The show must go on: Barclay Performing Arts

With a great-grandmother who was a showgirl and George White Scandal dancer (Broadway revues modeled after the Ziegfield Follies) who appeared on the cover of Vanity Fair magazine, and a family steeped in musical theater, it’s no wonder that Christine Barclay founded the Barclay Performing Arts theater in 2016 as a way to honor her late father, John Barclay.

John Barclay was a director, educator, actor, and founder of the Weston Drama Workshop in Weston, MA.

“My dad was an amazing director who always found a way to bring out the very best in each and every person, whether on the stage or behind the scenes,” remembers Christine Barclay.

It is to his memory and passion that she dedicates herself and her work. “There’s no better person to be the beacon for this theater in Boca Raton,” she says.

“My dad created confident, articulate young people and made a big difference in the lives of his students,” Barclay says. “I hope to do the same.”

The theater, located next to T.J. Maxx in the Somerset Shoppes in Boca Raton, helps students of all ages find their voice, creativity, and confidence. Before moving to this location, Barclay worked out of the Boca Black Box theater on Glades Road. 

Her opening production, entitled “Spring Awakening,” is forever etched in her mind.

Pregnant with her now 3-year-old daughter Caroline and about to give birth in February 2018, the tragedy occurred at the Marjory Stoneman Douglas High School in Parkland. Many of the MSD students were performing in the production.

“The cast decided to move forward with the show,” recalls Barclay, who by that time was on maternity leave. “It was one of the most unbelievable experiences of my life.” 

“To watch these kids travel to the White House, meet with then-President Barack Obama, then board a red-eye back to Boca for rehearsals, all while mourning their friends, was just incredible,” she says.

“I’m so proud of their survival and the emotional, physical, and mental resilience of our team and that of the community,” Barclay says. “Getting through those shows after the tragedy and giving birth was a moment that fully made me realize my responsibilities.”

“I wanted to ensure my company was there to support these kids and to transition to a space with a purpose and mission to change the world,” she says.

“We want to be a community center where kids and others can come to feel safe and have a platform in which to express themselves.”

Before relocating to Florida in 2012, Barclay was the executive assistant to Marc Tumminelli, founder of the Broadway Workshop in New York City, and she was a resident member of the theater faculty for the Rodeph Sholom School in Manhattan. 

She performed, directed, and choreographed for many theaters and schools, including the Kew Forest School and the Looking Glass Theatre in New York. In addition to acting, she has directed, choreographed, stage-managed, and performed in numerous productions in New York, Florida, Massachusetts, Maine, and Pennsylvania.

During the pandemic, Barclay produced 10 virtual, live-streamed performances including “Schoolhouse Rock,” “Fame Jr.,” “Band Geeks: The Musical,” and the concert version of “Guys and Dolls.”

She is currently in production for “Peter Pan,” “Urinetown: The Musical,” and “Willie Wonka.”

“We worked just as hard during quarantine as we did previously,” says Barclay, who in addition to her 3-year-old is raising three stepchildren.

Lewis Singer, 53, a chiropractor at Singer Family Chiropractic in Boynton Beach, had his first acting role 22 years ago in “Sweet Charity” at the Lake Worth Playhouse when he played the hippie preacher, known as “Big Daddy.

Fast forward to 2015, where Singer was in the audience at the Barclay theater to support some acting friends, when he noticed one of their upcoming shows was “Fun Home,” the first Broadway musical with a lesbian protagonist, which won five Tony Awards including Best Musical that year.  

“I knew I had to be a part of it,” Singer remembers. He had seen the road show in Tampa and says “to my shock and disbelief, I landed my dream role of the father, Bruce Bechdel. This is the role of a lifetime.”

“I fell in love with Christine and fell in love with the mission of her theater,” says Singer, who also sings and plays keyboard in an ’80s cover band called Livin’ the 80s.

“She’s amazing, and her vision and mission of caring for the community using her theater as the vehicle for this are amazing as well. There is nothing I wouldn’t do for her,” he says.

Barclay is working with the nonprofit Find Your Voice Foundation, a social enterprise company that gives creative companies a voice with which to share their story with the end goal of establishing their own theater and venue. She hopes the theater will be a gathering place for people in the community.

