Roots and realism: Sophia Lacroix

Haiti’s deep history is one of resilience, revolution, and cultural richness. It endured the 15th-century Spanish colonialization, the 17th-century French takeover of the western part of the island that led to its revolution in 1804, isolation from global powers, economic struggles, and internal conflicts. It has faced political turmoil and natural disasters. Despite the challenges, Haitian culture has flourished, influencing the world by its artistic magnetism in music, literature, and the visual arts.

Sophia Lacroix brings focus to Haiti in her true-to-life paintings by her cultural reminiscence. Lacroix, who was born in Haiti, migrated to South Florida at the age of 15. Since then, she has used her talent in oil paints and charcoal drawings to keep the scenes alive from her memories of everyday life, Haiti’s people, and her culture.

Currently on display at the Pompano Beach Cultural Affairs Department is “Ede’m Poté Li,” or “Help Me Carry It” (2024), a 31.5-inch by 40-inch, limited-edition, hand-embellishment Giclée print. It is among the many paintings garnished with sapphire-symbolic detailed blends of norms that encompasses Haitians’ daily lifestyle. In Pompano Beach’s exhibition,Roots and Realism: A Haitian Artist’s Reminiscence,” traditional methods of daily customs are alive and vibrant in a variety of ways, echoing Haitian ethos through compositional transcendency of principle. The exhibit runs through June 21 at the Ali Cultural Arts Center.

Realism. In this style, the principles of art play a crucial role in capturing life as authentically as possible. The threads that twine Lacroix’s experiences to voice these echoes are emphasized in sharp details and light techniques. Light censors are by sources that are clearly complimented by their opposing shadows. Lacroix applies cohesion to colors and proportions to grow rhythmic palettes of her subjects in each of their organic landscapes.  it’s like being a tourist as a viewer because she draws you into the culture.

 

In twine. Lacroix’s portraits sustain a sapphire-symbolic durability that apprehends the same critical elements in authenticity as the platform of its landscapes. The cultural significance of “Bel Ti Fi” (2025), a 23.5-inch by 24-inch graphite on paper—blended with texture and depth by its medium—is one representative of Haiti’s people. The child, an embodiment of their heritage and their future. Lacroix strings life intrinsically through art value.

Lacroix’s “Jocelyn,” a 30-inch by 24-inch oil on canvas, is similar in that it digests as a mineral’s complacency as she demonstrates her commitment to accuracy, mirroring how light interacts, producing variations in tone and highlights, and portraying her subjects with honesty and precision. This piece follows Realism’s tradition by transforming its simplistic human element into a work that is visually compelling and technically refined. Lacroix’s attention to detail is apparent throughout the entire composition, as she captures the subtle variations in light and shadow. Each strand of hair appears meticulously woven, and the shading of her subject’s face enhances depth and dimension, which reinforces the sense of realism.

“Macchan Laye.” Lacroix’s 16-inch by 8-inch oil on paper (2025) refers to the merchants who play a critical role in local commerce, selling everything from local produce to handmade crafts. The painting puts the macchan at the center of the focal point, vacating details away from those surrounding her, and as she walks into the distance, so does the solidity of the imagination, and into her subject’s reality.

Paintings of macchans are accented around the room in the spirit of Pompano Beach’s Roots and Realism exhibition. That is, until one approaches still life, where it and Realism share a deep artistic connection, particularly through the art principles that govern composition and technique. In contrast to the paintings of different macchans in motion, movement is instead implied through curved shapes and leading lines, accurately scaled and reading to subject as the delicacy at hand.

In almost 30 years of professional painting, Sophia Lacroix has exhibited in both group and solo shows throughout the eastern and central parts of the nation. Her work has been recorded in several publications and has developed a loyal following of collectors around the world. Lacroix’s passion began at 4 years old, and she is a self-taught oil painter who began selling her work in 1995 while working in social services helping the underserved. It’s highly recommended that you pay a visit to the Ali Cultural Arts Center for a brief vacation into the painted depths of human observation. For more information, visit http://sophialacroix.com.

Gumbo Limbo Come for the views, nature, conservation

If you would like a nature center with a coastal tropical hammock, located on a barrier island, complete with a boardwalk stroll through the coastal forest, a lush butterfly garden, resident sea turtles, and, most impressive of all, a 40-foot-tall observation tower featuring a bird’s-eye view of the surrounding area, look no further than Gumbo Limbo in Boca Raton.

Driving along Route A1A in the past, I would see signs for Gumbo Limbo Nature Center, and from the outside it seemed like a nice, tranquil park at the edge of the Intercoastal Waterway. So my friend Susan and I went to check it out recently. I have mobility issues until I get my knee replaced, and stairs or steep inclines are hard for me. I knew that this venue boasted an ADA-accessible switchback ramp to ascend to “Jacob’s Outlook,” at the top of the observation tower, and I wanted to be able to make my way up there and enjoy the spectacular views.

And did we ever. After entering the main building, we were handed a map and made our way out to the Coastal Hammock Boardwalk, a 1/3-mile elevated walk through the forest leading to the new, modern observation tower. There are two ways to traverse the circular boardwalk to reach the tower: a longer path curving around to the base of a large wooden staircase, or a short walk to the ADA-compliant switchback ramp. We chose the latter.

The impressive observation tower, which juts through the green canopy of trees, is just a year old. The old tower had fallen into disrepair and was torn down. For years, nothing was there. But then work began on this state-of-the-art structure, which finally opened to the public in June 2024, and it’s stunning. The 700-linear-foot ramp is spacious and wide, with nice wood craftsmanship and handrails on either side. As we made our way upward, we followed the shallow-ramped walkway while it wrapped around the structure and switched directions, and we stopped occasionally to look out at the different views.

Emerging up in the fresh air at the apex of the tower, we found it nice and breezy—and the panoramic view from Jacob’s Outlook? Fantastic! We could see the Intercoastal, all the trees and nature below us, nice homes, and landmarks of the city in the distance. We slowly walked around and took it all in. Once a knot of visitors headed back down, Susan and I sat on one of the benches and relaxed in the peaceful quiet. A plaque nearby read, “A vista to inspire the soul from the depths of the ocean to the skies above.” And that’s what it was.

The 20-acre Gumbo Limbo Nature Center was founded in 1984, a cooperative project of the city of Boca Raton, the Greater Boca Raton Beach and Park District, Florida Atlantic University, and the Coastal Stewards. “A beacon for environmental education, research, and conservation,” it provides refuge to plants and animals, including some rare or endangered. It is free to enter the park, but we contributed to a donation box at their welcome desk.

