‘Black Pearls’ opens at Museum of Art – Exhibit documents Pearl City, historic Black city of Boca Raton

Many stories have been written about Boca Raton’s first community and historically Black neighborhood, Pearl City, but none have included photographs and first-person accounts of the descendants of the original residents and their neighborhood, built in 1915, before the incorporation of Boca Raton 10 years later in 1925.

The Boca Raton Museum of Art, which stands two blocks from the original neighborhood, located south of Glades Road between Dixie and Federal highways, commissioned Washington, D.C.-based photographer Reginald Cunningham for a series of photographs, titled “Black Pearls,” in honor of Pearl City.

“We want to tell the story of Pearl City through the current residents whose parents and grandparents were the original Pearl City settlers,” says Irvin Lippman, executive director of the Boca Raton Museum of Art. “The Pearl City residents are our museum’s closest neighbors, and we want to celebrate our neighbors with this exhibition.”

To do so, Lippman invited Imani Cheers, associate professor of digital storytelling in the School of Media and Public Affairs at George Washington University, and Candace Cunningham, assistant professor of history at Dorothy F. Schmidt College of Arts and Letters at Florida Atlantic University, to tell the full historical story of Pearl City.

Photographer Cunningham (BePureBlack.com), a social activist, was selected in 2020 to photograph the cover of British Vogue’s special issue titled “Activism Now: The Faces of Hope,” which featured his wife, activist Brittany Packnett Cunningham, on the cover.

Inspired by photographer Gordon Parks’ motto—“I chose my camera as a weapon against all the things I dislike about America: poverty, racism, discrimination”—Cunningham set out to find out as much as he could about Pearl City, its original residents, and their descendants.

“Through the lens of my photography I’m always trying to create affinity for and uplift Black people and the Black experience in this country,” says Cunningham.

“One of the things I always aim to do is inspire people to feel something when they look at my work. To have an emotional, physiological response,” he says. “Being commissioned by the Boca Raton Museum of Art to photograph the residents and cultural emblems of Pearl City—one of the South’s most beloved and enduring Black districts—is an amazing experience.”

Cunningham captures not just images of Pearl City residents, but also the physical and ephemeral elements that make up the community, including street signs, the community garden, the Little Food Pantry, and the Martin Luther King monument located at Ebenezer Missionary Baptist Church, 200 NE 12th Street.

As Candace Cunningham writes in the accompanying catalog, “On April 26, 1915, a land auction was held to create ‘a brand-new colored city’ that would be governed exclusively by colored people. African Americans purchased thirty lots that day.

“Those disparities [racial and social] pushed African Americans out of Georgia and the Carolinas and pulled them into South Florida,” she says about that time in history. “It was by no means the land of opportunity for Blacks, but it did offer more options than they were finding elsewhere.”

In more recent times, the neighborhood faced threats from developers and other outside forces. “What we’re trying to do is we’re trying to keep a sense, or an aura, or a feel for this community,” said the Rev. Henry Willis at the time.

Pearl City was known for being a safe, close-knit community where everyone knew one another.

“The people out of this area, the children, and the grandchildren out of this area have become professionals—athletes, doctors, lawyers, and teachers,” notes Pastor Calvin Davis. “They have become politicians and police officers. They have become productive citizens because of this area. That’s why this area deserves to be recognized as an area that developed many [generations] and is still developing people in so many ways.”

Life was hard in that era, especially for Black people, who worked in the fields picking beans for 17 cents a day, faced discrimination, and suffered through the segregated South.

The exhibit includes 24 photographs, including images of pastors Ronald Brown and Calvin Davis, Anne Blutcher, John Martin, the Anderson family, Katie Mae, Gladys Bettis, Geraldine and George Spain, Irene Rufus, Annette Ireland, Marie Hester and Dorothy Overstreet, Barbara Griffin, Eva Cunningham (Griffin), and Willie Jenkins. Stories in the subjects’ own words are also included.

Pearl City leaves a legacy of good memories and strong moral values with its inhabitants. The closeness of the community, the neighborliness, and the mentality of respecting and helping one another has stayed with its residents to this day.

Descendant George Spain Jr., who comes from an original family in Pearl City, remembers, “One of the founding principles of Pearl City to me was family. We had a deep sense of spirituality. We all had that foundational spiritual growth that was imparted in us to believe and trust in God.”

“That’s the only reason why it hasn’t been dispersed,” he says in the exhibit. “God blesses you to be a blessing to other people. In our house that is something that has been instilled. That’s one of the things that Pearl City was fond of—neighbor would look after neighbor. It’s a very close-knit community.”

“Black Pearls” runs through Jan. 22, 2023. Visit Bocamuseum.org.

September 20, 2022September 20, 2022

Artist’s ‘Terra Ephemera’ highlights environmental passions

For Gretchen Scharnagl, a Miami-based environmental artist and professor in the Art History department at Florida International University, her art and subject matter are her way of connecting — connecting herself to others, and others to her art.

For her exhibit “Terra Ephemera,” at the Coral Springs Museum of Art running through Oct. 8, Scharnagl, 64, brings a number of “stepping into her subject works,” some more mature works, and pieces created specifically for this show.

“Terra Ephemera” makes use of traditional and nontraditional media in a way that provokes visual, conversational, human, and scientific interest.

“Gretchen is a risk taker,” says Jill Brown, executive director of the Coral Springs Museum of Art. “This translates into an important component of her creative process. Gretchen’s art transcends the familiar and leans heavily into difficult and unknown territory, leaving viewers to think and rethink what they are seeing.

“‘Terra Ephemera’ tackles the mundane while exploring the environment with a strong sense of place,” Brown says. “It makes us think about our relationship with the world and each other from the present, past, and future.”

Scharnagl lives with her husband, Robert, 64, a carpenter/contractor who often plays a role as her art assistant; two large Dobermans; and three cats.

From her backyard studio in suburban Miami, where she has lived for 40 years, Scharnagl examines common artifacts from her environs, reads copious amounts of scientific environmental studies, and is fascinated by her own compulsions, leading her to discover and explore little-known phenomena.

While visiting the Field Museum in Chicago, Scharnagl became fascinated by the story of migrating birds who collided with urban architecture and died. Her raison d’etre is to highlight little-known environmental issues — such as this and other facts like a worldwide sand shortage — through her art-making.

The mother of two women scientists, Scharnagl reads about science, the earth, and the environment and finds inspiration for her art.

She cites Edward Humes’s “Garbology: Our Dirty Love Affair with Trash,” Susan Strasser’s “Waste and Want: A Social History of Trash,” Anna Lowenhaupt Tsing’s “Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene,” and David Wallace-Wells’ “Uninhabitable Earth: Life After Warming” as influences.

“I feel an urgency that art should take a responsibility,” Scharnagl says. “Art that is speaking of something important has to jump the fence and speak to those that would not necessarily have exposure to it.”

