Mounts Botanical Garden Offers Escape from Summer Heat

Mounts Botanical Garden offers escape from summer heat

What to do in the dog days of summer?

After the beach and pool, why not explore nature at Mounts Botanical Garden, Palm Beach County’s oldest and largest botanical garden? Or better yet, bring your pooch on July 11 as the garden hosts its monthly Dogs’ Day in the Garden, a dog- and family-friendly event.

“Dogs’ Day in the Garden offers dog owners a chance to step away from their routine outdoor walks and enjoy a different, relaxing environment with their fur babies,” says Melissa Carter, a spokesperson for Mounts.

Mounts Botanical Garden offers escape from summer heat

“The dogs love being in our garden with so many new ‘sniffs’ and the chance to see other dogs and people,” she says. “The Mounts Botanical Garden also offers a great backdrop for family photo ops.”

The Garden takes its name from Marvin Umphrey “Red” Mounts, the county’s first assistant agricultural extension agent, who established and cared for the Garden’s collection of fruit trees to help produce new food resources.

A quiet, tropical oasis located behind the Palm Beach International Airport, the Garden spans 4 acres and boasts a collection of 25 display gardens containing more than 5,000 species of tropical and subtropical plants, including Florida native plants, exotic and tropical fruit trees, ornamentals, herbs, palms, roses, cacti, succulents, and bromeliads.

The various gardens include the Rose and Fragrance Garden, Garden of Tranquility, Herb Garden of Well-Being, Florida Natives Garden, and Children’s Maze Garden, among others.

For kids, the Children’s Maze Garden offers opportunities to learn and explore. Hedge mazes evolved from the knot gardens of Renaissance Europe. They are known for their mystical and magical quality. This maze was created in the 1980s from a sweet fragrant shrub whose white flowers bloom twice a year. 

At the center of the maze stands the Bo Tree, said to be the species of tree that Siddhartha Gautama, the spiritual teacher known as the Buddha, sat under when he attained enlightenment.

Each garden is created as a living exhibit, with plants chosen specifically to tell a story about choices that visitors can make within our subtropical climate. The gardens illustrate what area residents can emulate in their own spaces, large or small.

The Herb Garden of Well-Being showcases herbs and how they affect our lives and sense of well-being through culinary, medicinal, ceremonial, and aromatherapy applications. 

Natural elements of stone, wood, and living plant materials are combined in the Garden of Tranquility, as well as an Indonesian, hand-carved wall juxtaposed with elements from other Asian influences. The objective is to inspire peace and tranquility — a spiritual place for the mind and soul.

In addition to roses, the Rose and Fragrance Garden boasts the fragrant flowers of the Ylang-Ylang Perfume Tree, Angel’s Trumpet, and the Longan Tree, one of the oldest trees in the Garden.

The Florida Natives Garden uses native plants to help preserve the state’s natural resources. Increasingly, our native birds, butterflies, and wildlife rely on gardeners to replace natural habitats lost to development. Those native plants include the Wild Coffee native shrub and the Firebush, which attracts hummingbirds and butterflies. 

In bloom in July are the Rainbow Shower Cassia (Cassia x nealiae), the Verawood (Bulnesia arborea), and the Trai Tich Lan Perfume Tree (Fagraea ceilanica), with its large, creamy, trumpet-shaped flowers.

August awaits the blooms of the Summer Poinsettia (Mussaenda philippica), the White Crepe Ginger (Costus speciosus), and the fragrance that became famous as Chanel No. 5 Eau de Parfum — the Ylang-Ylang Perfume Flower (Canaga odorata).

In June 2017, the Garden created the Windows on the Floating World: Blume Tropical Wetland Garden as a way of conserving and protecting freshwater. The wetland garden was designed to highlight the wetland ecology and to protect Florida’s fragile wetland system. 

Designed by artists in collaboration with Palm Beach County’s Art in Public Places program, the garden, a microcosm of tropical wetlands, features open-gridded, 4-foot-wide walkways on the surface of the wetlands. 

Within these walks are four “windows” planted with aquatics and changed out with rotating and seasonal botanical exhibits growing from submerged containers. Four circular, etched-glass, interpretive viewers are strategically located throughout the garden to educate and engage visitors on key components of a wetland.

Bromeliads grow wild and cover the natural stone walls; aquatic life and wading birds are abundant; and wildlife can be seen foraging for fish, clams, and snails in the muck and shallow pools.

So, while you may not find silver bells or cockle shells, you will find a respite from the outside world, a chance to unwind with or without your pet, and appreciate nature in all its glory.

Mounts Botanical Garden

Mounts Botanical Garden is located at 531 N. Military Trail, West Palm Beach. Sunday, July 11, is Dogs’ Day in the Garden, from 9 a.m. to 3 p.m. (Last entry at 2 p.m.) Cost: Free for members; $10 for nonmembers; $5 for children 5-12. For more information, visit mounts.org.

Primal Forces Debuts as Boca Stage

Boca Raton’s Primal Forces theater company, founded in 2014 by artistic director Keith Garsson, emerges from the pandemic with new productions, a new attitude, and a new name – Boca Stage.

The company, located in The Sol Theater, at 3333 North Federal Highway is a professional theater company that produces new and topical works geared to a sophisticated theatergoer looking for alternatives to revivals and musicals.

Past productions have included the 2019 production of Emily Mann’s “Having Our Say” with Karen Stephens and Avery Somers, “Breadcrumbs” by Jennifer Haley, and  Laura Eason’s “Sex with Strangers,” which won the New Times Best Play of 2016.

“We want to be more aligned with our home and the City of Boca Raton,” says Garsson, about the name change, and says he is “excited to be coming back.”

He works in tandem with Genie Croft, artistic director and founding member of the multi-Carbonnell nominated Women’s Theater Project.

“All the world’s a stage,” says Croft, “and I can’t wait to be live in this world again.”

“The energy and dynamics of live theater are beyond description,” she says. “They are the essence of living, of being in the moment and transcribing those feelings to an audience.  That’s the creative process.”

Last March 13, the company shut down on what was to be Opening Night of their production of award-winning playwright Kenneth Lin’s “Warrior Class,” a modern-day variation on the Faust legend which explores the underbelly of a political campaign.  Lin has also written for the Netflix series, “House of Cards.”

The play is currently rescheduled for November 2021.

Garsson credits his landlords, Keith and Sara Grant, for their flexibility and financial help during the pandemic and says, “Without them, it could have been the end of the game.”

He also appreciates his loyal subscriber base which he says, “has been great.”  Boca Stage will honor all tickets purchased for the canceled season for a future date.  Garsson says he will personally call each and every subscriber to assure them the theater is returning in November and their tickets are good for a future performance.

