Man on a Mission

Street Priest hits South Florida & beyond

Just 19, barely past his freshman year at Lynn University, James Okina is already well-traveled, very savvy, and passionate about his work. In fact, he’s a man on a mission.

At 15, in his hometown of Calabar, Nigeria, a city not unlike Boca Raton with its greenery and coastal proximity, he founded a nonprofit called Street Priests designed to help the children living in the streets.

By the time he reached 17, Okina says he became obsessed with solving this problem on a global scale and began to study why, despite increasing efforts to address the issue, this problem is growing and persists worldwide.

An estimated 100-150 million children live on the streets around the world, while 250,000 die every week from disease and malnutrition, and 10 million are child slaves, according to Womenaid International.

In the U.S., almost 2.5 million kids under age 18 — that’s 1 in 30 — experience homelessness each year. In Palm Beach County alone, more than 4,400 children are counted as homeless, according to the county’s Homeless Coalition.

Kids living on the street are often victims of violence and crime, and later often fall prey to abuse and drug addiction. They are especially vulnerable to the human rights violations inherent in gangs, sexual exploitation, and abuse and neglect.

As an adolescent, Okina had been tempted into gang life. He is thankful he escaped — and it inspired him. “I rose above my own difficulties when my parents divorced when I was 8, and many people helped me along the way.” He remembers a cousin who came to stay where he lived with his father. Okina told NPR in 2017, “I saw that he led a more quiet, dignified life.”

Okina had already made international news by his late teens, as Street Priests drew attention, help, and funding. Trying to find a framework that would help the nonprofit reach children across different cultures and societies, he moved to South Florida to study at the Watson Institute at Lynn. Okina is part of an inaugural cohort of scholars from around the world studying to earn a degree in social entrepreneurship while working on issues they are passionate about.

“The first word that comes to mind when I think of James is unstoppable,” Tyler Tornaben, director of programs for the Watson Institute, said. “He is majoring in his mission every day.”

In his first year at Lynn, Okina met Isaac King, 23, who also feels driven to solve the worldwide crisis of homeless children.

King spent six months in the Dominican Republic after high school. The Ocala native learned Spanish and was drawn to the island’s street children, known as palomos — literally translated as “doves,” but in street slang, meaning “rascals.” King later spent a year in Brazil, working with the homeless “beach kids” of Rio de Janeiro.

At Lynn, joined in common cause, Okina and King set out on a self-proclaimed “audacious” trip back to the Dominican Republic to dive deeper into the street culture there.

Okina (right) and Isaac King flank Ana María Domínguez, Governor of Santiago Province, paying their respects during a recent visit to the Dominican Republic.

Over a period of eight days last March, the two traveled the island, interviewing more than 60 kids, community members, police officers, and government officials for a documentary.

“The stories and plights of both the Haitian and Dominican children we met left a deep and burning desire in us to commit to this problem and create a long-lasting change in our world,” Okina said.

A few of the children living in the streets in Santo Domingo. (Photo courtesy of James Okina)

The two will travel to London this summer to present their findings at the Map the System Global Challenge, part of the Skoll Centre for Social Entrepreneurship at Saïd Business School at Oxford University.

King calls his mission partner an inspiration.

“James is a leader in every sense of the word,” King said. “He embodies everything he talks about. When you hear his conviction, you know it comes from a place of compassion and empathy.”

In the fall, Okina is set to help tackle gun violence in Palm Beach County. Partnering with Angela Williams, founder of Mother’s Against Murderers Association in Rivera Beach, they hope to design a plan of action to work with kids in the community to interrupt the cycle of gun violence.

Even if he can’t solve all the world’s problems, it seems likely Okina will at least provide sparks of inspiration and fellowship in lending a hand. Engaging with kids is the first step. “The future won’t create itself. Young people must take an active role,” Okina said. “We are only 25 percent of the population, but we are 100 percent of the future.”

Subverting Super Heroes at Boca Art Museum

Look — up in the sky — it’s a bird, it’s a plane! No — it’s the Boca Raton Museum of Art’s new headliner, Beyond the Cape! Comics and Contemporary Art.

The exhibition offers a new look at the relationship between contemporary artists and graphic novels and comic books.

Many of today’s most high-profile artists have been influenced by this genre and the exhibit takes a deeper look at how graphic novels and comics address societal issues of race, class, gender and politics.

“It’s exciting to see younger audiences express strong interest in this exhibition,” Kathleen Goncharov, the museum’s senior curator, said.

Goncharov — aided by Calvin Reid, senior news editor at Publishers Weekly and a comic book expert — has selected an eclectic, playful, and sometimes wickedly burlesque collection of video, photographs, sculpture, prints, and drawings in addition to rare comics and contemporary and historic animation for display.

The installation features more than 80 works by 40 artists, including Christian Marclay, Kerry James Marshall, Elizabeth Murray, Joyce Pensato, Raymond Pettibon, Peter Saul, Kenny Scharf and Michael Zansky among others. Works by Takashi Murakami and Yositomo Nara, who specialize in Japanese comics, or manga, are also highlighted.

Work by Japanese manga artist Takashi Murakami.

“There is a long history here, in Europe and in Japan, between comics and fine art,” Zansky, whose work is prominently displayed, said. “Comics have a large influence in the culture and on contemporary artists.  This exhibit showcases artists who are attracted to (the) quirky visuals and subversive content of adult comics.”