For someone intensely committed to her art and teaching, Scharnagl came to her calling in her 40s, calling herself “a reluctant artist.”

“I did not consider myself an artist for the majority of my life,” she says. She was prodded into it by a comment she overheard by a mother saying she was wasting her talents by volunteering in her children’s school.

“She could be right,” thought Scharnagl, who hasn’t looked back since.

Her series “The Anthropocene” consists of eight works depicting climate change, water-level rise, and other “planetary boundaries” we are crossing, such as crimes against animals (think wet markets and COVID-19). “Elegy for Earth,” a melancholic lament about the state of the earth, includes three parts, “Earth Retold,” “Earth Tracings,” and “Earth Remains,” which are designed to make the audience think about the state of our earth.

A performance piece scheduled for the opening reception on Sept. 22, “The Earth Piñata Performance,” symbolizes mankind’s treatment of Mother Earth. Participants will break open the 28-inch, earth-like piñata, releasing 2,000 plastic animals, plants, and fungi, creating a new piece of work.

“The Globe Maker” (“a labor of love”) consists of 20 papier-mâché globes that Scharnagl created with her husband, born out of an “obsession” with the word “biophilia” (an innate and genetically determined affinity of human beings with the natural world, a theory developed by biologist E. O. Wilson).

The littlest globe, made from pages from her collection of National Geographic magazines, is titled “Little Blue Marble” — an homage to astronomer Carl Sagan. The globes are cradled in vintage camera and transit tripods used for surveying the earth’s surface that Scharnagl found online, a synergy she couldn’t resist.

“Every part has something to say,” she says. “What you make it with, what kind of papers, graphite, glue, or other media you use. I consider the art-making a way to think, a way to discover and explore. It’s a way to discover things about your subject and yourself.

“When I create art, it’s a personal narrative embedded in a universal idea,” she says. “I identify with the bird who hits the building, with the earth itself, and identify with poetry and cultural mythologies about Mother Earth.”

Scharnagl credits German painter Albrecht Durer as an influence and her professors at FIU, including Clive King, Manny Torres, and Bill Burke, for teaching her to self-critique.

She admires African-American artist Mark Bradford for his large-scale abstract collages; Jamaican-born American artist Nari Ward for his sculptural installations addressing consumer culture, poverty, and race; and art writer Linda Weintraub for her writings on environmental consciousness.

In her spare time, Scharnagl admits to being a “total Trekkie.” “If push comes to shove, I call ‘Star Trek’ my martini — it feeds my soul.”

Future plans include a possible residency at the Deering Estate in Miami and continuing to create art.

“I don’t want to sound like I’m blowing my own horn,” Scharnagl says, “but people have told me, ‘You’re giving a gift to the world.’”

Exhibition Dates
Aug. 23–Oct. 8, 2022

“Ask the Artist” Talk
Thursday, Sept. 8, 6:30 p.m., mingle/gallery view; 7 p.m., talk

Opening Reception
Thursday, Sept. 22, 5:30–8:30 p.m.
“Earth Piñata” Performance Piece

Live during reception

August 19, 2022

Celebrate Jewish culture at YI Love Yiddishfest

The 4th Annual YI Love Yiddishfest ’22 returns live this year, Aug. 30 to Sept. 4, bringing six days of cultural events, including concerts, plays, lectures, and live entertainment, after two years of online events due to the COVID-19 pandemic.

Founded by actor/comedian and Coral Springs resident Avi Hoffman (known for his “Too Jewish” trilogy), who’s CEO of the Yiddishkayt Initiative and YI Love Jewish, the first event was held in 2018 at the Colony Theatre in Miami Beach. This year’s events will take place in Broward County, Boca Raton, and Miami Beach.

“It’s a little bit scary, very exciting, and very ambitious to be back,” says Hoffman. “But I think we’ll do great.”

Hoffman says the event will appeal to everybody — “not just Jews, but anyone who is Jewish, knows someone Jewish, or has a curiosity about the Jewish culture or religion.”

Highlights of the event include the musical concert entitled “Stars of David: Story to Song,” based on the best-selling book, “Stars of David: Prominent Jews Talk About Being Jewish” by Abigail Pogrebin.

“Stars of David” adapts these real-life stories of Jewish personalities, including actor/director Stephen Spielberg, Bravolebrity Andy Cohen, shoe mogul Kenneth Cole, actor Fran Drescher, singer/pianist Michael Feinstein, and former Supreme Court Justice Ruth Bader Ginsburg, to name a portion of the 62 personalities featured in the book.

The concert will feature Hoffman, Shira Ginsburg, cantor at East End Temple in New York City, Carbonell-winning actor Patti Gardner, and local singer/actor Michael Harper, with musical director Caryl Ginsburg Fantel. Cantor Ginsburg is the niece of Fantel and daughter of Arthur Ginsburg, the former television chef and author, known as “Mr. Food.”

Additional live performers include the Canadian group YidLife Crisis, based on a web series of the same name, created by two friends, Eli Batalion and Jamie Elman, as a way of paying homage to the Yiddishkeit in their upbringing and to shed a Jewish comedic lens on the life in which they were raised. The two have collaborated with actor Mayim Bialik and fellow Canadian Howie Mandel.

Jewish rapper Kosha Dillz, who has performed with rapper Fat Joe and Nisim Black and whose raps about matzoh and Passover have gone viral, will bring his unique rap style to South Florida. Hoffman hopes that his appearance at the festival will attract a younger demographic.

Although Hoffman is modest about his performing contribution, for his fans, another highlight of the festival will be Hoffman’s latest and perhaps last in his “Too Jewish” trilogy performance when he debuts “Still Jewish After All These Years,” a culmination of his Jewish life and career.

Hoffman is also working on a memoir to be titled “Confessions of a Nice Jewish Boy.”

For Hoffman and his mother, Miriam, co-founder of the Yiddishkayt Initiative, a former columnist for the Yiddish edition of The Forward newspaper, a Yiddish playwright, and a past lecturer in Yiddish at Columbia University, it’s an honor to be a cultural emissary for the Yiddish language and culture.

The two teach Yiddish online, a language Hoffman says was predicted to die out with this generation. Instead, he says, Yiddish is flourishing and is everywhere. For examples, he points to Seth Rogan’s 2020 film “An American Pickle” and the Emmy-nominated Netflix series “Unorthodox,” and Billy Crystal’s Yiddish call and response at the 2022 Tony Awards where he had half the audience singing “Oy” and the other half responding “Vey.”

Coral Springs OB/GYN physician Bruce Zafran, who has been practicing in the city for 35 years and moonlights as a stand-up comedian, was watching old Jackie Mason comedy bits online when he got a pop-up message asking him if he wanted to learn Yiddish. He thought, why not?

Hoffman and his mother taught that Yiddish class, and while Zafran was familiar with Hoffman, he was surprised to learn they were neighbors in Coral Springs.