Gumbo Limbo’s Marine Science Lab, run by FAU, is well known in this area. Its Visitor’s Gallery, with an educational display, was designed to create public awareness about the fragility of sea turtles, South Florida’s ecosystems, and the Atlantic Ocean. FAU’s Marine Lab graduate students serve as community outreach ambassadors at the gallery.

The main venue was under some remodeling and construction when Susan and I visited, so we didn’t get to see everything. We walked around the outdoor marine aquariums, which usually hold a variety of native fish, resident sea turtles, and other marine animals. Gumbo Limbo also includes a sea turtle sculpture garden, the butterfly garden, an amphitheater, an outdoor classroom, and the Ashley Trail, a mulch-and-sand pathway that leads to the “Chiki Hut” overlooking the Intercoastal.

We had trouble finding the butterfly garden—the signage wasn’t clear, and because of the construction going on, we had to walk out to one of the two parking lots and then into a separate shady section of trees and bushes to find the butterflies flitting among the flowers. But once there, it was very secluded and bucolic.

There also is a sea turtle hospital on the property, which focuses on rescuing, rehabilitating, researching, and releasing sea turtles. If anyone encounters an injured sea turtle or other wildlife, they can call the 24-hour rescue line (561-212-8691). Gumbo Limbo is a special place, and well worth a visit.

For more information, go to www.myboca.us/2485/Gumbo-Limbo-Nature-Center.

Trooper’s Law and the importance of animal hurricane preparations

As hurricane season approaches, a new law is going into effect to further protect dogs. Trooper’s Law, effective Oct. 1, will make it a third-degree felony to abandon a restrained dog during a natural disaster. The measure was inspired by Trooper, the bull terrier who made national headlines last year when state troopers found him tied to a fence and left in belly-high water on Interstate 75 during Hurricane Milton evacuations.

Trooper was adopted by Parkland residents Frank and Carla Spina and was honored at Parkland City Hall in January. “The state troopers appeared and presented him with a ‘Junior Trooper’ Florida Highway Patrol badge, which he wears around his collar,” says Frank Spina.

After being rescued and adopted, Trooper went through an even greater ordeal, requiring surgery to remove cancerous tumors from his body, and then undergoing a four-hour endoscopy to remove more than 100 pieces of garbage from his stomach. Thankfully, the procedures went well, and Trooper is now thriving.

Trooper and the Spinas have been invited to witness Governor Ron DeSantis officially sign Trooper’s legislation into law. “The governor and his wife are very big proponents of Trooper,” says Spina. “They think the world of him.”

Trooper’s situation was not the first to force lawmakers to expand protections for animals during natural disasters. The Pets Evacuation and Transportation Standards Act of 2006, known as the PETS Act, was passed and codified into federal law following the aftermath of Hurricane Katrina in 2005, when an estimated 200,000 pets were stranded and close to 150,000 perished during the storm. The act requires states to include the needs of households with pets and service animals in emergency preparedness operational plans in order to receive federal funding for those plans.

Florida was one of the first states to revise disaster relief plans to include household pets and service animals, creating pet-friendly shelters and aiding in pet evacuation and transport. But where the law still falls short is in protecting farm animals, including horses. Because they are not considered household pets, the PETS Act does not require states to incorporate hoofed animals into their emergency plans, and Florida does not have specific legal protections for these animals during hurricanes, despite the need for it. During Hurricane Ian, one dairy farmer in Myakka City lost 250 dairy cows.

The Florida Department of Agriculture and Consumer Services offers guidelines on disaster preparedness for horses, livestock, and pets, which include what to consider when sheltering in place or evacuating. For horse and livestock owners, it’s important to maintain contact with private businesses and nonprofits as many of them often step up during a storm, offering aid and/or shelter. During Hurricane Ian, the World Equestrian Center in Ocala provided free shelter for 3,000 horses, and American Humane helped rescue farm animals stranded during the storm.

Many of these organizations also offer free online resources on making preparations for your animals in case of a hurricane. It’s never too soon to prepare.

Tomorrow’s Rainbow When tragedy creates new purpose

Abby Mosher turned a personal tragedy into purpose, creating one of the most magical places for children in Coconut Creek—Tomorrow’s Rainbow.

Tomorrow’s Rainbow is a 501(c)(3) nonprofit organization that provides free mental health support services for children ages 3 through 18, their caregivers, and adults healing from grief, loss, or trauma. What makes Tomorrow’s Rainbow special is that it incorporates animals—specifically, horses, goats, and mini donkeys—into its program, providing outdoor, experiential sessions where children explore their world through interactions with the animals.

This year, Tomorrow’s Rainbow will celebrate its 20th year of providing these life-saving services to children—services inspired by Mosher’s difficult loss. On a family vacation in Texas 25 years ago, a head-on collision took the life of Mosher’s husband, Paul. She and her 7-year-old son, Dustin, survived but were thrust into a world of grief and loss that didn’t have many resources available for children.

“When we came back to Florida, I thought, with Broward County being the sixth-largest school district in the nation, that there’d be tons of resources available,” says Mosher. “But I found that Broward County had no children’s grief center.”

Thankfully, Mosher had insurance, so her son was able to receive individual therapy. But that therapy had its limitations. “The social isolation for him was devastating,” explains Mosher. “He didn’t have a single friend he could relate to.”

That’s when Mosher decided she wanted to create a space where families could come together with other families who knew what it was like to have someone important in their life die. She also wanted to make it accessible for those who couldn’t afford individual therapy.

Mosher didn’t know at the time that her newfound dream would quickly align with her childhood dream of owning a horse. Through her work with the parent-teacher association, she knew Wally Hennessey, a Hall of Fame harness track racer. She and her son would go to the track to watch Hennessey race.

“After the race, Wally would take his goggles off, and he’d be covered in sand, and the horse’s nostrils would be flaring from winning the race, and Wally would be perfectly peaceful,” recalls Mosher, who wanted whatever that peacefulness was. When the Hennesseys introduced her to a woman with miniature horses, she knew the animals had to be part of her program.

Three years later, Mosher met her current husband, Shel, and shared with him her dream of supporting grieving children with horses, and he was on board. Together, they purchased a 2.5-acre mini-ranch adjacent to Tradewinds Park, and in 2005, Tomorrow’s Rainbow opened its doors.

It wasn’t until after opening and going through trainings with the Equine Assisted Growth and Learning Association that Mosher realized how powerful horses are in the healing process. “Horses are the only animal that can mirror our behavior,” explains Mosher. “The horse is the mirror for the child. So if the child doesn’t like what they see, if they adjust themselves, the horse will adjust as well.” Mosher likens it to a football player watching game tapes to get better. With horses, you watch their behavior to improve your own.