“If anyone feels like they’re missing something in their life, a spark of interest, motivation, friendship, or someone to hug, somewhere to walk in a door and sit down and be exactly who you are, we’re the space for you,” Barclay says. “You don’t need to be on Broadway. If you need somewhere to be and be the best version of yourself, we’ll find a space for you.”

“We want to be a ball of light for our community,” says Barclay.

For more information, visit barclayperformingarts.com.

The Fantels − adjusting to a new normal in music, performing arts

In early 2020, the future looked rosy for Coral Springs couple Caryl and Roy Fantel.

One night, Roy was playing drums in the orchestra for the world premiere production of the musical “A Wonderful World” at Miami New Drama, a professional, nonprofit theater company in Miami Beach. Roy helped create the drum score for the musical biography about jazz legend Louis Armstrong. 

While Roy worked on “A Wonderful World,” Caryl was music directing a production of Stephen Sondheim’s classic “A Little Night Music” by Zoetic Stage, a nonprofit, professional company in downtown Miami.

Caryl and Roy, a nationally respected couple who have been married almost 26 years, own and operate Coral Springs-based Fantel Music (www.fantelmusic.com). The couple, between them, boast more than 60 years of professional expertise in the performing arts. And the couple had already booked most of the rest of 2020 with gigs. Life was good.

Then, almost overnight, the COVID-19 pandemic hit. Folks who had booked the Fantels for jobs canceled the engagements. In fact, Caryl could not even retrieve her belongings from the Arsht Center, where “A Little Night Music” was to open. The Arsht shut down, as did the musical. Meanwhile, in Miami Beach, Miami New Drama postponed “A Wonderful World” indefinitely.

In the bleakness that followed, email message after email message reached the couple’s inboxes, confirming closures and cancellations. 

For the first time in decades, the Fantels found themselves jobless. Fortunately, they are versatile and adaptable. 

Caryl is a music director, event producer, pianist, teacher, editor, and arts activist. Meanwhile, Roy is a drummer, percussionist, teacher, video-audio producer, and web designer. With all the skills between them, they were able to adapt to the new normal by finding virtual work.

Their first COVID-era job was producing the Carbonell Awards, which recognizes excellence in South Florida live theater. Caryl has been part of the award show’s production team for 12 years. But this year, the awards ceremony looked different. Caryl, herself a Carbonell Award winner, decided — along with the organization — to prerecord the 2020 awards ceremony and present it virtually in August 2020. The Carbonells turned out to be one of several projects the Fantels worked on, during which they helped schools and other performers put on shows virtually. 

“COVID has been extraordinarily challenging for everyone in the entertainment industry, but it has given us the opportunity to demonstrate our flexibility,” Caryl said. “Roy’s extensive technical background and abilities, and our wide experience working with groups of all sizes, ages, and levels, has enabled us to pivot into creating work that isn’t necessarily live performance, but is still art and entertainment.” 

For instance, the couple worked with drama students at Coral Glades High School to virtually perform the Off-Broadway musical hit “I Love You, You’re Perfect, Now Change.” Among other things, Roy figured out via green-screen technology how to make four actors appear as though they were together.

The Fantels also used green-screen technology to virtually produce “Signs of Life.” The Yiddishkayt Initiative presented the musical drama as part of a Holocaust Remembrance Day program. Roy said because the production was virtual, people from all over the world were able to watch it on Facebook and YouTube. 

The Fantels − adjusting to a new normal in music, performing artsJoan Limon, the producer of “Signs of Life,” praised the Fantels. “If there is an equivalent of a Tony Award for best musical direction and videography of a virtual musical drama, it definitely belongs on [their] mantel,” she said.

In addition to the Carbonell Awards, “Signs of Life,” and “I Love You, You’re Perfect, Now Change,” the couple’s projects during the past year included the following:

  • “Stars of David in Concert,” produced by Avi Hoffman’s Yiddishkayt Initiative. The group is a not-for-profit organization that celebrates and promotes Jewish history, life, and culture.
  • Two readings of new musicals that combined recorded and live elements, including one at Florida Atlantic University.
  • A couple of holiday concerts presented as part of the Yiddishkayt Initiative’s international Hanukkah and Purim festivals.
  • A musical theater production for Nova Southeastern University.
  • A production of “Almost, Maine” for an area high school.