Not only did he sign up for the class, he decided to sponsor the Yiddishfest, along with his wife, Lesley.“Yiddish is a beautiful language,” he says. “Whenever you hear it, you just smile.”

Says Zafran, “I’m happy to help Avi and the Yiddishkeit cause.” He jokes, “Avi is the brains and brawn and I’m the pretty face.”

Zafran’s favorite Yiddish phrase? “Freylakh zol men tomid zayn,” or, “Happy we should we always be,” a phrase he used often at his son’s wedding last June.

“Without Bruce and other supporters like him, we couldn’t do what we do,” Hoffman says. “We need people who see the value in keeping this tradition alive and giving us the ability to bring it to the world.”

Says Hoffman, “Since 1885, when a million Jews emigrated to America from Eastern Europe, Yiddish has permeated and influenced American culture.

“We [the Jewish people] have been around thousands of years and we have contributed to mainstream culture over those thousands of years,” Hoffman says. “We as a people have a lot to offer. There’s a lot to be appreciated. Come, experience Jewish culture, enjoy yourself, have fun, and learn something new.”

And, he says, echoing Zafran, “farvas nisht — why not?”

The festival is held in partnership with Florida Humanities, Miami-Dade County, and the city of Miami Beach. It is co-sponsored by the Sue and Leonard Miller Center for Contemporary Judaic Studies/George Feldenkreis Program in Judaic Studies at the University of Miami, the Greater Miami Jewish Federation, the Betsy South Beach, the Miami Beach JCC, the Adolph and Rose Levis JCC, the Holocaust Memorial of Miami Beach, and the Jewish Museum of Florida.

YI Love Yiddishfest ’22 runs from Aug. 30 to Sept. 4. For more information, visit www.YILoveJewish.org, email info@yilovejewish.org, or call (888) 945-6835.

June 15, 2022

Finding his purpose – Local artist paints for charity, raises over $300,000

A man on a mission. That description sums up Tamarac resident Joseph Gormley.

Born in Scotland, Gormley, 47, moved to the U.S. in 2003 after he fell in love with a Florida woman, Erin Ruth. Now married 19 years, the couple has two girls, Hailey, 6, and Mackenzie Rose, 4.

Erin Gormley bought her husband his first set of paintbrushes as a Christmas gift 15 years ago. A new world opened up for him, whose day job is as a custodian at Bayview Elementary School in Fort Lauderdale.

Once Gormley realized his passion for painting, he set about using his talent to do good, auctioning off many of his artworks for charity. His first painting raised money for an 11-year-old Scottish girl with brain cancer who needed treatment in the U.S. After reading about her, Gormley sent a painting that he did of the Glasgow Celtics head coach, Neil Lennon, to her family.

In 2012, that painting sold on eBay for $8,000. “That was the moment I realized my art could make a difference,” remembers Gormley.

“I know why I have this gift of being able to paint. It’s not for me; it’s to help raise money for others,” he says. “My day job is for my family. And my artwork is for my community.”

In 2015, Gormley painted a portrait of former Miami Marlins baseball player Giancarlo Stanton for the Marlins Foundation, which raised $25,000.

In 2018, he painted a portrait of Anthony Rizzo, a Parkland native who played baseball for the Chicago Cubs and the New York Yankees, which raised $4,000 to upgrade the baseball field at Marjory Stoneman Douglas High School.

The same year, he worked with Joe DiMaggio Children’s Hospital to benefit the Conine Clubhouse, a no-cost residence for families with children undergoing cancer treatment, and helped raise thousands of dollars.

To date, Gormley estimates he has raised $300,000 for local charities, and he has no plans to stop. In 2019, he painted at the Parkland Cares fundraiser and donated the proceeds from his work to the foundation.

“Parkland Cares is very fortunate to have been one of the recipients when Joseph Gormley painted live at our wine dinner and donated the proceeds from his paintings,” Stacey Udine wrote online after the event.

“Every brush stroke gives Joseph the chance to inspire others, and we’re immensely grateful for his continued support of Parkland Cares,” she said.

In February, the prolific painter teamed up with 105.9 BIG radio DJ Doc Reno, whose charity, My Family Matters Foundation, raises money in partnership with the Joe DiMaggio Children’s Hospital Foundation to provide assistance to families who lose wages while caring for a child with cancer.

It was founded by Doc Reno in 2019 after he battled stage IV head and neck cancer. “How could I feel sorry for myself when next to me in the waiting room is a 7-year-old with brain cancer?” he says. “I saw what families were dealing with and wanted to do something to help.”

He continues, “Joseph is an amazing person — a true angel and a very gentle soul. I was blown away by his work. I’m thrilled he has offered his talents for this cause.”

Gormley painted live at Doc Reno’s “My Family Matters” golf tournament in February, at the Jacaranda Golf Club in Plantation.

Participants included former Miami Dolphins’ Bob Brudzinski and running back Ki-Jana Carter; radio disc jockeys Drew Heyman (Y100) and Paul Castronovo (BIG 105.9); rock drummers Nicko McBrain of Iron Maiden, Tico Torres of Bon Jovi, and Carmine Appice, former Ozzy Osbourne drummer; and many others.

With Iron Maiden being Gormley’s favorite band, he was thrilled to paint the portraits of the three drummers and auction them off with their signatures.

Other celebrities he has painted include Aerosmith singer Steven Tyler, Washington Commanders quarterback Doug Williams, and talk show host Ellen DeGeneres.

Gormley says he is raising his two girls to finish the journey he started and to leave a legacy behind.

“I’m very blessed,” says Gormley, who hopes to eventually raise $1 million for charity. “So many people struggle to find their purpose in life. I know my purpose — it’s to help and inspire others.”

For more information, visit josephgromleyart.com, myfamilymattersfoundation.org, or parklandcares.org.

March 4, 2022March 4, 2022

From puppy to superhero

Parkland family fosters service dog

On her bucket list since childhood (along with travel and giving back), Parkland resident Joanna Goriss finally checked off one of her boxes — becoming a volunteer puppy raiser through a California-based organization called Canine Companions.

The nonprofit, founded in 1975, provides expertly trained service dogs — primarily Labrador retrievers, golden retrievers, and crosses of the two — to enhance independence for people with disabilities. The organization has approximately 4,300 volunteers across the country.

The dogs, bred by volunteer breeders in California, are shipped to families across the U.S. at 8 weeks of age.

“Raising Noki for 18 months has been so rewarding for our family,” says Goriss, a realtor.

She and her husband, Jeff Goriss, who works in corporate finance, are the parents of Landry, 9, and London, 7, students at Somerset Parkland Academy. They received Noki in March 2020, on the last commercial flight into Fort Lauderdale just as the pandemic hit.

As volunteer puppy raisers, the family was responsible for training the puppy, and for expenses such as food and vet visits.

Once Noki left the Gorris home, he went to Orlando for puppy college and to train to become a full-fledged service dog — turning off lights and putting on socks for his charges.

