The (Emily) Jewel in Parkland’s crown

There is a castle on a cloud, I like to go there in my sleep,” sings 9-year-old Parkland resident, Emily Jewel Hoder, in her solo as Little Cosette in the national Broadway touring company of “Les Misérables (Les Miz).”

Standing 49.5-inches tall (the half inch is very important, as she must recite this for casting directors) and weighing in at 51 lbs., Hoder is already a triple threat. And like Shirley Temple before her – can sing, dance, act and charm an audience right out of their seats.

With a career that began at the age of 7 at the Wick Theatre in Boca Raton playing Molly in “Annie,” alongside Sally Struthers as Miss Hannigan and George Dvorsky as Daddy Warbucks, Hoder was on the Les Miz tour when the pandemic struck.

“I didn’t let it (the pandemic) stop me from doing what I love,” says Hoder. “Les Miz is the most amazing experience of my whole life.”

With the tour, Hoder traveled to six different cities in two-and-a-half months, including Springfield, MO,  Kalamazoo, MI, CIncinnati, OH, Sarasota, FL, Greenfield, SC and Durham, NC where the tour abruptly ended in mid-March.

Her dad, Eric Hoder, a chiropractor, flew out to attend each show.

Performing “Castle on a Cloud” alone on stage was the highlight for Hoder.

“I could see Patrick Dunn (Jean Valjean) and Preston Truman Boyd  (Inspector Javert) fighting through the curtain,” she says.  “That was the coolest part.”

As a performer, Hoder admires Dunn and says, “He’s a great singer and so cool and funny.”

Performing her solo on stage, Hoder denies feeling nervous and says, “I feel happy and in the moment.  I love to perform.  My favorite part is making eye contact and connecting with the audience.”

In 2018 Hoder took third-place and $100 at the Coral Springs Got Talent competition for her dance solo and won her first national title as the Believe National overall winner for her solo jazz-acro dance at the Greater Fort Lauderdale/Broward County Convention Center.

Back in Parkland, Hoder has been using her free time during quarantine to network, dance, take classes at Performance Edge Two studio in Boca Raton and perform in three shows at the Wick Theatre.

Through social media, she connected with Tiler Peck, principal dancer of the New York CityBallet, and performed live on Peck’s  Instagram feed.

Hoder also has a role in director Brian Schmidt’s feature film, “Payton’s Caper,” and appeared in a music video for Israeli singer Gad Elbaz.

“We’re very proud of Emily,” says her mom, Caroline Hoder, a stay-at-home mom who became Emily’s production crew, IT person and helps her run her lines.

Despite having so much disappointment this year (the tour ended and Broadway closed) Emily continues to connect with people virtually,” says Caroline Hoder.

“I’m happy to support her dreams,” says Caroline Hoder, who was on a similar track as a child, performing at the Swap Shop Circus and with the Miami City Ballet.

“She keeps going and brings joy to others,” she says.  “We’re blessed to be able to be home with her and we make a good team.”

A former student at Riverglades Elementary, Hoder is now enrolled in Florida Virtual School and when she’s not rehearsing or taking classes loves to play with her 5-yr. old sister, Sunny, and her two cats, Buttercup and Oreo.

Her advice for other children pursuing similar dreams is “You have to be yourself because you are your biggest cheerleader.”

What are her post-pandemic plans?

Hoder plans to return to New York, says her mom.  She has her eye on the “Music Man” (for which she auditioned twice and danced for five consecutive hours, surviving all the cuts).

“Emily wants to inspire other kids to do what they love,” says Caroline Hoder.  “Even if they can’t act, dance or sing, they should follow their dreams.”

“I advise other parents to be aware of what your kids are interested in and nurture that,” she says.

Marilyn Wick, CEO of the Wick Theatre says, “Emily has performed many times at The Wick throughout the years, most recently in our Christmas show this past December.”

“Every time she is on stage, she delights the audience with her talent and innate charisma,” says Wick. “She is quite the performer and has been trained very well.”

“We are all expecting big things from this young lady,” Wick says.

 

To see Emily Jewel Hoder perform, visit Dancekidemily on YouTube and on Instagram: emilyjewel7.

Revised Feb 2nd, 2021 based on updates from the contributor

No ‘Plan B’ for Parkland country singer

With no Plan B on the horizon, Parkland resident and indie-pop country music singer Liddy Clark, 22, knows who she is and where she’s going.

Currently a senior at the Thornton School of Music at USC in Los Angeles, Clark is home with her parents and two younger brothers in Parkland for the summer, where she has a home recording studio.

Making the most of the COVID-19 quarantine, Clark is busy working on her music, taking her dogs for walks at the Parkland dog park, bicycling, and reading Paulo Coelho’s “The Alchemist.”

“It’s all about the music for me,” says Clark. “I thrive in creative environments, and I have a unique way of transmitting my message in a way that hasn’t been done before.”

Singing since the age of seven, when she realized she had perfect pitch, Clark appeared in a talent show performing ‘Colors of the Wind,’ from the Disney movie Pocahontas at the former Day School in Coral Springs.

After taking vocal lessons and learning to play the guitar at age 12, Clark says, “Things snowballed from there.”

She started writing her own songs at age 13 and at 15 studied at Boston’s Berklee College of Music summer program for three years in a row.

At 17, she earned a scholarship to Berklee’s five-week Summer Performance Program, one of the most distinguished summer musical performance programs in the country, and landed a coveted spot in the school’s Singer-Songwriter Showcase, with professor and singer/ songwriter Melissa Ferrick.

According to Ferrick, Clark “writes award-winning lyrics.”

With her warm, soulful voice and from-the-heart lyrics, Clark is an advocate for change through her music. In 2018, she released “Shot Down (Stand Up),” about the shooting at Marjory Stoneman Douglas, a call to action for her generation of students plagued by gun violence.

That same year, Clark released her debut EP, Testing the Waters: a selection of original songs, showcasing her indie-pop take on country music.

The highlight of her career to date has been the gap year she took between high school and college, where she toured radio stations, including Spotify and iHeartRadio, meeting with program directors. She played the Country Music Hall of Fame appearing after Garth Brooks and likes to say he opened for her.

Locally, Clark has played in and around Parkland for the past five years and had her first paying gig at the Parkland Amphitheatre in Pinetrails Park. In 2015, she played at the ribbon-cutting ceremony for the Ballfields opening during the last phase of the building of that same park.

“Liddy is a wonderful representative for the City of Parkland,” says Mayor Christine Hunschofsky. “She has graciously volunteered her time and talents over the years for many local performances.”

“As a community, we’re so happy to have been able to observe and be a part of Liddy’s growth as a musician/songwriter, and as a young woman, and know she has an exciting future ahead of her,” Hunschofsky says.

A former competitive cheerleader, Clark spent a lot of time driving from school to school with her mom listening to a variety of music, including Shania Twain, John Mayer, Ed Sheeran, and Taylor Swift. All of them, she considers influenced her musical style.

Other role models include her parents, “especially my dad who pushes me always to be a better version of myself,” says Clark.

She has a single coming out in October and hopes to also release an album and go on tour. After college, she plans to stay either in Los Angeles or relocate to Nashville.

About Parkland, she says, “I’m just so thankful to grow up here in Parkland. It’s such a nice city with such great people.”

Visit liddyclark.com for more information.

By Jan Engoren