“As long as there’s a need, we will continue to produce virtually,” Caryl said. “To some degree, we believe virtual productions are here to stay, as they provide unlimited audience reach.”

However, “we’re both looking forward to performing in front of live audiences again,” Caryl said. “We are cautiously optimistic that audiences will return to theaters live and in-person in pre-pandemic numbers (or even beyond those numbers). We have heard that people are starved for live entertainment. We’re hoping they will be willing to prioritize attending live events, since people haven’t spent much, if anything, on arts events in more than a year … and artists and arts organizations need support now more than ever.

Rebounding After the Pandemic: The Return to the Cinema

The cinema is truly a cornerstone of American culture. More important than providing a source of fun entertainment or a classy taste of art, going out to the movies is a great way to spend time with others.

From the nail-biting suspense of watching a thriller with a tightknit group of friends, to “ahhing” at a bombastic action movie with our families, to gushing over a corny rom-com with a significant other, going to the movie theater affords us a surefire way of spending quality time with those we care about most. That is why it hurt so much to lose the theater during the pandemic.

Fortunately, as the COVID-19 pandemic winds down and the American public becomes vaccinated, we are having our beloved cinemas, and all that comes with them, returned to us.

Although many Americans continue to remain hesitant, the future of the cinema still looks bright. On March 31, the mega-budget CGI monster slugfest, “Godzilla vs. Kong,” released in theaters and earned over $420 million at the box office. More than just an outstanding economic success, the film proved to studios that if they release films, audiences will go to see them. After all, there is no point in producing a movie if it will not earn any profits. 

Also taking a stand for the return to the cinema is one of the most successful and beloved movie studios, Marvel. In a recent trailer for Phase 4 of the Marvel Cinematic Universe, the studio not only showcased its upcoming films, but also implored audiences to return to theaters. Marvel carried this out by having the late Stan Lee speak about the importance of being with those we care about, showing video clips of remarkable in-theater reactions to Marvel movies, and ending the trailer with the large white text “See you at the movies.” With such an influential and cherished studio confidently leading the way, more are bound to follow and resurrect the cinema.

Besides studios being encouraged to solely create new movies, they also will be incentivized to release big-name blockbusters that they have been strategically holding on to. Examples of completed, yet unreleased films include the highly anticipated new installment in the James Bond franchise, “No Time to Die”; Wes Anderson’s artsy yet broadly appealing “The French Dispatch”; and the novella-adapted, sci-fi thriller “Dune.” However unfortunate being forced to see these movies later than sooner is, these films will be made all the better by having the full cinema experience.

Although using a streaming app and enjoying a movie on a personal device is still great and enjoyable, nothing quite compares to the silver screen. In addition to the aforementioned social aspects, there are more factors that make this statement true.

As showcased in the Marvel Phase 4 trailer, collectively watching and reacting to movies as an audience improves the viewing experience tenfold. There is a certain magic to laughing, gasping, crying, and cheering with complete strangers that only the cinema can provide.

Going to the theater also provides a more cinematic experience in general. When it comes to movies, bigger is better, and viewing from a large, high-quality silver screen is much better than the lesser quality and smaller size of a personal device. In addition to the visual aspect, a greatly underappreciated factor of the cinematic experience is audio quality. There is a world of difference between personal earbuds and professional-grade speakers at movie theaters. Punches feel weightier, dialogue is clearer, explosions are more visceral, and the music is more expressive. 

Bringing everything back to a more local level, I recently went out to a local theater to see the action-comedy film “Nobody.” To put it bluntly, the movie theater was in a desolate state. Aside from the theater lacking customers, it also was short-staffed. There were no ticket clerks, janitors, or ushers. The one concessions worker who was there also took the role of ticket clerk, selling both tickets and treats. Her manager took the role of janitor and was maintaining the theater. As for the lack of ushers, one could walk into a theater without having purchased a ticket.

At this cinema I saw only three other movie-goers, all of whom were in my theater. However bare-bones the cinema was, seeing the film in an actual theater was no less of a welcome experience, which I hope to enjoy again as we move forward into the future.

