Category: Art & Entertainment

Posted on

Road Tripping in Florida

By Amy Martin

If you’ve ever had dreams of swinging high beneath the big top, or if
you’ve ever been bemused by circus-themed-historical-Americana,
look no further than our own backyard.

In 1884, five Ringling brothers launched their first circus in Baraboo,
Wisconsin. They traveled town to town, like many other small circuses,
using animal-drawn caravans. The circus grew, and shortly after their
debut, they were soon able to transport their circus by train, bringing
“oohs” and “ahhs” far and wide across the entire country.

The Ringling Bros. purchased the Barnum & Bailey Greatest Show
on Earth in 1907 and operated the circuses separately until 1919.
Combined in the 1930s, Ringling Bros. and Barnum & Bailey Circus
became the largest and most renowned circus in the world.

The Ringling Estate in Sarasota is an homage to our American culture
— and to our adoration of thrill-seeking entertainment and amusement.

The property includes multiple sites of interest: The John and Mable
Ringling Museum of Art (the official state art museum of Florida),
Ringling’s mansion Ca’ d’Zan (Venetian for “House of John”), the
Circus Museum, the historic Asolo Theater, the Tibbals Learning
Center, the Ringling Art Library, Mable Ringling’s Rose Garden, the
Secret Garden, the Dwarf Garden, Bayfront Garden Tours, the FSU
Center for the Performing Arts, and the gravesites of John and Mable
Ringling.

The Ringling Estate encourages artists to use the grounds as an
inspirational space to make art, asking only that posted guidelines are
respected.

Just a hop, skip, and swing away from Parkland, you’ll be there in 3.25
hours.

While you’re visiting Sarasota, you may want to check out these
other electrifying acts:
Take a class and fly trapeze at the school of circus arts, and/or see a
show. https://circusarts.org/flyingtrapeze/
Drive one hour north of Sarasota to Gibsonton to visit the community
of retired circus and carnival performers.
https://en.wikipedia.org/wiki/Gibsonton,_Florida

Posted on

London to Parkland: Curiosity led him to a career as a singer, filmmaker

By Julie Rosner

He’s a Parkland resident now, but filmmaker and singer Menachem Weinstein was born and raised in Stamford Hill, London, into an ultra-orthodox Jewish family. He, along with students like himself, went to segregated schools and never received a full English education.

Weinstein, 29, was a creative kid. By the age of 13 he became curious and wondered what the rest of the world was like. “We didn’t have television or internet. We had a shielded life. I would see non-Jewish people walking down the street and wonder what their life was like. It was like an outside world,” Weinstein said.

When he turned 14, Weinstein rebelled and started buying his own jeans and acting up in class. “I didn’t know what was out there, but I wanted to explore and find out. It was always a question.” According to Menachem, he would question everything and give his teachers a hard time.

During those rebellious years, Menachem believes they were tough, but magical. “It put a lot of stress on my family and our relationship. I met so many new friends and new types of music. I really started to educate myself. And I learned about history,” Weinstein said. Eventually, as he reached the age of 18, things started to spiral.

Menachem did not have any direction or education. “It came to a point where I lost all my friends, started to get addicted to drugs. I came to a real point where I had to make some serious life choices,” Weinstein said.

Through it all, the only pathway that he found helpful to figure it all out was music. “I started to write down my thoughts and feelings, transferred them into poems and then music,” Weinstein remarked.

Despite his actions during his rebellious years, Menachem’s mother was supportive of his music. “My mother thought my creative outlet was healthy for me and would help me along the line. She spotted something in me before anyone else and pushed me to go forward,” Weinstein said.

From that point on, at the age of 19, Menachem entered a Jewish competition worldwide. He had to submit a video, which followed with an online voting process. After the votes were in, Menachem was flown to New York to perform in front of 3,000 people. From this experience, he started to take his music more seriously. “Being thrown in the deep end so early on helped me transition my life…I decided I wanted to do something with my life. No more drugs. I wanted to be productive,” Menachem said.

Unfortunately, with no education, it was hard to launch a career. Menachem went back to his community and started filming and recording a music video. He had no idea what he was doing. He borrowed his friend’s camera and used YouTube tutorial videos to figure it out. At the same time, he was shaping up his life and getting clean. He worked with at-risk teens organizing programs
to help take them off the street.

As time progressed, Menachem left the youth work and got serious with video production. He created commercials for a few travel companies. After he made some money, Menachem purchased his own camera. He landed a gig producing a music video for $25,000 for Jewish artists in Northern California.