If all goes well, after six months, Noki will graduate. Only 50 percent of all puppies actually graduate. The Gorisses plan to attend Noki’s graduation and walk with him across the stage.

“Canine Companions is very organized,” says Goriss. “Almost 400 dogs graduate each year. We’re a big family and stay in touch with other volunteers. It’s extremely rewarding. It warms your heart to know that you are making a difference in someone’s life. You cannot put a price on it.”

When her son was younger, he spent three and a half years in treatment for leukemia at Joe DiMaggio Children’s Hospital in Hollywood, Fla. Because of that, Goriss says, he is empathetic to others with health or physical limitations.

“We’re grateful for each day because tomorrow is not promised,” says Goriss. “We try and make a difference with our volunteer efforts.”

The couple volunteer at Miami Make-A-Wish (“very near and dear to our heart”) and volunteered at the fifth annual Make-A-Wish Ball, which raised over $1 million.

“We have a neighbor with cerebral palsy and another in a wheelchair,” says Goriss. “So my kids understand the purpose of having a service dog.”

Because of this, they were able to part with Noki without too much grief. “We didn’t find it sad to give him up because we knew he would be going on to help someone else,” Goriss says. “We raised a superhero.”

However, Noki left a void, and the family is looking forward to raising a new puppy.

Ashton Roberts, Canine Companion’s program manager in Orlando, says, “There’s no strict criteria to become a volunteer puppy raiser. You need to walk the dog on a leash and comply with the program rules.”

For more information on Canine Companions, visit canine.org.

January 17, 2022

Resolve to keep learning in the New Year

New Year 2022 brings the promise of new hopes, new beginnings, and a chance for life to return to normality. With 2020 and 2021 in the rearview mirror, having left their indelible mark on all of us, 2022 is a time to regroup, refresh, and reenergize.

Make those New Year resolutions — lose weight, go back to the gym, stop smoking, and vow to be kinder. Take an art class, learn a new language, or visit a museum or library.

Here are a few ideas to start your New Year on a note of inspiration.

Temple Beth Am

While the Jewish New Year is in the fall, Jews and others can still take advantage of the current New Year and sign up for classes at Temple Beth Am in Margate.

Beginning Dec. 21 and running for eight weeks through January, Temple Beth Am in Margate is offering the interactive class “Ten Paths to G-d: Ten Ways Judaism Enhances Our Lives,” taught by Senior Rabbi Michelle Goldsmith. Cost: $36 for members, $72 for non-members.

In February, Temple Beth Am offers “Esther, Song of Songs and Ruth — Love, Bravery and Loyalty as the Key to G-d and Salvation.” This class is also taught by Rabbi Goldsmith and will run on Tuesday evenings beginning Feb. 22. Cost: $18 members, $36 non-members.

For more information, go to Beth-am.org.

Parkland Library

Are you ready for fun, intellectual stimulation, and/or children’s events? The Parkland Library has something for everyone.

Kids can take part in a friendly game of chess, try coloring and card-making, come for storytime, or participate in “Mr. Roy’s Family Music,” a 30-minute class in which children up to age 4 can dance and sing familiar melodies, play instruments, and take advantage of a fun, interactive class.

Adults can come for Bingo; Sahaja meditation; an arts, books, and conversation group; and even rock painting led by Dr. Halle Solomon, assistant program director at Eagles’ Haven Wellness Center. The finished product will be donated to community memorial gardens. Along with Sarah Lerner, the yearbook advisor at Marjory Stoneman Douglas (MSD) High School, Solomon will speak about resilience, hosting a conversation on resilience and grit in a community affected by the MSD tragedy.

The library also offers several Holocaust educational programs, including the “No Child’s Play” exhibit, which shares a window into the world of children during the Holocaust. It examines images of toys, games, artwork, diaries, and poems of children and their personal stories, providing a glimpse into their lives during the Holocaust. The exhibit looks at the struggle of those kids to hold on to life and their attempts to maintain their childhood.

Holocaust survivor and Holocaust educator Eric Lipetz will lead a discussion for both teens and adults after screening the 2004 documentary film “Paper Clips.” Based on the true story of a school in Tennessee, the film tells about a class project. Middle school students in a rural, heavily Christian community began collecting the paper clips to represent the lives of Jews who perished in concentration camps during World War II. After millions of paper clips were collected, the last step was to place them inside a German railcar, a poignant echo of the Final Solution and a reminder to “never forget.”

On Jan. 27, to coincide with International Holocaust Remembrance Day, the Craig and Barbara Weiner Holocaust Reflection and Resource Center at Nova Southeastern University offers a chance to learn about and contemplate the horrendous acts that result from intolerance and hate. The session will conclude with the lighting of a Yahrzeit (memorial) candle.

For more information, go to CityofParkland.org/library.

Coral Springs Museum of Art

The Coral Springs Museum of Art offers classes in ceramics, drawing, painting, mixed media, comic design, printmaking, sewing, photography, and more. New additions include classes in interior design, fashion illustration, still life, and portrait and figure drawing.

The classes, which run from Jan. 24 to March 5, are available for all age groups (preschool, youth, teen, and adult), skill levels, and interests.

To register, call (954) 340-5000 or go to CoralSpringsMuseum.org.

Morikami Museum and Japanese Gardens

Interested in Japanese language and culture? Since 1977, Boca Raton’s Morikami Museum has been a center for Japanese arts and culture in South Florida. The museum offers classes such as The Art of Bonsai, Introduction to Japanese Language, Ikebana Flower Arrangement, Performing Tea Ceremonies, and Japanese Sumi-e Ink Painting.

For more information, go to Morikami.org.

Adolph & Rose Levis JCC Sandler Center

When the COVID pandemic hit in March 2020, the Levis JCC Sandler Center launched into action, putting many of its classes, lectures, literary events, and films on Zoom at no charge. From April 2020 to June 2021, the JCC hosted 29,738 virtual attendees and 3,101 more in-person.

Now, in 2022, the JCC is offering a hybrid Arts, Culture, and Learning season including hundreds of in-person and virtual events. Virtual programs will be streamed via Zoom, and in-person programs will be at the Levis JCC Sandler Center with masks required and socially distant protocols.

As part of its Literary Afternoons, on Jan. 11, the JCC hosts Mitchell James Kaplan, author of “Rhapsody,” an inspired-by-a-true-story novel about the love affair between George Gershwin and Kay Swift, two musical icons of the 1920s-30s.

On Jan. 18, author Zibby Owens is featured as part of its Cocktails and Conversation with the Authors series. Owens will discuss her latest book, “Moms Don’t Have Time To: A Quarantine Anthology,” a humorous look at working out, eating, reading, and even sex during quarantine.

In the Book and Author series, author Anne Sebba discusses her book via Zoom on Jan. 20, titled “Ethel Rosenberg: An American Tragedy,” which posits that Ethel Rosenberg was likely innocent, murdered by the state, and did not deserve death by electric chair.

