Blood brothers Southern Blood has a bond thicker than water

A shoutout to legendary guitarist Greg Allman’s final album, “Southern Blood”—created in 2016 while he was fighting liver cancer—South Florida’s band of the same name, Southern Blood, pays homage to Allman and that genre of rock ’n’ roll known as Southern rock.

Emerging from Texas, the Carolinas, and Georgia, the music, characterized by its combination of rock ‘n’ roll, country, and blues, is focused on electric guitars and vocals, as exemplified in the music of the Allman Brothers, Lynryd Skynryd, Molly Hatchett, and ZZ Top.

“These groups were my musical influences,” says Southern Blood founder and lead guitarist James (Jimi) Robinette, 59, who grew up in Hollywood. “I loved Lynryd Skynryd, Aerosmith, Bad Company, the Who, and Molly Hatchett.”

The band is composed of Robinette, Todd Jones (guitar and vocals), Alan Vine (bass guitar), Greg Smolla (slide guitar and vocals), and Rodrigo Valente on drums. They revisit the ’70s and ’80s with their unmistakable, hard-driving groove, signature Southern vocals, and dueling guitars.

The members have been around South Florida “forever,” according to Robinette, who toured the country in the late ’80s and early ’90s with a band called “Heartless,” and they’ve been playing together for the past six years.

Typically, they play 100 shows each year, including local festivals such as the Winterfest Boat Parade in Fort Lauderdale and that city’s 2021 New Year’s Eve party for a crowd of approximately 5,000 revelers.

“Our main goal is to entertain. At this stage in our careers, we’re not looking to be famous or to go on the road touring,” says Robinette. “We love to get people involved, get them dancing, singing, and clapping their hands. We’re high-energy, loud, and kick-ass. We will get you up—moving and grooving to songs such as Lynyrd Skynyrd’s “Sweet Home Alabama” and the Allman Brothers’ “Rambling Man.”

For bass guitarist Vine, 55, who grew up in Parkland, Coral Springs, and Margate, he fell in love with the band Molly Hatchett after attending a concert at the Sunrise Musical Theater with his friends in sixth grade.

“After seeing all the guys on stage making music and all the girls dancing in the audience, I decided right then and there that I wanted to do this for the rest of my life,” he remembers. He went home and asked his mother for a guitar, and the rest is a 43-year-long musical journey.

The group performed in April at Nova Southeastern University’s Miniaci Performing Arts Center with their newly formed and dedicated Lynryd Skynryd band, “Freebirds.”

“It’s cool when we perform well and do the music justice,” Vine says. “The vibe comes across and people notice the good time we’re having. We’re the best of friends and that shows when we’re performing.”

He says the band is appreciative of the support they get from fans, and they don’t take it for granted. Future goals include writing and performing original songs.

“We make a point to say hello and thank our fans for coming,” Vine says.

Chicago-born lead guitarist Smolla, 62, who now lives in Delray Beach, grew up frequenting the blues bars in downtown Chicago. He remembers seeing the big names of blues—Buddy Guy, B. B. King, Muddy Waters, Bobby Rush, and Ronnie Baker Brooks.

“You could go any night of the week and hear great blues music,” remembers Smolla, an engineer who came to South Florida 25 years ago with IBM.

His interest in piano and guitar began at the age of 10, and when he was in eighth grade, he played at the school’s ninth-grade dance. Early musical influences included Michael Schenker, a German guitarist who played with the band UFO (“my favorite”), blues guitarist Freddie King, and Irish guitarist Rory Gallagher, who influenced Jeff Beck.

 Smolla feels fortunate to have found Robinette and to be a part of Southern Blood.

“It’s the best band I’ve been in, here in Florida,” he says. “We have a big, full, Southern rock boogie sound that people gravitate toward.”

Because there are not many bands playing Southern rock, he says people travel from Florida’s west coast or from Orlando to see them perform.

“We’re authentic,” Smolla says. “Jimi is an engaging showman with a lot of charisma. We put a lot into getting the right sound and tone, and everyone is free to be themselves on stage—what you see is what you get.”

Smolla credits the band’s chemistry to translating to the audience. “Bands are all about the chemistry,” he says.

Gracious toward their audience, the band will often come off the stage and join their fans at their table or in the crowd and play something slow, quiet, and intimate.

“These are the moments that stick with you,” says Smolla. “All the songs have been written and all the parts sung, so when you’re spontaneous and get people to feel they are a part of it, those are some of our best memories.”

 Southern Blood will perform at Sharkey’s Bar and Grill, 10365 Royal Palm Blvd., Coral Springs, for Cinco de Mayo on Sunday, May 5. For more information, visit sharkeysfl.com or call (954) 341-9990. To see a complete list of Southern Blood show dates, visit southernbloodband.com

Whistling while they work The Big Rock Band plays on

Named for the iHeartRadio station Big 105.9, the Big Rock Band was created for the station by Hollywood resident and deejay Alex Lencina, 57. Inspired by the likes of Jimi Hendrix, Pink Floyd, Aerosmith, George Clinton, and the O’Jays, the band focused on less-played, familiar songs such as Autograph’s 1984 hit, “Turn Up the Radio.”

“We love to play music that has the audience bobbing their heads and tapping their feet, but is not overplayed,” says Lencina. “So, when they hear it, they remember it and remember they like it.

“That is the key to the band,” he says, paraphrasing Bee Gees guitarist Dan Warner’s parting words, “Groove is everything.”

Other band members include Fernando Santomaggio on bass, Jimi Fiano on lead guitar, Scott Sherman on guitar, John “Johnny O” Onderline on saxophone, Ysauro Hernandez on percussion, Philip Bithell on keys, and Euvoski Cunningham Sr. on drums.

The band plays at Cafe 27 in Fort Lauderdale, Galuppi’s in Pompano Beach, and Crazy Uncle Mike’s in Boca Raton, and they’ll play locally at Sharkey’s Bar and Grill in Coral Springs on April 12.

“We are a band of brothers,” says Lencina. “When we play, we are connected—no attitudes, no hang-ups—just having a good time and sharing it with our audience.”

Highlights for the band included having Big 109.5 deejay Paul Castronovo sing with them at a Super Bowl watch party on Himmarshee Street in Fort Lauderdale in 2018 and performing at Margaritaville in front of 10,000 people for New Year’s Eve this past January. “It was amazing,” says Lencina. “I will never forget it.”

While all the members have separate lives and other commitments, they all say they are happy to have this time to play together.

For bassist Santomaggio, 48, also a marine science teacher at Flanagan High School in Pembroke Pines, the time spent playing together is “intimate, deep, and profound.”

He explains, “We’re lucky to have something we enjoy, do it with those we like, and share it with the audience. We have a good time watching the audience watch us have a good time; there’s nothing better than that.”

Santomaggio especially enjoys his interaction on stage with lead guitarist Fiano, 66. “Jimi’s a local legend,” he says. “I looked up to him and now get to share a stage and learn from him.”

Fiano came to guitar playing at the age of 6, after his sister brought a guitar back from Mexico.

“I started playing it and couldn’t put it down,” he remembers. At 14, while still in middle school, he put together a band, and by the age of 16 he started playing in clubs professionally.

