida

Posted on

London to Parkland: Curiosity led him to a career as a singer, filmmaker

By Julie Rosner

He’s a Parkland resident now, but filmmaker and singer Menachem Weinstein was born and raised in Stamford Hill, London, into an ultra-orthodox Jewish family. He, along with students like himself, went to segregated schools and never received a full English education.

Weinstein, 29, was a creative kid. By the age of 13 he became curious and wondered what the rest of the world was like. “We didn’t have television or internet. We had a shielded life. I would see non-Jewish people walking down the street and wonder what their life was like. It was like an outside world,” Weinstein said.

When he turned 14, Weinstein rebelled and started buying his own jeans and acting up in class. “I didn’t know what was out there, but I wanted to explore and find out. It was always a question.” According to Menachem, he would question everything and give his teachers a hard time.

During those rebellious years, Menachem believes they were tough, but magical. “It put a lot of stress on my family and our relationship. I met so many new friends and new types of music. I really started to educate myself. And I learned about history,” Weinstein said. Eventually, as he reached the age of 18, things started to spiral.

Menachem did not have any direction or education. “It came to a point where I lost all my friends, started to get addicted to drugs. I came to a real point where I had to make some serious life choices,” Weinstein said.

Through it all, the only pathway that he found helpful to figure it all out was music. “I started to write down my thoughts and feelings, transferred them into poems and then music,” Weinstein remarked.

Despite his actions during his rebellious years, Menachem’s mother was supportive of his music. “My mother thought my creative outlet was healthy for me and would help me along the line. She spotted something in me before anyone else and pushed me to go forward,” Weinstein said.

From that point on, at the age of 19, Menachem entered a Jewish competition worldwide. He had to submit a video, which followed with an online voting process. After the votes were in, Menachem was flown to New York to perform in front of 3,000 people. From this experience, he started to take his music more seriously. “Being thrown in the deep end so early on helped me transition my life…I decided I wanted to do something with my life. No more drugs. I wanted to be productive,” Menachem said.

Unfortunately, with no education, it was hard to launch a career. Menachem went back to his community and started filming and recording a music video. He had no idea what he was doing. He borrowed his friend’s camera and used YouTube tutorial videos to figure it out. At the same time, he was shaping up his life and getting clean. He worked with at-risk teens organizing programs
to help take them off the street.

As time progressed, Menachem left the youth work and got serious with video production. He created commercials for a few travel companies. After he made some money, Menachem purchased his own camera. He landed a gig producing a music video for $25,000 for Jewish artists in Northern California.

“They flew me out to California for a massive shoot and I had a crew of 20 people working underneath me…The morning of filming I woke up and I felt like a fraud. I had no education and somehow, they were all waiting for me to get ready and start running this film set. I was freaked out. I took a few deep breaths and played the part. I faked it until I made it,” Weinstein said.

From that point on, Menachem got more and more job offers and moved to New York, where he opened up a successful media company called Munch Media. It became one of the top Jewish media production companies in Brooklyn. He performed in the United Kingdom, Amsterdam, New York, New Jersey, and Belgium. “Music was always a passion project,” Menachem said.

Today, Menachem is married and living in Parkland, Florida with his wife and 2-year-old son, Danny. “My wife was the person who was able to lead me into a much healthier place and help me unleash my potential,” Weinstein said.

In March, he accepted an offer to be a director of marketing for a tech company in Miami. Weinstein recently released a music video called “Highway” where he sings about the struggles to fi nd light in the darkness and finding the one person who changes everything for the positive. “I dedicated my new song to the special people who showed me love and guided me towards a path of creativity, productivity, and opened a doorway for me to see my religion and community in a new light,” Weinstein said.

“My whole life has been a winding road. Everyone’s life is a highway,” Weinstein said. “I have had ditches and turns, but for the first time in my life, moving to Parkland, I sit and think, this is it. This is where I can grow old and grow my family.”