On Jan. 25, author Lisa Scottoline will discuss her latest historical fiction novel, “Eternal.” The book takes place during World War II in Rome, the “Eternal City,” and tells the story of three families whose intersecting worlds are torn apart.

Other events include the Jan. 10 Zoom lecture with author and journalist Claudia Kalb, titled “Spark: How Genius Ignites, From Child Prodigies to Late Bloomers.” “Spark” unravels the relationship between brains, talent, passion, creativity, willpower, and imagination.

In-person at the Sandler Center, on Jan. 31, “60 Minutes” Peabody and Emmy Award-winning writer and producer Ira Rosen will speak about his book “Ticking Clock: Behind the Scenes at 60 Minutes,” revealing the intimate, untold stories of his decades at America’s most iconic news show.

For more information, go to levisjcc.org.

Boca Museum Art School

Do you want to improve brain function and enhance your creativity? Try taking a class in painting, jewelry-making, or sharpening your skills at photography.

The Boca Museum Art School offers classes in ceramics, pottery, and the fundamentals of digital photography. Learn to paint in watercolor, gouache, oil, or acrylic, or try your hand at jewelry-making or silversmithing.

For more information, go to BocaMuseum.org/art-school.

Boca Museum of Art

What’s more cultural than a trip to a world-class museum? Learn about the ancient Andean cultures at the Boca Museum of Art’s exhibit, “Machu Picchu and the Golden Empires of Peru,” running through March 6.

On Saturday, Jan. 22, immerse yourself in a tour and a lecture series, in combination with Florida Atlantic University, on these ancient civilizations. Experts will speak on topics such as the “Great Inka Road: Engineering an Empire,” musical traditions, the ancient Mateño civilizations of coastal Ecuador, and Ecuador’s contemporary Manabi culture. There will be live music and a dance performance by the Peruvian dance group Kuyayky.

Tickets are $10/members; $20 non-members. For more information, go to Bocamuseum.org.

October 18, 2021

The Inca civilization rises again in Boca Raton

In a coup for the Boca Raton Museum of Art and South Florida, the Boca museum will be the first stop of a world tour of the exhibit “Machu Picchu and the Golden Empires of Peru,” opening to the public on Oct. 16.

Presented by Cityneon with support from the Government of Peru and the Peruvian Ministry of Culture, and in partnership with Inkaterra Asociación, the collection is on loan from Museo Larco in Lima, Peru, and Museo de Sitio Manuel Chávez Ballón in Aguas Calientes, Peru.

It is the first time many of these objects have been seen outside of Peru.

“As we get closer to launching the premiere engagement of this exhibit, our team is truly excited to share this world-class production with South Floridians,” said Anthony Tann, president of World Heritage Exhibitions.

The immersive and interactive exhibit features the history, artifacts, and culture of ancient Andean cultures and the Inca people, and many of the 192 priceless artifacts on display are from royal tombs, including spectacular objects that belonged to noble Andean lords, such as a fully intact gold attire of a Chimú emperor dating back to 1300 A.D.

In part of the exhibit, visitors will be guided by a mythical Andean hero, Ai Apaec, and gain an understanding of the forces of nature that led to his death and subsequent rebirth.

Historians consider the ancient Andean civilizations of Peru as one of the six “pristine” cradles of civilization in the world, on par with those in Egypt, Mesopotamia, the Indus Valley (present-day Pakistan and Afghanistan), China, and Mexico.

Rivaled only by ancient Egypt in longevity and by the Roman Empire in engineering, Andean societies dominated a substantial segment of South America for more than 3,000 years, straight through the reign of the Incan Empire.

The Inca civilization, the last and largest empire in the pre-Colombian Americas, flourished without written language, the wheel, money, steel, iron, or draft animals, and it was the last great society to emerge in that era.

The exhibit, which highlights both the Incan cultures (1438–1533) and earlier Andean empires dating back thousands of years to the Chavín empire in 900 BCE, will inhabit two floors of the museum and feature an immersive, virtual reality experience designed to recreate the ancient spiritual mountaintop empires that existed 7,000 feet up in the clouds of the Andean Mountains.

Subsequent to the Chavín empire, five additional empires flourished in Peru, ending in 1533 with the Incas’ reign. The Incas, who ruled for 100 years, were the last chapter in thousands of years of ancient Andean civilizations.

Nestled in a cloud forest, the Inca Empire’s enduring symbol of architectural prowess is protected by twin sacred mountaintops and is invisible from below. For the exhibit, the ancient city has been recreated complete with sounds of jaguars and macaws and other sounds of the Amazon’s rainforest.

In 2020, during the unprecedented closure of the site during the COVID-19 pandemic, the first-ever virtual reality expedition of Machu Picchu was shot using state-of-the-art drone virtual reality technology.

Titled “Machu Picchu and the Spirit of the Condor,” the virtual reality experience features the grand Inca emperor Pachacuti, who infuses viewers with the spirit of the condor and flies with them across the ancient landscape.

Viewers will encounter the city’s ancient inhabitants and experience some of its most iconic locations, from the Temple of the Sun to the heights of Huayna Picchu.

“It is an honor to be the home of the world premiere of ‘Machu Picchu and the Golden Empires of Peru’ and a privilege to work with such esteemed partners to bring this exhibition to our community,” said Irvin Lippman, executive director of the Boca Raton Museum of Art at the exhibit announcement last May.

“We look forward to introducing South Florida and the world to the wonders of Machu Picchu and the power and beauty of the Inca civilization for what promises to be a memorable exhibit,” he said.

October 4, 2021October 5, 2021

Parkland resident celebrates 102nd birthday

Parkland resident Thelma Fail celebrated her 102nd birthday on Sept. 24. Life was different when she was born in 1919.

When Fail was a child growing up in Florida, there was no air conditioning and people stayed cool with outings to the beach for the ocean breeze, using trees for shade, sitting on their porches, or cooling down with fans.

Much of Broward County was considered uninhabitable because of the Everglades. At that time, Wiles Road was a two-lane road with a canal, farms dotted the landscape, and residents rode horses up and down State Road 7 and Wiles Road.

Fail moved to what is now Parkland in 1978 and currently lives in the same house she lived in with her third husband, Willis Fail, who passed away in 2001.

The year Fail was born, life expectancy for women was only 56. The world was recovering from World War I, the Treaty of Versailles was signed, and Europe was under reconstruction. Refugees were returning home and being resettled, and the Spanish flu pandemic was wreaking havoc around the world. The 19th Amendment to the Constitution, giving women the right to vote, was passed by Congress in June of that year, and sheep were grazing on the White House lawn in Washington, DC.

One of the most tumultuous years in American history, that decade saw race riots, anarchist bombings, the Red Scare, and the stock market crash of 1929. The year 1919 saw the end of the Progressive Era, the beginning of anti-immigration laws, an attempt to “return to normalcy,” and the approach of the decadent Roaring ’20s.

