Exploring science in West Palm Beach

“Open Every Mind to Science”—that’s the slogan of the Cox Science Center and Aquarium in West Palm Beach. It provides visitors, schools, and campers with science programming and tech ventures based on computer coding, robotics, and other science programs. Although it’s not as large as some other science centers, the Cox Center offers an educational and entertaining experience, especially for kids. It has interesting displays, both inside and out. I went to check it out this summer with a friend.

The Cox Center occupies Dreher Park alongside the Palm Beach Zoo, and visitors can get deals for entrance into both facilities. Formerly the South Florida Science Center and Aquarium, this museum has been serving Palm Beach County since 1961, and it’s undergone much renovation and expansion since then. It’s in the midst of an expansion project right now, and we had to walk past construction zones to get into the main building, but it’s still worth a visit. The grand opening to the public is targeted for 2027.

In November 2021, the facility announced its expansion plans along with a name change, thanks to a record donation from Howard and Wendy Cox: “Their $20 million lead gift serves as the keystone for a $115 million capital expansion campaign to take the new Cox Science Center and Aquarium into the future with expanded exhibit and programming spaces, including one of Florida’s largest aquariums.” This expansion plan will also include a three-story, state-of-the-art building with a larger exhibition gallery, enhanced programming spaces, and a full-scale restaurant.

However, Cox has already dramatically renovated its campus in the past decade, including a reconstruction of its 5,000-square-foot Hall of Discovery, a full-dome planetarium, a 1,000-square-foot early childhood exhibit, more than 80 interactive exhibits, a modernized theater, and a new science laboratory. The facility serves more than 300,000 visitors annually, including 130,000 through field trips and educational outreach into schools and classrooms. While we were there, summer camps were going on, and the kids were having a blast.

“Engineers on a Roll” is a hands-on exhibit specially designed for young children, combining elements of an engineering lab, playscape, and climbing area, focused on introducing basic engineering, science, and math concepts through play. There’s a “river of balls” that children can direct, sort, and experiment with, encouraging them to explore and learn.

If ocean learning sparks young ones’ curiosity, they can check out Explorers’ Cove, where little adventurers can dive into a world of ocean discovery, with up-close investigations and interactive adventures. Kids can look for sea treasures, climb through an underwater adventure, and look through microscopes for close-up views of ocean life.

In the Florida Exhibit Hall are “Aquariums of the Atlantic,” with 10,000 gallons of water housing native fish such as queen angels, spadefish, moray eels, and stingrays. The different habitats on display here will take you through the depths of our coral reefs and Florida’s diverse ecosystems of the Everglades, the Gulf Stream, and the open ocean.

Outside in “the backyard” of the museum, there’s a quarter-mile-long Fisher Family Science Trail, which connects 15 new exhibits, including the FPL SolarScape, an interactive splash pad, a gem panning station, an amphitheater featuring live science shows and seasonal concerts, and and a dinosaur walk. Dino Trek, the cool dinosaur garden, drew in even us older visitors. Families can imagine trekking through a prehistoric wonderland and pose for pictures in front of the life-size dinosaurs.

For more adventure, there is a limited-time exhibition, Mission Aerospace, which invites visitors to “embark on a multilayered exploration of aviation history, aerospace milestones, and some of NASA’s trail-blazing discoveries that are shaping our world every day.” For an additional cost, explorers can go on this mission through Sept. 28 and learn about NASA’s exciting new vision for the future, its research, and the global benefits it’s providing. Group discounts are available.

So, Cox Science Center is constantly growing and expanding and bringing more mind-opening science fun to families in South Florida. You may have to pardon their dust for a while, but a trip there may be well worth it in your near future.

The Cox Science Center and Aquarium is open Monday to Friday from 9 a.m. to 5 p.m., and on Saturday and Sunday from 10 a.m. to 6 p.m. For more information, go to www.coxsciencecenter.org.

Beat the heat Where to stay cool this summer in Broward, Palm Beach counties

Florida summers can be relentless, but there’s no reason to stay cooped up waiting for sunset. Across Broward and Palm Beach counties, there are plenty of ways to enjoy the season while staying cool—whether that means lacing up skates at the ice rink or spending an afternoon at a trampoline park. Here are some of the best spots to keep your family active, entertained, and out of the heat this summer.

Bowl and Cool Off

Bowling is always a reliable go-to when it’s too hot to be outside. Sawgrass Lanes in Tamarac is great for families, with plenty of lanes, arcade games, and food. Strikes in Boca Raton offers a vibrant, modern atmosphere with neon lights and an on-site sports bar—perfect for a group hangout or something low-key on a hot afternoon

Chill Out with Indoor Ice Skating

For a full-on escape from the heat, head to Panther IceDen in Coral Springs. The rink offers public skating throughout the week and is a fun, low-stress way to stay active indoors. It’s great for families, beginners, or anyone in the mood for a cool new activity.