Influenced by the Beatles, Jimi Hendrix, Iron Butterfly, and Blue Cheer—and later, Grand Funk Railroad, a young Eric Clapton and the Blues Breakers (“full of piss and vinegar”), and blues guitarist Johnny Winter—Fiano is passionate about his craft.

Most recently, he put out a blues rock CD titled “Sweat & Pray,” which will be available on all streaming platforms. Shaun Murphy, a Nashville-based singer who sang with Bob Seger, Eric Clapton, and Little Feat, among others, did background vocals on the record.

Fiano says he hopes this CD will be his calling card as an independent artist. “I’d like to bring some like-minded people with me and go out on tour and see the world,” he says.

The father of an 18-year-old son, Fiano is at the peak of his career. He’s currently at work on his second album and says he can’t stop writing songs.

“My son won’t allow me to be old,” he jokes. “And, I want to leave a legacy.”

His advice for other would-be musicians? “Be persistent and color outside the lines,” he says. “Follow your instincts, take chances, and if you believe it, it will happen.

“I love playing with these guys and we genuinely have a great time making music together on stage,” says Fiano. “What could be better than that?”

The Big Rock Band will perform at Sharkey’s Bar and Grill, 10365 Royal Palm Blvd., Coral Springs, on April 12 at 8 p.m. Visit them on Facebook and Jimi Fiano at Jimifiano.com.

 

 

 

Sippin Fire is ‘En Fuego’

“Like taking a sip of fire, or listening to the band,” says Dany Roy, 58, lead guitarist for the band Sippin Fire, a native-born French Canadian, now living in Margate, explaining how the band got its name.

The South Florida-based rock, party and cover band plays a mix of 70s and 80s rock and roll, with their high energy, signature mix of guitar riffs, bass lines and down-home drum beats, accompanied by the soulful sounds of lead vocalist, Jade Fecteau-tasse, 33, daughter, of the band’s bass guitarist and promoter, Rejean (“Reggie”) Fecteau, 61.

Roy and Fecteau, also from Canada, met here in Florida when Fecteau was part of the Eagles Tribute Band, The Long Run.  The two decided to join forces and the rest is history.

“When I came to Fort Lauderdale and South Florida, it was love at first sight,” remembers Fecteau.  “I wouldn’t go back (to Canada) for anything – except maybe in the summer.”

“Together, we have phenomenal chemistry,” he says, noting that that the band is booked 3-4 times each week and has a full calendar through 2024 and into 2025.

More than a musical experience, their shows are a visual spectacle of lights, smoke and special effects, all designed to enhance the experience.

Two of their biggest fans and loyal followers are Boca Raton resident Wayne Belfer, 66, executive director of DOB Parkinson’s Charity, a non-profit based in Fort Lauderdale and Boca Raton and Keith Richard Kraft, 62, a retired car dealer manager from New York.

Kraft, 62, who moved to Tamarac from Brooklyn four years ago, went with a friend to hear Sippin Fire perform in Fort Lauderdale.

Growing up he listened to the Beatles, Deep Purple, Led Zeppelin, The Rolling Stones and got into the Bee Gees and disco in the 70s.

“I fell in love with Sippin Fire, both musically and personally,” he says. “After a set, they come out and schmooze with the audience. Jade has a personality to knock your socks off.”

Belfer, who went often to hear the band, became friends with the musicians.

“The band is impressive, dynamic and together on stage,” he says.  “Their vocals are brilliant, with furious guitar solos and non-stop rhythm romps.”

Both are looking forward to the band’s next venture, “Her Majesty the Queen,” a full theatrical tribute production that will reproduce Queen’s Freddie Mercury’s stage, complete with lights, props, costumes and videos.

Vocalist Fecteau-tasse will reprise the role of lead vocalist, Freddie Mercury.

“There’s no question, I’ll be first in line,” says Kraft, admitting that while he wasn’t the biggest Queen fan, he’s a huge Sippin Fire fan.

“Besides being high-powered, they’re easy to watch,” he says.  “And, they’re super hard workers.”

Locally, the group plays at Sharkey’s in Coral Springs, the Margaritaville Bandshell on the Hollywood Broadwalk and Mickey’s Tiki Bar in Pompano Beach, as well as throughout the country, including gigs in Illinois, Las Vegas, Nevada, South Carolina, Utah and California.

Playing drums since the age of five when his parents bought him a drum set, Fecteau was on-track to become a semi-professional hockey player, until the music bug struck.

“Once I found music, I never looked back,” says Fecteau, who is also married to Nathalie Tasse, a keyboardist who plays with the group’s Electric Light Orchestra (ELO) Tribute Band, The Ticket to the Moon, playing hits such as Strange Magic, Evil Woman and Telephone Line.

An accomplished musician, playing seven instruments, Fecteau has been featured on many gold records and performed in Canada with well-known French artists Joey Tardif, Joel Denis, Pierre Lalonde, Michel Louvain, Michel Stax and Patrick Bourgeois.

He toured the world with The Long Run and in the mid-1990s played with the tribute band, “Yesterday Les Beatles,” a mega production in Montreal, a full-circle moment for Fecteau who fell in love with the Beatles and their 1967 hit, “All you need is Love” as a child.

Although the native French speaker didn’t understand the English lyrics, he was so taken with the Beatles and the song, he made it his mission to understand the lyrics.

Likewise, he says, his daughter, Jade, fell in love with Shania Twain as a child and would mimic her singing on key, although she also spoke French and didn’t understand the English lyrics.

Opera-trained by the age of eight and headed to Broadway by the age of 12, Fecteau-tasse was trained by renowned voice coach Arron Hagen, who worked with Ariana Grande, Selena Gomez and Meghan Trainor.  At the age of 16, she had a number one hit single titled, “My Destination,” in Japan for six months.

“Her voice is deeper and more colorful than other singers,” says her dad.

Lead guitarist Roy, was exposed to music at an early age.  Most of his family were musicians and he began playing professionally at the age of 17 at local bars, weddings, corporate events and music festivals in and around Québec.

A child of the 1970s and 80s, he loved classic rock bands such as Bon Jovi, Queen, Led Zeppelin, Van Halen and Heart.  While Fecteau is also influenced by traditional rock-and-roll bands, he also admits to a fondness for Dean Martin.

When the two met Spanish-born musician, David Carrica Martincorena, 45, (aka “The Beast”) last year, they knew they had found their drummer.

“David is the perfect drummer for us,” says Fecteau.  “The energy and camaraderie we have as a group are unbelievable.”

Growing up in Pamplona, Spain, Martincorena  began playing drums at a young age after hearing Metallica’s 1986 album, “Master of Puppets.”

He toured the world with the Spanish heavy metal band Tierra Santa, with which he recorded six albums and toured Europe with Diabulus in Musica, a symphonic metal band.

He came to Miami in 2019 and taught music at Sounds of Excellence School of Music.

“With Sippin Fire, we’re all on the same page,” Fecteau says.  “We’re all professional musicians, don’t drink or smoke or do drugs.”

“We take pride in what we do,” he says.

A highlight for the group is playing at the Margaritaville Hollywood Bandshell and in their ELO tribute band, The Ticket to the Moon, playing to more than 7,000 fans in Chicago.