Posted on

Organize your work area at home

Creating an organized work area at home is essential to make your space productive and efficient. Here are a few tips to help you achieve your goals:

If possible, set up your workspace where you have ample natural light. Surround yourself with things that make you comfortable and happy such as pictures, candles, and plants. Simplicity is key – try to keep your workspace simple and uncluttered by placing your office essentials in desktop organizers. To keep power and network cables at bay, use power strips and cable wraps or ties to keep them out of sight. Move valuables and keepsakes to shelves so they are out of harm’s way.

Utilize a filing cabinet, rolling file cart, desktop sorter, or file box to store important documents. Organize your paperwork by type and category so they are easily accessible. Also consider the frequency of access when creating your filing system. To maximize the usefulness of your system, consider scanning and storing your documents electronically in a secure online service for universal access.

Set the mood for your workspace to inspire productivity and your creative juices will start to flow!

Lisa Haubenstock is a professional organizer and the owner of LisaTheOrganizer, LLC. Serving Broward, Miami-Dade, and Palm Beach Counties.

Posted on

‘Closer Than Ever’ in a time of social distance

With the on-going blackout of Broadway, live theatre in New York and around the country has taken a hit since March when the COVID-19 pandemic began.

While many actors, singers, and dancers (not to mention directors, producers, technical staff , etc.) were on hiatus, theaters were searching for a way to remain relevant and keep their actors and staff employed.

Boca Raton-based MNM Theatre Company, a non-profit theatre company which has been producing professional musical theatre in Palm Beach County since 2014, was in residence at the Rinker Playhouse at the Kravis Center for the Performing Arts in West Palm Beach prior to the pandemic.

In 2019 the company produced “Man of La Mancha,” and “A Funny Thing Happened on the Way to the Forum,” both large-scale productions.

When the quarantine hit, MNM was in rehearsal for a production of the musical, “Cabaret” and one week prior to opening night last March, had to lay off 65 staff.

“No one really knows what the future of live theatre looks like,” says Marcie Gorman, CEO of MNM Theatre Company. “Will live theatre return to a full-house? Will it be half or quarter capacity? Will the audience return? Will it be safe?”

It was questions like this that kept Gorman up at night and prompted her and her staff to reinvent their stage productions.

She and her director, Jonathan Van Dyke, came up with what they call a “hybrid” – streaming their live production, which was produced following safety and CDC protocols and utilizing “projections” (or, graphics) to enhance the experience.

For example, if a couple was supposed to touch or hug following the script, they did not touch in real-life, but the f lm production was edited to seem as if they were hugging or touching.

“We followed strict protocols throughout the process and were constantly mindful of the health and well-being of our cast and our crew,” says Gorman, a South Florida native. “COVID testing, masks, cleaning, and sanitizing – we did it all constantly.”

“But,” she says, “what’s so wonderful is that we created and performed live theatre that we will be able to share with a worldwide audience.”

“It’s not just a film, not just a live show, and not just a series of projections,” says Gorman, noting that the filming was shot using multiple cameras and angles over a span of five days in their Boca Raton warehouse/studio. “It’s a combination of all three and as far as we know, no one has ever done anything like it before.”

Most recently, they used these techniques in their production of composer David Shire and lyricist Richard Maltby Jr.’s musical song cycle, “Closer Than Ever,” a lively and fast-paced musical revue starring Aaron Bower, Johnbarry Green, and Carbonell Award-winners Shelley Keelor and Elijah Word, exploring the everyday struggles such as second marriages, aging, mid-life crises, working couples, and unrequited love in the modern world.

“Our director, Jonathan Van Dyke, has developed an innovative theatrical hybrid that marries live performances with video, audio, and projections,” says Gorman. “The result is an exciting and creative way to create live theatre during the pandemic.”

“The integrated projections allow for intimate onstage moments,” says Van Dyke on the company’s website. “The actors were each green-screened separately and the results were edited for projection, so they appear to interact with one another, even as they social distance.”