“My heart goes out to our actors and designers who bore the brunt of losing their livelihoods during this past year of the pandemic,” says Garsson, who also runs a full-time software business.

“Of all the people who are allowed to complain, I’m not one of them,” he jokes.

While some theater companies found ways to produce virtual productions or other streaming shows Garsson says, “We are purists.  We believe live theater and all its drama is best seen live.”

“It’s hard to compete with Netflix or Amazon,” he says.  “Why would people stream my production when they can watch “Bridgerton” or “The Crown” or “The Marvelous Mrs. Maisel?”

“The way I see it is I’d rather have nothing, than settle for less,” says Garsson, referring to what he says is a phrase “loosely translated from the Yiddish.”

Luckily, this fall people will have the choice to see live theater at Boca Stage, with one caveat – everybody must be vaccinated.

Garsson plans to ensure both patrons and employees are vaccinated by Oct. 1.  “Safety is our priority; we can’t risk anyone’s safety,” he says.

Croft concurs, “We cannot wait to bring our creative vision once again to an audience sharing in the evolving moments of a story coming to life,” she says.  “I look forward to sharing this experience with our audience.”

Besides “Warrior Class,” on deck for the 2021-22 season (the company’s 7th season) are four South Florida premieres featuring characters struggling against the system and tackling topics such as Hollywood legends and myths, (Elton Townend Jones’s “The Unremarkable Death of Marilyn Monroe”), big pharma (Kate Fodor’s “Rx”), children’s rights (“Luna Gale,” a new play by Pulitzer Prize-finalist Rebecca Gilman), and the lunacy of the military bureaucracy in playwright Richard Strand’s “Ben Butler,” a Civil War comedy about real-life army general.

“Our audiences have made it quite clear that they enjoy the little-known plays with interesting topics,” says Garsson, who reads approximately 50-60 plays each month while exercising on the treadmill.

“We’re very lucky that today’s playwrights are providing works that are both relevant and different from the standard fare,” he says.  “Barring unforeseen events, this will be a good season.”

 

Tickets are on sale now for $45 ($50 Sunday matinees.)  Subscriptions may be purchased at www.bocastage.org or by calling 1-866-811-4111. Individual ticket sales will be available in mid-September. Thursday previews, Friday, and Saturday nights 8 p.m. curtain, and Saturday and Sunday 2 p.m. curtain.

Two talented young girls learn charity at an early age

For Eden Gross and Jorie Blake Rosen — two young South Florida residents — talent and charity go hand in hand. Both girls have a penchant for philanthropy, acting, and creating music.

Ten-year-old Parkland resident Eden Gross, a fourth-grade student at Donna Klein Jewish Academy (DKJA) in Boca Raton, along with her twin brother Jordan, sits on the philanthropy board of the DKJA Philanthropic Kids in Action.

“It’s a great initiative,” says Eden’s mom, Shirley Gross. “Every school should have it. They plant the seeds for kids to understand giving and become mensches and (wo)mensches.”

The board meets every week after school to focus on giving initiatives. During school hours, they visit other classrooms to present philanthropic topics as a way to engage their fellow students.

While both Eden and Jordan love music — Jordan plays the guitar and viola — Eden is more the extrovert who loves the spotlight and recently recorded her first song titled “Shadows on the Wall,” relaying a message of strength and of overcoming your fears.

Available on all music sites, the song costs $1.29, and as part of Eden’s philanthropic efforts, a portion of all sales will go to JAFCO (Jewish Adoption and Family Care Options) and Eagles Haven, a community wellness center created for the Marjory Stoneman Douglas−Parkland community.

Eden is dedicating this series of songs to kids who struggle with mental health issues, especially during the pandemic.

“I want kids to know that they can overcome fears by seeing the light,” she says, echoing the lyrics to her song. “And we shouldn’t listen to those voices that tell us we’re not good enough. Because we are.”

“Find the light inside you so you can shine and face your fears,” she says.

“Helping others means supporting them when they need it the most,” says Eden. “Nothing makes me feel better than knowing I was able to be there for them.”

Across town in Boca Raton, 9-year-old singer and actor Jorie Blake Rosen is also making her own music, with a song titled “Make Your Own Music.”

The fourth-grader at Morikami Park Elementary School in Delray Beach lost a number of acting roles she was up for once the quarantine started.

Not one to lay on the couch or feel sorry for herself, Jorie found a new love for writing music. To cope with her feelings during quarantine, she began writing down her feelings in a journal, which eventually turned into songs.

“You can start from the bottom but can go to the top — if you work hard, you will never stop,” Jorie sings on the single. “I can give you some lessons to sing, act, and dance; I can hold your hand; this is your chance to open a new door to something you haven’t done before.”

“Think about what you want to do because you … can make your own music,” goes the refrain, encouraging kids to follow their dreams.

The song, chosen as an artist pick on Spotify, was released in March on playitforward.com, and proceeds from the download will benefit the local South Florida chapter of the Make-A-Wish Foundation.

In the first two weeks, Jorie’s song raised $2,000. “Writing music helped Jorie find her voice, and start to smile again,” says her mom, Randi Rosen.

“In addition, we believe in paying it forward,” says Randi. “Each month, Jorie picks a ‘mitzvah’ project as a way to encourage her to be grateful and to give back to her community.”

“Over the years, she has worked with charities such as the Tri-County Animal Shelter, Toys for Tots, No Kid Hungry, and Mini Mitzvahs,” says Randi.

Additionally, during 2020, Jorie performed in a number of benefit concerts to raise money for the Actors Fund.

With the release of “Make Your Own Music,” Jorie knew she wanted to affiliate with a charity.

“My mom and I discussed a number of charities,” she says. “I chose Make-A-Wish Foundation because I love everything they do and I felt it connected well to my song.”

“‘Make Your Own Music’ is about following your heart and making your dreams come true,” says Jorie. “And the Make-A-Wish Foundation helps dreams come true for children, which is something I love.”

She hopes to put out her first album by the end of the summer and will look to connect her debut album to a charity as well.

“I know I am a very lucky girl,” says Jorie. “I look up to artists like Taylor Swift who perform many benefit concerts. I’m hoping I can do a lot of that by using my own voice and talents.”

For Eden Gross’s music, go to Amazon, Apple Music, Boomplay, MediaNet, YouTube Music, iTunes, or Spotify. Visit eagleshaven.org and jafco.org.

 

For Jorie Blake Rosen’s music, visit www.playitforward.com/projects/334 or https://wish.org.

Actors 50 and over examine dementia and death

The Show Must Go On | Pigs Do Fly Productions

Actors 50 and over examine dementia and death

By Jan Engoren

With the emphatic moniker, Pigs Do Fly, Ellen Wacher, founder and producer of Pigs Do Fly Productions, wanted people to know, women (and men) of a certain age are still relevant.

