Roller coaster ride for local fraternal groups

“We’ve really become everybody’s new favorite place,” boasts Veroni Que, referring to an increase in membership at Ft. Lauderdale Fraternal Order of Eagles Aerie 3140.

In fact, membership has increased by at least 25 percent since the coronavirus pandemic hit, estimates Que, a bartender at the club. She attributed the growth, in part, to the club’s pleasing physical appearance, reasonable prices for meals, and camaraderie among club members.

A strong membership drive during 2020 might have also helped, club trustee Kelly Carver said.

But apparently, such efforts elsewhere in the world of fraternal organizations have not translated into increased membership.

Indeed, a 2019 congressional report found that membership has been steadily declining in a variety of social clubs and groups. Specifically, the joint economic committee report found that membership rates in some organizations decreased from 75 percent in 1974 to 62 percent in 2004. “At 52 percent, the drop was steepest among fraternal organizations such as the Freemasons or the Knights of Columbus,” NPR reported, citing the committee report.

Speaking of the Freemasons, its membership in Florida has considerably decreased over the last 10 to 15 years, says Stewart Davies. He’s the secretary and past master of the Hollywood-based Roe Fulkerson Masonic Lodge No. 299 of the Free and Accepted Masons.

Today, the lodge boasts 192 members, about 30 less than five years ago, Davies says. But within the last couple years, the lodge has “held its own” in terms of membership, he adds.

“We have a really good team of new blood in our lodge,” Davies says. Specifically, he notes, within the last five years or so, men in their mid-20s to mid-30s with vigor and ambition have joined. In contrast, older members didn’t return when the lodge re-opened after a closure due to the pandemic. The lodge lost almost a dozen members in 2020. Six died, and the others left for different reasons.

Davies says he feels one of the reasons that membership is down among Freemasons is that people have other interests.

“We’re just competing with natural diversions,” he says. But Davies also notes that a Mason must follow strong rules and regulations. And it might be harder for younger people to follow them.

There’s also a lot of work involved to become a master mason, Davies says. In particular, the process can take anywhere from four months to a year. There is no “instant gratification,” he adds.

Freemasonry, or masonry, comprises fraternal organizations which trace their origins to the local fraternities of stonemasons that, from the end of the 14th century, regulated the qualifications of stonemasons and their interaction with authorities and clients.

Modern Freemasonry consists of two main recognition groups. Regular Freemasonry “insists that a volume of scripture be open in a working lodge, that every member profess belief in a Supreme Being, that no women be admitted, and that the discussion of religion and politics be banned.”

Meanwhile, Continental Freemasonry is now the general term for the jurisdictions which have removed some, or all, of these restrictions.

Davies says that lodges are particular when deciding who
joins.

“We take good men and make them better. We don’t take bad men and make them good,” he says. “We’re not looking to fill our chairs with numbers but with quality men. We want people whose heart is in freemasonry.”

“We’re not some weird, secret society,” Freemason Daryn Hufton-Rees told CNBC for an article by Holly Ellyatt published in 2013. “There are no Illuminati roaming about or funny handshakes involved — although, by the way, it’s a grip, not a handshake — We’re an organization with moral codes and people join us for the sense of camaraderie, the opportunities to learn, and charitable giving.”

The Fort Lauderdale lodge, for example, held a school supplies drive at the beginning of the academic year. The lodge has also conducted food drives.

Opportunities also exist to perform good deeds with the Fort Lauderdale Fraternal Order of Eagles Aerie 3140. Que, the club’s bartender, says she thinks the “charity work” that the club performs is a draw for people considering membership.

The Fraternal Order of Eagles, an international nonprofit organization, “unites fraternally in the spirit of liberty, truth, justice, and equality, to make human life more desirable by lessening its ills, and by promoting peace, prosperity, gladness, and hope,”according to www.foe.com.

“We have a great group of people here,” Que says about her Fort Lauderdale chapter.

Once people notice the camaraderie within the group, “they come back, they want to be a member,” she adds.

Now, Eagles Aerie 3140 is striving to bring in younger members. Carver, one of the chapter’s trustees, says he feels that in general, younger people are not as interested as are their older counterparts in joining fraternal groups. They might just be too busy, Carver says.

“It’s a tough group to shoot for,” he adds.

 

‘Closer Than Ever’ in a time of social distance

With the on-going blackout of Broadway, live theatre in New York and around the country has taken a hit since March when the COVID-19 pandemic began.

While many actors, singers, and dancers (not to mention directors, producers, technical staff , etc.) were on hiatus, theaters were searching for a way to remain relevant and keep their actors and staff employed.

Boca Raton-based MNM Theatre Company, a non-profit theatre company which has been producing professional musical theatre in Palm Beach County since 2014, was in residence at the Rinker Playhouse at the Kravis Center for the Performing Arts in West Palm Beach prior to the pandemic.

In 2019 the company produced “Man of La Mancha,” and “A Funny Thing Happened on the Way to the Forum,” both large-scale productions.

When the quarantine hit, MNM was in rehearsal for a production of the musical, “Cabaret” and one week prior to opening night last March, had to lay off 65 staff.

“No one really knows what the future of live theatre looks like,” says Marcie Gorman, CEO of MNM Theatre Company. “Will live theatre return to a full-house? Will it be half or quarter capacity? Will the audience return? Will it be safe?”

It was questions like this that kept Gorman up at night and prompted her and her staff to reinvent their stage productions.

She and her director, Jonathan Van Dyke, came up with what they call a “hybrid” – streaming their live production, which was produced following safety and CDC protocols and utilizing “projections” (or, graphics) to enhance the experience.

For example, if a couple was supposed to touch or hug following the script, they did not touch in real-life, but the f lm production was edited to seem as if they were hugging or touching.