“They flew me out to California for a massive shoot and I had a crew of 20 people working underneath me…The morning of filming I woke up and I felt like a fraud. I had no education and somehow, they were all waiting for me to get ready and start running this film set. I was freaked out. I took a few deep breaths and played the part. I faked it until I made it,” Weinstein said.

From that point on, Menachem got more and more job offers and moved to New York, where he opened up a successful media company called Munch Media. It became one of the top Jewish media production companies in Brooklyn. He performed in the United Kingdom, Amsterdam, New York, New Jersey, and Belgium. “Music was always a passion project,” Menachem said.

Today, Menachem is married and living in Parkland, Florida with his wife and 2-year-old son, Danny. “My wife was the person who was able to lead me into a much healthier place and help me unleash my potential,” Weinstein said.

In March, he accepted an offer to be a director of marketing for a tech company in Miami. Weinstein recently released a music video called “Highway” where he sings about the struggles to fi nd light in the darkness and finding the one person who changes everything for the positive. “I dedicated my new song to the special people who showed me love and guided me towards a path of creativity, productivity, and opened a doorway for me to see my religion and community in a new light,” Weinstein said.

“My whole life has been a winding road. Everyone’s life is a highway,” Weinstein said. “I have had ditches and turns, but for the first time in my life, moving to Parkland, I sit and think, this is it. This is where I can grow old and grow my family.”

Posted on

Organize your work area at home

Creating an organized work area at home is essential to make your space productive and efficient. Here are a few tips to help you achieve your goals:

If possible, set up your workspace where you have ample natural light. Surround yourself with things that make you comfortable and happy such as pictures, candles, and plants. Simplicity is key – try to keep your workspace simple and uncluttered by placing your office essentials in desktop organizers. To keep power and network cables at bay, use power strips and cable wraps or ties to keep them out of sight. Move valuables and keepsakes to shelves so they are out of harm’s way.

Utilize a filing cabinet, rolling file cart, desktop sorter, or file box to store important documents. Organize your paperwork by type and category so they are easily accessible. Also consider the frequency of access when creating your filing system. To maximize the usefulness of your system, consider scanning and storing your documents electronically in a secure online service for universal access.

Set the mood for your workspace to inspire productivity and your creative juices will start to flow!

Lisa Haubenstock is a professional organizer and the owner of LisaTheOrganizer, LLC. Serving Broward, Miami-Dade, and Palm Beach Counties.

Posted on

‘Closer Than Ever’ in a time of social distance

With the on-going blackout of Broadway, live theatre in New York and around the country has taken a hit since March when the COVID-19 pandemic began.

While many actors, singers, and dancers (not to mention directors, producers, technical staff , etc.) were on hiatus, theaters were searching for a way to remain relevant and keep their actors and staff employed.

Boca Raton-based MNM Theatre Company, a non-profit theatre company which has been producing professional musical theatre in Palm Beach County since 2014, was in residence at the Rinker Playhouse at the Kravis Center for the Performing Arts in West Palm Beach prior to the pandemic.

In 2019 the company produced “Man of La Mancha,” and “A Funny Thing Happened on the Way to the Forum,” both large-scale productions.

When the quarantine hit, MNM was in rehearsal for a production of the musical, “Cabaret” and one week prior to opening night last March, had to lay off 65 staff.

“No one really knows what the future of live theatre looks like,” says Marcie Gorman, CEO of MNM Theatre Company. “Will live theatre return to a full-house? Will it be half or quarter capacity? Will the audience return? Will it be safe?”

It was questions like this that kept Gorman up at night and prompted her and her staff to reinvent their stage productions.

She and her director, Jonathan Van Dyke, came up with what they call a “hybrid” – streaming their live production, which was produced following safety and CDC protocols and utilizing “projections” (or, graphics) to enhance the experience.

For example, if a couple was supposed to touch or hug following the script, they did not touch in real-life, but the f lm production was edited to seem as if they were hugging or touching.

“We followed strict protocols throughout the process and were constantly mindful of the health and well-being of our cast and our crew,” says Gorman, a South Florida native. “COVID testing, masks, cleaning, and sanitizing – we did it all constantly.”

“But,” she says, “what’s so wonderful is that we created and performed live theatre that we will be able to share with a worldwide audience.”