Currently, they are shooting a promotional video for the Queen production and looking for large venues in which to mount the show.

“It’s more than a concert,” says Fecteau.  “It’s a full-blown theatrical performance.”

The production will reprise the glamour, theatrics and rock-and-roll style that defined Freddie Mercury and Queen, says Fecteau.

With attention to detail and Fecteau-tasse as the iconic Queen lead singer, he says audiences will feel as if “they are witnessing Queen in their prime.”

“Anybody can get on stage and play songs,” says Fecteau, “but not everyone can make it a show.”

“We give it absolutely everything we’ve got,” he says.

“People are playing money to come see us and we had better give them a good show,” he says.  “That’s what we do best.”

Sippin Fire will perform at Sharkey’s Bar and Grill, 10365 Royal Palm Blvd., Coral Springs, on March 15 at 8:00 p.m.

Visit them on Facebook or at https://sippinfire.com.

HB Boulevard: On the road to success

Following in the footsteps of Kurt Cobain and his garage band, Nirvana, in the 1980s, five high school kids from Parkland and Coral Springs hope to steal a page from that playbook and hit it big with their grunge and rock garage band, HB Boulevard.

Named after Heron Bay Blvd., the five friends—Lawson Jay (vocalist), Jose Nunez (lead guitarist), and Josiah Jimenez (drummer), all 17, and Logan Siskin (rhythm guitar) and Anthony Pellito (bassist), both 16, all students at Marjory Stoneman Douglas High School (MSD)—have become the “unofficial Stoneman Douglas rock band.”

Last September they performed in front of 3,000 people at the MSD pep rally, and they’ve performed locally in the First Annual MSD Battle of the Bands, at Black Flamingo Brewing in Pompano Beach, and at the Black Flamingo Echoes of the Flamingo Music Festival last summer.

This is only the beginning for this group of passionate musicians, says their unofficial manager, Adam Jay, father of the band’s lead singer, Lawson Jay, who aspires one day to be a successful businessman, preferably in the music industry.

“I am super proud of these fine gentlemen,” says Jay, a sales manager at a legal education publishing company. “They have shown grit and determination in doing something they’re passionate about.”

The group practices two to three times each week in the Jays’ garage, and Adam Jay has watched their evolution over the past two years. “They have grown so much since they first started,” he says. “I’ve watched them grow, both personally and musically, and see how they treat each other with dignity and respect.

“It’s nice to see kids this age engaged in something so meaningful and special,” he says.

While the five were not even born in the 1980s, they all are passionate about music from that era and are inspired by the music of Green Day, Guns ‘N Roses, Metallica, Van Halen, Black Sabbath, and the Foo Fighters. And yes, even the Beatles get a shout-out.

Siskin, who plays rhythm guitar in the band, finds inspiration in Led Zeppelin’s Jimmy Paige. Vocalist Jay admires Green Day’s singer and guitarist, Billy Joe Armstrong; and Nunez, the band’s lead guitarist, models himself on Eddie Van Halen and Kirk Hammett, lead guitarist in Metallica.

“He inspired me to play like him—fast and furious,” says Nunez, who hopes one day to meet his musical idols.

“It’s the rebirth of this musical style, and we’re adding something new to complement the old,” says Pellito, who has numerous passions, including engineering and mechanics, creating things with his hands, and becoming an astronaut.

“It’s classic ’80s, ’90s, and early 2000s music—when music was good,” he jokes. “That’s my era.”

Pellito thanks his dad, Gregg Pellito, a retired deejay, for introducing him to this music.

In fact, they have created a new musical genre, one they like to call “rift rock,” a combination of punk, classic rock ‘n’ roll, and metal.

A recent highlight for the group was when HB Boulevard played a cover of Green Day’s “The American Dream Is Killing Me” at a New Year’s Eve party. Green Day’s lead singer, Armstrong, saw the video on YouTube and reposted it to his Instagram page with 2.7 million followers.

“Shocked” when he heard this news, Pellito cut himself while washing dishes. “That’s pretty awesome,” he says. “It encourages us to keep going.”

While they all have plans to finish high school and go on to college, they hope to make music a priority in their lives. Their long-term goals are to entertain, to spread the word of rock ‘n’ roll, and to find fame and fortune. They have performed a few original songs and hope to continue creating new works.

How will they know when they’ve made it?

For Siskin, it’s buying a Gibson Les Paul guitar; for Jimenez, it’s the luxury of personal bodyguards; and for Nunez, it’s getting a signature BC Rich guitar and getting voted into the Rock & Roll Hall of Fame.

The group supports local MSD nonprofits: Safe Schools for Alex, founded by Max Schachter in honor of his son, Alex; and Lori and Ilan Alhadeff’s Make Our Schools Safe, created in memory of their daughter, Alyssa. Both Alex Schachter and Alyssa Alhadeff were killed in the MSD school shooting in February 2018.

“We want to give back to the community,” says Lawson Jay. “We would love to perform at Pine Trails Park and Amphitheater for a local charity.

“Mayor Walker, if you’re listening,” he says, “we are ready and willing to go.”

Visit HB Boulevard on YouTube and Instagram.

Nobody’s Fault: Local band has staying power

From Led Zeppelin’s “The Ocean,” to Carly Simon’s “You’re So Vain,” to Deep Purple’s “Hush,” Nobody’s Fault, South Florida’s classic and new rock band, plays it all.

Although the origin of the name is lost in the ether, one possibility is that it’s a nod to Aerosmith’s 1976 “Nobody’s Fault,” or Led Zeppelin’s 1979 hit, “Nobody’s Fault But Mine.”

Now mostly in their 60s, guitarist Rick Friedlander, lead vocalist William (Bill) Murphy, his brother Steve Murphy (guitarist, keyboardist, and vocalist), bass player and vocalist Mark Knight, and drummer Paul Green have been playing together since 1997; and the Murphys and Knight have been playing together since high school.

“I met Bill at 17 when we worked together at K-Mart,” says Knight, who is a laser engineer by trade. “We started making noise together, and the rest is history.”

They are one of the longest continuing bands in South Florida, with a large fan base. “We’re a band of brothers,” says Bill Murphy. “For good or bad; we fight like siblings, but love each other.”

He attributes this camaraderie for their longevity. “We’re good friends and share a musical bond,” he says. “We always make time to play together. We’re in it for the fun, and we enjoy our time together on stage.”

From a musical family—his parents were folk musicians in New York—he and his younger brother Steve grew up in the business. “We had no choice,” he jokes.

At 13, Bill Murphy went to see the Jackson 5 perform, and he says that “the concert changed my life.”

That day he made the decision to make the music industry his life. “I never looked back,” he says.

Within two years, he and Steve were performing at a friend’s wedding reception.

Bill Murphy went on to have a 35-year professional career as a radio DJ, both in Dallas and in Miami at 101.5 LITE FM, BIG 105.9 classic rock, and WSHE rock & roll 103.5 (She’s Only Rock and Roll). He was the announcer and voice of the Florida Panthers for 14 years.

He has also been a part of other local bands, including Joe Rush, Company Kane, Top Priority, the Free Radicals, and Smoke and Mirrors. One of his biggest influences is Paul Carrack (aka “The Man with the Golden Voice”), best known for his 1975 song, “How Long” (“Has this been going on?”), and his rendition of “The Living Years.”