“When pigs fly,” might be an ironic comment meant to convey the unlikeliness of something happening, but Pigs Do Fly stands for people over 50 living interesting, active lives, according to Wacher, a 60-something who founded the theatre company in 2014.

With a mission is to produce plays that highlight the actor over 50 as a viable, fully involved, full of life character, Wacher says she wants to engage the 100 million plus Americans who are over age 50 and are under-recognized by the marketers of other popular culture.

“We don’t do plays about dementia or death,” says Wacher from her home in Miami.  “I’m interested in vibrant, active people living their lives and pursuing their passions.”

All of the company’s plays focus on this demographic and feature actor over 50.  The company is a professional theatre company and all employees are paid.

Seven years ago, Wacher presented her first production, title, “Fifty Plus — A Celebration Of Life . . . As We Know It,” a collection of short plays featuring actors 50+, and focused on active folks of the same age group.

On March 6, 2020, Wacher’s latest production, “Helen on Wheels,” an original play by Oregon-based playwright Cricket Daniel premiered at the Empire Stage in Ft. Lauderdale, but was indefinitely postponed as theatres shut down due to the COVID-19 pandemic.

“I’d give my eye teeth to be back live,” says Wacher who is gauging things on a daily basis as to when the theatre might resume.

She’s also concerned, about whether her audience – also people of a certain age – will return.   Noting that many theatres and other arts venues have moved their programming on-line, Wacher defers, saying, “By definition, theatre is meant to be shared live and in person.”

A native of Miami, Wacher worked for the state of Florida as a teacher and lobbyist and retired with 30 years under her belt.

“I always wanted to be an actress,” Wachter remembers, “but didn’t have the courage to starve.  Eating and dressing nicely were always at the top of my list.”

So, once she retired, she decided to pursue her passion and appeared in local productions of Neil Simon’s “Rumors,” “The Sisters Rosensweig,” “Joseph Andrews” and “The False Witness.”

“Now I can do what I always wanted to do and not worry about the money,” she said.

However, it was a shock to learn that she had aged out of the commercial acting market.

“I didn’t fit the stereotype of what they wanted for older women,” she remembers.  “I got really mad and decided to start my own theatre company.  I didn’t have a clue what I was doing, but I was committed to the idea.”

“I was headstrong and determined,” Wacher says.  “I lucked out, found the right people and in spite of not knowing what I was doing, managed to get it done.”

“We picked plays, held auditions and the audiences came,” she says.  “I got positive feedback from my audience.”

Currently, Wacher is vice president of the SAG-AFTRA Miami local and as chair of the women’s committee, works on the need to better recognize actors (and audiences) over 50 in theater, television and film.

During the quarantine and pandemic, Wacher, despite eating what she says is a bit too much ice-cream, attended SAG Zoom meetings, watched reruns of Seinfeld (her favorite), Friends and Everyone Loves Raymond and founded the Miami Radio Players, a group of professional actors based in Miami, who perform live radio shows.

Once she gets the all-clear to resume productions, Wacher is ready to go with re-launches of two of her most popular productions – Daniel’s “Helen on Wheels” and an original comedy by playwright Jerry Mayer titled, “2 Across,” about the New York Times crossword puzzle and a chance encounter aboard a San Francisco BART train.

She also has her eye on mounting “The Savannah Sipping Society,” a comedy by Nicholas Hope, Jessie  Jones and  Jamie Wooten.

As one audience member proclaimed to Wacher, after a previous show, “Thank god someone’s doing something for people like us.”

 

Visit pigsdoflyproductions.com

Broward Center stages road to recovery

By Jan Engoren

Since the first U.S. case of COVID-19 was reported on Jan. 20, 2020, the impact on arts and cultural institutions has been significant.

According to the nonprofit Americans for the Arts, based in Washington, D.C., “The coronavirus continues its devastating impact on America’s arts sector. Cancellations have taken place at virtually every arts organization in the country and artists/ creative workers are among the most severely affected segment of the nation’s workforce.”

Financial losses to nonprofit arts and cultural organizations
are estimated at $15.2 billion. Approximately 99 percent of producing and presenting organizations, including The Broward Center for the Performing Arts, based on the New River in downtown Ft. Lauderdale’s Riverwalk Arts and Entertainment District, has cancelled events: A loss of 488 million admissions and $15.5 billion in audience spending at local businesses.

The total economic impact of organizational and audience- spending losses is $5.2 billion in lost government revenue and 894,000 jobs no longer being supported.

Pre-pandemic, The Broward Center presented more than 700 performances each year to more than 700,000 patrons and has one of the largest arts-in-education programs in the country serving more than 130,000 students annually.

To adapt and cope with these realities, the Broward Center has launched their “Road to Recovery,” a campaign to raise funds for the theatre to compensate for their lack of revenue during the pandemic.

“The Road to Recovery will be long and costly,” they note
on their website. “The Broward Center was one of the first businesses to close, and we will be among the last to open.”

“No industry has been hit harder than the performing arts,” says Kelley Shanley, CEO of the Broward Center since 2009. “We’ve been hit harder (except possibly for bars and nightclubs) and it’s important to raise that awareness to the public and hopefully solicit funding for our performing arts venues.”

Shanley credits the Cleveland Clinic, one of their sponsors, for stepping in and providing their medical director as an advisor to the venue, helping to develop proper protocols to keep audiences and staff safe.

“They’ve been a huge resource to us,” Shanley says. “I can’t say enough about them. Their expertise gives everyone the confidence that we’re getting good guidance on how to move forward in this pandemic and gives our audiences confidence.”

One accommodation has been the creation of Backlot Live, an all-new outdoor stage on the Lillian S. Wells Backstage Plaza for entertaining under the stars.

The outdoor venue allows for six feet of physical distance, face coverings are required and tickets are available in pods of 2, 4 or 6 only. Ticket sales benefit the Center’s Road to Recovery initiative.

In January, they hosted comedian, Rob Schneider, In the Light of Led Zeppelin concert, and a musical tribute to The Eagles with Best of the Eagles tribute band (BOTE).

The following month, the Broward Center announced the planned return of their Broadway series by the fall of 2021 featuring “Come From Away,” Disney’s “Frozen,” and “Ain’t Too Proud: The Life and Times of the Temptations.”

Just up the road at 707 N.E. 8th St. sits The Parker Playhouse, one of the Broward Center’s affiliated theatres, which has just undergone a $30 million renovation with the installation of its classic red seats in the Lillian S. Wells Hall.

The project was spearheaded by the Broward Performing Arts Foundation.

Built in 1967, the 1,167-seat theatre is one of Fort Lauderdale’s first venues.