Tomorrow’s Rainbow offers bereavement group sessions and individual equine-assisted psychotherapy. When children first arrive, they undergo a screening process. Those who have suffered trauma in addition to grief are put into individual equine-assisted psychotherapy, where they work with a horse, an equine specialist, and a therapist. “We have to support the trauma before we can support the grief,” explains Mosher. “So we get them into our individual services and then when they’re ready, they can transfer to our bereavement group services.”

A bereavement session begins with introductions under a large tree, followed by an activity, horse grooming/interaction, and then play. “Kids can’t stay in their grief for a long time,” explains Mosher. “So we have to have opportunities for them to laugh and be kids.” During the bereavement session, adults are in a facilitated talk circle and given some psychoeducation on raising grieving children.

Children often tell their stories through the activities, acting out what happened at the puppet theater, or building something related to their loss at the LEGO table. Program facilitators are trained to honor the children’s stories and provide the space for them to express without judgment or shame. “We’re not teaching them how to grieve,” explains Mosher. “Children are experts in their own grief. We are supporting them. We’re not giving advice, we’re not problem-solving. It’s not a problem we can fix.”

At the end of a session, children are taken into a room filled with teddy bears where they can symbolically light a candle to remember their loved one. These charming, child-friendly touches run across the property, from the puppet theater to the teddy bear hospital to the wishing well. “We have dissolving paper so the children can write messages to their loved ones and put them in the wishing well, and the paper will dissolve, but the words will stay floating on top of the water until they’re ready to swirl it,” says Mosher.

To ensure that children of all economic backgrounds have access to these services, there is no cost for the bereavement groups. A combination of corporate and private donations, along with grants from organizations including Parkland Cares, Broward Behavioral Health Coalition, and the Jim Moran Foundation, helps offset the cost of individual psychotherapy sessions, which are normally $150 per hour. The organization runs on a tight budget, but for Mosher, the priority is the impact these services have on children.

“They come in with the weight of the world on their shoulders, and they leave joyful,” enthuses Mosher. “The energy completely changes when they realize they’re not alone and they don’t have all that stuff bottled up inside anymore, because they had a safe space for it to come out. And nobody made fun of them, nobody told them how to feel, and nobody tried to change them in any way, they just honored their journey.”

In addition to its on-site work, Tomorrow’s Rainbow has a “Grief on the Go” trailer to support underserved communities in Broward and Palm Beach counties through partnerships with nonprofits that work with at-risk children.

For Mosher, Tomorrow’s Rainbow has become her life’s mission. “I feel like I don’t work a day in my life,” she says. “To see the children and the impact this program has on their lives is a blessing. I knew we were going to help children heal. But what I didn’t know is that we would literally be saving lives, and that’s pretty powerful.”

For more information, visit TomorrowsRainbow.org.

Breathe easy The power of houseplants as indoor air purifiers

We’re lucky to live in South Florida, where tropical plants thrive year-round and lush greenery is part of the everyday landscape. But while we enjoy our palm trees and bougainvillea outside, more and more people are bringing plants indoors—not just for their beauty, but for the hopes of cleaner air.

The idea that houseplants can help clean indoor air has been around for a while. It started with a NASA study in the late 1980s, which looked into how plants might filter air in space. Since then, there’s been ongoing curiosity about whether common houseplants can make a difference in our homes.

As it turns out, indoor air can be more polluted than we think, thanks to chemicals found in cleaning supplies, paints, furniture finishes, and even synthetic fabrics. For some, those pollutants can trigger headaches or even allergies. That’s where houseplants come in. While they’re not a magic fix, certain plants may help absorb some of those toxins—and they happen to make a room feel warmer, cozier, and more alive.

Lucky for us, you don’t have to travel far to find them. Many popular indoor plants are available at places like our local Fresh Market, Walmart, Trader Joe’s, Home Depot, and even Publix.

Here are a few popular indoor plants that thrive in South Florida homes and are often praised for their air-cleaning potential.

Areca Palm

A soft, full plant that fits right into our tropical climate. It’s also said to help add moisture to the air.

Snake Plant

Very low-maintenance and tough to kill. It can handle low light and is often mentioned as a plant that helps clean the air.

Peace Lily

Easy to grow with elegant white flowers. It’s known for filtering indoor air, but it’s not safe for pets.

Pothos

Also known as devil’s ivy, this is a popular choice for beginners. It grows quickly and looks great trailing from shelves or hanging pots.

Spider Plant

A classic option that’s easy to care for and grows little baby plants that you can repot or share. It’s also believed to help with carbon monoxide and other indoor toxins.

To really feel a difference, some recommendations suggest having at least one medium-sized plant for every 100 square feet of space—but even just a couple can bring some life and freshness into a room. Experts suggest keeping leaves free of dust so the plants can “breathe,” and be sure to pay attention to their lighting and watering needs.

Whether or not they completely purify your space, houseplants have a way of making homes feel more grounded. In a world full of screens and synthetic everything, bringing in a few living, growing things might be one of the simplest ways to breathe a little easier—literally and figuratively.

NASA’s 1989 Clean Air Study is available online.

The Politzer Saga – One Woman’s Journey from Secrets to Self-Discovery

“You are the sum of your ancestors,” says a Jewish proverb, expressing the sentiment that each individual is a living continuation of those who came before them.

In the wake of the Holocaust, it’s not unusual for people to unearth long-lost Jewish roots, and a lineage they may not have known about. Out of fear for their survival, many people concealed their Jewish identity.

Such is the case for Virginia resident Linda Ambrus Broenniman, 69, when an unexpected discovery after a 2011 fire in her parents’ home led her to uncover a treasure trove of a lost Jewish heritage and relatives going back eight generations to 18th-century Hungary.

Buried within 77 boxes in her parents’ attic were documents, photographs, heirlooms, letters, and other ephemera of lives lived and lost, and a long history of accomplished artists, doctors, business owners, freedom fighters, art collectors, and musicians—all of whom Broenniman was unaware.

Broenniman was the middle child of seven born to Julian Ambrus and Clara Bayer, Hungarian physicians who survived World War II and started their new life in Buffalo, New York, in 1949. She was raised Catholic in a family that went to church every Sunday. She had no idea that her father was Jewish and that her non-Jewish mother had actively hid Jews, including her father and his mother, during World War II and the Nazi occupation of Hungary.

The revelation was like opening a door to a lost part of herself, igniting an eight-year journey back in time, culminating with a book she researched and wrote, titled “The Politzer Saga,” which reconnected Broenniman with the people, traditions, and history that silently shaped her identity.

Broenniman was in South Florida in March to talk about her book and spoke at the Sinai Residences in Boca Raton and at Harbour’s Edge senior living in Delray Beach. “I didn’t intend to write a book,” says Broenniman, who has an MBA from Carnegie Mellon University and worked as an entrepreneur and in corporate America.