Over her 102 years, Fail saw it all — another world war, another global outbreak (this time of COVID-19), social justice protests by Black Lives Matter, refugees (this time Afghan) being resettled, and instead of sheep on the White House lawn, there were extremists and insurrectionists.

The more things change, the more they stay the same.

Of course, technology has evolved during Fail’s lifetime — things such as television, computers and the internet, smartphones, microwaves, digital cameras, men and women in space, and social media.

Fail spent many years in Winter Haven, FL, where she worked at the local Publix for more than 25 years and retired from there.

“She’s a wonderful Christian woman,” says daughter-in-law Lynn Yoos, a firefighter/paramedic with Palm Beach County Fire Rescue. “She always had advice and knowledge of her life to share with you when you needed it. She was always there for her family.

“To this day, Thelma is so loving and sweet and still a fabulous cook,” Yoos says. “Thelma would cook Christmas and Thanksgiving dinners, and you knew you would have the most wonderful food. To this day she still bakes and makes her famous brownies.

“She created a real feeling of love and family,” Yoos remembers. “She always made her guests feel important and special.”

Carol Fail, Thelma’s daughter-in-law, lives next door to Thelma. She remembers her throwing dinners and parties for friends and family. “She was a great planner. Everyone always got along with one another,” she says.

“We love her to death,” says Carol Fail.

“We all want her to know we say, ‘Thanks, Mom, we love you.’”

September 21, 2021

Coral Springs artist takes to the streets (with permission)

Coral Springs collage artist Janet Gold emerged as a street artist (with permission) during last spring’s COVID-19 quarantine.

Busy working in her Tamarac studio and applying for grants and other opportunities, her trajectory changed when she was selected for her first Collage as Street Art residency through Kolaj magazine.

The premise of the residency is to bring collage to street art in the manner of Banksy, Keith Haring, Basquiat, and Shepard Fairey.

Not an underground artist, Gold has been a board member of Fort Lauderdale’s Art in Public Places, the Coral Springs Museum of Art, and the National Association of Women Artists/Florida Chapter.

The prolific artist, who twice won the South Florida Cultural Consortium Fellowship (1999 and 2008) and who has had her work on exhibit at both the Coral Springs and the Boca Raton museums of art, was thrilled to be accepted as one of 15 collage artists from around the world.

“I’m not your typical street artist,” says Gold, the former first lady of Coral Springs (her husband, Roy Gold, was mayor of that city from 2010 to 2012).

“I had to pick an issue to bring to the streets,” Gold says. “This is a different audience and different venue than my museum-quality collages.”

“In this project-driven collage residency, artists delve into the history, methods, and major artists of the ‘street art’ movement with an emphasis on collage,” says Christopher Kurts of Kolaj Magazine.

“Participants put these methods into practice, taking their collage art out into the streets while documenting the entire process, which will be published in a Kolaj Street Krewe book later this year.”

Not comfortable tagging her city at night, in the dark, dressed in black, Gold sought and got permission from five venues in and around Broward County to display the results of her residency, a project she calls “EVERYBODY’S EVERYTHING.”

The title refers to the theme of gender fluidity, and Gold’s large figurative collages depict mixed-and-matched body parts showcasing her take on the social movement.

Using images she cuts from vintage fashion magazines, she reimagines the stories they tell.

In August 2020, Gold installed her works under the moniker “Criminal Collage with Permission,” at the Coral Springs Museum of Art, the Art Gallery 21 in Wilton Manors, the Cook and the Cork restaurant in Coral Springs, and the Girls’ Club and FATVillage, both in Fort Lauderdale.

“Janet’s work is very interesting, especially considering that it is collaged work created to be a mural on a building’s exterior,” says FATVillage’s founder, Doug McCraw. “By employing different anatomical photos to compose multiple aspects of gender and identity, Janet’s created a contemporary commentary on her subject matter.

“She has a very experienced composition aesthetic and a wonderful way of expressing herself through her art.”

At the Cook and the Cork restaurant, Gold’s collage depicts a female model’s head with long dark hair abruptly juxtaposed with a second woman’s torso and exposed breasts, partially covered by that model’s long blonde hair. A large feminine hand holding a lit cigarette dominates the foreground, while a pair of androgenous legs in mid-stride, clad in jeans and black-and-white Converse completes the image.

The high-fashion images are at once edgy and provocative and highlight the artist’s perspective that we all exist in each other.

Constance Ruppender of Art Gallery 21, who exhibited Gold’s past works in a one-woman show at her gallery, says, “I admire Janet as an artist, and as a doer. She doesn’t just make art. She puts her creations out to the universe with an open heart and inspires others.”

For Gold, who has been in museums and galleries and the recipient of a number of grants, winning the Kolaj residency is the icing on the cake. And while she will be retiring her tag name, we’re sure we’ll see a lot more work by Janet Gold in the future.

August 8, 2021August 3, 2021

Vickie Pierre: ‘Be my herald of what’s to come’

For New York-born and Miami-based artist Vickie Pierre, there’s more to come. At the age of 51, Pierre is just hitting her stride.

With a solid portfolio and major accomplishments under her belt, Pierre is currently focused on generating new works. Her current pieces on display at the Boca Raton Museum of Art are a continuation of the work she has done since her college years at the School of Visual Arts in New York City.

Her work has been exhibited at Foundation Clement in Martinique and Centro de Documentación para las Artes Visuales and Galerie Oriente in Cuba. She has exhibited at the Little Haiti Cultural Center and the Diana Lowenstein Fine Art Gallery in Miami and the Art and Culture Center in Hollywood, Florida. In 2019, she was a finalist in the Orlando Museum of Art Florida Prize in Contemporary Art.

In 2016 Pierre caught the eye of both Irvin Lippman, CEO of the Boca Raton Museum of Art, and Assistant Curator Kelli Bodle, when she was brought to their attention by Miami-Haitian artist Edouard Duval-Carrié, who was exhibiting at the museum. He flagged her as an up-and-coming artist in the Miami art scene.

“Vickie draws from her parents’ penchant for European interior design, evident in the French colonial influence on Haiti,” says Bodle.

Pierre uses resin wall plaques, ornate wall sconces, vintage Avon glass perfume bottles, wooden shelf sconces and ship bookends, jewelry, and hand-strung glass beads to create her visions. She deconstructs the perfume bottles from the 18th, 19th, and 20th centuries and reintroduces them as anthropomorphic shapes set against monochromatic backgrounds. The headless forms are no longer recognizable as the fairy-tale mistresses they once were.

Her piece titled “And Though I May Have Lost My Way, All Paths Lead Straight to You” uses the reenvisioned perfume bottles, flaxen hair from dolls, galleon ships representing the slave trade, bracelets, cuffs, and jewelry, all interconnected by long strands of beads that she strings herself in various patterns.