With construction on-going during the pandemic, Shanley expects the project to be fully complete by May 2021, offering new features including private donor and premium lounges, a signature bar area, and upgraded systems and technology delivering advanced acoustics.

“Not being able to go to live theater has helped all of us understand how important the shared experience of live entertainment is,” says Shanley, who received the George Abbott Award for Outstanding Achievement in the Arts at the 44th annual Carbonell Awards last August.

“To be in a room with others, to enjoy a performance, to feel what the artist is conveying and feel it collectively with friends, this is what live theatre is all about,” he says.

“The collective and shared experience is important to our souls, our beings and our happiness,” says Shanley. “I can’t wait to get everyone back into the theatre, for the day when the doors reopen, the curtain rises and the lights return to the Broward Center Stages and we can all experience live entertainment together.”

Visit playhouse-fl.org. Events in April include singers Jonathan Antoine, Steve Hackett, and Doktor Kaboom Look Out! Science is Coming.

The Broward Center for the Performing Arts is located at 201 SW Fifth Ave. in Fort Lauderdale. For more information visit BrowardCenter.org. 

End of an era – Greyhound racing hits finish line in Florida

As the ball dropped in Times Square on New Year’s Eve, at  the stroke of midnight on Dec. 31, 2020, in addition to being the end of a very turbulent year, the practice of greyhound racing in the state of Florida came to an end thanks to Amendment 13,  when the Palm Beach Kennel Club in West Palm Beach ran its last race.

All the more reason to celebrate, according to those who worked tirelessly for more than a decade — including advocacy groups such as The Humane Society of the United States (HSUS), Grey2KUSA Worldwide and even the Doris Day Foundation, to end this century-old “sport,” which its opponents characterize as antiquated, out of touch, inhumane, and down-right cruel.

A fixture in Florida since 1931, the state was the largest state to have greyhound racing, with 13 tracks at its peak in the 1980s. Currently, tracks remain for now only in three states – West Virginia, Arkansas, and Iowa.

Kate MacFall, Florida state director for the HSUS, says, “The issue of greyhound racing has been put to rest in the state of Florida. We’re very pleased that the amendment was created, placed on the ballot, and passed by almost 70 percent of the voters in Florida.”

MacFall notes that her group, along with other animal rights organizations, worked tirelessly and diligently on this issue to raise awareness for more than 10 years. She says greyhound racing fell out of favor with constituents and attendance dropped at the venues.

“We brought this issue front and center to the public,” she says,
“and they responded.”

“When voters heard that these dogs were dying and spent their days confined in small cages, got frequent injuries, and were living sad lives, it was a no brainer,” MacFall said from her office in Tallahassee.

Now that this issue has been put to rest, MacFall is focusing her agency’s efforts on retail stores in Florida selling puppies from out-of-state puppy mills.

It is estimated there are more than 10,000 puppy mills operating in the U.S. and two million puppies are sold each year from these mills. Noting that the HSUS is not going after responsible breeders, MacFall says, “We’re working to create a more humane model and moving away from retail and storefront sales of these puppies.”

The non-profit, Grey2KUSA Worldwide, and the chief sponsor of Amendment 13, which passed 69 percent to 31 percent on Nov. 6, 2018 and was designed to prohibit dog racing and close down the twelve remaining tracks in Florida.

Flagler Greyhound Park in Miami closed before the vote, seeing the writing on the wall.

Carey Theil, executive director of Grey2KUSA Worldwide, which is based in Arlington, MA, said there were systemic problems within the racing industry and called them out for their treatment of the animals.

He says the racing dogs were kept confi ned in small, stacked cages for 20-23 hours a day and fed a diet of raw 4-D meat, (meat derived from dying, diseased, disabled, and dead livestock). He says that over the past decade, over 400 greyhounds tested positive for a variety of drugs and when let out of their cages to race, many were injured or even died.

In 2018, when 11 tracks were operating in the state, a Florida Department of Business and Professional Regulation (DBPR) report revealed that a greyhound died every three days.

At the sport’s peak in 1991, according to a report in the Tampa Bay Times, Americans wagered $3.5 billion at tracks across 19states. By 2018, the amount had fallen below $500 million. , not everyone agreed with the impetus to shut down the tracks and the industry, including the American Kennel Club, the NRA, and the Farm Bureau. Many racing families had been in the business for generations and lost their livelihood.

Boynton Beach resident, Barbara Masi, was not in favor of shutting down the industry and blames out of state lobbying interests for closing down the tracks.

President and founder of Awesome Greyhound Adoptions, a volunteer-run, nonprofi t agency dedicated to fi nding homes for retired racing greyhounds, Masi also runs a program called Hounds & Heroes which provides retired racing greyhounds to veterans as full service dogs.

“These are not emotional support animals or therapy dogs, but fully trained service dogs,” she says. “They can help veterans with mobility issues, or those with MS, brain injury, PTSD, and Parkinson’s Disease. We call them “battle buddies,” and they are allowed full access to restaurants, buildings, and airplanes. They cannot be refused.”

She has been placing trained greyhound service dogs with veterans since 2011 and says, “Greyhounds sleep a lot and make the most awesome pets.”

Each dog trains for approximately 6-8 months to become a full-service dog and Masi says she currently has 11 dogs in training.

All the racing dogs here in Florida have been placed, Masi says, or are with adoption approved groups across the U.S. waiting to find homes. Others have gone on to race in other states.

And while Thiel and Masi are on opposite sides of the racing issue, Thiel credits Masi with helping the dogs and says “she does great work.”

Theil says that in Florida, both sides made their cases known, and disparate political interests joined together, even former governor and senator Rick Scott (R) and former mayor of Tallahassee Andrew Gillum (D) were united in their opposition to the tracks.

“I wasn’t surprised at all,” he says about the outcome of the vote. “Floridians love dogs.”

“This is a victory for Florida and a victory for everyone who cares about the dogs,” says Theil. “We are working to put ourselves out of business – that would be a good day.”

Sandler Center hosts virtual Jewish film festival

This year, the Levis JCC’s SandlerCenter goes on-line with more  than 50 Jewish-themed films from around the world – from historical dramas to documentaries and shorts in its virtual Judy Levis Krug Boca Raton Jewish Film Festival (BRJFF), running through May 16, 2021.

In addition, there will be Q&A webinars with filmmakers, cast members, and community lecturers, as well as the opportunity to view each film up to 72 hours after its scheduled time.

“Our strong relationship with the film industry has allowed us to present our patrons with a high-quality line-up of films and speakers year after year, in turn, we are able to continue to inspire, educate, and connect with our community year after year,” said Lesley Rich, BRJFF program & production director.