“It’s not just a film, not just a live show, and not just a series of projections,” says Gorman, noting that the filming was shot using multiple cameras and angles over a span of five days in their Boca Raton warehouse/studio. “It’s a combination of all three and as far as we know, no one has ever done anything like it before.”

Most recently, they used these techniques in their production of composer David Shire and lyricist Richard Maltby Jr.’s musical song cycle, “Closer Than Ever,” a lively and fast-paced musical revue starring Aaron Bower, Johnbarry Green, and Carbonell Award-winners Shelley Keelor and Elijah Word, exploring the everyday struggles such as second marriages, aging, mid-life crises, working couples, and unrequited love in the modern world.

“Our director, Jonathan Van Dyke, has developed an innovative theatrical hybrid that marries live performances with video, audio, and projections,” says Gorman. “The result is an exciting and creative way to create live theatre during the pandemic.”

“The integrated projections allow for intimate onstage moments,” says Van Dyke on the company’s website. “The actors were each green-screened separately and the results were edited for projection, so they appear to interact with one another, even as they social distance.”

After watching the production on-line, composer Shire wrote in an email to Gorman, “The performances were honest and great, the musical direction, staging, production design, choreography all first rate, and your direction and overall conception of how to present “Closer Than Ever” and keep it COVID-safe were truly impressive.”

Additionally, on their website mnmtheatre.org, the theatre company has a project called #MNMSings, where former cast members and alumni share their favorite numbers from the production in which they starred.

Currently, Shelley Keelor sings her favorite, “Back on Base,” from “Closer Than Ever,” (“My scattered life had no foundation. Couldn’t seem to fi nd my space. Then all at once came inspiration. Now I’m back on base.”)

Gorman says it’s a way for the actors to stay involved, connect with the audience, and remain in people’s consciousness during these trying times.

As a producer, former actor and singer — Gorman describes herself as “very involved and a hands-on producer.”

“I’m at every show,” she says. “I’ve never missed one. Even when the director leaves after a production, I’m still there.”

“It’s an adrenaline rush and a chance for me to bond with the actors,” she says. “I love mentoring them, being a part of the production, watching them perform and revel when they go on to do something bigger and better.”

“It’s all about the connections with people that has made it all worthwhile,” she says. “That’s my thing. I love theatre!”

Visit https://www.mnmtheatre.org/ or on Facebook https://www.facebook.com/mnmtheatrecompany

Clips from “Closer Than Ever” can be viewed on their website https://www.mnmtheatre.org 

 

Posted on

Parklander Podcast Episode #15

Joining us for this episode is the owner of SoundsSweet Entertainment (www.soundssweetent.com) – David Brownstein.  They create  live moments into lasting memories.

You can reach him via email: info@soundssweetent.com.   Or on Instagram and twitter, his  handle is @soundssweetnews

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | RSS

Posted on

No ‘Plan B’ for Parkland country singer

With no Plan B on the horizon, Parkland resident and indie-pop country music singer Liddy Clark, 22, knows who she is and where she’s going.

Currently a senior at the Thornton School of Music at USC in Los Angeles, Clark is home with her parents and two younger brothers in Parkland for the summer, where she has a home recording studio.

Making the most of the COVID-19 quarantine, Clark is busy working on her music, taking her dogs for walks at the Parkland dog park, bicycling, and reading Paulo Coelho’s “The Alchemist.”

“It’s all about the music for me,” says Clark. “I thrive in creative environments, and I have a unique way of transmitting my message in a way that hasn’t been done before.”

Singing since the age of seven, when she realized she had perfect pitch, Clark appeared in a talent show performing ‘Colors of the Wind,’ from the Disney movie Pocahontas at the former Day School in Coral Springs.

After taking vocal lessons and learning to play the guitar at age 12, Clark says, “Things snowballed from there.”

She started writing her own songs at age 13 and at 15 studied at Boston’s Berklee College of Music summer program for three years in a row.

At 17, she earned a scholarship to Berklee’s five-week Summer Performance Program, one of the most distinguished summer musical performance programs in the country, and landed a coveted spot in the school’s Singer-Songwriter Showcase, with professor and singer/ songwriter Melissa Ferrick.

According to Ferrick, Clark “writes award-winning lyrics.”

With her warm, soulful voice and from-the-heart lyrics, Clark is an advocate for change through her music. In 2018, she released “Shot Down (Stand Up),” about the shooting at Marjory Stoneman Douglas, a call to action for her generation of students plagued by gun violence.