Michael Zansky’s Saturn Series, standing 19 feet high, was created with carved, burnt, and painted plywood. (Photo by Jan Engoren)

Zansky comes to the world of comics naturally. His father was Louis Zansky, who drew for the circa 1940s Classic Comics series of graphic adaptations of famous literary works. Michael Zansky’s Walking Figure, a 16-foot-high carved, burnt, and painted plywood panel of a giant foot on an octagonal foundation, is based on the Colossus of Constantine, a gargantuan marble statue of the Roman Emperor Constantine the Great.

The work is displayed at the entry to the exhibit, next to and juxtaposed with Manuscript, a giant hennaed hand by Indian American artist Chitra Ganesh.

The show looks beyond the 1960s Pop Art movement, led by New York-centric artists such as Andy Warhol and Ray Lichtenstein, and features the “other” art movements from the ‘60s and ‘70s such as the Hairy Who and Bay Area Funk Art. Hairy Who artists Gladys Nilsson, Jim Nutt, and Karl Wirsum, along with works by underground comic book artists such as R. Crumb, Aline Kominsky-Crumb, and Mimi Pond are also featured.

A highlight of the show is Chicago artist Kerry James Marshall’s comic series Rhythm Mastr, which documents violence in his hometown. Known for his flat, colorful paintings of contemporary black America, Marshall’s work is in high demand.

Although comics and graphic novels are part of a genre dominated by men, a number of women are highlighted in the show. New York artist Jody Culkin, in particular, raises the feminist bona fides of the exhibit with A Prophetic Drama. The 9-minute animated comic is based loosely on a play about mummies coming to life in the British Museum, written in 1875 by Harriet Hosmer, a celebrated 19th-century sculptor who also enjoyed dabbling in science fiction writing.

Snapshot showing a scene from New York artist Jody Culkin’s animated comic A Prophetic Drama. (Photo by Jan Engoren)

Also featured are Chitra Ganesh, figurative artist Elizabeth Murray and Jamaican feminist artist Renee Cox, known for upending sexist and racist stereotypes with her art. Beyond the Cape! runs through Oct. 6.

A Shared Moment in Time

Like Tibetan sand mandalas, which are swept up and scattered on the water, the Temple of Time is about the moment, the process, the creation, and the transitory nature of life itself.

The beech-plywood temple on Sample Road, created by artist David Best, is the first of five public art installations in Coral Springs and Parkland that are part of the series Inspiring Community Healing After Gun Violence: The Power of Art.

The two cities, in partnership with the Coral Springs Museum of Art, were awarded $1 million from Bloomberg Philanthropies to fund the projects, which aim to use art to help heal the community after the shootings at Marjory Stoneman Douglas High School in February 2018. 

With help from local residents, the Balinese-like temple rose from the site of the old City Hall over a two-week span in early February, and opened to the public one year after the Feb. 14 school shooting that left 17 dead and as many injured.

What Best, his crew and community members created was an object of great beauty out of shared loss. 

The temple, where visitors are encouraged to leave mementoes and write messages directly on the raw wood, has transformed into a repository of the community’s hopes, fears, wishes, and dreams.

The Temple of Time, said Best, is a way of honoring the time it will take for the community to process the feelings it shares from a common tragedy.

The California-based artist has dedicated his life’s work to designing and building ornate yet ephemeral temples for communities that need healing.

In what some might say is a paradox, the 35-foot-high, non-denominational structure will be set on fire and destroyed in May. It is Best’s hope the community’s grief over the shootings and the loss of life on 2/14 and in the aftermath will dissipate with the flames.

Best began creating temples in 2000, as a way to honor a friend killed in a motorcycle accident, and he and his 14-person Temple Crew have become known for the elaborate structures they’ve built at the annual Burning Man Festival in Nevada’s Black Rock Desert.

Best recently spoke about his work to the Miami New Times: “I make an empty structure — it doesn’t mean anything; it’s just a pretty shape. And then people come, and they put in their religion, their faith, their anger. Whatever they’ve got, they put it [in the temple], and they develop their mythology. It doesn’t matter what we believe. It matters what they believe.”

The Temple of Time in Coral Springs is very nearly covered with the inspirational and heartfelt messages visitors have left on the carved mosaic-like scrollwork. “Tell the sun and stars hello for me. We love you, Gina Rose,” reads one of thousands of personal notes. Another states: “Hate, anger, fear, indifference, and jealousy will never win.”

Hand-painted rocks emblazoned with “MSDStrong,” “A Little Bit of Gratitude Goes a Long Way,” and “There is Always Hope,” adorn the temple altars along with stuffed animals, photos, religious trinkets, hand-drawn hearts, flowers, and a brown manila envelope full of shredded bully testimonials from students at Pioneer Middle School.

Particularly poignant is a photograph from 18-year-old Meadow Pollack’s kindergarten teacher saying, “Proud to have been your kindergarten teacher, Meadow.” A senior at Douglas, Pollack was among the 17 killed by a lone gunman at school that day.

On a cool weekday morning in March — the installation is open every day from 7am until dusk — the temple was alive with visitors. Jonathan Koota, a massage therapist and Coral Springs resident, came with friends Lynne Mass, of Delray Beach, and Judy King, of Pompano Beach. They walked quietly through the temple, discreetly taking photos and reading the temple’s messages of love and hope to their grandkids. Lanie Hyman Shapiro visited the temple in February. The Coral Springs woman called the temple “an amazingly powerful and intricate” tribute to MSD’s 17 victims. “It’s a place to come together, to reflect,” Shapiro said. “It’s a place to begin a catharsis.”