Making its Florida premiere on Mar. 22 is the Israeli documentary, “Shamir, His Way,” by filmmakers Igal Lerner and Erez Friedman, a one-hour documentary film about Yitzhak Shamir, former Israeli Prime Minister and one of the founding members of the State of Israel who has impacted the entire Middle East region for decades.

Shamir passed away in 2012 at the age of 97 and left a deep and on-going legacy in Israel, the state he helped to found. Shamir was the country’s third-longest-serving prime minister after David Ben-Gurion and Benjamin Netanyahu.

Born in Poland, Shamir was a soldier and politician who was elected to the Knesset (Israeli Parliament) in 1973 and again in 1977. He became Prime Minister in 1983–84,1986–90, and again from 1990–92. Before Israel’s statehood, Shamir was a leader in the LEHI, an underground movement against the British Mandate in Palestine and was a member of the notorious Stern Gang. In 1946 he was exiled to Eritrea by the British but escaped and made his way back to Israel. Shamir was also the head of an elite and secret unit in the MOSSAD

– Israel Secret Intelligence Service where he had served for more than 10 years before entering politics.

His son Yair Shamir, a former Colonel in the Israeli Air Force and now a philanthropist and venture capitalist says, “My father had a unique personality, and we try to show this in the film. He was a leader – a leader of people, a leader of the state, a fighter, and father.”

“Despite his accomplishments, he was a very modest person with zero ego,” he says. “On the other hand, he was always a leader with a unique style – very open and a team player.”

“Shamir’s story is intertwined with the story of Israel,” says Noa Cacharel, the film’s international sales agent. “Through the film, you are able to see how Israel has survived and gotten to where it is today. Shamir cared deeply about his country and is an icon in the state of Israel.”

“We owe him a lot,” she says.

The filmmakers decided to focus on the period in 1991 when Iraqi
missiles launched on Israel, and Shamir, then prime minister, made the decision not to retaliate against Iraq. They wanted to explore his decision-making process and ability to withstand pressure from both the United States and Russia.

Later that year, in September 1991, Shamir represented Israel at the Madrid Peace Conference, which brought about direct negotiations with Syria, Jordan, Lebanon, and the Palestinians. He brought with him, a then-unknown young politician by the name of Benjamin Netanyahu and introduced him to the world stage. The film intertwines exclusive and behind-the-scene insights illustrating the unique path between the terror of war and the hopes of peace. It includes rare interviews with influential people such as Ehud Barak and Ehud Olmert, both Former Israeli Prime Ministers, in addition to Ya’akov Peri, Former Head of the Israeli Security Agency Shin Bet, and Shabtai Shavit, Former Director Director General of the Mossad, Israel’s Secret Agencies. All of whom have worked closely with Shamir through the years.

Lerner, a director and producer, is known for his documentary films about Natan Sharansky, and about the murder of an Israeli Jewish-Palestinian political activist, Juliano Mer.

Says Lerner, “Shamir kept his distance from the media and was one of the most ‘mysterious’ prime ministers of Israel. Our greatest challenge was to define and understand his way of thinking. He was a true chauvinist for Israel, an attitude he developed during WWII when his family was murdered by Poles in their village in Poland.”

It was that experience and way of thinking that led him in later years to advocate for both the emigration of Russian Jews to Israel as well as the later absorption of the Ethiopian Jews to Israel, as part of “Operation Solomon” in 1991.

“It was one of his missions in life to bring as many Jews as he could to the Land of Israel,” says Yair Shamir.

“For me, my father is a role model,” he says. “But, not only for me, but for my kids and nieces and nephews. He was a beacon shining a very focused light and providing a feeling of safety and lighting the way to overcome obstacles.”

“He is the beacon for our family,” he says. “It’s a challenge to live up to his ideals.”

“The name ‘Shamir’ means a very strong rock,” says Shamir. “My father lived up to his name.”

In 2012, Shamir was given a state funeral and buried amongst Israel’s other war heroes and prime ministers on Har Herzl in Jerusalem.

“Yitzhak Shamir was a tremendous beacon for all Israel,” says Cacharel. “So many people look up to him and admire him. We have schools and hospitals named in his honor. He stood for something and was steadfast in his ideals and principles – you don’t find that in many politicians these days.”

Other film screenings in March include Michael Lopatin’s “Code Name: Ayalon,” a David and Goliath story during Israel’s War of Independence, Jacek Borcuch’s “Dolce Fine Giornata,” a story about a clash of great creative intellect and femininity, with the backdrop of eroding democracy in Europe, and Oren Jacoby’s “On Broadway,” with Broadway legends including Helen Mirren, Christine Baranski, Alec Baldwin, Hugh Jackman, and Viola Davis sharing their experiences On Broadway lifting the curtain to show behind the scenes, with glimpses into the world of live theatre.

Visit Boca Raton Jewish Film Festival (bocajff.org)

Tickets range from $4.99-$12 and film pass packages range from $59-$299 (prices are per household); tickets and packages are available for purchase online at Boca Raton Jewish Film Festival (bocajff.org). Movie rentals can be enjoyed on various platforms by downloading the Eventive TV app which is available on Apple TV, Roku, Firestick, Chromecast, etc.

The film will be screened in Boca Raton Jewish Film Festival on March 21-23. Together for a Q&A with Yair Shamir (son of Yitzhak Shamir) and filmmakers Igal Lerner and Erez Friedman on March 23.

Find a link to the film’s page at bocajff.org.

‘Closer Than Ever’ in a time of social distance

With the on-going blackout of Broadway, live theatre in New York and around the country has taken a hit since March when the COVID-19 pandemic began.

While many actors, singers, and dancers (not to mention directors, producers, technical staff , etc.) were on hiatus, theaters were searching for a way to remain relevant and keep their actors and staff employed.

Boca Raton-based MNM Theatre Company, a non-profit theatre company which has been producing professional musical theatre in Palm Beach County since 2014, was in residence at the Rinker Playhouse at the Kravis Center for the Performing Arts in West Palm Beach prior to the pandemic.

In 2019 the company produced “Man of La Mancha,” and “A Funny Thing Happened on the Way to the Forum,” both large-scale productions.

When the quarantine hit, MNM was in rehearsal for a production of the musical, “Cabaret” and one week prior to opening night last March, had to lay off 65 staff.

“No one really knows what the future of live theatre looks like,” says Marcie Gorman, CEO of MNM Theatre Company. “Will live theatre return to a full-house? Will it be half or quarter capacity? Will the audience return? Will it be safe?”

It was questions like this that kept Gorman up at night and prompted her and her staff to reinvent their stage productions.

She and her director, Jonathan Van Dyke, came up with what they call a “hybrid” – streaming their live production, which was produced following safety and CDC protocols and utilizing “projections” (or, graphics) to enhance the experience.