That same year, Clark released her debut EP, Testing the Waters: a selection of original songs, showcasing her indie-pop take on country music.

The highlight of her career to date has been the gap year she took between high school and college, where she toured radio stations, including Spotify and iHeartRadio, meeting with program directors. She played the Country Music Hall of Fame appearing after Garth Brooks and likes to say he opened for her.

Locally, Clark has played in and around Parkland for the past five years and had her first paying gig at the Parkland Amphitheatre in Pinetrails Park. In 2015, she played at the ribbon-cutting ceremony for the Ballfields opening during the last phase of the building of that same park.

“Liddy is a wonderful representative for the City of Parkland,” says Mayor Christine Hunschofsky. “She has graciously volunteered her time and talents over the years for many local performances.”

“As a community, we’re so happy to have been able to observe and be a part of Liddy’s growth as a musician/songwriter, and as a young woman, and know she has an exciting future ahead of her,” Hunschofsky says.

A former competitive cheerleader, Clark spent a lot of time driving from school to school with her mom listening to a variety of music, including Shania Twain, John Mayer, Ed Sheeran, and Taylor Swift. All of them, she considers influenced her musical style.

Other role models include her parents, “especially my dad who pushes me always to be a better version of myself,” says Clark.

She has a single coming out in October and hopes to also release an album and go on tour. After college, she plans to stay either in Los Angeles or relocate to Nashville.

About Parkland, she says, “I’m just so thankful to grow up here in Parkland. It’s such a nice city with such great people.”

Visit liddyclark.com for more information.

By Jan Engoren

Posted on

Local author tackles timely social issues

Not one to shy away from tough social issues of the day, Boynton Beach author Robert Brink tackles racism, police brutality and issues of legal justice in his latest legal thriller, “Blood on their Hands,” set in South Florida.

Inspired by a true-life meeting with a black man who came to repair his computer and recounted a story of being roughed up by the police for sporting an Obama bumper-sticker, Brink uses the incident as the catalyst for his suspense-filled narrative that is at once compelling and surprisingly humorous.

“This is a tale replete with both pathos and humor, steeped in sex, suspense, intrigue, and violence all leavened by a tragic love affair,” says Brink. “Perhaps most important, it is a story of redemption.”

Brink took inspiration from two of his favorite films, the 2008 Clint Eastwood film, “Gran Torino” and the 1992 classic, “My Cousin Vinnie,” (“my favorite comedy of all time”) starring Joe Pesci and Marisa Tomei. He borrowed themes from both films and used them as inspiration for this novel.

Brink’s previous books include the coming-of-age novel “Breaking Out,” “The Way It Was: Short Stories and Tall Tales,” and “A Tale of Two Continents,” a ghost-written memoir.

“I’m fascinated by true crime stories,” says Brink, whose last book was “Murder in Palm Beach: The Homicide That Never Died,” about a Standard

Oil career executive, Richard Kreusler, who was gunned down at the front door of his Palm Beach home in 1976.

In “Blood on Their Hands,” a racist attorney (Hiram Garbuncle) eventually finds redemption when he defends his client, an immigrant from Trinidad, brutally beaten by police. While it goes against the defense attorney’s grain to defend a black man from a charge of violently resisting arrest, he discovers incriminating evidence on the two cops, and rises to the challenge to keep himself and his client alive pending a new trial.

With police shootings of unarmed black men making headlines on a regular basis, “Blood on Their Hands” is a timely exploration of how bigoted feelings and perceptions play a role in racial profiling.

“It personalizes the issue of racial discrimination, helping the reader to comprehend the makeup of a bigot,” Brink says. “The book also provides a glimpse into how the legal system may be stacked against minority members of our society.”

Brink exploits a quirk in criminal law and his character makes use of this controversial tactic, one in which the defense attorney serves as a witness for the defendant.

“It’s very rare, but can be done,” says Brink, who spent hours researching the issue and speaking to criminal attorneys about the issue.

A mid-westerner by birth and temperament, Brink is a former journalist and worked for the Palm Beach Post where he covered police and criminal trials. He’s also written for Palm Beach Illustrated magazine and The Associated Press in Chicago.

Brink received two offers from traditional publishers and chose Touchstone Press he says, because several of their authors have won awards.

What advice does he have for other would-be authors?

“Get the basics right first, and move on to such salient elements as showing versus telling, point of view (which still baffles me), and command of dialogue.”