“He has such a soulful, passionate voice,” Murphy says. “It’s a huge compliment when people tell me I sound like him.”

A highlight of his career came at a Panthers game in 2012 where he played with the band pre-game, announced the game, and then played after the game to thousands of people at the Bank Atlantic Center in Sunrise.

“It was a great atmosphere and so much fun,” recalls Murphy. “I am blessed to make a living doing what I love. This is the key to a good life.”

Steve Murphy traveled the world and played with Alan Parsons, an English musician, songwriter, and record producer who was the sound engineer on the Beatles’ “Abbey Road” in 1969, “Let It Be” in 1970, and Pink Floyd’s “The Dark Side of the Moon” in 1973.

A multi-disciplinary musician—he plays guitar, keyboards, and sings—Steve Murphy also drums. With dreams of becoming Stewart Copeland, Jeff Porcaro, or John Henry Bonham (all drummers), Murphy played with some of his favorite bands, including the Police, Toto, and Led Zeppelin.

He toured with the Hit Men and the Trans Siberian Orchestra, visiting more than 40 countries in eight years with guitarist Godfrey Townsend and the Alan Parsons Live Project.

Nobody’s Fault drummer Green began playing music at the age of 13 with his mother, Susan Rose, a musician. They performed at a USO show in Japan and traveled the country, arriving in Florida in 1973.

Moving out at the age of 16, Green studied at the Recording Institute of America, where he learned lighting, sound, and stage building. He brought national acts including the Police and Pat Benatar to Florida, went on tour with the Jackson 5, and recorded an album with the Joe Rush Band.

“We love what we’re doing,” says bass player Knight, “and we hope to keep doing it. We give our fans our best every time—you never know when the last show will be.”

For Green, a highlight is the togetherness and camaraderie the band provides. “I enjoy that we’ve all been together for so long,” he says. “We communicate through music.”

He notes that over the past 25 years, the band has had its share of ups and downs.

“It’s like a boot camp,” he says. “We’ve been through thick and thin and have now become a family.”

For more information, visit nobodysfaultband.com or like them on Facebook. Upcoming dates include Saturday, Jan. 13, at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs. Visit sharkeysfl.com or call (954) 341-9990.

Havoc 305 Wreaking havoc in all three area codes

With a passion and talent for music, Enrique “Rik” De Cubas, lead guitarist and vocalist for the rock and top-40 party cover band Havoc 305, says the band also wreaks havoc in the 954 and 561 area codes.

Originally known as the Swinging Richards, the current name evolved over a brainstorming session one evening and took hold.

Whether singing the Beatles’ “Come Together,” Rod Stewart’s “All Right Now,” or Journey’s “Don’t Stop Believing,” De Cubas and his bandmates, lead vocalist and guitarist José Almonte, bass player and vocalist Arthur Granquist, and drummer and vocalist Jwani Brito, bring their own style and energy to each gig they play.

“Playing for our fans, friends, and family brings us much happiness,” says De Cubas. “We love the energy our audience brings, and we get a lot of energy from them while we play. We couldn’t do what we do without them, and we are indebted to their support and loyalty.”

All the musicians began playing music at an early age. Granquist started piano lessons at the age of 5 and played competitively by age 7. He learned guitar in high school.

Likewise, Brito, born into a musical family, discovered his passion and love for the drums early in life, after watching “The Muppet Show” with Buddy Rich and Animal doing a drum duet. Instantly he knew that was what he wanted to do.

Both De Cubas, who picked up the guitar at age 14, and Almonte, who fell in love with music at the age of 5 and grew up watching MTV and playing records he still has to this day, have devoted their life’s work to their passion for music.

The group performs regularly at the Margaritaville Hollywood Beach Resort and Margaritaville 5 o’Clock Somewhere Bar in Hollywood, THRōW Social in Delray Beach, Copper Blues Rock Pub and Kitchen in Miami, Voodo Bayou on Las Olas Boulevard in Fort Lauderdale, Mathews Brewing Company in Lake Worth Beach, and Crazy Uncle Mike’s in Boca Raton. Additionally, they love to perform at weddings and corporate events.

For New Year’s Eve, the group will appear at Sharkey’s Bar & Grill in Coral Springs to ring in 2024.

Musician Chet Gary, who plays rock violin, mandolin, and guitar, joined the group on stage last October at THRōW Social for some impromptu jamming.

“I enjoyed playing with Havoc 305,” says Gary. “They are professional and intuitive musicians. We developed a groove immediately and generated an exciting conclusion to my electric violin solo in Guns N’ Roses’ ‘Sweet Child O’ Mine.’

“I look forward to jamming with these guys again,” he says.

De Cubas, who admires guitarists Jimi Hendrix and Eddie Van Halen, fell in love with the guitar as a teenager. Self-taught, he studied architecture but left school when he signed a record deal with Cane/Universal Records, with the Latin rock group El Duende, and toured with the band during the mid-1990s. Their first album, “Transición,” was a Top 20 hit in the Latin rock charts.

He went on to perform for more than a decade at Murphy’s Law, in the Hard Rock Casino Resort in Hollywood, from where fans still recognize him to this day.

Music, he says, is both a harbor and a refuge, and it stimulates him, makes him happy, and picks him up when he’s down.

“Once I grab the guitar and my fingers graze the metal strings and the strings hit the wood, it’s magical,” De Cubas says, noting that he still practices every day to keep muscle memory intact and his technique and precision crisp.

He met band member Almonte through drummer Brito. The two also perform separately as the Havoc Duo.

Almonte, who doesn’t remember a time before he was singing, grew up in New York and the Dominican Republic. A real rocker, he loves Guns N’ Roses and Led Zeppelin and counts Chris Cornell, Axl Rose, and Robert Plant as inspiration.

With Havoc 305 for the past five years, “it’s been a great ride,” he says. He is a married father of four grown kids in a blended family.

One of Almonte’s favorite things is to be on stage with his best friends, energized by the music and the crowd. “On those nights when the music is pumping and the energy is there from the crowd, we make a perfect match,” he says.

He loves to perform “Sweet Child O’ Mine,” and to get the crowd up and dancing along to the 4 Non Blondes’ 1992 hit, “What’s Up?,” singing along to the refrain “What’s Going On?”

Long-term goals for the band include going as far as they can here in South Florida and branching out to create original music.

Almonte has written and performed an original song titled “Warped” that the band is arranging, each adding his own touch.

“We’re a hard-working band,” he says. “We love to have fun while playing, and we hope our audience has as much fun as we do. It’s a high to see people dancing and smiling and having a great time.

“That’s our job—we’re entertainers,” Almonte says.

Visit Havoc305.com or like them on Facebook. Sharkey’s Bar & Grill is located at 10365 Royal Palm Blvd., Coral Springs. For tickets to the New Year’s Eve show, visit sharkeysfl.com or call (954) 341-9990.

KEF! Street artist seeks and spreads harmony

Going with the flow is one way to describe the urban art of German-born street artist Simon Röhlen, 34, who goes by the street or tag name “KEF!”

While the Merriam-Webster dictionary defines the word kef as a “state of dreamy tranquility,” the artist chose the name to mean a scar on your skin, comparing the scar to the street tag, both having a long-lasting impact.