For example, if a couple was supposed to touch or hug following the script, they did not touch in real-life, but the f lm production was edited to seem as if they were hugging or touching.

“We followed strict protocols throughout the process and were constantly mindful of the health and well-being of our cast and our crew,” says Gorman, a South Florida native. “COVID testing, masks, cleaning, and sanitizing – we did it all constantly.”

“But,” she says, “what’s so wonderful is that we created and performed live theatre that we will be able to share with a worldwide audience.”

“It’s not just a film, not just a live show, and not just a series of projections,” says Gorman, noting that the filming was shot using multiple cameras and angles over a span of five days in their Boca Raton warehouse/studio. “It’s a combination of all three and as far as we know, no one has ever done anything like it before.”

Most recently, they used these techniques in their production of composer David Shire and lyricist Richard Maltby Jr.’s musical song cycle, “Closer Than Ever,” a lively and fast-paced musical revue starring Aaron Bower, Johnbarry Green, and Carbonell Award-winners Shelley Keelor and Elijah Word, exploring the everyday struggles such as second marriages, aging, mid-life crises, working couples, and unrequited love in the modern world.

“Our director, Jonathan Van Dyke, has developed an innovative theatrical hybrid that marries live performances with video, audio, and projections,” says Gorman. “The result is an exciting and creative way to create live theatre during the pandemic.”

“The integrated projections allow for intimate onstage moments,” says Van Dyke on the company’s website. “The actors were each green-screened separately and the results were edited for projection, so they appear to interact with one another, even as they social distance.”

After watching the production on-line, composer Shire wrote in an email to Gorman, “The performances were honest and great, the musical direction, staging, production design, choreography all first rate, and your direction and overall conception of how to present “Closer Than Ever” and keep it COVID-safe were truly impressive.”

Additionally, on their website mnmtheatre.org, the theatre company has a project called #MNMSings, where former cast members and alumni share their favorite numbers from the production in which they starred.

Currently, Shelley Keelor sings her favorite, “Back on Base,” from “Closer Than Ever,” (“My scattered life had no foundation. Couldn’t seem to fi nd my space. Then all at once came inspiration. Now I’m back on base.”)

Gorman says it’s a way for the actors to stay involved, connect with the audience, and remain in people’s consciousness during these trying times.

As a producer, former actor and singer — Gorman describes herself as “very involved and a hands-on producer.”

“I’m at every show,” she says. “I’ve never missed one. Even when the director leaves after a production, I’m still there.”

“It’s an adrenaline rush and a chance for me to bond with the actors,” she says. “I love mentoring them, being a part of the production, watching them perform and revel when they go on to do something bigger and better.”

“It’s all about the connections with people that has made it all worthwhile,” she says. “That’s my thing. I love theatre!”

Visit https://www.mnmtheatre.org/ or on Facebook https://www.facebook.com/mnmtheatrecompany

Clips from “Closer Than Ever” can be viewed on their website https://www.mnmtheatre.org 

 

The (Emily) Jewel in Parkland’s crown

There is a castle on a cloud, I like to go there in my sleep,” sings 9-year-old Parkland resident, Emily Jewel Hoder, in her solo as Little Cosette in the national Broadway touring company of “Les Misérables (Les Miz).”

Standing 49.5-inches tall (the half inch is very important, as she must recite this for casting directors) and weighing in at 51 lbs., Hoder is already a triple threat. And like Shirley Temple before her – can sing, dance, act and charm an audience right out of their seats.

With a career that began at the age of 7 at the Wick Theatre in Boca Raton playing Molly in “Annie,” alongside Sally Struthers as Miss Hannigan and George Dvorsky as Daddy Warbucks, Hoder was on the Les Miz tour when the pandemic struck.

“I didn’t let it (the pandemic) stop me from doing what I love,” says Hoder. “Les Miz is the most amazing experience of my whole life.”

With the tour, Hoder traveled to six different cities in two-and-a-half months, including Springfield, MO,  Kalamazoo, MI, CIncinnati, OH, Sarasota, FL, Greenfield, SC and Durham, NC where the tour abruptly ended in mid-March.

Her dad, Eric Hoder, a chiropractor, flew out to attend each show.

Performing “Castle on a Cloud” alone on stage was the highlight for Hoder.

“I could see Patrick Dunn (Jean Valjean) and Preston Truman Boyd  (Inspector Javert) fighting through the curtain,” she says.  “That was the coolest part.”

As a performer, Hoder admires Dunn and says, “He’s a great singer and so cool and funny.”

Performing her solo on stage, Hoder denies feeling nervous and says, “I feel happy and in the moment.  I love to perform.  My favorite part is making eye contact and connecting with the audience.”

In 2018 Hoder took third-place and $100 at the Coral Springs Got Talent competition for her dance solo and won her first national title as the Believe National overall winner for her solo jazz-acro dance at the Greater Fort Lauderdale/Broward County Convention Center.

Back in Parkland, Hoder has been using her free time during quarantine to network, dance, take classes at Performance Edge Two studio in Boca Raton and perform in three shows at the Wick Theatre.

Through social media, she connected with Tiler Peck, principal dancer of the New York CityBallet, and performed live on Peck’s  Instagram feed.

Hoder also has a role in director Brian Schmidt’s feature film, “Payton’s Caper,” and appeared in a music video for Israeli singer Gad Elbaz.

“We’re very proud of Emily,” says her mom, Caroline Hoder, a stay-at-home mom who became Emily’s production crew, IT person and helps her run her lines.

Despite having so much disappointment this year (the tour ended and Broadway closed) Emily continues to connect with people virtually,” says Caroline Hoder.

“I’m happy to support her dreams,” says Caroline Hoder, who was on a similar track as a child, performing at the Swap Shop Circus and with the Miami City Ballet.

“She keeps going and brings joy to others,” she says.  “We’re blessed to be able to be home with her and we make a good team.”

A former student at Riverglades Elementary, Hoder is now enrolled in Florida Virtual School and when she’s not rehearsing or taking classes loves to play with her 5-yr. old sister, Sunny, and her two cats, Buttercup and Oreo.

Her advice for other children pursuing similar dreams is “You have to be yourself because you are your biggest cheerleader.”

What are her post-pandemic plans?

Hoder plans to return to New York, says her mom.  She has her eye on the “Music Man” (for which she auditioned twice and danced for five consecutive hours, surviving all the cuts).

“Emily wants to inspire other kids to do what they love,” says Caroline Hoder.  “Even if they can’t act, dance or sing, they should follow their dreams.”

“I advise other parents to be aware of what your kids are interested in and nurture that,” she says.

Marilyn Wick, CEO of the Wick Theatre says, “Emily has performed many times at The Wick throughout the years, most recently in our Christmas show this past December.”

