Sandler Center hosts virtual Jewish film festival

This year, the Levis JCC’s SandlerCenter goes on-line with more  than 50 Jewish-themed films from around the world – from historical dramas to documentaries and shorts in its virtual Judy Levis Krug Boca Raton Jewish Film Festival (BRJFF), running through May 16, 2021.

In addition, there will be Q&A webinars with filmmakers, cast members, and community lecturers, as well as the opportunity to view each film up to 72 hours after its scheduled time.

“Our strong relationship with the film industry has allowed us to present our patrons with a high-quality line-up of films and speakers year after year, in turn, we are able to continue to inspire, educate, and connect with our community year after year,” said Lesley Rich, BRJFF program & production director.

Making its Florida premiere on Mar. 22 is the Israeli documentary, “Shamir, His Way,” by filmmakers Igal Lerner and Erez Friedman, a one-hour documentary film about Yitzhak Shamir, former Israeli Prime Minister and one of the founding members of the State of Israel who has impacted the entire Middle East region for decades.

Shamir passed away in 2012 at the age of 97 and left a deep and on-going legacy in Israel, the state he helped to found. Shamir was the country’s third-longest-serving prime minister after David Ben-Gurion and Benjamin Netanyahu.

Born in Poland, Shamir was a soldier and politician who was elected to the Knesset (Israeli Parliament) in 1973 and again in 1977. He became Prime Minister in 1983–84,1986–90, and again from 1990–92. Before Israel’s statehood, Shamir was a leader in the LEHI, an underground movement against the British Mandate in Palestine and was a member of the notorious Stern Gang. In 1946 he was exiled to Eritrea by the British but escaped and made his way back to Israel. Shamir was also the head of an elite and secret unit in the MOSSAD

– Israel Secret Intelligence Service where he had served for more than 10 years before entering politics.

His son Yair Shamir, a former Colonel in the Israeli Air Force and now a philanthropist and venture capitalist says, “My father had a unique personality, and we try to show this in the film. He was a leader – a leader of people, a leader of the state, a fighter, and father.”

“Despite his accomplishments, he was a very modest person with zero ego,” he says. “On the other hand, he was always a leader with a unique style – very open and a team player.”

“Shamir’s story is intertwined with the story of Israel,” says Noa Cacharel, the film’s international sales agent. “Through the film, you are able to see how Israel has survived and gotten to where it is today. Shamir cared deeply about his country and is an icon in the state of Israel.”

“We owe him a lot,” she says.

The filmmakers decided to focus on the period in 1991 when Iraqi
missiles launched on Israel, and Shamir, then prime minister, made the decision not to retaliate against Iraq. They wanted to explore his decision-making process and ability to withstand pressure from both the United States and Russia.

Later that year, in September 1991, Shamir represented Israel at the Madrid Peace Conference, which brought about direct negotiations with Syria, Jordan, Lebanon, and the Palestinians. He brought with him, a then-unknown young politician by the name of Benjamin Netanyahu and introduced him to the world stage. The film intertwines exclusive and behind-the-scene insights illustrating the unique path between the terror of war and the hopes of peace. It includes rare interviews with influential people such as Ehud Barak and Ehud Olmert, both Former Israeli Prime Ministers, in addition to Ya’akov Peri, Former Head of the Israeli Security Agency Shin Bet, and Shabtai Shavit, Former Director Director General of the Mossad, Israel’s Secret Agencies. All of whom have worked closely with Shamir through the years.

Lerner, a director and producer, is known for his documentary films about Natan Sharansky, and about the murder of an Israeli Jewish-Palestinian political activist, Juliano Mer.

Says Lerner, “Shamir kept his distance from the media and was one of the most ‘mysterious’ prime ministers of Israel. Our greatest challenge was to define and understand his way of thinking. He was a true chauvinist for Israel, an attitude he developed during WWII when his family was murdered by Poles in their village in Poland.”

It was that experience and way of thinking that led him in later years to advocate for both the emigration of Russian Jews to Israel as well as the later absorption of the Ethiopian Jews to Israel, as part of “Operation Solomon” in 1991.

“It was one of his missions in life to bring as many Jews as he could to the Land of Israel,” says Yair Shamir.

“For me, my father is a role model,” he says. “But, not only for me, but for my kids and nieces and nephews. He was a beacon shining a very focused light and providing a feeling of safety and lighting the way to overcome obstacles.”

“He is the beacon for our family,” he says. “It’s a challenge to live up to his ideals.”

“The name ‘Shamir’ means a very strong rock,” says Shamir. “My father lived up to his name.”

In 2012, Shamir was given a state funeral and buried amongst Israel’s other war heroes and prime ministers on Har Herzl in Jerusalem.

“Yitzhak Shamir was a tremendous beacon for all Israel,” says Cacharel. “So many people look up to him and admire him. We have schools and hospitals named in his honor. He stood for something and was steadfast in his ideals and principles – you don’t find that in many politicians these days.”