“I just wanted to understand my family’s history,” she says. As she learned about that history, she read many books about the era her relatives lived in and says the more she read, the more she realized she needed to capture it and make sense of it all, and she began writing it all down.

While as a child, Broenniman had a sense there were family secrets, it wasn’t until she was in business school in 1983 at the age of 27 that she learned of anything. Her older sister went to a medical convention in Montreal, Canada, and stayed with a relative. Her question, “What was our great-grandmother like?” elicited a surprising response. “Well, like most strong, Jewish women…,” the relative began, and “shocked her sister into silence.”

Busy in graduate school, Broenniman didn’t fully absorb the clue until a friend, Yona Eichenbaum, gave her Daniel Mendelsohn’s book, “The Lost: A Search for Six of Six Million,” one of the first books to come out searching for lost Jewish ancestry.

“I’m so proud of Linda and what she has accomplished,” says Eichenbaum, an essayist for The Forward and The Toronto Globe and Mail. The two met in graduate school and have remained friends.

In 2023, Eichenbaum and her husband accompanied Broenniman to Hungary where they attended Shabbat services in the Dohány Street Synagogue, the largest in Europe, and sat in the same seats as had Broenniman’s grandparents. “Linda is one of the smartest and most resourceful people I know,” Eichenbaum says. “I’m so proud of what she’s accomplished.”

As a child of Polish Holocaust survivors, Eichenbaum saw similarities in her family’s story of immigration to Canada with that of Broenniman’s family story immigrating to the U.S. “I was bowled over by Linda’s discoveries of her family history,” she says. “Bowled over, but not surprised.”

Eichenbaum encouraged Broenniman to write down everything she was uncovering and said, “If you don’t write it down, they [your relatives] will have died twice.”

Broenniman took her friend’s advice. In 2006, her mother had received a letter in the mail from Yad Vashem, Israel’s memorial museum dedicated to preserving the memory of those Jews murdered in the war, wanting to honor her with a designation, “Righteous Among the Nations,” an honor given to non-Jews who took great personal risks to save Jews during the Holocaust.

At just 19 years old, Broenniman’s mother, Clara Bayer, risked her life and endured nine months of terror, hunger, and cold to save Jews during the Holocaust.

In addition to her future husband and his mother, she hid her friend Éva Fisher Klein and her boyfriend, Rabbi Béla Eisenberg, as well as both their families. Ironically, in 2006, while her father gave the acceptance speech in New York (“inspirational,” says Broenniman), he never once mentioned that he was Jewish and that Bayer had saved his life by hiding him from the Nazis.

Despite having advanced Alzheimer’s disease at the time, when receiving the honor, Broenniman’s mother said, “I did what any decent human being would do,” something Broenniman is proud of to this day. It was the first time she learned of her mother’s heroic actions during the war.

To write “The Politzer Saga,” Broenniman enlisted the help of Hungarian researcher András Gyekiczki, and the two uncovered not only a long line of accomplished ancestors, but also tales of resilience and achievement.

“I was blown away by the incredible rich heritage that we found,” says Broenniman, whose own sense of identity and belonging has evolved as she pieced together the threads of her family’s past and discovered a newfound interest in Jewish history and culture. Many of her ancestors came from the town of Politz in then-Czechoslovakia and had the surname Politzer.

One of the most well known was Ádám Politzer, a famous otolaryngologist known as the “founder of clinical otology” (the study of the ear), who lived in Vienna (1835–1920) and treated the Emperor Franz Josef and Tsar Nicolas II.

To this day, the Politzer Society for Otologic Surgery and Science is an active society with annual meetings and awards. Politzer was known for his skills as a physician, researcher, teacher, historian, and artist. “Ask any ENT surgeon today, and they will know the name Ádám Politzer,” says Broenniman. “He was the most influential otologist of the 19th century.”

Learning about Politzer’s life and achievements had a special resonance for Broenniman, who came to realize that her father, an oncologist who loved his patients and students, almost certainly modeled himself and his career after Politzer’s. “To hide that knowledge and awareness must have been very tough for my father,” she says.

Other ancestors that Broenniman came to cherish and feel connected to include her great-grandmother Margit (Broenniman’s middle name is Margaret) and Rachel, a young woman at the time who chose Judaism when her parents converted to Christianity and moved to the U.S. After her older brother convinced the family to convert from Judaism and emigrate to the U.S., Rachel refused to be baptized and to leave home. She fled from her father’s home in the middle of the night, and the rest of her family left Zalaegerszeg in western Hungary for the U.S. without her. “Your descendants will be blessed forever,” she was told by the rabbi.

“My eyes welled up when I read this story,” Broenniman writes. “I was one of Rachel’s descendants, her great-great-great-great-great-granddaughter.

“I sighed, grateful that her courage and convictions were rewarded with such a blessing,” she writes. Hard to put into words, she was touched by the story and its meaning.

Broenniman also admires another relative, Ignácz Misner, an attorney who helped found the Hungarian bar and who was the father of her namesake, Margit. They were forced into the Jewish ghetto in 1944 under the Nazis and to wear the yellow Star of David, and the family home and all their possessions were confiscated. They were ordered to move into a “yellow star home” and forced to share the home with other families, one family to a room.

“Ignácz did not want to take off the yellow star; he wore his Judaism as a matter of pride,” Broenniman quotes a cousin in the book.

“I found remarkable relatives who believed in truth and justice and had unshakeable faith,” says Broenniman. She has reconnected with lost relatives, and she’s found Politzers in Hungary, England, and France.

In addition to the book, the results of Broenniman and Gyekiczki’s research turned into a permanent exhibition in the education and cultural center of the 1872 Rumbach Synagogue in Budapest, Hungary. Along with Zsuzsa Toronyi, director of the Hungarian Jewish Museum and Archives, Broenniman worked to create the exhibit, comprising 10 lyrical and artistically rendered seven-minute films about eight generations of Politzers, all based on the stories Broenniman uncovered.

“Zsuzsa shares a vision that my family’s stories can stimulate new awareness, especially among Hungarian Jews, about the power of ancestral legacies,” Broenniman writes in her book.

Broenniman herself has a newfound awareness of her Jewish background and says she was most surprised by her family’s “incredible, rich heritage.” She writes, “It wasn’t enough to find the family my father never spoke of, I needed to write their stories.”

She says, “It is a way to connect to their lives and to make them even more real. I honor my ancestors’ memories and experience the true meaning of the Jewish statement of condolence, ‘May their memory be for a blessing.’”