“Every time she is on stage, she delights the audience with her talent and innate charisma,” says Wick. “She is quite the performer and has been trained very well.”

“We are all expecting big things from this young lady,” Wick says.

 

To see Emily Jewel Hoder perform, visit Dancekidemily on YouTube and on Instagram: emilyjewel7.

Revised Feb 2nd, 2021 based on updates from the contributor

Local funeral directors shoulder COVID pandemic

With the COVID-19 pandemic putting stress on healthcare workers and first responders (not to mention the rest of us) what is it doing to local funeral homes and the people who staff them?

Deaths due to COVID in the first five months of the pandemic raised total deaths between 25 percent to 27 percent in Broward and Palm Beach counties.

Between March 15 and August 15, Broward County recorded 1,638 deaths due to COVID-19. In Palm Beach County, numbers were similar, with 1,671 deaths. A five-month average for Palm Beach County, pre-COVID, is 6,182; for Broward, 6,361, according to state statistics.

Those aren’t complete figures, explains the Palm Beach County Medical Examiner’s office, because tracking COVID deaths after August 15 was taken away from coroners offices.

Thomas Wojciechowski, location manager at Babione Funeral Home in Boca Raton, which services all faiths, including Catholics, Protestants and some non-Orthodox Jewish families, says during these trying times, they have found ways to accommodate their clients.

“It’s a unique and challenging time,” says Wojciechowski, emphasizing that they follow all CDC guidelines, including social distancing, sanitizing, allowing only 10 attendees in the chapel at one time, and utilizing Zoom for inclusive ceremonies.

Luckily, Wojciechowski says, they didn’t experience much of an increase in deaths over the previous non-COVID year, partially because Palm Beach County wasn’t as hard hit as other counties, such as Miami-Dade.

Babione offers a “remember when” Zoom panel where people can comment in real-time, share photos, and connect with other grieving friends and family.

“People are lonely and alone,” Wojciechowski says. “We make every effort to include everyone who wants to participate.” Currently, they are planning larger-scale remembrances six months down the line, waiting for more conducive times. “Families find comfort in knowing they can come together in the near future.”

Babione and Wojciechowski were lucky that they experienced no shortages of supplies and Wojciechowski is heartened that his staff and community have come together.

“People are going the extra mile,” he says. “It restores your hope in people.”

On a personal level, he says some days are more trying than others and he turns to both his daughter and his dog for comfort. Additionally, he says, “I find comfort knowing I’m helping families remember their loved ones and celebrating their lives.”

With a large elderly population of Jewish seniors in Boca Raton, many of whom have ties to hard-hit New York, the Jewish funeral homes worked long and hard in the beginning of March.

Steven Kanowitz, 78, the funeral director at Gutterman’s, which has locations in Boca Raton and Long Island, NY, was in the thick of the pandemic. His staff worked from 7:30 am-12 midnight from March through July. “They got up in the dark and went home in the dark,” he said. “It was the toughest time we ever had.”

“The pandemic is a total heartbreak both for families and for our staff,” says  Kanowitz, who has been in the business for 60 years. “It’s always on my mind.”

He noted that many casket companies were stressed for inventory, and flight delays and cancelations had a big impact on the transport of bodies from Florida to New York.

“I had to stay in constant contact with families to make sure their loved ones arrived safely,” he remembers.

Kanowitz, who describes himself as a happy person in a sad business, said he has empathy for people who’ve lost their loved ones.

“You need to be sensitive and put yourself in other people’s shoes,” he says.

Not a stranger to disasters, Kanowitz worked with many families in New York after Sept. 11 and knew 22 people personally that he had to bury.

“But,” he says, “You can’t compare; the COVID-19 pandemic is the toughest time we’ve seen.”

Keith Kronish of Kronish Funeral Services adjacent to Century Village in Boca Raton had a similar experience.

As a designated essential worker, Kronish never shut down and worked from home. Following CDC guidelines and those of the National Funeral Directors Association (NFDA), Kronish says funeral directors were quietly and respectfully taking care of their communities and doing everything they could.

“We worked around the clock, not by the clock,” he says.

He characterizes the difference between the virus’s impact in New York and Florida as the outbreak in New York was more acute, while the outbreak in Florida was more chronic. In New York, cemeteries, which usually accommodate six to eight burials a day had to do as many as 20.

“There’s not enough days in the week to accommodate all these burials,” Kronish says.

In some respects he said the virus has been an equalizer.

People of means who may have wanted to hire a private plane to fly their loved one home found that private planes didn’t accommodate caskets.

He recounts a sad story from one of the worst months of the outbreak. A traditionally observant family whose loved one died from the virus, had only the rabbi, the wife, and one of the three children at the gravesite service.

The other two children stayed in the car and in normal times, as many as 400 to 500 people could have been in attendance.

Despite the traditional Jewish prohibition of open caskets, Kronish said many families were comforted to view their loved ones in the casket for a last viewing.

“They want to know their loved one is at peace,” he
said.

Usually in Jewish tradition, there is a quick turnaround from the time of death to the time of burial, which was delayed by the circumstances, says Kronish.

Also, the traditional 7-day mourning period in Jewish tradition, known as the shivah, was canceled.

“Emotionally, this was very difficult for many families,” said Kronish.

“But, we adapted quickly,” he says. “We got very proficient on Zoom, our phones, and iPads and ordered enhanced camera and sound capabilities so that people in multiple states could participate in the services.”

On the other hand, Mike Sirowitz, director of the Beth-El Mausoleum in Boca Raton (the only mausoleum on the grounds of a synagogue in North America), said he has not seen a major increase in need over the past eight to nine months.

He estimates he’s had eight burials due to the virus.

However, like Wojciechowski at Babione, he says his numbers may not be a fair representation of the number of deaths, as the virus has hit harder in communities of color and lower socio-economic status.

He also notes that there was a parallel decrease in other causes of deaths, such as accidents (including car accidents) or heart attacks from playing sports, as people stayed home.

One change Sirowitz has seen is a 30 percent to 40 percent increase in pre-need sales. Usually, he says people are reluctant to prepare for this eventuality, but COVID-19 has brought the issue to the forefront.

“COVID-19 is a wake-up call for many and has created a sense of urgency,” he says.

With a vaccine on the horizon, things are looking up and spring offers new possibilities of hope.

“I don’t know when we will be through this, but I know we will come through it OK,” Wojciechowski says.

“People are feeling lonely and isolated in these trying times,” he says. “You can’t put a price on how much a hug means to someone when they’re grieving,” he says.

“I wish I could hug and console my clients,” says Wojciechowski. “I miss that and am looking forward to when I can hug them again.”