Other film screenings in March include Michael Lopatin’s “Code Name: Ayalon,” a David and Goliath story during Israel’s War of Independence, Jacek Borcuch’s “Dolce Fine Giornata,” a story about a clash of great creative intellect and femininity, with the backdrop of eroding democracy in Europe, and Oren Jacoby’s “On Broadway,” with Broadway legends including Helen Mirren, Christine Baranski, Alec Baldwin, Hugh Jackman, and Viola Davis sharing their experiences On Broadway lifting the curtain to show behind the scenes, with glimpses into the world of live theatre.

Visit Boca Raton Jewish Film Festival (bocajff.org)

Tickets range from $4.99-$12 and film pass packages range from $59-$299 (prices are per household); tickets and packages are available for purchase online at Boca Raton Jewish Film Festival (bocajff.org). Movie rentals can be enjoyed on various platforms by downloading the Eventive TV app which is available on Apple TV, Roku, Firestick, Chromecast, etc.

The film will be screened in Boca Raton Jewish Film Festival on March 21-23. Together for a Q&A with Yair Shamir (son of Yitzhak Shamir) and filmmakers Igal Lerner and Erez Friedman on March 23.

Find a link to the film’s page at bocajff.org.

‘Closer Than Ever’ in a time of social distance

With the on-going blackout of Broadway, live theatre in New York and around the country has taken a hit since March when the COVID-19 pandemic began.

While many actors, singers, and dancers (not to mention directors, producers, technical staff , etc.) were on hiatus, theaters were searching for a way to remain relevant and keep their actors and staff employed.

Boca Raton-based MNM Theatre Company, a non-profit theatre company which has been producing professional musical theatre in Palm Beach County since 2014, was in residence at the Rinker Playhouse at the Kravis Center for the Performing Arts in West Palm Beach prior to the pandemic.

In 2019 the company produced “Man of La Mancha,” and “A Funny Thing Happened on the Way to the Forum,” both large-scale productions.

When the quarantine hit, MNM was in rehearsal for a production of the musical, “Cabaret” and one week prior to opening night last March, had to lay off 65 staff.

“No one really knows what the future of live theatre looks like,” says Marcie Gorman, CEO of MNM Theatre Company. “Will live theatre return to a full-house? Will it be half or quarter capacity? Will the audience return? Will it be safe?”

It was questions like this that kept Gorman up at night and prompted her and her staff to reinvent their stage productions.

She and her director, Jonathan Van Dyke, came up with what they call a “hybrid” – streaming their live production, which was produced following safety and CDC protocols and utilizing “projections” (or, graphics) to enhance the experience.

For example, if a couple was supposed to touch or hug following the script, they did not touch in real-life, but the f lm production was edited to seem as if they were hugging or touching.

“We followed strict protocols throughout the process and were constantly mindful of the health and well-being of our cast and our crew,” says Gorman, a South Florida native. “COVID testing, masks, cleaning, and sanitizing – we did it all constantly.”

“But,” she says, “what’s so wonderful is that we created and performed live theatre that we will be able to share with a worldwide audience.”

“It’s not just a film, not just a live show, and not just a series of projections,” says Gorman, noting that the filming was shot using multiple cameras and angles over a span of five days in their Boca Raton warehouse/studio. “It’s a combination of all three and as far as we know, no one has ever done anything like it before.”

Most recently, they used these techniques in their production of composer David Shire and lyricist Richard Maltby Jr.’s musical song cycle, “Closer Than Ever,” a lively and fast-paced musical revue starring Aaron Bower, Johnbarry Green, and Carbonell Award-winners Shelley Keelor and Elijah Word, exploring the everyday struggles such as second marriages, aging, mid-life crises, working couples, and unrequited love in the modern world.

“Our director, Jonathan Van Dyke, has developed an innovative theatrical hybrid that marries live performances with video, audio, and projections,” says Gorman. “The result is an exciting and creative way to create live theatre during the pandemic.”

“The integrated projections allow for intimate onstage moments,” says Van Dyke on the company’s website. “The actors were each green-screened separately and the results were edited for projection, so they appear to interact with one another, even as they social distance.”

After watching the production on-line, composer Shire wrote in an email to Gorman, “The performances were honest and great, the musical direction, staging, production design, choreography all first rate, and your direction and overall conception of how to present “Closer Than Ever” and keep it COVID-safe were truly impressive.”

Additionally, on their website mnmtheatre.org, the theatre company has a project called #MNMSings, where former cast members and alumni share their favorite numbers from the production in which they starred.

Currently, Shelley Keelor sings her favorite, “Back on Base,” from “Closer Than Ever,” (“My scattered life had no foundation. Couldn’t seem to fi nd my space. Then all at once came inspiration. Now I’m back on base.”)

Gorman says it’s a way for the actors to stay involved, connect with the audience, and remain in people’s consciousness during these trying times.