And while Broenniman hasn’t replaced going to Sunday services at church with Saturday services at synagogue, she does say she has found a new appreciation for Jewish culture and is more sensitive to the effects of anti-Semitism.

“I am more aware of Jewish holidays, ‘Jewish-isms,’ and keep abreast of Jewish issues,” she says. “My mother always raised us to treat everyone with respect, dignity, and compassion, and I live by that.”

To learn more, visit politzersaga.com.

 

Playing it forward Teen organizes drive to support student athletes in Africa

For Jordin Bekker, a freshman at North Broward Preparatory School, a recent school service trip to Tanzania was the perfect opportunity to give back to her native continent.

“I felt really inspired, being from Africa and knowing I was going to go on this trip, to give back to my community,” says Bekker, who grew up in South Africa and has lived in Parkland for almost three years.

A lifelong athlete whose love of sports helped her develop confidence, engage with people, and release her anger in a healthy way, Bekker wanted to support student athletes.

“Since sport is my passion, and there are many kids in Tanzania who don’t have the opportunity to pursue a passion like sports because they lack equipment and facilities, I wanted to give back part of what I was able to experience growing up,” explains Bekker, who decided to do an athletic clothing drive.

Bekker and her mother created a Facebook post about the drive, asking for used athletic clothing donations, and the response from the Parkland community was overwhelming. “The people of Parkland are absolutely amazing,” enthuses Bekker, who received three seasons’ worth of brand-new lacrosse uniforms from Marjory Stoneman Douglas High School alone. “I didn’t expect this to blow up as much as it did. We received messages multiple times a day from people telling us they had bags and bags for us.”

Bekker spent weeks collecting and washing clothes and cleats and sorting them by size and age group. Due to the volume of donations, she had to put a shed in the backyard and is already planning on expanding her efforts next year. “It’s definitely something I want to keep doing,” she confirms. “I love kids.”

With the help of her fellow classmates and travelers, Bekker was able to transport 27 duffel bags, each filled with two T-shirts, two pairs of shorts, a pair of cleats, a soccer ball, and a ball pump.

The bags were distributed to students at Ngongongare Primary School, which has four sports teams and more than 700 students. “Giving them the sports equipment made me cry,” recalls Bekker. “Before we gave them the equipment, I watched them play during recess. They were playing barefoot on stones that would pierce your foot. Their field was slanted with long grass, and a goal made out of wooden planks. They were so happy when we gave them the equipment. They sang and danced to say thank you to us.”

Since returning from her trip, Bekker has already collected 50 more pairs of cleats and has begun registering her charity, aptly named Play It Forward, to continue and expand her mission of providing clothes and sports equipment to children in Tanzania.

For more information, visit platitforwardinc.com. {Is this URL link correct? It doesn’t work. And playitforwardinc.com doesn’t have anything on the site yet.}

https://playitforwardinc.com/ coming soon

What to do during a food recall

If there are times when it seems that a food recall is constantly in the news, that’s partly thanks to the continuous monitoring that happens to ensure that food stays safe. The systems that are used to identify potential problems have gotten more efficient.

While there are a few reasons a food may be recalled, the good news is that there are ways to stay informed and reduce your risk of getting sick from certain foods.

Why Is Food Recalled?

Food recalls are typically issued by food producers. This may happen if a food is mislabeled, if they believe the food is contaminated, or when a food has been linked to a foodborne illness. Some examples might include undeclared tree nuts found in ice cream, elevated levels of lead in applesauce, or potential botulism in canned food.

A foodborne illness outbreak happens when at least two people get the same illness from the same type of food or drink. Some examples include listeria in a specific brand of cheese, salmonella in eggs, or E. coli in carrots. The Food and Drug Administration, the Centers for Disease Control and Prevention, and local health agencies monitor and investigate these situations to help prevent additional people from getting sick.

Public health advisories are issued for recalls and outbreaks when there are specific steps that consumers should take to protect themselves. These advisories include information on how to identify products affected and suggestions for handling these foods if you have them at home.

What Should You Do If You Have a Recalled Item?

For a food or beverage recall, specific information is given to help identify the food or beverage affected. This typically includes the type of food, which brands are included, and the product’s “use by” date. This information must match for a product to be considered part of the recall. If it doesn’t match the recall information, then it is generally considered safe to use.

If a food or beverage is part of a food recall, it should not be consumed. You may be able to return the item for a refund at the place it was purchased. Otherwise, it should be thrown out. This includes any leftovers you may have in the refrigerator or freezer that used the recalled products.

If you identify a food in your home that was part of a food recall, make sure to clean any of the surfaces it may have touched during storage. This includes food storage containers as well as refrigerator or freezer shelves.

Food Safety for High-Risk Groups

While anyone can become sick from a foodborne illness, some groups of people are at a higher risk of serious side effects if they consume food that has these harmful bacteria or viruses. Individuals who are pregnant, children, older adults, and people with cancer, diabetes, HIV/AIDS, organ transplants, or autoimmune disorders are all at increased risk.

Those individuals are often advised to avoid certain high-risk foods, such as the following:

  • Raw (unpasteurized) milk or cheese
  • Undercooked or raw eggs, meat, and fish
  • Hot dogs and lunch meats
  • Raw sprouts
  • Premade deli salads, such as ham, egg, or tuna salads

Safer alternatives to these foods include pasteurized dairy products, eggs and meat cooked to their appropriate internal temperature, deli meats heated to steaming, and deli salads made at home. It also is advisable to wash fruits and vegetables before cooking or eating.

Stay Informed

For live updates on food recalls and public health advisories, check the U.S. Department of Health and Human Services initiative at FoodSafety.gov.

Other ways to stay informed include brushing up on food safety. Remember to wash your hands when preparing, serving, or eating food, and always cook foods to their appropriate temperatures. These simple steps can help reduce the spread of foodborne illness.

Call of the wild Photographer Jade Cave captures nature

Born in the seaside town of Southend-on-Sea in Essex, in the United Kingdom, artist, designer, and wildlife photographer Jade Cave, 34, now calls Parkland home.

First moving from the U.K. to California when the COVID-19 pandemic struck, Cave and her husband, Mark, a businessman, hit the road. They traveled 3,000 miles coast-to-coast, stopping in Arizona at the Grand Canyon National Park, Kartchner Caverns State Park, and the city of Tombstone, and of course, they visited the London Bridge in Lake Havasu City.

Arriving in Miami, they rented a house in Hallandale Beach, but it was love at first sight once they discovered the city of Parkland. “I found where I want to be,” Cave says. “It’s so beautiful here; I love all the nature.”