By Jan Engoren

Posted on

‘Selfies’ without a cell phone at Boca art museum

After hitting pause on their exhibits and programming in mid-March due to COVID-19, the Boca Raton Museum of Art reopened to the public on Jun. 3, offering a newly renovated lobby courtesy of board chair, Jody Harrison Grass, a redesigned Wolgin Education Center and free admission through September.

There is still time to catch a number of their time-run exhibitions, including “Eye to I:  Self Portraits from the Smithsonian National Portrait Gallery,” kicking off their national tour. Originally running through Jun. 14, the show has been extended through Sept. 20.

At a time when millions of selfies are posted every day and identity is proving to be more fluid, this exhibition from the Smithsonian’s National Portrait Gallery shines a new light on self-portraiture.

“These artists looked inward in ways we can connect with in our modern time in ways they could not have foreseen,” says Irvin Lippman, executive director of the museum. “They made a lasting mirror effect of themselves, cutting across time and creating a very personal art that engages us – the viewer,” he says. “

The show was organized by the Chief Curator of the National Portrait Gallery at the Smithsonian, Dr. Brandon Brame Fortune and showcases 60 works from the years 1901–2015, in a variety of styles and media ranging from caricatures to photographs, from watercolors to dramatic paintings.

Fortune chose all new works for the national tour, some not part of the original exhibit.

“It was an exercise in balancing works from the 20th century, balancing mediums, looking at representations and including portraits from each decade, across generations and across time, to make sure the show that goes on tour is as strong as the original show,” Fortune said

“Because selfies are so ubiquitous, it seemed like an interesting moment to pause and look at what artists have been doing for years.,” Fortune said. “Their self-expression tells us something about their personal lives and the times in which they created the portrait.”

Self-portraits by prominent figures in the history of portraiture include Robert Arneson, Thomas Hart Benton, Deborah Kass, Elaine de Kooning, Alexander Calder and Jasper Johns, among others.

More recent works include those by artists Ana Mendieta, Chuck Close, Lois Dodd Alison Saar and Cuban-born multi-media artist Maria Magdalena Campos-Pons, whose self-portrait, “When I am not Here, Estoy alla,” (or, When I am not Here, I am There), graces the cover of the exhibit’s catalog.

Standing serenely with her eyes closed, her face covered in white and brown makeup, one arm behind her back and one grasping a Bird of Paradise, Campos-Pons seems to evoke a discussion on the ephemeral nature of shifting identities and self-identity.

Fritz Scholder’s “Self Portrait with Grey Cat,” was the last self-portrait the artist created before he died in 2003, from complications of diabetes.

The dark, moody canvas features the artist boldly facing the viewer as he leans on his cane. His eyes are covered by tinted glasses, and the tubes from his oxygen tank run from his nose across the canvas to the floor, which has been described as a reference to the “shadow of death.”

Also extended through Jan. 3, 2021 and running concurrently with this exhibit is New  York based photographer Phyllis Galembo’s: Maske, a series of large scale photographs documenting African ceremonial masks and costumes and the Museum’s presentation of the “Edward Steichen: In Exaltation of Flowers,” a series of seven large art nouveau panels, inspired in part by Maurice Maeterlinck’s book, The Intelligence of Flowers, and depicts Isadora Duncan, Mercedes de Cordoba, Katharine Rhoades, Marion Beckett and others, along with their floral counterparts.

The seven large art nouveau panels, each ten feet tall, were painted by Steichen from 1911-1914 for the Park Avenue townhouse of Eugene Meyer and his wife, Agnes.

The murals were inspired in part by Maurice Maeterlinck’s book, “he Intelligence of Flowers,” and depict Isadora Duncan, Mercedes de Cordoba, Katharine Rhoades and Marion Beckett, along with their floral counterparts.

For more information, visit:  bocamuseum.org

 

By Jan Engoren

Posted on

Patriotic songs touchstone of Fourth of July

It’s the season of patriotic songs. You know the melodies, and maybe the lyrics, and now we present you with a little of the history of some of the most well-known and well-loved.