Trampoline Parks for High-Energy Indoor Fun

Too hot for the playground? Sky Zone in Pompano Beach delivers wall-to-wall trampolines, foam pits, and dodgeball courts. Urban Air Adventure Park in Coral Springs ups the ante with climbing walls, obstacle courses, and even a virtual reality zone. Both are air-conditioned and perfect for burning off extra energy.

Indoor Adventure Parks with Something for Everyone

Xtreme Action Park in Fort Lauderdale is one of the biggest indoor fun zones in South Florida, with go-karts, roller skating, escape rooms, bowling, and more. For the younger crowd, Flippo’s Indoor Playground & Café nearby is ideal, with climbing structures, soft play zones, and interactive games in a cool, safe space.

Splash Parks and Pools

Nothing beats the heat like a day spent splashing around. Waters Edge Park in Tamarac has a splash pad with sprayers and shaded seating—great for younger kids. In Boca Raton, Coconut Cove Waterpark brings the full package with a lazy river, slides, and a big splash playground.

A Peaceful, Shaded Escape at Butterfly World

For something quieter, Butterfly World in Coconut Creek offers a calm, scenic outing. With covered walkways, lush greenery, and misting fans, it’s surprisingly comfortable, even on steamy days. It’s a great pick for relaxed family time or out-of-town guests.

Beach Clubs for a Breezy Daycation

Looking for a cool coastal escape without committing to a resort stay? Apps like DayPass and ResortPass make it easy to book daily beach and pool access at select local hotels. You can enjoy perks like loungers, towel service, poolside dining, and beachfront views—all without being an overnight guest. Spots like Plunge Beach Resort in Lauderdale-by-the-Sea and other nearby hotels often offer passes starting around $30–$60 per day. It’s a relaxed, convenient way to enjoy a little luxury and stay cool by the water.

“Walk the Runway”: ArtServe

Turn left onto East Sunrise Boulevard. Then turn right onto Northeast 14th Street. It will be on the right. That’s right, ArtServe is where we are going this month. This nonprofit organization is for everyone, which is why admission is always free to view its exhibitions and attend its receptions. The gallery’s capacity, however, holds up to around 200 people, so be sure to come on in. Its new showcase will be held from July 18 through Sept. 19.

ArtServe. This arts venue first opened to the Fort Lauderdale community in 1989. Since then, it has grown into a vibrant arts incubator and cultural hub, supporting thousands of local artists and nonprofit organizations across Broward County. It’s not just a gallery—it’s a creative laboratory where exhibitions, performances, and workshops come together to spark connection and innovation.

ArtServe focuses its efforts on lower-income communities, typically west of I-95, offering not only opportunities for local artists, but also free workshops for small art businesses, teaching grant writing, marketing, and even how to start a small business. ArtServe serves to inspire artistic development, supporting the advancement of its diverse members, including artists and the community, through education and creative exploration and presentation opportunities in both the visual arts and performing arts.

“Walk the Runway.” Highlighting South Florida’s local fashion scene, ArtServe is currently showcasing local fashion designers, bringing individuality, liveliness, and, even more fascinating, its call for oceanic awareness to center stage.

Recently broadcast on Local 10, Young At Art presented “Reef Restyled,” a fashion phenomenon set to raise awareness out to the public about the coral reefs and the need to save them. These vibrant ecosystems support about 25% of all marine life, despite covering less than 1% of the ocean floor.

Currently, 84% of the Earth’s coral reefs are in danger. Runoff from agriculture, sewage, and plastic waste smothers reefs, blocks sunlight, and introduces toxins. Even sunscreen chemicals like oxybenzone can damage coral DNA.

Young At Art brings this pollution problem to the forefront, using fashion to come to the ocean’s defense. Seventeen participating local high school–age artists in the program used 75% upcycled and/or recycled materials to showcase their reef collection. Coral reefs aren’t just beautiful—they’re vital for human life. In the Walk the Runway showcase, the Young At Art collection will be exhibited in one of ArtServe’s solo galleries.

Chelsea Rousso. Another exhibitor is the esteemed glass artist and fashion designer Chelsea Rousso, who bridges the boundaries between the two media and is an innovator in her use of fused glass in fashion. While her work has been exhibited in numerous museums, galleries, and art shows across the nation and in Canada, Rousso, aside from her glass sculptures, is best known for her exquisitely wearable glass swimwear, corsets, bow ties, and masks.