Growing up, Cave’s family had a home in South Africa, and they traveled there often, taking in the wildlife on safari. “Being blessed to have a house in South Africa, to have a connection with nature and experience amazing landscapes, I’ve always had a passion for the outdoors,” Cave says. The climate and landscape of Florida and the Everglades ecosystem are reminiscent to her of Africa.

With her D850 Nikon camera, Cave frequents Everglades National Park, the Arthur R. Marshall Loxahatchee National Wildlife Refuge and the Green Cay Nature Center & Wetlands in Boynton Beach, and Wakodahatchee Wetlands in Delray Beach, where she captures birds, alligators, butterflies, and the flora and fauna.

“I love being outdoors in nature and being in the moment,” says Cave, who coincidentally was born on Earth Day.

Her photograph of Bunker, the Parkland burrowing owl who lived in her community on the 18th hole at the Parkland Golf and Country Club, is on display at the British Consulate in Miami. Another, a close-up of a long-neck white swan, titled “Reflections,” from her “Glades on Glass” collection, captures the bird with its long, S-shaped neck dipping into the water, its image reflected back.

One of her favorite images is a head-on close-up of “Fluffy,” an alligator who is anything but. To capture the image, Cave waited and watched patiently. After five hours, Fluffy jumped and the waters parted.  

Cave’s camera clicked, and she caught the shot of the day—the waters rippling around Fluffy’s giant head, his black eyes glistening in the water and his gaze staring intently at the viewer. “I love the way I captured the water moving around its face and the way the eyes stare at you,” she says.

Once she captures the shot, Cave feels elated. “When I look at my work, it takes me right back to the moment and I get an adrenaline rush,” she says. “It’s quite exciting and rewarding.”

She especially loves capturing close-ups and the emotions of the animals. She often shoots in black and white to create a stronger presence or to highlight the texture of the animal’s features.

Her photograph of a baby monkey asleep in its mother’s arms, titled “Nap Time,” from the “Spirit of Africa” collection, is an example of this black-and-white technique.  

Cave will use a zoom lens to capture an eye or to frame a face. “It enhances the details and affords a different perspective,” she says.

Self-taught, Cave honed her technique by watching YouTube videos. She rarely enhances her photographs or uses Photoshop and only edits them to crop or sharpen the image. “What you see is what you get,” she says.

Last November, Cave traveled to Tsavo West National Park in Kenya (“Africa is part of my spirit”), where she photographed monkeys, zebras, giraffes, and the African plains.  

These images, along with ones she took in the Everglades at Flamingo Campground, were on display at the Spectrum Miami Art Fair last December during Art Week in Miami. She donated 100% of her profits to the Alliance for Florida’s National Parks, where she volunteers her efforts to raise awareness about the national parks.

“Jade exudes such positive energy,” says Lulu Vilas, executive director of the Alliance. “She can light up a room with her exuberance.”

The Alliance for Florida’s National Parks, which includes Big Cypress National Preserve, Biscayne, the Dry Tortugas, and Everglades National Parks, raises funds and awareness to support the programs and activities of these national parks.

“Jade is never happier than when she is out in nature photographing wildlife and watching people enjoy the natural world,” Vilas says.  

“We’re fortunate to have her,” she says. “She is extremely talented and has a generous spirit.”

For Cave, being part of Art Week in Miami was a dream come true and a highlight of her career.

To celebrate becoming a U.S. citizen last August, Cave put her feelings into a creative photo shoot, hiring a model to dress as a cowgirl, representing the spirit of the U.S. The photograph, titled “Freedom,” depicts a model wearing a cowboy hat, her back to the camera, her left arm upraised swirling an American flag.

Shot in silhouette at the Arthur R. Marshall Loxahatchee National Wildlife Refuge, against a dramatic ombré sky of grays, blues, and oranges, the photograph speaks to themes of freedom and personal reinvention, reflecting Cave’s journey and her heartfelt connection to her subjects.

“It’s my homage to America and the freedom of America,” says Cave, who learned the Bill of Rights and the Constitution as part of her journey to becoming an American citizen.

She admires the work of Big Cypress National Preserve photographer Clyde Butcher and English wildlife photographer David Yarrow, and she had the opportunity to have dinner with Yarrow three years ago in Miami.

“He inspired me to keep pursuing what I love,” says Cave, noting that it was Yarrow who suggested she use a Nikon D850.

Now she encourages others to learn the craft as well as they can, to persevere and differentiate themselves by capturing their own vision. 

While in school in England, Cave studied fashion design and fashion photography. In 2009, she won the young retail designer competition.

She also studied Rogerian person-centered existential therapy and applies those principles to artwork she creates, finding expression and meaning to create word art, sketching an image using quotes, phrases, or inspirational speeches of iconic moments in history.

Her whimsical drawings of the Beatles’ “Abbey Road” album cover is a testament to her ability to merge visual and verbal expression. Depicting the four Beatles crossing the iconic walkway, the words from their lyrics—“Take a Sad Song and Make It Better,” “Baby, You Can Drive My Car,” and “Can’t Buy Me Love”—define the images.

Dyslexic as a child, Cave felt ashamed not to read or write well, and she says, “Language was my enemy.” Now, she embraces words, and they have become her medium for transformation and self-expression.

Cave is happy that people like both her photographs and her word art enough to hang on their walls.

This fall, she will exhibit her work at Silver Spring State Park in Silver Spring, Fla., and has her sights set on future gallery shows.

“There is always something new to learn and the art is forever evolving,” she says. “This adds to the excitement of being a photographer.”

Cave is excited to see where photography takes her. “My work comes from my heart,” she says. “I take something in life and transform it into art as a way to project how I see things. I give others a different view of creation.

“That, to me, is what I call art,” says Cave.

Visit Jade Cave on Instagram or at jadecaveart.com.

The colors of life: Deborah LaFogg Docherty

A “colorist,” her professors in college had called Deborah LaFogg Docherty.  She is a colorist with talent for color, which is why she likes pastels.  LaFogg’s compositions are saturated in detail, and beneath the layering,  the surface of sanded pastel is full of pigments with little binder.  LaFogg brings the colors in life forward and into this month’s focus.

“It has to have motion, color, and contrast—oh man, there is always something to learn,” explained LaFogg. “The right textures and, most importantly, it is the composition that has to be right.”

Toy in the Attic (38″ x 28″). LaFogg’s first exhibition was at the Yale University Art Gallery in her senior year of college. “Toy in the Attic,” an oil painting on gessoed board, was exhibited there; it is of LaFogg’s Raggedy Ann doll that she found in the attic.

LaFogg, who grew up on a farm in Connecticut, was inspired by her mother at a young age to pursue art. One could say the “writings were on the wall”—when LaFogg was only 4 or 5 years old, she did a full mural of dogs, cats, trees, and birds on the wall of the hallway. Of course, her parents thought it better to give her coloring books, paints, and crayons instead, for her to continue on. And she did just that.