God Bless America

God bless America, land that I love
Stand beside her and guide her
Through the night with the light from above

From the mountains to the prairies/To the oceans white with foam
God bless America, my home sweet home

God bless America, land that I love
Stand beside her and guide her
Through the night with the light from above

From the mountains to the prairies/To the oceans white with foam
God bless America, my home sweet home

To the oceans white with foam
God bless America, my home sweet home/

God bless America, my home sweet home

Irving Berlin might be best known for songs such as “White Christmas,” “Easter Parade,” and scores for 19 Broadway shows and
18 movies, but he also wrote “God Bless America.” In 1918, Berlin, a Russian immigrant, was serving in the U.S. Army in Yaphank, New York. “God Bless America” was intended for the finale of his comedic all-soldier music revue, Yip Yap Yaphank, but Berlin decided to cut it, and did nothing with the song for 20 years. Then, in response to the growing conflict in Europe, he made revisions to the unpublished song, and Kate Smith first sang it on her radio program on Armistice Day, (now called Veterans Day), broadcast in 1938. “God Bless America” became her signature song.

America the Beautiful (1st stanza)

O beautiful for spacious skies,

For amber waves of grain,
For purple mountain majesties/Above the fruited plain!

America! America!

God shed His grace on thee
And crown thy good with brotherhood/From sea to shining sea!

The author of “America the Beautiful,” Katharine Lee Bates, was a Massachusetts native who became an English literature professor at Wellesley College. It was on an 1893 trip to Colorado, on Pike’s Peak, that she began to formulate the words to “America the Beautiful.” Her poem first appeared in The Congregationalist, a weekly newspaper, on July 4,1895. Over time, Bates made a few revisions to the words and for years, the poem was sung to many popular tunes, including “Auld Lang Syne.” Today it is sung to a melody written in 1882 by Samuel Augustus Ward, a Newark, New Jersey, church organist and choir director who originally wrote the tune to accompany the words of a 16th century hymn. Although they did not know each other, Bates’ poem and Ward’s music were published together in 1910.

The Stars and Stripes Forever

When you think of military marches, you think of John Philip Sousa. Sousa first became famous as the leader of the U.S. Marine Band and then with the Sousa Band, which toured for nearly 40 years. Known as “The March King,” he composed over 100 marches including “Semper Fidelis” (1888), which became the official march of the U.S. Marine Corps, and the rousing, July 4th favorite, “The Stars and Stripes Forever,” (1896), the national march of the United States. And yes, the “The Stars and Stripes Forever” has lyrics, but they are much lesser known than the tune itself.

The Star Spangled Banner (1st stanza)

O say can you see, by the dawn’s early light,
What so proudly we hailed at the twilight’s last gleaming,/Whose broad stripes and bright stars through the perilous fight,/O’er the ramparts we watched, were so gallantly streaming?/And the rocket’s red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;
O say does that star-spangled banner yet wave
O’er the land of the free and the home of the brave?

The lyrics to the “The Star Spangled Banner” are a poem titled “The Defence of Fort McHenry,” written by lawyer, Francis Scott Key, during the War of 1812. Upon seeing a large American victory flag waving after a night of intense British bombardment at the Battle of Baltimore, Key was moved to write the poem. It was paired with a British tune written by John Stafford Smith for the Anacreontic Society and became known as “The Star Spangled Banner.” (For those not in know, Anacreon was an ancient Greek poet known for his celebrations of love and wine.) Declared the national anthem in 1931, and often played at professional sporting events, “The Star Spangled Banner” is notoriously challenging to sing given its difficult lyrics and high pitched and held notes.

God Bless the USA

If tomorrow all the things were gone I worked for all my life
And I had to start again
With just my children and my wife

I thank my lucky stars
To be living here today
‘Cause the flag still stands for freedom/And they can’t take that away
And I’m proud to be an American/Where at least I know I’m free
And I won’t forget the men who died/Who gave that right to me
And I’d gladly stand up next to you/And defend Her still today
‘Cause there ain’t no doubt
I love this land
God Bless the U.S.A.
From the lakes of Minnesota
To the hills of Tennessee
Across the plains of Texas
From sea to shining sea

From Detroit down to Houston
And New York to L.A.
Well, there’s pride in every American heart/And it’s time we stand and say
That I’m proud to be an American
Where at least I know I’m free
And I won’t forget the men who died/Who gave that right to me
And I’d gladly stand up next to you
And defend Her still today
‘Cause there ain’t no doubt
I love this land
God Bless the U.S.A.
And I’m proud to be an American
Where at least I know I’m free
And I won’t forget the men who died/Who gave that right to me
And I’d gladly stand up next to you
And defend Her still today
‘Cause there ain’t no doubt
I love this land
God Bless the U.S.A.