List of notable movies being released in theaters:

June 25 — “Fast and Furious 9”

July 2 — “The Forever Purge”

July 9 — “Black Widow”

July 16 — “Space Jam: A New Legacy”

July 23 — “Hotel Transylvania: Transformania”

July 30 — “The Green Knight”

July 30 — “Jungle Cruise”

August 6 — “The Suicide Squad”

August 20 — “Paw Patrol: The Movie”

August 20 — “The Protégé”

Parkland Vice Mayor Bob Mayersohn

The month of March is usually the time when we think about springing
forward as daylight savings time commences giving us an extra hour of sunshine. Spring centers around “Spring Cleaning,” “Spring Break,” and the religious holidays of Passover and Easter, which symbolize hope and renewal.

This year, however, March will be different for all of us as it is marked by the anniversary of the first reported COVID-19 case in Florida. Some have called it the “COVID Crisis,” while others call it the “COVID Catalyst.” Whatever lens you look through, the impacts of the virus have been devastating on the health and well-being of our families, our educational system, and our local economy. Yet, we need to be thankful and applaud the painstaking efforts of our frontline health care workers, first responders, educational professionals, and all those essential workers who were and still are critical to help us adapt to mitigate the crisis and create innovative opportunities.

As we strive for “herd immunity,” the work to distribute and administer the vaccines is an indication of hope. Yet, we still must be vigilant in preventing the spread by wearing our masks, social distancing, and washing our hands. For COVID-19 updates and resources, please visit our website at https://www.cityofparkland.org/coronavirus.

On a positive note, this month we are bringing back some of our extremely popular events such as Eats n’ Beats on March 13th and Movies in the Park on March 26th. We still have our incredible Farmers’ Market on March 7th, which will showcase our community awareness and business expo. On March 21st we include our health and wellness vendors.

Not to go unnoticed, March is also Women’s History Month. This is a time we reflect on the often-overlooked contribution of women to United States History and the City of Parkland.

Our City Commission meetings this month will be on Wednesday, March 3rd and March 17th starting at 7pm. You can see our agendas at https://www.cityofparkland.org/cc. and watch our meetings livestream at https://www.cityofparkland. org/1304/Live-City-Commission-Meetings.

Finally, I want to thank Mayor Walker for passing the pen to provide me the opportunity to be a guest contributor this month. Thank you, Mayor.

Coral Springs Resident and President of Sign Greeters, Ivonne Simon, Delivering Smiles!

Now 38 Owners Across 11 States

“We are currently delivering smiles for all occasions and celebrations,” said co founder and president of Sign Greeters, Ivonne Simon, from Coral Springs “These days, people are looking for new and different reasons to celebrate!”

Sign Greeters, a popular national yard greeting sign company, has built a brand that helped contribute to an era of drive-by parties, small outdoor gatherings, and Zoom parties. As such, the yard sign business has boomed, delivering satisfaction for both the clients and the owners during the pandemic.

Sign Greeters was founded by Ohio State University sorority sisters Ivonne Simon and Stacie Francombe (from Atlanta, GA). In March 2020, the two successful businesswomen saw the demand for the Sign Greeters business. With Ivonne’s top recruiting skills and Stacie’s 20 plus years of marketing, they had the perfect team.

“Stacie and I saw an incredible vision for this company during a time of uncertainty,” says Ivonne. “We wanted to help families during the pandemic – both families who were looking for new ways to celebrate birthdays and special occasions, and those who were looking for a new source of income after losing jobs. This was a natural fit for so many, who are now becoming regional owners of a company that is both meaningful and profitable.”

The Sign Greeters brand now has 38 owners across 11 states, in less than four months, and it’s picking up speed.

From a birthday, graduation, or baby shower to bar/bat mitzvahs, Christmas/Hanukkah, or Welcome Home, Sign Greeters has the yard signs that have helped families across the country celebrate special occasions and bring joy to all those who see them.

To order your Sign in Parkland, Coral Springs or Boca, please contact Ivonne at 954-459-1859. To place your yard greeting order in other areas of South Florida, or to find out more about owning your own Sign Greeters Business, please visit our website www.signgreeters.com.

With COVID-19 there are no ‘immaculate’ assumptions

If you feel confused by the ever-changing data and recommendations surrounding COVID-19, you are not alone. As a new virus emerges, doctors and scientists are learning new information almost daily. Hence, the need to modify recommendations as this information arises.