KEF! and his work will be part of the exhibit “Burner: The Exhibition,” at the Onessimo Fine Art Gallery in West Palm Beach through Nov. 12, as part of its North American tour.

A burner piece is described as a complicated, often legal street artwork that takes time and effort and makes a style statement. It’s so good that it “burns off the wall.”

The traveling exhibit of urban art features some of the most recognizable names in the graffiti and pop culture art movement, such as Banksy, Anthony Lister, Mr. Doodle, Kaws, Vinnie Nylon, Takashi Murakami, Reka One, Ben Eine, Dotmaster, Craig Knight, Harry Bunce, Henri Lamy, Dalek (aka James Marshall), Magnus Gjoen, Pure Evil, and the Connor Brothers, a pseudonym for British artists James Golding and Mike Snelle.

The two became known for their Pulp Fiction series, which uses stylized pinup artwork from dime novels juxtaposed with captions like “I drink to make other people more interesting” and “I don’t want to go to heaven,” with giclées on display at the exhibit.

“I am excited to present KEF!, a talented and influential artist, in person in my gallery, as well as some of the most important urban artists making a name in the contemporary art world,” says Debra Onessino, principal of Onessimo Fine Art Gallery.

“This exhibition opens doors to new conversations around art, freedom of expression, societal issues, and genres of work that have been at the forefront of the global contemporary art movement,” she says.

KEF! has on display the 2021 43-by-31-inch acrylic on canvas painting, “Deepness of the Moment #9,” with its strong black-and-white swirling lines and blocks of color; the 2023 “Slow Flowing River #8,” a 28-by-20-inch acrylic on canvas, the bold black lines offset by a Studebaker blue background and chunks of yellow; and the large-scale, 80-by-86-inch 2023 “Crescent Moon Fills My Heart #2,” acrylic on canvas, accented with touches of yellow, blue, and red.

KEF! began experimenting with graffiti art at the age of 14 and left his home base of Berlin for London in 2013, where his career took off.

His work can be seen at the Haus in Berlin, the Park Lane Hong Kong Hotel, and the Commerce building in Baton Rouge, LA, as well as on large-scale murals in the U.S., China, England, France, Germany, Guatemala, Israel, Spain, and Wales.

Retailer Urban Outfitters commissioned KEF! to design interiors for their stores in London, Berlin, Stuttgart, and Hong Kong. One of his most exciting commissions, he says, was the interior design he created in 2017 for the Park Lane Hong Kong Hotel’s SKYE Roofbar, with the panorama of the city and harbor below.

 “The view was just crazy over the skyline of Hong Kong,” KEF! remembers, noting that this project launched his international art career.

With a solo exhibition in Germany at the Museum Goch, a collab with Luis Vuitton, and representing Germany as a part of the official artistic efforts of @visitqatar and the FIFA World Cup in Qatar for last year’s games, his career scored more than a few goals.

Finding inspiration in nature and in the practice and rituals of Buddhism, KEF! is a devotee of Pure Land Buddhism, one of the most popular forms of Buddhism in eastern Asia, and has been to meditation retreats in China and most recently in Taiwan.

His art, a series of swirling and hypnotic patterns—he doesn’t paint lines or straight edges—is intended to promote peace and harmony in keeping with his spiritual beliefs.

“I find the flow relaxing,” KEF! says about his signature style. “It makes me calm to paint these flowing lines, and this is important to me.”

Not connecting with the traditional words and letters of graffiti-style artists, he discovered that these large-scale, patterned murals, using geometric abstract lines, resonate more with him.

“My work allows me to express what is inside of me,” says the self-taught artist who once apprenticed to be an industrial mechanic. Although he says he knew it wasn’t for him after the first week, KEF! persevered and finished the 3½-year apprenticeship.

“I took it as motivation to push my art career forward,” he says. “At the end, it was good, because it brought me to a more satisfying career.”

An admirer of London urban artist Stik (“his work is simple, but with a strong meaning”), known for his iconic depictions of stick figures, KEF! also has an appreciation for the classic art of Russian avant-garde artist Kazimir Malevich.

“His work is abstract, but very spiritual,” KEF! says. “When I read the meaning of his work, I really feel his spirit.”

As successful as he is at a young age, KEF! says his ultimate career goal would be to have an exhibit at MoMa in New York City.

“That’s when I would know I’ve really made it,” he says with a qualifier, also represented by his Buddhist philosophy and practice. “I would try to keep a beginner’s mind,” he says. “It’s unhealthy to focus on an end point. I want to keep my fire and curiosity alive.”

He says, “Success is more internal than external. As long as I can grow internally and be successful each day, I try to keep a balance between my material and spiritual goals.”

A seeker and a searcher on a spiritual journey, KEF! believes the world needs more harmony and tries to impart that message through his work.

His advice? “Try to relax when you observe my work,” he says. “Switch off your mind and try to feel my work emotionally and spiritually, and summon some inner peace and harmony.”

KIF! comments, “I hope my work conveys these feelings into my viewers’ lives so they can feel more calm, centered, and peaceful.”

Onessimo Fine Art Gallery is located at 4530 PGA Blvd., Palm Beach Gardens. For more information, visit www.Onessimofineart.com or call (561) 355-8061. Meet KEF! in person Nov. 10 from 5 to 8 p.m. or Nov. 12 from 2 to 5 p.m.

Watercolorist celebrates nature

Growing up in Parkland in the 1990s, watercolor artist Kimberly Heise, 32, was enthralled with the natural beauty around her. She remembers an abundance of pine trees and wooded hammocks, and she gazed onto a forest of trees from her bedroom window. It was an idyllic time that resonates with her to this day.

“My love of nature comes from my childhood home in Parkland,” Heise says. “I spent a lot of time in nature as a kid.”

After graduating from Florida Atlantic University with a BFA in painting in 2016, Heise moved to Boca Raton, Delray Beach, and Miami and felt disconnected from nature. She discovered watercolors and decided to focus on scenes from nature as a way to reconnect to the natural world.

“Art became a way for me to feel connected with the natural world when access to habitats became sparse,” Heise says. Specializing in Florida native plants and animals, her style is a combination of hyper-realism with the accuracy of scientific illustration.

Now back in Parkland, Heise rides her bicycle through Covered Bridge Park, 6 Acre Wood Park, and other trails where she shoots photographs of flowers, plants, or wildlife that she later paints.

Collaborating with nonprofits, Heise creates original artwork for websites, trail signs, videos, guides, magazines, products, logos, and research presentations. “I’m partial to working with organizations that work to preserve our natural habitats and ecosystems,” she says.

Heise painted the Florida bonneted bat, a species of bat only found in South Florida and one of the most endangered mammals in North America, to bring awareness to conservation efforts.

She paints two hours each day in her home studio and devotes time to her newsletter and website, social media, emails, and other nonartistic, but necessary, tasks.

Heise says she is doing exactly what she envisioned. “Being able to sustain myself doing what I love is something I’ve wanted since my 20s,” she says. “Doing this full-time is amazing.

“I enjoy the process of painting,” Heise says “Envisioning beautiful things and bringing them to life is very satisfying.”

She became involved with the Florida Native Plant Society (FNPS), and its educational programs helped shape her work.