Rousso’s book, “Fashion Forward: A Guide to Fashion Forecasting,” is being used in several colleges and universities around the world. Her installation for this showcase heavily features her Alice and Wonderland Collection.

Rousso holds a bachelor of fine arts from Pratt Institute and a master of fine arts from Goddard College. For more information, visit https://chelsearousso.com.

More about ArtServe. For most exhibitions, ArtServe does a call to artists (CTA), typically advertised through its social media or e-blasts. There are both long-term and short-term artists who keep up involvement with the organization.

ArtServe is self-affiliated, and its funding goes to operational costs of the building, its employees’ salaries, artist fees, and exhibitions. ArtServe’s artists always get paid for their work, and they are promoted via ArtServe’s social media and e-blasts.

Aside from CTAs, artists may also come from the Broward County Cultural Division for exhibition space to carry out its grants, or through collaborations that ArtServe does with other nonprofit organizations. Some of these past initiatives were set to amplify the healing and transformative power of the arts, reflecting ArtServe’s mission to be not just a gallery, but a community catalyst for good.

In 2020 and again in 2025, ArtServe has been the recipient of the Community Care Plan Non-Profit Awards hosted by 211 Broward, as the Non-Profit Organization of the Year. In 2024, ArtServe received Yelp’s “People Love Us” award.

ArtServe has been said to be a cultural trendsetter, due to its leadership role in the local arts community. It supports more than 350 nonprofit cultural organizations and around 10,000 artists across Broward County.

Some of ArtServe’s sponsors include FPL, Seacoast Bank, the Hudson Family Foundation, Topo Chico, and OutClique Magazine, all of which are local supporters invested in the creative economy.

For more information about ArtServe or how to respond to its calls for artists, visit https://artserve.org.

Picture:

https://www.dropbox.com/scl/fo/azd8co0umod56h72i96nd/APz6YnD6HfAKla6kpVvhbk4?rlkey=edahezpfo6c8xru8hl9t8wc1u&st=gfb2sga4&dl=0

Some other exhibitions

https://www.dropbox.com/scl/fo/7u44upp28b1atn6wogt9j/ADogl1jXVlRmwykhpLf_UkA?rlkey=wsd3zxn8eb9nx97qcot2hpeyt&st=cujn6o54&dl=0

 

 

MindTravel – The Sounds of Silence Updated

A handful of white flags blow in the breeze against the blue of the skies.  Two cherry blossom trees and a sprinkling of yellow daffodils set the stage as pianist Murray Hidary, 53, dressed all in white, sits down at a grand piano set up in the sand on the beach last April in Deerfield Beach as part of his MindTravel series.

A few hundred people sat on towels and blankets in the sand or reclined in chairs; many brought coolers of food and drink with them.

MindTravel, an immersive, “silent” musical journey created by Hidary is designed to stimulate inspiration and awakening and foster connection to ourselves, to nature and to others.  Participants wear headphones to hear the music and are free to roam around the beach, dip their toes in the water or sit back on the sand and relax.

“Welcome to a continuous, uninterrupted musical journey and a real-time improvisation at the piano,” Hidary says through the headphones.

“Every time is different,” he says.  “Isn’t the seeing different? Isn’t the sky different?  Aren’t the waves different?  We are continually evolving and shifting.”

“I invite you into this conversation,” he says.  “All we have to do is take a moment to listen.”

Taking that moment to listen is something Hidary knows firsthand.

A multi-disciplinary artist, award winning photographer and tech pioneer, Hidary grew up in a large Sephardic Jewish family in Brooklyn, N.Y. where music was omnipresent.

“I always knew I wanted to be composer,” he says.  “I had my own thing to say.”

He studied music and composition at NYU and went on to perform at both Carnegie Hall and Lincoln Center.

Finding music both meaningful and meditative, Hidary says music became a portal into creating deeper connections and a way for him to deal with the stress of everyday life and of running a company.

During his 20s and 30s, Hidary kept a piano in his office and at the end of every day would play to de-stress and reset.

In 2006, after the unexpected death of his sister Mariel, a dancer, at the age of 23, Hidary turned more to music to help him deal with the loss.

“Music opened me up in a beautiful way and allowed me to connect to the love for my sister,” he says.  Steering him in a new direction, he says he saw how the power of music can be used for healing and to create deeper connection and decided to make this his life’s work.

After reading Siddhartha by Herman Hesse as a teen, Hidary incorporated the practices of Zen Buddhism into his music.

“When we don’t have the words to express our feelings, we turn to music,” he says.  “Music can give expression to the feelings that are hard to communicate and can help us navigate these circumstances in life.”

As Hidary’s relationship with music deepened, he began to see it not just as a tool for his own healing, but as a way to help others in their healing journey.