“We followed strict protocols throughout the process and were constantly mindful of the health and well-being of our cast and our crew,” says Gorman, a South Florida native. “COVID testing, masks, cleaning, and sanitizing – we did it all constantly.”

“But,” she says, “what’s so wonderful is that we created and performed live theatre that we will be able to share with a worldwide audience.”

“It’s not just a film, not just a live show, and not just a series of projections,” says Gorman, noting that the filming was shot using multiple cameras and angles over a span of five days in their Boca Raton warehouse/studio. “It’s a combination of all three and as far as we know, no one has ever done anything like it before.”

Most recently, they used these techniques in their production of composer David Shire and lyricist Richard Maltby Jr.’s musical song cycle, “Closer Than Ever,” a lively and fast-paced musical revue starring Aaron Bower, Johnbarry Green, and Carbonell Award-winners Shelley Keelor and Elijah Word, exploring the everyday struggles such as second marriages, aging, mid-life crises, working couples, and unrequited love in the modern world.

“Our director, Jonathan Van Dyke, has developed an innovative theatrical hybrid that marries live performances with video, audio, and projections,” says Gorman. “The result is an exciting and creative way to create live theatre during the pandemic.”

“The integrated projections allow for intimate onstage moments,” says Van Dyke on the company’s website. “The actors were each green-screened separately and the results were edited for projection, so they appear to interact with one another, even as they social distance.”

After watching the production on-line, composer Shire wrote in an email to Gorman, “The performances were honest and great, the musical direction, staging, production design, choreography all first rate, and your direction and overall conception of how to present “Closer Than Ever” and keep it COVID-safe were truly impressive.”

Additionally, on their website mnmtheatre.org, the theatre company has a project called #MNMSings, where former cast members and alumni share their favorite numbers from the production in which they starred.

Currently, Shelley Keelor sings her favorite, “Back on Base,” from “Closer Than Ever,” (“My scattered life had no foundation. Couldn’t seem to fi nd my space. Then all at once came inspiration. Now I’m back on base.”)

Gorman says it’s a way for the actors to stay involved, connect with the audience, and remain in people’s consciousness during these trying times.

As a producer, former actor and singer — Gorman describes herself as “very involved and a hands-on producer.”

“I’m at every show,” she says. “I’ve never missed one. Even when the director leaves after a production, I’m still there.”

“It’s an adrenaline rush and a chance for me to bond with the actors,” she says. “I love mentoring them, being a part of the production, watching them perform and revel when they go on to do something bigger and better.”

“It’s all about the connections with people that has made it all worthwhile,” she says. “That’s my thing. I love theatre!”

Visit https://www.mnmtheatre.org/ or on Facebook https://www.facebook.com/mnmtheatrecompany

Clips from “Closer Than Ever” can be viewed on their website https://www.mnmtheatre.org 

 

Consider the Greek way

Growing up, I often heard my mom, aunt, and older sister talk about the times they spent in their sororities. All the philanthropic events, sisterhood programs, formal and semi-formal dances: There was never a dull moment.

Between the countless leadership experiences available and lifelong friendships, why not consider joining a fraternity or sorority organization? When I started my freshman year of college, I knew I wanted to attend a university that had sorority organizations.

When I first joined my sorority, people around me would always tell me how the organization was not just four years, but it was for life. Now, a year after graduating, I can proudly say they were right.

With all the unfamiliarity that comes with starting college, having an instant connection with individuals like yourself makes the transition alot easier.

Together, you and your sorority and fraternity pledge class will learn the ins and outs of navigating college together while experiencing many firsts.

Greek life can provide many benefits for members, but a primary advantage of being in a sorority or fraternity in college is having a place to call home.

Being miles away from home, it was nice to have a support system through the good times and the bad. For example, if I did well on a test, I knew I had sisters ready to go celebrate. If I did not perform at my best, I had sisters to bring ice cream over and make me feel better.

No matter if you are in a sorority or fraternity, both organizations offer a diverse group of individuals ranging in ages 18-22.

For example, some people were religious, some people were atheists, and some people were in the organization to amp up their social lives. It really depends on the individual.

The two most popular benefits these organizations provide are
professional and social connections.

1987 University of Florida Alumna, Corinne Rosner, believes that being a sorority alumna is a great way to build up a network of professional and personal connections.

“I have had friends for life who have stood by me through it all. Even people with whom I did not stay in contact, when I ran into them/saw them we had an immediate connection and affiliation because of the sorority,” Corinne said.

According to writer Neil Kokemuller from SeattlePi, a local Seattle Newspaper, a sorority or fraternity is a social community where students engage in bonding and fun activities.

“This provides a supportive, homelike environment which helps ease
the transition into school and allows for growth and independence
during school,” Kokemuller said.

1984 Davidson College alumnae, Andy Rock, believes that being in a
fraternity opened up the world for him socially.

“Being in a fraternity allowed me to get to know interesting people from different places, and through them, we got to know the places. I felt like I was being supported through my brothers and the connections we made through the years,” Rock said.

Corinne agrees. “No matter where the person went to school or the year they went, we still have this connection,” She said.

Not only does being in a Greek organization help you socially or professionally, but it allows individuals to stay up to date with the world around them.

“It has enabled me to be in contact with people from the community and resources that otherwise I would not know about,” Rock said.

In my three and half years of being in a sorority, I never thought that it would leave such an impact on my life. Not only was I given multiple leadership experiences and memories for a lifetime, but I have made numerous connections to help me in my graduate and adult life today.

Even though I am miles away from my friends and now working on another degree, I have wonderful memories I hold so dearly.

For families deciding on college choices or if you should be a part of the Greek community at your school, think about all the added benefits and experiences coming your way.