LaFogg, having graduated with honors in illustration and commercial art from Paire College, later relocated to South Florida, where she worked in illustration, cartooning, and as a designer for the Sun Sentinel for several years of her life. There, she did a plethora of work in the artistic field, including prepress, editorial, and advertising. She was a Special Sections designer in Deerfield Beach, and it helped her to further develop her skills in compositional strength throughout the experience.

Commissions. During and after her Sun Sentinel career, LaFogg has continued to do commissions for art lovers. Her commissions range from portraits to animals, in extensive use of detail, and even with an Impressionistic piece. She has illustrated a couple of books, including “Rosie’s Song” and “Woodrat Jill,” in themes about conservancy and nature. While LaFogg is naturally drawn to pastels due to her talent for color, her works are shaped from oils and even acrylics. Her tendency to equip detail is apparent, while maintaining balance between her softened backgrounds to pronounce the foregrounds of the composition’s focus. This cute little fur ball (pictured) is a recent commission, 11″ x 14″ oil on canvas.

Wildlife. LaFogg lives in Boynton Beach, where she works from her studio. Her property is in fact a wildlife habitat. Known well for her wildlife works, LaFogg’s achievements in wildlife conservation efforts cannot go unnoted. Winning first place in fine art in the Endangered Art4Apes International Exhibition, fourth place and honorable mention in the wildlife/animal category of the Pastel Journals International Pastel 100 Competition, and honorable mention in the International Artists Magazine Wildlife Challenge, these are just a few of many of her achievements. Her work is often featured in the NYC Salmagundi Club shows, and she’s been published in the International Artist Magazine, the Pastel Journal, and the WildScape literary journal.

LaFogg’s wildlife paintings cannot be missed. Since 2018, after she became a part of an artists group to visit Kenya for conservation efforts to bring the Northern White Rhino back from the brink of extinction, she continues creating paintings for the National Parks Trust and strives to raise awareness about the importance of wildlife conservation.

Among some of the animals painted are the wolf, the cougar, the black bear, and many more. However, her favorites are the birds, LaFogg’s main subject. She loves how they symbolize freedom and beauty, a topic very important to her.

“Frost,” an 11″ x 14″ pastel on archival sanded pastel paper, is a testament to that. The lone cardinal is the focal point of the painting, drawing the viewer in by his natural predominance—color, defining the composition by his inherited hierarchy upon the wires. As he looks on, it hints to the viewer a suggestion, perhaps, in hopes for the spring.

LaFogg’s works are spread nationally and internationally, including in China and Spain. In the U.S., a piece well worth mentioning is her real-life cowgirl, whose portrait is a 16″ x 20″ pastel on archival sanded pastel paper, titled “Ready to Ride Out.” The offsets of the composition come into focus by the pronouncing of life to her face, where her position is to skin tones, mellowed by the balance at which it borders by color. It all is complimentary—as the cowgirl looks to the light, the background remains mysterious, leaving the fluidity to the viewer in a pending sense before her journey into the great wide open.

Every little detail to experimental abstracts. After a great year in 2024, LaFogg is currently rebuilding her inventory. Subsequently, recent interests have delved into abstracts. Her “Koi Pond,” a 16″ x 20″ acrylic on canvas, explores her applied techniques into simpler strokes. Form, however, remains defined by color, as the core emphasis is toward the Koi fish. Koi, also known as Nishiikigoi, is a species that originated in China and later were extensively bred and popularized in Japan.

Inspiring others. LaFogg’s aim is to inspire others by doing demos and teaching. Currently, she teaches art at the Boyton Beach Arts & Cultural Center every Wednesday from 1 to 4 p.m. On April 4, 5, and 6, LaFogg will be at the Delray Art Fair. On April 12, she’ll be at the open house of Delray Beach’s Creative Arts School. And on May 3, LaFogg will be painting life at the Palm Beach Zoo.

For more information or to contact Deborah LaFogg Docherty, go to https://lafogg.com.

 

Music is on the menu with the band Vocal Menu

When somebody loves you
It’s no good unless he loves you
All the way

So begin the lyrics to Frank Sinatra’s classic song “All the Way,” on the 1961 album of the same name, and which he performed virtually with Celine Dion live in 1999 at the Millennium Concert in Montréal, Québec.

A classic love song, spotlighting both singers’ musical styles, it is a favorite to perform for local singers Catalina Prado, 29, and Carlos Iturrieta, 35, both classically trained vocalists and now members of the band Vocal Menu. Other members of the band include Jesús Herrera on guitar, Sandro Montoya on bass, and Oscar Bravo on drums.

“The song is so beautiful—I’m obsessed with it,” says Prado, the lead female vocalist, who admires both Celine Dion and Sandra Brightman.

Prado, a soprano, and Iturrieta, a bass-baritone, met in their native Chile during an audition backstage at the historic and iconic Teatro Municipal de Santiago, where they were asked to perform a duet from Mozart’s comic opera, “The Marriage of Figaro.” Both nervous for the audition, Prado sang the lead female role of Susanna while Iturrieta sang the lead male role of Figaro, two servants who fall in love and eventually marry, despite the obstacles in their way.

Luckily for Prado and Iturrieta, nerves gave way to something more. As Prado remembers, the couple, like their characters, fell in love during that audition, in a case of life imitating art.

And while they are not yet married, since that fateful day in November 2018, the couple has been singing together and two years ago relocated to Boca Raton from Chile, to be near family in Parkland.

Iturrieta studied at the Institute of Musical Arts in Concepción, Chile, under the tutelage of Chilean baritone Pablo Castillo and alongside renowned Chilean pianist Verónica Torres. A four-time scholarship winner, he studied under Chilean opera singers Rodrigo Navarrete, Oscar Quezada, and Christian Senn, as well as Italian baritone Alessandro Corbelli and Chilean soprano Pilar Aguilera.

In 2018, Iturrieta was a semi-finalist in two international competitions—in San Pedro de la Paz, Chile, and in Trujillo, Peru. The following year, he made his opera debut in Puccini’s “Madama Butterfly,” at Chile’s Biobío Regional Theater, in the role of the Imperial Commissioner, conducted by Italian maestro Lorenzo Tazzieri. And In May 2019, he was selected as a semifinalist in Plácido Domingo’s “Centre de Perfeccionament,” in Valencia, Spain.

And while Iturrieta studied opera formally for six years in IDAM, he, like Prado, realized he didn’t want to limit himself to one genre of music and felt that instead of people coming to him to hear him perform, he could bring his music to the people.