After watching the production on-line, composer Shire wrote in an email to Gorman, “The performances were honest and great, the musical direction, staging, production design, choreography all first rate, and your direction and overall conception of how to present “Closer Than Ever” and keep it COVID-safe were truly impressive.”

Additionally, on their website mnmtheatre.org, the theatre company has a project called #MNMSings, where former cast members and alumni share their favorite numbers from the production in which they starred.

Currently, Shelley Keelor sings her favorite, “Back on Base,” from “Closer Than Ever,” (“My scattered life had no foundation. Couldn’t seem to fi nd my space. Then all at once came inspiration. Now I’m back on base.”)

Gorman says it’s a way for the actors to stay involved, connect with the audience, and remain in people’s consciousness during these trying times.

As a producer, former actor and singer — Gorman describes herself as “very involved and a hands-on producer.”

“I’m at every show,” she says. “I’ve never missed one. Even when the director leaves after a production, I’m still there.”

“It’s an adrenaline rush and a chance for me to bond with the actors,” she says. “I love mentoring them, being a part of the production, watching them perform and revel when they go on to do something bigger and better.”

“It’s all about the connections with people that has made it all worthwhile,” she says. “That’s my thing. I love theatre!”

Visit https://www.mnmtheatre.org/ or on Facebook https://www.facebook.com/mnmtheatrecompany

Clips from “Closer Than Ever” can be viewed on their website https://www.mnmtheatre.org 

 

Posted on

Parklander Podcast Episode #15

Joining us for this episode is the owner of SoundsSweet Entertainment (www.soundssweetent.com) – David Brownstein.  They create  live moments into lasting memories.

You can reach him via email: info@soundssweetent.com.   Or on Instagram and twitter, his  handle is @soundssweetnews

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | RSS

Posted on

No ‘Plan B’ for Parkland country singer

With no Plan B on the horizon, Parkland resident and indie-pop country music singer Liddy Clark, 22, knows who she is and where she’s going.

Currently a senior at the Thornton School of Music at USC in Los Angeles, Clark is home with her parents and two younger brothers in Parkland for the summer, where she has a home recording studio.

Making the most of the COVID-19 quarantine, Clark is busy working on her music, taking her dogs for walks at the Parkland dog park, bicycling, and reading Paulo Coelho’s “The Alchemist.”

“It’s all about the music for me,” says Clark. “I thrive in creative environments, and I have a unique way of transmitting my message in a way that hasn’t been done before.”

Singing since the age of seven, when she realized she had perfect pitch, Clark appeared in a talent show performing ‘Colors of the Wind,’ from the Disney movie Pocahontas at the former Day School in Coral Springs.

After taking vocal lessons and learning to play the guitar at age 12, Clark says, “Things snowballed from there.”

She started writing her own songs at age 13 and at 15 studied at Boston’s Berklee College of Music summer program for three years in a row.

At 17, she earned a scholarship to Berklee’s five-week Summer Performance Program, one of the most distinguished summer musical performance programs in the country, and landed a coveted spot in the school’s Singer-Songwriter Showcase, with professor and singer/ songwriter Melissa Ferrick.

According to Ferrick, Clark “writes award-winning lyrics.”

With her warm, soulful voice and from-the-heart lyrics, Clark is an advocate for change through her music. In 2018, she released “Shot Down (Stand Up),” about the shooting at Marjory Stoneman Douglas, a call to action for her generation of students plagued by gun violence.

That same year, Clark released her debut EP, Testing the Waters: a selection of original songs, showcasing her indie-pop take on country music.

The highlight of her career to date has been the gap year she took between high school and college, where she toured radio stations, including Spotify and iHeartRadio, meeting with program directors. She played the Country Music Hall of Fame appearing after Garth Brooks and likes to say he opened for her.

Locally, Clark has played in and around Parkland for the past five years and had her first paying gig at the Parkland Amphitheatre in Pinetrails Park. In 2015, she played at the ribbon-cutting ceremony for the Ballfields opening during the last phase of the building of that same park.