If I say one thing to help guide you through this process, it is that as long as the virus is around, you must take measures to mitigate the risk of getting and spreading it. Over the last few months, many of us have witnessed two extremes: Those who drive alone in their car while wearing gloves, a mask, and a face shield, and those who partake in large group gatherings with no social distancing nor PPE of any kind.

Regardless of whether you fall into one of these categories or somewhere in the middle, I think we can agree that we all want to do whatever we can to keep our loved ones out of harm’s way.

The question I get asked the most from family and friends is regarding what measures to take when visiting with others. Whether it is a party for Grandma’s 90th birthday or a relatively small family gathering at a lake house, everyone wants to know a definitive answer on doing the right thing in the age of COVID-19.

Although there are evidence-based answers, anyone watching one of the numerous news networks or various social media feeds knows the research is ever-changing. Even those of us who have been critically reviewing journal articles as part of our career are relatively confused as to what the perfect answer is. As I said, you are not alone!

All of that being said, I would like to offer what I think is a risk-mitigating, comfort level approach to keeping you and your loved ones as safe as possible during group gatherings and family visits. For this, we need to make a few assumptions:

Assumption 1: When someone says they tested negative, assume this means they still could be infected with the virus.

Yes, I know this one is confusing, but it is very important. PCR and Rapid tests of all kinds (including flu) have always been known to be unreliable – this is not unique to COVID-19. This means that you should always inquire about symptoms, such as fever, cough, loss of smell/taste, etc. (refer to the CDC website for a current symptom list; cdc.gov/ coronavirus/2019-ncov/ symptoms-testing/ symptoms.html). If a person tests negative and has any of the listed COVID-19 symptoms, you must assume they are infected, and the test didn’t pick it up.

Assumption 2: Asymptomatic patients can still transmit the virus.

If someone says, “I tested positive but didn’t have any symptoms, therefore, I am fine,” be cautious. Although it seems that asymptomatic patients have a lower likelihood
of transmitting the virus, the evidence is debatable and from a personal standpoint, I wouldn’t bank on a lower potential transmission rate equating near zero chance, especially when dealing with any of the vulnerable populations. Play it safe!

Assumption 3: Assume that anyone with a fever of 100.4°F or greater has COVID-19.

For those who are taking temperatures at their door, more power to you. Although it is surely an uncomfortable welcome at the front door, it is one of the few truly objective measures we can take, even if it won’t screen in every infected person. Understand though, a temperature of 99° Fahrenheit is not a true fever. I grew up thinking anything above a 98.6° meant you were hospital-bound. We all have very normal fluctuations in our core temperatures throughout the day, but a fever doesn’t truly start until 100.4° Fahrenheit.

Assumption 4: Assume everyone has COVID-19.

Clearly, this will be the most controversial assumption, but I believe a smart approach, especially when dealing with the elderly population and those with chronic illnesses, such as diabetes or lung disease. Assume everyone has COVID and take precautions based on that. Everyone may seem okay or say they are fine, but don’t stop practicing strict hand hygiene or whatever form of social distancing you usually partake in.

If you don’t personally believe this is as bad as the news is portraying, the simple effort of regular hand sanitizing/washing and wearing a face mask during group gatherings could have maximum outcomes if it means you could prevent the spread to a vulnerable person.

Should you worry so much about your healthy 3-year-old or 16-year-old getting very ill? Not nearly as much as the vulnerable populations, but you should worry about who they will potentially pass it on to. Thankfully, although children can indeed get ill, they seem to be the safest population when it comes to COVID-19 with mortality and morbidity rates seemingly lower than influenza, but this doesn’t mean that they are not vectors.

At the end of the day, we all want to keep our loved ones as safe as possible, but unless you live in a HEPA filter bubble, I don’t think there is a 100% perfect approach in this COVID world we live in; however, you can mitigate risk. Personal interactions are core to our sanity and mental health. If you understand the risks and take precautions to mitigate them when you can, you can certainly achieve these interactions while maintaining relative safety.

By Dr. Jahn Avarello

Dr. Avarello was the Division Chief of Pediatric Emergency Medicine for the Cohen Children’s Medical Center of NY for the past 9 years and is now the Florida Regional Medical Director for PM Pediatrics Urgent Care (1st site due to open in the Sawgrass Center this fall). He is currently seeing patients for acute care needs virtually at PMPanywhere.com.