Singer songwriter Lee Greenwood released “God Bless the USA” in 1984. Greenwood, and the song, which peaked at Number 7 on the country chart, were nominated for two Grammys that year: Best Country Male Vocal and Best Country Song. However, it became an even bigger hit during the Gulf War in 1991, and then again in 2001, after 9/11. Greenwood had wanted to write a patriotic song for years, and found inspiration for the song when Russia shot down Korean Airlines flight 007 in 1983, killing 63 Americans.

By Ellen Marsden

Posted on

Zoom into Coral Springs art camps

 

The Coral Springs Museum of Art kicked off this summer with a digital camp program,“Zoom into the Studio,”which began June 15, and continues through August 14.

Artists ages 6 to 17 will be able to explore a number of studio art classes online on Zoom, where they will meet children with similar interests, and have fun developing their artistic skills in an interactive and engaging atmosphere.

Ninety-minute classes run Monday through Friday. Fees for members range from $54 to $60, with a $5 sibling discount. For registration information, visit museuminfo@coralsprings.org. Upcoming week-long classes include:

JULY 6 – 10

AGES 6 – 9
Pop Art

Instructor: Deborah Gregg

Young artists will jump right into designing colorful POP art pieces inspired by everyday images and comic books.

 

AGES 9+
Comic Book Design

Instructor: Cory Laub

Young artists will learn the finer points of designing comics, including character design, drawing techniques, and plot development. A lively discussion on the history
of comic books and their characters add to the fun.

AGES 12+
Teen Drawing

Instructor:Deborah Fletcher

Young artists will begin mastering techniques of drawing by adding dimension, value, and structure to their work.

JULY 13 – 17

AGES 6 – 9
Life Under the Sea

Instructor: Isabel Perez

This class allows young artists to experiment with different paper and painting techniques. They will learn about color, composition, texture and shapes, all while exploring life under the sea.

AGES 9+
Exploring Watercolor

Instructor: Pamela Keen

Learn about color, composition, texture and shapes in this out of the ordinary watercolor design class. Artists have fun experimenting with paint to make their own masterpiece. Demonstrations, classroom time for Q & A, and individual interaction will help you create beautiful paintings.

 

JULY 20 – 24

AGES 6–9

Art Around the World

Instructor: Deborah Gregg

Young artists will become world travelers as they learn about different cultures and their art. Throughout the week they will explore a variety of techniques and materials as they take a virtual trip to different destinations around the globe.

AGES 9+
Chibi Character Art

Instructor: Simone Spade

Young artists will learn how to create their own “chibi” character and critter using different art techniques like drawing and watercolor.

AGES 12+
Teen Creative Storytelling

Instructor: Cory Laub

In this class young artists
will learn the multiple ways
in which stories can be told. They will read and discuss short stories, create written work of their own, and learn how to adapt those stories into visual media like comics or movies. They will learn the basics of building a writing outline and plotting a story, the important differences between a prose story and a film or TV script, and what needs to be considered when creating a visual storyboard.

AGES 12+
Sketching Animals

Instructor: Simone Spade

Young artists will learn to properly sketch and complete drawings of animals in this exciting class. Young artists will learn how to properly map out proportions of animals and add details to their drawings in their own creative way.

JULY 27 – 31

AGES 6 – 9
The Wild Things

Instructor: Simone Spade

Young artists will take a walk on the wild side as they master the basics of creating animals using pencil and paint, while also exploring the natural world with a different type of animal featured each day.

AGES 9+
Cartooning

Instructor: Cory Laub

In this class young artists will learn how to draw popular cartoon characters step-by- step. They will practice cartoon drawing techniques and learn about anatomy, perspective, movement, how to create their own characters, and world- building philosophies.

AGES 12+
Teen Painting

Instructor: Simone Spade

This class is all about the exploration of painting. Young artists will enjoy learning different step-by-step skills of completing a work of art where both drawing and painting techniques will be covered.

AUGUST 3–7

AGES6–9
Art Studio

Instructor: Isabel Perez

This class is perfect for the budding artist. During this fun and exciting class the young artist will explore all things drawing and painting. They will be encouraged to use their imaginations as they discover their inherent talent.

 

AGES 9+
Art of the Animal

Instructor: Deborah Fletcher

This fun class will help young artists master the basics
of drawing animals as they explore the creative side of
the natural world and develop skills of bringing their creations to life.