“Kim’s a wonderful woman, generous, friendly, and easy to work with,” says Mark Kateli, FNPS statewide president. “She’s a budding naturalist who showcases native plants and animals to raise awareness for our environment and has a bona fide talent and an astute hand in drawing animals and plants.”

For their conference, Heise donates a digital art piece and this year was featured on the front cover of The Palmetto, the group’s magazine.

Heise admires artists John James Audubon, Teagan White, and wildlife artist and illustrator Zoe Keller. “The more you learn about native species, the more exciting it becomes,” she says.

“Lawn weeds,” a native plant and host for butterflies, excite her. “Learning about these species helps me connect to Florida,” Heise says. “Florida is not just palm trees—there is so much joy and beauty here.

“It’s hard to see a native plant such as Chapman’s Cassia (a woody shrub) or Coreopsis (tickseed) and not get excited,” says Heise.

“Learning about these native habitats has made me a happier person,” she says.

Most recently, Heise completed a coloring book for the Everglades Foundation and has collaborated with the Miami nonprofit Bound by Beauty and created a field guide with 17 illustrations of native plants that host butterflies.

“This was one of my most enjoyable and meaningful projects,” the artist says.

“We have been fortunate to collaborate with Kim on our wildlife sanctuary, our field guide to wild plants that host butterflies, and others,” says Mary Benton, founding director of Bound by Beauty. “She has an affinity for the native flora and fauna and an extraordinary ability to bring them to life with watercolor.”

Benton notes, “Everybody who sees her posters is drawn to them more closely, which is our intent in educating people about the beauty and importance of nature—in this case, ‘lawn weeds.’”

Heise is also one of nine artists commissioned by West Palm Beach’s ArtLife Public Art program—”9 Artists 9 Spaces”—to create a temporary public work with the theme of play.

Titled “Birds at Play,” the mural features images of herons and egrets, whistling ducks, gallinule, kites and butterflies, painted buntings, and laughing and herring gulls. The artwork will be installed at the Mandel Library later this summer.

“I’m excited to be part of this project,” says Heise, who is creating the imagery in watercolor in separate panels, then Photoshopping them together. The finished image will be printed on vinyl and installed in the entranceway to the library by forklift.

Additionally, her exhibit “Florida Naturally Wild: Watercolor Painting by Kim Heise” runs through Aug. 26 at Kampong National Tropical Botanical Garden in Miami.

Going forward, Heise would love to have her work at Art Basel or a gallery and to have the ability to “cross-pollinate” (to use a nature term) between the fine art and conservation worlds. She says her best work is created with the intention of it being fine art.

“I’m thrilled when I set an intention for the work and the work rises to that intention,” she says.  “I’m most proud of having my art appreciated for the beauty of the art itself.”

To follow Heise’s latest works, sign up for her email newsletter at KimHeise.com/newsletter or follow her on Instagram and Facebook at KimHeiseArt. Original paintings and prints are also available for sale on her website.

 To learn more about the exhibit at Kampong National Tropical Botanical Garden, visit ntbg.org/events/florida-naturally-wild.

Nevelson’s Shadow Chord given new life at Boca museum

“I fell in love with black; it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all. … You can be quiet, and it contains the whole thing.”
—Louise Nevelson

American sculptor Louise Nevelson (1899–1988), known for her large, three-dimensional, wooden structures, worked primarily in monochromatic black or white.

Born Leah Berliawsky to Jewish parents in the Soviet Empire in 1899, she emigrated to the U.S. with her family when she was a child.

Growing up in Rockland, Maine, Nevelson moved to New York City to attend high school, where, after graduation, she got a job as a stenographer in a law office and met her future husband, Charles Nevelson, owner of a shipping company.

Calling herself “the original recycler,” Nevelson combed the streets of New York salvaging found objects, wood pieces, and other discarded items to use in her sculptures.

During the mid-1950s, she produced her first series of all-black wood landscape structures, describing herself as the “Architect of Shadow.”

“Shadow and everything else on Earth actually is moving,” she said at the time. “Movement—that’s in color, that’s in form, that’s in almost everything. Shadow is fleeting. … I arrest it and I give it a solid substance.”

Her sculpture titled “Shadow Chord,” created in 1969 and now at the Boca Raton Museum of Art, where it was just restored, was created at the height of her artistic career and embodies the visual language of her work with complex wood assemblages and monochromatic color.

Consisting of stacked boxes completely covered by her signature flat black paint, the sculpture gives this installation the imposing presence of a cityscape that alters the viewer’s perception of light and space.

At the museum since 2001, the work was in need of repair. The restoration was funded by a grant from Bank of America’s Art Conservation Project, a global program providing grants to nonprofit cultural institutions to conserve historically or culturally significant works of art.

Since it began in 2010, the Art Conservation Project has funded the conservation of individual pieces of art through more than 237 projects in 40 countries across six continents.

Among the 13 museums in the U.S. that were awarded the grant this year, the Boca Raton museum is the only one in South Florida to be chosen.

“The Boca Raton Museum of Art is honored to receive this prestigious grant from the Bank of America Conservation Project,” says Irvin Lippman, the museum’s executive director. “Nevelson’s sculpture commands a singular position in our galleries, and we are grateful for this support for its restoration.

“With its engulfing, sensuous environment full of shadows and mystery, this artwork continues to be a favorite for our visitors,” Lippman says.

Nevelson studied painting, voice, and dance at the Art Students League in New York City and held her first solo exhibition in New York in 1941. Over the next several decades, she became a pioneer in large-scale installations, an uncommon achievement for women of her generation.

Nevelson, whose marriage to her husband ended when she was 42, struggled financially much of her life. It wasn’t until her early 70s that Nevelson focused on monumental outdoor sculptures, after being commissioned by Princeton University in 1969 to create a large-scale sculpture for them.

To this day, she is most known for her wooden, wall-like, collage-driven reliefs consisting of multiple boxes and compartments that hold abstract shapes and found objects from chair legs to balusters that she collected from items discarded on the streets.

Nevelson is also the first woman to gain fame in the U.S. for her public art. In 1978, New York City created a sculpture garden, titled Louise Nevelson Plaza and located in Lower Manhattan, to showcase her sculptures. It became the first public space in New York City to be named after an artist.

Her works are in the collections of major art institutions around the world, including the Metropolitan Museum of Art and the Museum of Modern Art in New York, the Hirschhorn Museum in Washington, D.C., the Tate in London, and the Centre Georges Pompidou in Paris.

 

The newly refurbished sculpture is currently on view on the second floor at the Boca Raton Museum of Art, 501 Plaza Real. Visit BocaMuseum.org.

 

 

 

Get your art on

Van Gogh: The Immersive Experience

 Take a drive to Miami to immerse yourself in the artwork of Vincent Van Gogh in “Van Gogh: The Immersive Experience,” a 360-degree, digital art exhibition that invites you to step into the universe of the Dutch painter and see his works like they haven’t been seen before.

The organizers, Exhibition Hub, say that digital art has been shown to have health benefits, including lowering stress, blood pressure, and anxiety, and is soothing to the soul.