Pierre’s work encompasses evocative titles such as “I Can’t Say No to You (Good Enough),” “Totems for My Sisters (We Are All Illuminous!),” and “You’ve Stolen My Heart and It Hurts Me to Remember.”

“When Vickie exhibited her piece ‘Elemental Mistresses (The Power of 3)’ [also in this exhibition] at the museum in 2016, I found the sculpture beautiful, with its grand sweeps of beadwork and ornate sconces,” Bodle says. “It was also quite haunting by virtue of the elegant script (‘This Must Be the Love They Speak of’) transcribed on the wall.

“The world craves authentic, genuine people and experiences more than any faux polished façade. Vickie and her work come from a place of earnestness and authenticity.

“These attributes, paired with skill and effectual presentation, make for great art,” Bodle says.

The current exhibit is Pierre’s premiere solo museum show and one of which she is immensely proud.

“This is a significant milestone in my career,” says Pierre. “It is a tremendous opportunity and a great achievement for my work to be introduced and showcased in the Boca Raton Museum of Art, to be enjoyed by the local public as well as visitors from around the world.

“My work exemplifies who I am and what I’m trying to do,” she says from her studio in Miami’s Fountainhead. “I have a love of the fantastical and whimsical but also incorporate history, identity, and the concepts of womanhood and femininity.”

Indeed, Pierre turns pop-culture feminine icons such as Snow White and Cinderella on their head, deconstructing them à la Hans Bellmer, a German surrealist artist and photographer best known for his series of life-sized pubescent female dolls (poupées).

Pierre questions the influence of history and popular culture on identity. “My continued focus is on the exploration of identity and ethnicity, with references to design and nature, as well as connections between my Haitian heritage and the Caribbean as well as broader global cultural mythologies,” she says.

In 2020, after the social justice movements, Pierre created “Black Flowers Blossom (Hanging Tree),” as a way to honor the souls of people lost to racial injustice, including George Floyd, Breonna Taylor, and Ahmaud Arbery, among others. This piece is also included in the show.

She describes her creative process as “easy,” doing a lot of sketching and what she calls “navel-gazing.”

“I’m always reworking, cutting, and pasting,” she says. “I let the ideas marinate and my execution is superfast.”

The child of medical professionals and immigrants from Haiti, Pierre says she was raised to be 100% American. She grew up in Crown Heights, Brooklyn, in a mixed neighborhood playing with people of all different backgrounds and religions.

“This inclusivity fostered my vision to reach for the universal,” she says. “I strive for a global ideal.”

In addition to Bellmer, Pierre counts Duval-Carrié, Canadian-American artists Miriam Schapiro, and Betye Saar as influences, who also worked with assemblage to explore the myths and stereotypes around race and femininity.

In 2016, Pierre committed full-time to her artwork. “It was sink or swim, and everything came together,” she says.

When asked what drives her, Pierre reflects.

“I feel this is my destiny; I’m doing exactly what I’m supposed to be doing and I am where I’m supposed to be,” she replies. “I’m excited and amazed. Everything in my life has led me to this point.”

The exhibit runs through Sept. 5. For more information, visit bocamuseum.org.

August 1, 2021July 19, 2021

The show must go on: Barclay Performing Arts

With a great-grandmother who was a showgirl and George White Scandal dancer (Broadway revues modeled after the Ziegfield Follies) who appeared on the cover of Vanity Fair magazine, and a family steeped in musical theater, it’s no wonder that Christine Barclay founded the Barclay Performing Arts theater in 2016 as a way to honor her late father, John Barclay.

John Barclay was a director, educator, actor, and founder of the Weston Drama Workshop in Weston, MA.

“My dad was an amazing director who always found a way to bring out the very best in each and every person, whether on the stage or behind the scenes,” remembers Christine Barclay.

It is to his memory and passion that she dedicates herself and her work. “There’s no better person to be the beacon for this theater in Boca Raton,” she says.

“My dad created confident, articulate young people and made a big difference in the lives of his students,” Barclay says. “I hope to do the same.”

The theater, located next to T.J. Maxx in the Somerset Shoppes in Boca Raton, helps students of all ages find their voice, creativity, and confidence. Before moving to this location, Barclay worked out of the Boca Black Box theater on Glades Road.

Her opening production, entitled “Spring Awakening,” is forever etched in her mind.

Pregnant with her now 3-year-old daughter Caroline and about to give birth in February 2018, the tragedy occurred at the Marjory Stoneman Douglas High School in Parkland. Many of the MSD students were performing in the production.

“The cast decided to move forward with the show,” recalls Barclay, who by that time was on maternity leave. “It was one of the most unbelievable experiences of my life.”

“To watch these kids travel to the White House, meet with then-President Barack Obama, then board a red-eye back to Boca for rehearsals, all while mourning their friends, was just incredible,” she says.

“I’m so proud of their survival and the emotional, physical, and mental resilience of our team and that of the community,” Barclay says. “Getting through those shows after the tragedy and giving birth was a moment that fully made me realize my responsibilities.”

“I wanted to ensure my company was there to support these kids and to transition to a space with a purpose and mission to change the world,” she says.

“We want to be a community center where kids and others can come to feel safe and have a platform in which to express themselves.”

Before relocating to Florida in 2012, Barclay was the executive assistant to Marc Tumminelli, founder of the Broadway Workshop in New York City, and she was a resident member of the theater faculty for the Rodeph Sholom School in Manhattan.

She performed, directed, and choreographed for many theaters and schools, including the Kew Forest School and the Looking Glass Theatre in New York. In addition to acting, she has directed, choreographed, stage-managed, and performed in numerous productions in New York, Florida, Massachusetts, Maine, and Pennsylvania.

During the pandemic, Barclay produced 10 virtual, live-streamed performances including “Schoolhouse Rock,” “Fame Jr.,” “Band Geeks: The Musical,” and the concert version of “Guys and Dolls.”

She is currently in production for “Peter Pan,” “Urinetown: The Musical,” and “Willie Wonka.”

“We worked just as hard during quarantine as we did previously,” says Barclay, who in addition to her 3-year-old is raising three stepchildren.

Lewis Singer, 53, a chiropractor at Singer Family Chiropractic in Boynton Beach, had his first acting role 22 years ago in “Sweet Charity” at the Lake Worth Playhouse when he played the hippie preacher, known as “Big Daddy.”

Fast forward to 2015, where Singer was in the audience at the Barclay theater to support some acting friends, when he noticed one of their upcoming shows was “Fun Home,” the first Broadway musical with a lesbian protagonist, which won five Tony Awards including Best Musical that year.

“I knew I had to be a part of it,” Singer remembers. He had seen the road show in Tampa and says “to my shock and disbelief, I landed my dream role of the father, Bruce Bechdel. This is the role of a lifetime.”

“I fell in love with Christine and fell in love with the mission of her theater,” says Singer, who also sings and plays keyboard in an ’80s cover band called Livin’ the 80s.