“Liddy is a wonderful representative for the City of Parkland,” says Mayor Christine Hunschofsky. “She has graciously volunteered her time and talents over the years for many local performances.”

“As a community, we’re so happy to have been able to observe and be a part of Liddy’s growth as a musician/songwriter, and as a young woman, and know she has an exciting future ahead of her,” Hunschofsky says.

A former competitive cheerleader, Clark spent a lot of time driving from school to school with her mom listening to a variety of music, including Shania Twain, John Mayer, Ed Sheeran, and Taylor Swift. All of them, she considers influenced her musical style.

Other role models include her parents, “especially my dad who pushes me always to be a better version of myself,” says Clark.

She has a single coming out in October and hopes to also release an album and go on tour. After college, she plans to stay either in Los Angeles or relocate to Nashville.

About Parkland, she says, “I’m just so thankful to grow up here in Parkland. It’s such a nice city with such great people.”

Visit liddyclark.com for more information.

By Jan Engoren

Posted on

Local author tackles timely social issues

Not one to shy away from tough social issues of the day, Boynton Beach author Robert Brink tackles racism, police brutality and issues of legal justice in his latest legal thriller, “Blood on their Hands,” set in South Florida.

Inspired by a true-life meeting with a black man who came to repair his computer and recounted a story of being roughed up by the police for sporting an Obama bumper-sticker, Brink uses the incident as the catalyst for his suspense-filled narrative that is at once compelling and surprisingly humorous.

“This is a tale replete with both pathos and humor, steeped in sex, suspense, intrigue, and violence all leavened by a tragic love affair,” says Brink. “Perhaps most important, it is a story of redemption.”

Brink took inspiration from two of his favorite films, the 2008 Clint Eastwood film, “Gran Torino” and the 1992 classic, “My Cousin Vinnie,” (“my favorite comedy of all time”) starring Joe Pesci and Marisa Tomei. He borrowed themes from both films and used them as inspiration for this novel.

Brink’s previous books include the coming-of-age novel “Breaking Out,” “The Way It Was: Short Stories and Tall Tales,” and “A Tale of Two Continents,” a ghost-written memoir.

“I’m fascinated by true crime stories,” says Brink, whose last book was “Murder in Palm Beach: The Homicide That Never Died,” about a Standard

Oil career executive, Richard Kreusler, who was gunned down at the front door of his Palm Beach home in 1976.

In “Blood on Their Hands,” a racist attorney (Hiram Garbuncle) eventually finds redemption when he defends his client, an immigrant from Trinidad, brutally beaten by police. While it goes against the defense attorney’s grain to defend a black man from a charge of violently resisting arrest, he discovers incriminating evidence on the two cops, and rises to the challenge to keep himself and his client alive pending a new trial.

With police shootings of unarmed black men making headlines on a regular basis, “Blood on Their Hands” is a timely exploration of how bigoted feelings and perceptions play a role in racial profiling.

“It personalizes the issue of racial discrimination, helping the reader to comprehend the makeup of a bigot,” Brink says. “The book also provides a glimpse into how the legal system may be stacked against minority members of our society.”

Brink exploits a quirk in criminal law and his character makes use of this controversial tactic, one in which the defense attorney serves as a witness for the defendant.

“It’s very rare, but can be done,” says Brink, who spent hours researching the issue and speaking to criminal attorneys about the issue.

A mid-westerner by birth and temperament, Brink is a former journalist and worked for the Palm Beach Post where he covered police and criminal trials. He’s also written for Palm Beach Illustrated magazine and The Associated Press in Chicago.

Brink received two offers from traditional publishers and chose Touchstone Press he says, because several of their authors have won awards.

What advice does he have for other would-be authors?

“Get the basics right first, and move on to such salient elements as showing versus telling, point of view (which still baffles me), and command of dialogue.”

By Jan Engoren

Proudly powered by WordPress