The exhibit is installed at the historic 1926 Olympia Theater in Miami with its Mediterranean courtyard. Step into a 20,000-square-foot light and sound spectacular and take a virtual reality trip through eight of Van Gogh’s works and their source of inspiration in “A Day in the Life of the Artist in Arles, France.”

Explore his life, his work, and his secrets through cutting-edge digital projections, a one-of-a-kind virtual reality experience, and an atmospheric light and sound show. Become completely immersed in the works of art around you, and dive deep into the world created by Van Gogh’s imagination and brush strokes.

Five iconic spring paintings to spot at the Van Gogh Immersive Experience include “Almond Blossoms,” “Fishing in Spring,” “Sunflowers,” “Irises,” and “Flowering Orchid.”

The experience is offered in both English and Spanish and runs through Labor Day. Tickets are available through Fever at vangoghexpo.com/miami.

Museum of Contemporary Art, North Miami

While you’re in Miami, check out two spring exhibitions at the Museum of Contemporary Art, North Miami (MOCA): “Lonnie Holley: If You Really Knew” and the South Florida Cultural Consortium exhibition. Both exhibitions are on view through Oct. 1.

“If You Really Knew” provides an intimate and focused look at the career of Birmingham, Alabama-born artist and musician Lonnie Holley. The exhibition, curated by MOCA curator Adeze Wilford, features 70 works including foundational “sandstone” sculptures, new works on paper, and large-scale quilt paintings depicting faces. Known for his unique style of art that draws inspiration from his life experiences, Holley often incorporates found objects and everyday materials into his work.

The South Florida Cultural Consortium exhibition brings together 12 artists working across various media, including sculpture, film, and site-specific installations. The exhibition, hosted by MOCA, provides a snapshot of the breadth and depth of the artistic talent in the South Florida art scene. The 12 artists are Farley Aguilar, Gabino A. Castelán, Nereida Garcia-Ferraz, Moira Holohan, Francesco Lo Castro, Tory Mata, Beatriz Monteavaro, Ema Ri, Asser Saint-Val, Carin Wagner, Carrington Ware, and Addison Wolff.

For more information, visit mocanomi.org.

Cultural Council for Palm Beach County—Biennial

Closer to home, head north to Lake Worth for a visit to the Biennial exhibit sponsored by the Cultural Council for Palm Beach County and curated by guest curator Juana Williams. On display are works by more than 30 artists, showcasing the diversity and breadth of work created by artists living and working in the Palm Beaches.

A juried show, presented every two years, the exhibition features works that span a variety of media, including video, painting, photography, and sculpture.

If you go, check out the three award-winning artists from the show: Boca Raton-based artist Fulya Acikgoz earned Best of Show for her oil painting “Turkish Porcelain Plates.” Delray Beach-based artist Lucia Gomez earned second place for her mixed-media oil painting “City Memoirs No. 2853.” And Lake Park-based artist Lupe Lawrence earned third place for her oil painting “I Will Fly a Kite.”

Other regional artists on display include Boca Raton’s Gregory Dirr, a multidisciplinary artist, painter and sculptor Nadine Saitlin, printmaker Ted Shaine, and Delray Beach-based painter Karen H. Salup.

The exhibit is free and open to the public through June 24. Visit www.palmbeachculture.com.

Coral Springs Museum of Art—Juan Abuela, “Pressure”

Fascination with everyday objects, the utilitarian versus the nonutilitarian, is the focus of Juan Abuela’s work. The Cuban-born, Miami-based artist’s work is the consequence of his passion for painting, design, and carpentry. He appropriates different objects to discuss why and how they are stripped of their functions, transformed, and revealed in their new design with the intention to balance matter and spirit.

Abuela researches the inner world and what is not seen: the hidden, mystical, and intangible. It emphasizes the importance of a necessary balance with its counterpart (appearance, brightness, color, tangibility, etc.). These “two universes” must balance in order to function. His work represents the parallel between these two worlds and reflects the different attitudes and behaviors that can create conflict.

The exhibit runs through June 17. Also on display: “Selections from the Permanent Collection,” through June 17; and Luke Jenkins and “Empty Walls,” running June 26 to Aug. 12. Visit CoralSpringsMuseum.org.

 Cornell Museum at Old School Square

 Cornell Museum at Old School Square in downtown Delray Beach presents “The World of Water.” This exhibition explores artistic interpretation and connection to water, the environment, conservation, and sustainability. The showcase includes a total of 43 pieces by 20 artists, featuring textural elements in mixed-media sculpture, installations, glass, digital and film photography, and oil and watercolor paintings.

See glass artist Josh Fradis’s glass sculpture of mother and baby jellyfish titled “Just Follow Me”; conceptual photographer Kasha McKee’s photographs of flamingos splashing in the West Palm Beach fountain; and Boca Raton artist and printmaker Ron Garrett’s “Manatee Lament,” an 84 x 32 x 26, mixed-media sculpture of a motorboat-scarred manatee bringing attention to the environmental threats faced by these “tearful, life-sized gentle giants.”

Boca Raton multimedia artist Lynn Doyal’s photograph, titled “Dew from Heaven,” a digital image painted with acrylic and hand-stitched with beads and thread, depicts an original photograph of a dew drop on a leaf enhanced with her mixed-media technique.

Multidisciplinary artist Dave Rosenthal brings the sound of water to life to augment the viewing experience with a sensory and auditory musical experience.

The exhibition is curated by the Delray Beach Downtown Development Authority cultural arts director, Marusca Gatto, and Debby Coles-Dobay of Art Moves You.

All work is for sale by artist. The exhibit runs through June 25. For more information, visit oldschoolsquare.org.

‘Freddy the Ref’ Honoring Fred Yarmuth for over 30 years of service

It all started one day in 1993 when Parkland resident Fred Yarmuth, 70, was driving down the street and saw some kids playing ball in a field. “Hmm,” he thought, “I might like to be their referee.”

Little did he know that more than 30 years later, he would come to be known as Parkland’s “legendary referee,” or as Broward County Mayor Michael Udine nicknamed him affectionately, “Freddy the Ref.”

Born in Passaic, NJ, Yarmouth moved to Louisville, KY, as a child and attended the University of Louisville. He later worked for the now-defunct restaurant chain Victoria Station, and then he worked with his dad in construction and cleaning new homes.

In 1979 he moved to North Miami Beach, a move that would define the rest of his life. He met and married his wife, Karen. The two have two daughters, Lindsay, 37, an attorney, and Brittany, 33, who works for a health-care company, and a 6-year-old grandson, Brandon, who just started playing flag football and basketball in Parkland sports.

“I try not to ref him,” jokes Yarmuth.

While he may refrain from refereeing his grandson, Yarmuth has been an essential part of many children’s and families’ sporting lives in Parkland. He made his mark on Parkland sports and has been integral to the growth of the Parkland sports leagues over the past three decades.

Yarmuth is known for his patience, compassion, and kindness, and he takes time out to teach others the rules of the game and the importance of sportsmanship. He has left a lasting impact on the development of young athletes, both on and off the field.

He volunteers countless hours working with others to improve the sports services and facilities, and many say he is the true heart of recreational sports in Parkland.

“For as long as I can remember, Freddy has been a vital part of Parkland rec sports, and as a result, a part of the Brier family as well,” says Simeon Brier, Parkland’s vice mayor and city commissioner for District 1.