One of Iturrieta’s long-term goals is to found a performing arts center where people can come hear him perform. In addition to opera, he enjoys singing ballads, especially American music from the 1950s and ’60s, such as Frank Sinatra, Elvis Presley, Dean Martin, Andy Williams, and Nat King Cole. “The crooners,” he says.

Other musical influences include American opera singer Samuel Ramey and Russian opera singer Dimitri Hvorostovsky, who passed away in 2017.

Prado has an equally impressive background, beginning her musical journey in 2013 at the Symphonic Choir of the University of Chile, under the baton of conductor Juan Pablo Villarroel, where, at 17, she was the youngest student admitted to the program.

She studied under Chilean soprano Claudia Pereira, later graduating from the Conservatory of Music of the Universidad Mayor, in 2022. In 2018, Prado won the prestigious Amigos del Teatro Municipal de Santiago scholarship, and she performed in many of Chile’s top theaters.

Growing up, Prado attended a Waldorf School where music and the arts were an integral part of the school curriculum. She knew at a young age that she loved to sing, and to sing with others as part of a group. Finding success at an early age, she credits her mother’s prayers as having “something to do with it.”

Not one to leave fate to chance, Prado had a backup plan if her singing career didn’t take off: to become a doctor. “I always have a Plan B,” she says.

With a “strong passion” to heal people, Prado says both physicians and musicians are healing in their own way.

With a far-reaching repertoire, including arias, operettas, chamber music, popular music, and musical theater, Prado is not content to remain in one genre, and she’s looking to find her sound. “I want to explore my own sound without limitations,” she says, noting that to sing opera, one needs to conform to strict vocal techniques and requirements.

“I want more freedom,” she says, finding that freedom in musical theater and contemporary music, especially cross-over music.

“Cross-over music bridges different genres and worlds and is a way to bring people together,” Prado says. “Music is for everyone.”

Her dream, she says, is to be able to create unforgettable musical moments for everyone.

Prado cares for her voice with a healthy lifestyle that includes taking precautions against becoming sick; not eating spicy foods late at night, which can cause reflux and harm the vocal cords; and staying hydrated. She trains her vocal cords with warm-ups and scales every day.

Her dream is to play the role of protagonist Christine Daaé in “The Phantom of the Opera,” live on stage.

While the couple perform numbers from the musical, such as “The Music of the Night,” and others, Prado likes to imagine herself performing on stage in front of a large, enthusiastic audience.

“That would be unbelievable,” she says. She hopes to make professional connections here in South Florida to realize that dream.

The two also hope to make a name for themselves and the Vocal Menu band. Last year, they participated in the city of Parkland’s 60th Anniversary celebration, opened for the band Sugar Ray, performed for Veterans Day celebrations, and performed twice at the Parkland Farmers’ Market at the Equestrian Center, once as a duo and the second last February with the full band.

As recently arrived members of the community, they hope these performances are only the beginning.

“We love what we do,” says Prado. “We get to share special and emotional moments with each other and our audience.

“It’s a unique and beautiful moment,” she says. “Isn’t that what makes us human?”

To learn more, visit vocalmenu.com or go to Vocalmenu on Instagram

A feast for the senses at farmers market

Are you looking for a large farmers market in Broward County that provides fresh produce from local farms; international foods to purchase from vendors and eat in a tiki-hut pavilion or bring home to cook; and lots of crafts, handmade goods, and clothes to buy from local artists and crafters? Would you like to listen to live music played by talented multicultural musicians while you shop?

Then the Yellow Green Farmers Market in Hollywood is the place for you. This huge, airy marketplace follows the model of a true farmers market where each booth is a separate business. While not all the food is from local farms, there is a bounty of seasonal, fresh foods here, along with a large selection of artisanal goods. Established in 2010, the Yellow Green Market likes to say that it “connects local producers and artisans with the community.” Reportedly the largest farmers market in South Florida, it also resembles a bustling flea market in some sections.

My husband and I went on a recent weekend. The weather was good and we enjoyed walking around and exploring the huge, busy marketplace under blue skies. We took along our own canvas bags to bring our purchases home, and it’s good thing we did, because the walk between the parking lot and the entrance was a long one.

We started with an early lunch at a picnic table in the thatched pavilion. Nearby food stands included aromatic meals from Jamaica, Peru, Argentina, Bahamas, and more. My husband got Thai food, and I had fresh beef from a barbecue place where you can watch the whole savory, steaming process of beef being sliced from slabs hanging there. It smelled magnificent.

We listened to minstrels playing music nearby as we ate our lunch.

Then we headed out to do some shopping. I enjoyed the cacophony of sights and aromas surrounding us. There were merchants set up both inside and outside on the sprawling property. The smells of savory foods, fresh produce, beautiful plants and flowers, and other fragrant products made for a pleasant experience as we strolled along, and the music and festive sounds made it even more fun.

The main market is housed in a 100,000-square-foot converted warehouse; it used to be a sheet metal fabrication site. It is open on the sides, so you still get an airy feel while walking the aisles among the hundreds of vendor booths. I read that this building gets stuffy and uncomfortable on hot days. We went on a day with no humidity and nice breezes, so we were fine there.

We explored all around, appreciating the vast culinary and cultural variety in this place. There were spices from all over the world, French crepes, Turkish coffee and snacks, Louisiana gumbo, tortillas being freshly produced, oysters and lobster rolls, baklava and other delectable ethnic desserts, many kinds of juices, smoothies, and frozen drinks, and a guy cutting off juicy pieces from a whole pineapple for us to sample.

We bought a lot of fresh fruits and some veggies for a salad, and then went to another stall and got a variety of empanadas to heat up later for dinner with my son. We also picked up plump brownies from a dessert stall, and then found a homemade pasta place, where we bought some stuffed raviolis to have for dinner another night.

We explored the lively flea market booths as well, and I got a sundress from a boutique. There was a fragrant stall full of many essential oils, and I bought a couple that smelled great and might be useful (one was “insomnia oil”). There were artisans displaying Argentinian clothing, hats, jewelry, and cork purses from Portugal. Vendors sold crystals, soaps, skincare products, and more. There also was a kids play area, and lots of dogs being walked or pushed in a stroller.

One end of the warehouse has colorful bars and places to sit and drink. Earlier in the day the bar area wasn’t too crowded, but I’m sure as the day goes on, more people come to enjoy libations there.

The one downside: It costs a minimum of $10 to park near this market. The parking lot we used wasn’t even paved, and it was a long walk to get to the venue. Not a good deal.

The Yellow Green Farmers Market is open Saturdays and Sundays from 10 a.m. to 6:30 p.m. There is paid parking in three different lots. For more information, go to ygfarmersmarket.com.