FAU scholarships open for first-generation students

For Lake Worth resident and FAU junior, Jaireen Ruiz, 20, college at one time felt like a distant dream rather than an attainable goal.

A native of Puerto Rico, and a first-generation college student, Ruiz applied to FAU “without hesitation” and received the Kelly/Strul Emerging Scholars Program designed for first-generation students.

“I applied for this scholarship because I did not want to be defined by missed opportunities,” says Ruiz, who is majoring in elementary education. “I am proud of taking the initiative and being courageous in my pursuit of higher education and success.”

The Kelly/Strul Emerging Scholars Program offers academically talented, first-generation, low-income high school seniors the opportunity to attend and graduate from FAU, debt-free.

Selected students receive four-year financial aid packages for tuition, on- campus housing, books, a meal plan, and additional resources needed to complete their college degree.

Each scholar follows “The Path,” a 17-step program which includes wraparound services supporting successful collegiate careers and post graduate lives, including career planning, mentoring, financial literacy resume writing, and life planning skills.

The program was developed by Boca Raton philanthropists Aubrey and Sally Strul in conjunction with FAU President John Kelly and first lady Carolyn Kelly.

“FAU prides itself on making higher education accessible to underserved and underrepresented communities,” says Kelly. “The Kelly/Strul Emerging Scholars program is helping to eliminate inequity and provide students with the tools to turn their dreams into reality — and ensure that everyone succeeds.”

Since 2017, the program has graduated two scholars and grown to
currently include nearly 50 scholars.

As a former first-generation student, Aubrey Strul, a 72-yr. old industrialist, now living in Boca Raton, felt compelled to lessen the financial burden of school debt for students by providing an initial investment of $1 million to launch the program.

The son of immigrants from Lithuania whose parents met and married in South Africa, Strul was born in Johannesburg and was the first in his family to attend college where he studied accounting, finance, and mathematics.

He came to the United States in 1977 and says, “I was a quick learner and studied a lot,” but admits he valued his social life as well and says it made him a more well-rounded student.

“I am a firm believer that developing social skills is an important aspect of an education,” Struhl says, and it was this philosophy he carried over to running his businesses.

“My most valuable asset was our people,” he says. “I fostered an incredible, inclusive work culture. My philosophy was ‘always inclusion, never exclusion.’ If you build a team that cares, your organization will be successful. People are the most important asset of any company.”

Strul was motivated to create the scholarship program to level the playing the field for first-generation students and to help them address potential barriers, including financial barriers, to their academic success.

“To flourish as a country, we must provide equal and fair access to all students in the U.S.,” he says. “I understand the uphill battle these students face to earn their education.”

“The first step was to ensure our students could graduate debt-free,” Strul says. “The mountain of debt many students must incur to attend college unfairly impacts their success for many years.”

In addition, the scholarship package includes on-campus housing for all four years, as a way of offering students the full college experience, which Strul believes is instrumental to students’ social development.

Strul has created a five-point plan for success for his scholarship recipients:

Always do the right thing, no matter how difficult; character is everything; always try and help others; set realistic goals, then focus and achieve them; and NEVER give up.

For Ruiz, once she graduates in 2022, she hopes to make a difference in the lives of her future elementary school students, as her mentors have made a difference in her life.

What would she tell other first-generation students?

“It’s simple,” she says: “Don’t allow your setbacks and circumstances to define you. See yourself for the unbridled potential you possess. It can be intimidating, but surround yourself with people who support you in your path – you do not have to navigate this experience alone.”

“Enjoy the journey of attending college: it is truly a once-in-a-lifetime experience,” she adds.

The application process for the Kelly/Strul Emerging Scholars Class of 2025 is now open.

For questions regarding the application, contact Keven Allen, Scholarship Director, at kallenjr@fau.edu. To learn more about the Kelly/Strul Emerging Scholars Program, visit kellystrulscholars.fau.edu.

For best consideration, applications should be submitted by Monday, February 1 but will be accepted through Monday, March 1.

New exhibits at Boca Raton Museum of Art

In keeping with the spirit of the times, the Boca Raton Museum of Art is hosting six new exhibitions, many of them featuring works by women and artists of color. Three exhibits opened in October and the other three will open Jan. 26, 2021.

Two shows were extended beyond the quarantine and will continue through Jan. 3: Edward Steichen: In Exaltation of Flowers, and Works on Paper: Drawn from the Collection.

“This year has been an unprecedented journey for cultural institutions,” says Irvin Lippman, executive director of the museum. “We are fortunate to be able to provide new initiatives and exhibitions and, most importantly, a safe haven for visitors — a place of repose and enjoyment.”

“Our latest exhibits are part of recent acquisitions underscoring that the museum’s collection continues to evolve with new works by women and artists of color who challenge us to see the world anew,” says Lippman.

One of those women is Jamaican-American artist Renee Cox, known for her collection, “Flipping the Script,” which speaks to race, religion, and gender roles.

Cox flips the script again in her new work titled, “The Signing,” part of the Museum’s latest exhibition. The 15-facetime. long photograph reimagines Howard Chandler Christy’s iconic painting, “Scene at The Signing of the Constitution of the United States.”

In Cox’s interpretation, people of color, wearing traditional African clothing and period clothing from the 1700s or contemporary items, stand in for the founding fathers.

Another artist of color – the late Benjamin Patterson, one of the founding members of the Fluxus art movement during the 1960s-70s, which claims Yoko Ono as one of its own, has his work, “My Thirteen Presidents,”showcased at the museum.

Patterson depicts American presidents, along with their astrological signs, who served during his lifetime (1934- 2016) from Roosevelt to Obama.

Also on display and spanning an entire wall in the first floor gallery is Norwegian artist, Trine Lise Nedreaas’s 22-minute three-panel synchronized film, “The Entertainers” featuring the video, “The Mask,” in which a subject, Arthur, transforms himself into his alter-ego, Arthuro the Clown.

On the museum’s second floor, Delray Beach-based ceramicist and steel sculptor, Jeff Whyman’s, “Out of Nature,” features a selection of his one-of-a-kind ceramics using clays from California and Washington, and fabricated in kilns from Illinois, Missouri, and Florida, all yielding different results.

Whyman creates his works all in one moment while the clay is still wet. He uses the wheel to throw his vessels while spontaneously adding a mix of materials: sea glass, Chinese crystals, and mineral oxides.

Coming in January are “Glasstress Boca Raton 2021,” featuring Chinese dissident artist Ai Weiwei’s Blossom chandelier sculpture, that will travel by boat from Italy to Boca Raton, “An Irresistible Urge to Create: The Monroe Family Collection of Florida Outsider Art,” and “Paul Gervais: Faces and Forms.”

Read more about all of the upcoming shows at bocamuseum.org/art/ upcoming-exhibitions.