AGES 12+
Painting Illustrations

Instructor: Pamela Keen

Explore the world of painting illustrations. Learn how to convert ideas drawn from various sources of texts into stunning, illustrative watercolor paintings.

AUGUST 10 – 14

AGES 6-9
Multicultural Art

Instructor: Isabel Perez

Young artists will spend the week creating art inspired by different cultures, while also learning about different traditions used to make art around the world.

AGES 9+
Exploring Watercolors

Instructor: Pamela Keen

Learn about color, composition, texture, and shapes in this out of the ordinary watercolor design class. Artists have fun experimenting with paint to make their own masterpiece. Demonstrations, classroom time for Q & A, and individual interaction will help you create beautiful paintings.

 

AGES 12+
Teen Drawing

Instructor: Isabel Perez

Young artists will begin mastering techniques of drawing by adding dimension, value, and structure to their work.

Posted on

New Normal – Casino Opening

Casinos are a major center for local entertainment in South Florida. We are home to several casinos, the most prominent is Seminole Hard Rock with its newly finished hotel shaped like a guitar.

Locally, Seminole Casino at Coconut Creek has been an entertainment center off 441 and Sample Road. When I heard it was reopening, I felt it was worth checking out what the New Normal of the South Florida casino looks like.  

As you can see, the new entrance routes you to a thermal scanner, where your temperature is monitored.  

For slot machine players, you will find every other seat disabled to maintain the social distance while a crew of cleaning staff regularly cleans the area.

If you are looking to play a table game, the dealer will welcome you to a private plexiglass booth with a squirt of hand sanitizer. Then when you leave, a staff member will be immediately wiping down your former play area.  

According to the hotel/casino, the air is constantly purified and disinfected via their Atmos™ bipolar ionization system. Combined with 50% capacity, it appears the Seminole Casino is trying their best to minimize all risk for customers.

Masks are mandatory and will be provided by staff if you don’t have one. Dealers will remind you if you are not covering your face during play.

For elderly customers, one challenge you should prepare for is more walking. Staff will be directing you through a predefined path through the building, and to the cashier. So expect to walk more in an attempt to maintain social distance.

The atmosphere is no different than pre-pandemic with the noises from brand new slot machines drawing you to their giant displays. Yet, every time you sit down at a table in your own private booth, you are reminded, this is the New Normal for the next while.  

 

Posted on

New Normal – Art Exhibition

It feels strange… After months of cocooning in my home, I ventured out to an event with strong apprehensions.  What is the expectation, what is the new norm, when you meet strangers?

Art was an early casualty of the pandemic response.  Not often associated with an essential activity, these exhibitions effectively fully shut down.  With the reopening of south Florida, a local event in Fort Lauderdale, is showing works by local artists revolving around the quarantine theme.  Desiring to see what the New Normal will look like for the artist community, I took my mask, and embarked on my longest journey since the COVID-19 pandemic started.

Artists picked a character from the word quarantine, to create art capturing the mix of emotions associated with the lockdown.  The organizer, Chen H. Bitton of Painting Picnik, wanted to give the artists who have been in isolation for the past several months a venue to show the work they have been creating.  Proceeds from sales will go to help fund COVID-19 relief.

Caption: LOVE PREVAILS
By Chen H. Bitton and Joey Ace

The exhibit, showing between June 13 to 17th at the Painting Picnik in Fort Lauderdale, is one of the first in the area.  The public is invited to appreciate the works and discuss with the artists about their recent experiences. 

Everyone at the first night of the exhibit was cautious, even though many know each other well.  People overcame the uneasiness quickly by discussing the works in the exhibit. Everyone enjoyed being able to chat with each other about the works of art around us and share recent experiences.

For Painting Picnik, the gallery and studio has been open to clients by appointment.  Clinics are still being held, for individuals or families.  More events are starting to get planned, so please check in with Chen for details if you are interested in taking a class. 

The COVID-19 pandemic is having a drastic impact on the art world.  Social distancing has separated the artists and eliminated opportunities to gather and share.  Patrons are also often staying home.  I hope with this initial kick off, more patrons and artists will start defining the new norm for the art community.

Like all things new, we will feel strange for a while.  Art will thrive, the stress of 2020 will surely be explored by artists. I believe many masterpieces have or will be produced, and I look forward to appreciating them… And reflecting.

 

link to the live bidding of the art exhibit http://artistrelieftree.com/artgallery

Contact Chen @ Painting Picnik – https://paintingpicnik.com 

Proudly powered by WordPress