As a producer, former actor and singer — Gorman describes herself as “very involved and a hands-on producer.”

“I’m at every show,” she says. “I’ve never missed one. Even when the director leaves after a production, I’m still there.”

“It’s an adrenaline rush and a chance for me to bond with the actors,” she says. “I love mentoring them, being a part of the production, watching them perform and revel when they go on to do something bigger and better.”

“It’s all about the connections with people that has made it all worthwhile,” she says. “That’s my thing. I love theatre!”

Visit https://www.mnmtheatre.org/ or on Facebook https://www.facebook.com/mnmtheatrecompany

Clips from “Closer Than Ever” can be viewed on their website https://www.mnmtheatre.org 

 

The (Emily) Jewel in Parkland’s crown

There is a castle on a cloud, I like to go there in my sleep,” sings 9-year-old Parkland resident, Emily Jewel Hoder, in her solo as Little Cosette in the national Broadway touring company of “Les Misérables (Les Miz).”

Standing 49.5-inches tall (the half inch is very important, as she must recite this for casting directors) and weighing in at 51 lbs., Hoder is already a triple threat. And like Shirley Temple before her – can sing, dance, act and charm an audience right out of their seats.

With a career that began at the age of 7 at the Wick Theatre in Boca Raton playing Molly in “Annie,” alongside Sally Struthers as Miss Hannigan and George Dvorsky as Daddy Warbucks, Hoder was on the Les Miz tour when the pandemic struck.

“I didn’t let it (the pandemic) stop me from doing what I love,” says Hoder. “Les Miz is the most amazing experience of my whole life.”

With the tour, Hoder traveled to six different cities in two-and-a-half months, including Springfield, MO,  Kalamazoo, MI, CIncinnati, OH, Sarasota, FL, Greenfield, SC and Durham, NC where the tour abruptly ended in mid-March.

Her dad, Eric Hoder, a chiropractor, flew out to attend each show.

Performing “Castle on a Cloud” alone on stage was the highlight for Hoder.

“I could see Patrick Dunn (Jean Valjean) and Preston Truman Boyd  (Inspector Javert) fighting through the curtain,” she says.  “That was the coolest part.”

As a performer, Hoder admires Dunn and says, “He’s a great singer and so cool and funny.”

Performing her solo on stage, Hoder denies feeling nervous and says, “I feel happy and in the moment.  I love to perform.  My favorite part is making eye contact and connecting with the audience.”

In 2018 Hoder took third-place and $100 at the Coral Springs Got Talent competition for her dance solo and won her first national title as the Believe National overall winner for her solo jazz-acro dance at the Greater Fort Lauderdale/Broward County Convention Center.

Back in Parkland, Hoder has been using her free time during quarantine to network, dance, take classes at Performance Edge Two studio in Boca Raton and perform in three shows at the Wick Theatre.

Through social media, she connected with Tiler Peck, principal dancer of the New York CityBallet, and performed live on Peck’s  Instagram feed.

Hoder also has a role in director Brian Schmidt’s feature film, “Payton’s Caper,” and appeared in a music video for Israeli singer Gad Elbaz.

“We’re very proud of Emily,” says her mom, Caroline Hoder, a stay-at-home mom who became Emily’s production crew, IT person and helps her run her lines.

Despite having so much disappointment this year (the tour ended and Broadway closed) Emily continues to connect with people virtually,” says Caroline Hoder.

“I’m happy to support her dreams,” says Caroline Hoder, who was on a similar track as a child, performing at the Swap Shop Circus and with the Miami City Ballet.

“She keeps going and brings joy to others,” she says.  “We’re blessed to be able to be home with her and we make a good team.”

A former student at Riverglades Elementary, Hoder is now enrolled in Florida Virtual School and when she’s not rehearsing or taking classes loves to play with her 5-yr. old sister, Sunny, and her two cats, Buttercup and Oreo.

Her advice for other children pursuing similar dreams is “You have to be yourself because you are your biggest cheerleader.”

What are her post-pandemic plans?

Hoder plans to return to New York, says her mom.  She has her eye on the “Music Man” (for which she auditioned twice and danced for five consecutive hours, surviving all the cuts).

“Emily wants to inspire other kids to do what they love,” says Caroline Hoder.  “Even if they can’t act, dance or sing, they should follow their dreams.”

“I advise other parents to be aware of what your kids are interested in and nurture that,” she says.

Marilyn Wick, CEO of the Wick Theatre says, “Emily has performed many times at The Wick throughout the years, most recently in our Christmas show this past December.”

“Every time she is on stage, she delights the audience with her talent and innate charisma,” says Wick. “She is quite the performer and has been trained very well.”

“We are all expecting big things from this young lady,” Wick says.

 

To see Emily Jewel Hoder perform, visit Dancekidemily on YouTube and on Instagram: emilyjewel7.

Revised Feb 2nd, 2021 based on updates from the contributor