“Whether it was refereeing my younger brothers’ games, games I coached while in college, games for my two daughters in multiple sports, and now refereeing games for my niece and nephews, Freddy has seen multiple generations of Parklanders on the courts and fields of our city parks,” he says.

Brier, who was elected last November, and who has lived in Parkland for 40 years and coached rec sports in the city since the 1990s, is familiar with the ins and outs of the job. “Freddy has a great sense of humor, a passion for youth sports, and is a beloved part of the Parkland community.”

Yarmuth’s passion for sports began when he played basketball in high school, and he gives credit to his former intramural coach, Eugene Minton, for encouraging his love of the game.

It’s that love he passes down to his players. “I love working with the kids,” says Yarmuth. “I love teaching them the rules, seeing them play the game over the years, and watching them grow up. Some of my first kids now have their own kids in the league.

“I’ve seen them come full circle,” he says.

In his younger days, Yarmuth would pick up the little kids and put them on his shoulders to help them make a basket. “They remember me to this day for that,” he says. “That really made their season.”

One of the kids he refereed since the age of 4 is now 16-year-old Broward Preparatory School sophomore Nate Harmelin, who played flag football and basketball.

“Freddy is the grandpa that everyone loves,” says Harmelin. “He makes us laugh with his jokes. We always have a good time with Freddy, and whether I’m on the court or run into him in Parkland, I always get a good laugh from Freddy.”

His father, Adam Harmelin, who coaches football and basketball, says, “Freddy always tries to help the younger kids who are not playing well. He always looks out for the underdog. He’s a wonderful man.”

In addition to his volunteer referee duties, Yarmuth works as a paraprofessional at Riverside Elementary in Coral Springs, volunteers his time packing food boxes with Feeding South Florida, and volunteers on local political campaigns.

In 2021 he was honored with the Humanitarian Award from the Parkland Flag Football League, and in 2022 he was inducted into the Dr. Nan S. Hutchison Broward County Senior Hall of Fame and honored for his contribution and service to the community. A plaque with his name hangs in the Broward County Government Building.

“Freddy’s commitment and dedication to the league is second to none,” says Evan Golden, a Parkland flag football board member for the past five years. “Not only has he devoted countless hours to the kids, but he builds relationships with both the kids and their families.”

“Freddy makes sure to develop relationships on and off the field,” says Golden. “He’s always in a good mood, brings a positive energy and good spirit, and always tries to get all the kids involved to have fun and learn the sport.”

In his own life, Yarmuth says his parents and two brothers were his biggest influences. “We all encouraged each other,” he says. He credits his wife Karen for “keeping me on the straight and narrow.”

When not on the field, Yarmuth enjoys a good game of golf, and cruising to Alaska with extended family.

“Freddy is a charismatic and selfless individual who has dedicated decades to the Parkland community in the form of refereeing sports and creating amazing memories and relationships with the parents, players, and coaches he has refereed,” says Jacob Brier, president of the Parkland Basketball Club.

“He is a staple in Parkland and deserves all the recognition and credit as his commitment to the community and youth sports is unmatched,” Brier says.

What have been some of the highlights of Yarmuth’s refereeing career?

“Being inducted into the Senior Hall of Fame,” he says. “Every day is an adventure. I’m very low-key, but am thrilled when a parent remembers me from refereeing their kid—that’s a thrill.”

Does he have any words of advice for someone considering the position?

“Do your best and enjoy it,” Yarmuth says. “Don’t take it too seriously. If you want it as a career, it’s a great profession—it’s been good to me.”

David Haley, artist of the month

Selected as Parkland Library’s “Artist of the Month” in September, Parkland resident David Haley, 79, had more than 20 of his more recent paintings, many of them award winners, on exhibit.

“We are all enjoying David Haley’s artwork,” says Lenore Russo, program coordinator at the Parkland Library. “Each one of his paintings is mesmerizing and very detailed. His paintings add color and life to our gallery walls.”

The artist who moved to Parkland two years ago from Indiana is a former CEO of two major healthcare management companies, including Walter Reed National Military Medical Center. He worked in all aspects of health care, spending the last 15 years with the largest hospice group in Indiana.

With a family, three kids, enlisting in the Navy, going to graduate school, and running a hospital, Haley had a full life with not much time for extracurricular activities. It wasn’t until he divorced in 2007 that he found he had some time on his hands.

He sold his first painting for $150 in 2011 from the trunk of his car when his now-wife, Rhona, took the car to a car wash and someone spotted the painting in the trunk when she went to get her purse.

Since then, Haley’s work has gone on to win at least eight major art competitions, including First Place in the “Nature 2022” international juried painting competition conducted by Artorful for his painting “Intrepid,” depicting a froth of white water engulfing a lighthouse in a storm; Finalist Award in the 2022 Color International Juried Art Competition for “Wire Fence,” a barbed-wire fence in the foreground of a pink and orange crepuscule sky; and “Enduring,” which won third place out of hundreds of submissions in Artorful’s BlueOrGrey 2022 Art Competition. It now belongs to a collector in Naples.

Other paintings featured in the library’s exhibit included “Blue Cap,” acrylic on canvas, a realistic portrait of a man in cold, snowy weather, with ice crystals on his beard and eyebrows; and “Broken Treaty,” oil on canvas, a portrait depicting an indigenous man realizing his people will have to go to war.

Haley’s works have been exhibited in the South Bend Indiana Art Museum, in Walter Reed Medical Center, in a juried regional gallery in Plymouth, Indiana, and in a pop-up gallery in the Chicago area.

With no formal training or art education, he says about his success, “I can’t believe it. I’m amazed.”

He says, “I paint landscapes, seascapes, animals, or portraits that speak to me. I don’t have a particular style like Van Gogh or Picasso. There is no recognizable Haley style. I try to stretch myself.”

In his artist’s statement, he explains, “I seek to produce emotion in the images I create.”

Haley paints from a studio in his third bedroom in Cascata whenever he has the opportunity. “That’s where all the magic takes place,” he jokes.

With family and seven grandkids nearby, he has other responsibilities and paints when the opportunity strikes, sometimes painting until 4 a.m., although he prefers painting in solitude with the natural light.

Haley’s personal favorite is “Drink a Beer,” an oil-on-canvas painting inspired by Luke Bryan’s song of the same name, which recounts the story of personal loss, sitting at the end of a pier, drinking a beer, and reflecting on life.

In his own life, he credits his stepfather, John Haley, for being a role model.

“He was a big foundation for me,” Haley remembers, growing up with two brothers and a single mom. “He was the most pivotal person in my life. He gave me values, showed me right from wrong, and taught me about hard work.”

Apparently, those values took hold. When asked about the quality he values most in himself, his wife Rhona jumped in: “Integrity,” she said.

With many career highlights, including his work in end-of-life care and being a part of so many touching stories, Haley’s painting brings new highlights.

“I like to watch the reactions of the viewers to my art,” he says. “Each person sees the same image, but each takes away something different.”

With so many accomplishments under his belt, what goals would he still like to achieve? “I’d love to have a solo exhibit and showcase my work at a museum.”

 For more information: www.facebook.com/DavidHaley.Art. www.saatchiart.com/account/artworks/742692.