“She’s amazing, and her vision and mission of caring for the community using her theater as the vehicle for this are amazing as well. There is nothing I wouldn’t do for her,” he says.

Barclay is working with the nonprofit Find Your Voice Foundation, a social enterprise company that gives creative companies a voice with which to share their story with the end goal of establishing their own theater and venue. She hopes the theater will be a gathering place for people in the community.

“If anyone feels like they’re missing something in their life, a spark of interest, motivation, friendship, or someone to hug, somewhere to walk in a door and sit down and be exactly who you are, we’re the space for you,” Barclay says. “You don’t need to be on Broadway. If you need somewhere to be and be the best version of yourself, we’ll find a space for you.”

“We want to be a ball of light for our community,” says Barclay.

For more information, visit barclayperformingarts.com.

August 1, 2021July 19, 2021

FWC putting a stop to S.T.O.P

and 2 other sea turtle rescue organizations in Broward County

In a ‘David and Goliath’-esque confrontation, Broward County sea turtle rescue organizations may soon have to turn in their night goggles.

In a letter dated March 26, the Florida Fish and Wildlife Conservation Commission (FWC) declared a “change to the Disoriented Hatchling Recovery Programs.”

“While working to decrease impacts from one form of disturbance, lighting, Disoriented Hatchling Recovery Programs increase another form of disturbance, human presence on the beach at night,” states the letter. “We are notifying you that it is FWC’s intent to phase out these programs over the next few years.”

The Sea Turtle Oversight Protection (S.T.O.P.), Sea Turtle Awareness Rescue Stranding (STARS), and South Florida Audubon Society (SFAS) were all blindsided by the notice.

“It came without warning,” says David Young, chief operating officer of SFAS. He and his colleagues wonder why the FWC would do something contraindicated and not justified. “We all have a passion for the species,” he says.

Kristine Halager, the principal permit holder for STARS, says in a statement, “Our presence on the beach not only ensures the safety of hatchlings but also serves as eyes on nesting females that may come ashore while we are present.”

Halager has made suggestions to the FWC, including limiting volunteers, having them check nests every 30 minutes, and leaving the beach so they don’t draw attention to themselves. She also has suggested enforcing the current light ordinances. All suggestions were denied.

Florida beaches are key nesting areas for sea turtles. Almost 70% of the nation’s sea turtles nest on Florida’s beaches.

Almost 90% are loggerheads (Caretta caretta), a threatened species; green turtles (Chelonia mydas), endangered; and leatherbacks (Dermochelys coriacea), critically endangered.

As any visitor to the beaches in Pompano, Fort Lauderdale, or Hollywood can see, from March 1 to Oct. 31, volunteers rope off the nesting areas of sea turtles so the hatchlings may hatch undisturbed.

Volunteers also come out at night to help guide the hatchlings to the ocean so they’re not distracted by the bright lights along A1A. Hatchlings are drawn to those lights and may end up dazed and confused, in storm drains or parking lots, unable to orient themselves to the ocean.

According to the Broward County Sea Turtle Conservation Program and Nova Southeastern University, in 2020, there were 2,596 loggerhead nests on South Florida beaches, 246 green turtle nests, and 28 leatherback nests.

Sea turtles live mostly in the ocean, but females return to the beach to lay eggs. Once she lays her eggs, she digs a nest and covers it with sand. She returns to the sea, leaving the eggs unprotected — and this is where the volunteers step in.

Females nest every two or three years and lay several nests, containing approximately 100 eggs. The eggs incubate for 60 days, and when they hatch, volunteers are needed to prevent their disorientation.

While STARS currently holds one permit, SFAS holds two, and S.T.O.P., which originally had five, now has two permits, each allowing capacity for the permit holder and 24 volunteers.

Volunteers undergo specific training as part of the permitting requirements.

For this season, Young says, “it’s business as usual. Our current number of volunteers (49) are trying to get out on the beaches seven days a week so we can prevent disorientation.”

He continues, “We’re doing what we do and not worrying about next year.”

Taking a different approach is S.T.O.P.’s director, Richard WhiteCloud, who calls his turtle family “Passionate. Coffee addicted. Probably crazy” on his website. In 2007, S.T.O.P. was the first program of its kind to rescue and release hatchlings disoriented by coastal lighting.

Volunteers have rescued approximately 250,000 hatchlings, according to S.T.O.P.’s figures. In 2019, its 121 trained volunteers spent thousands of hours patrolling 18 miles of beach from dusk till dawn, rescuing 29,650 hatchlings.

“I’m not sure where FWC derived their numbers,” WhiteCloud says, referring to the letter that cites the volunteer presence as a hazard to the turtles (e.g., “Human presence on the beach at night as a significant threat to nesting and hatchling sea turtles”).

“Our hearts are broken,” he says. “Now we will risk legal action to save the turtles. Under no circumstances should they die due to the inappropriate actions of the FWC, the agency entrusted with protecting them under the Endangered Species Act.

“People need to pay attention to what their governments are doing,” says WhiteCloud. “We provide a free service. We’ve donated hundreds of thousands of dollars in resources without receiving any federal or state monies.”

Unlike Young, who plans a “wait and see” approach, WhiteCloud says S.T.O.P. will seek legal action.

Carol Lyn Parrish, spokesperson for the FWC’s south region, said that her agency is proactive in working with local government lighting appropriate for the turtles. They believe that the Broward County rescue groups should “focus on activities that protect both mother turtles coming to lay their eggs as well as hatchlings trying to make their way to open water.”

“The FWC must weigh monitoring activities for the greater good of the species and is doing so by attempting to minimize all forms of disturbance on the beach at night,” according to the agency. “This includes reducing volunteers sitting near the many nests on Broward County beaches for extended periods of time while still providing the ability to respond to and rescue disoriented hatchlings.”

Wilton Manor resident David Walker, a former biological scientist with FWC, is the Audubon Society’s urban conservation director and a volunteer since 2014. He spends many evenings on Pompano Beach and estimates he has helped tens of thousands of disoriented hatchlings get to the ocean.

“It’s very satisfying to save an endangered animal,” he says. In early June he watched 90 leatherback hatchlings come out of their nests and helped direct them toward the ocean.

“It’s unfortunate how the FWC and the other organizations tasked with their rescue can’t find a compromise,” says Walker.

Noting that only one out of 1,000 hatchlings makes it to adulthood and returns to the beach, Walker says, “When I release a hatchling, I could be assisting that one sea turtle that may have died if I wasn’t there. That’s a great feeling.”

To visit, go to browardaudubon.org or seaturtleop.com.

Note: Palm Beach County is not affected by this notice. Gumbo Limbo Nature Center in Boca Raton is open to the public for guided tours, and the Florida Atlantic University lab is raising turtle hatchlings for its studies. Also, Gumbo Limbo’s sea turtle rehabilitation department is busier than ever, and it constructed a new surgical room on-site last year to treat and rehabilitate sick turtles. To visit, go to gumbolimbo.org.