This realization led him to share his classical, jazz and musical improvisations beyond himself, bringing the experience to others who seeking solace, reflection and connection — thus, MindTravel was born.”

The first MindTravel took place 10 years ago on the beach in Santa Monica, Calif.

Hidary says he was the first to pioneer this communal way to experience music and nature and to bring people together for healing and community.

“I founded MindTravel,” he says on his website, “to create transformational experiences using music to share the wisdom and tools that helped me to achieve greater personal fulfillment, healing, and deeper connection with all things.”

Since then, MindTravel has performed in more than 100 cities, including Miami, Fort Lauderdale and Deerfield Beaches.  He performs approximately 150 concerts each year, including in Austin, TX, Southern California and in Central Park in New York City.

He has performed in such disparate areas, from the deserts of the Middle East to the continent of Antarctica.

“I haven’t looked back,” he says about his musical journey.   Part of his goal is to create a community where ever he plays and to do repeat performances in those cities.

“I want to make a space for reflection; a space people can just ‘be,’” he says.

In each of his concerts, Hidary creates a theme, such as courage, joy or love.

In Deerfield Beach, the theme was “wild.”

After an hour into the music, Hidary began a spoken word meditation on that theme.

“Imagine a place in you that was never meant to be tamed,” he says softly.  “They told us to be good – not wild.”

“To be wild is to be dangerous,” he says.   “To be wild means that you belong to something larger.  What if wildness was never the enemy?”

He talks about “a silence so complete, your breathe forgets it’s rhythm.”

One of Hidary’s favorite parts of the evening is the open mic section at the end of the concert where people get up and express how they’re feeling.

“People share the most heartwarming and fulfilling stories and emotions,” he says.  “It’s so human.”

In Deerfield Beach, a young man named Pedro got up to express his happiness at meeting his girlfriend, Amanda, and told her he loved her and was grateful for their two years together.  Another couple expressed their love for each other, while another participant who said they were in the military and leaving for Korea, expressed appreciation to Hidary for the special evening.

“Offering ways to destress and find deeper connections and healing makes me happy,” says Hidary, who now lives in Miami.

He’s motivated by the Jewish concept of “tikkun olam,” or, repairing the world.

“We can each bring a bit of “tikkun olam” in our own lives,” he says.  “As long as my fingers still work and people show up, I’ll do this until I’m 100 years of age.”

Visit mindtravel.com

Hidary will perform in Deerfield Beach on July 13.  Visit Eventbrite for tickets.

 

Roots and realism: Sophia Lacroix

Haiti’s deep history is one of resilience, revolution, and cultural richness. It endured the 15th-century Spanish colonialization, the 17th-century French takeover of the western part of the island that led to its revolution in 1804, isolation from global powers, economic struggles, and internal conflicts. It has faced political turmoil and natural disasters. Despite the challenges, Haitian culture has flourished, influencing the world by its artistic magnetism in music, literature, and the visual arts.

Sophia Lacroix brings focus to Haiti in her true-to-life paintings by her cultural reminiscence. Lacroix, who was born in Haiti, migrated to South Florida at the age of 15. Since then, she has used her talent in oil paints and charcoal drawings to keep the scenes alive from her memories of everyday life, Haiti’s people, and her culture.

Currently on display at the Pompano Beach Cultural Affairs Department is “Ede’m Poté Li,” or “Help Me Carry It” (2024), a 31.5-inch by 40-inch, limited-edition, hand-embellishment Giclée print. It is among the many paintings garnished with sapphire-symbolic detailed blends of norms that encompasses Haitians’ daily lifestyle. In Pompano Beach’s exhibition,Roots and Realism: A Haitian Artist’s Reminiscence,” traditional methods of daily customs are alive and vibrant in a variety of ways, echoing Haitian ethos through compositional transcendency of principle. The exhibit runs through June 21 at the Ali Cultural Arts Center.

Realism. In this style, the principles of art play a crucial role in capturing life as authentically as possible. The threads that twine Lacroix’s experiences to voice these echoes are emphasized in sharp details and light techniques. Light censors are by sources that are clearly complimented by their opposing shadows. Lacroix applies cohesion to colors and proportions to grow rhythmic palettes of her subjects in each of their organic landscapes.  it’s like being a tourist as a viewer because she draws you into the culture.

 

In twine. Lacroix’s portraits sustain a sapphire-symbolic durability that apprehends the same critical elements in authenticity as the platform of its landscapes. The cultural significance of “Bel Ti Fi” (2025), a 23.5-inch by 24-inch graphite on paper—blended with texture and depth by its medium—is one representative of Haiti’s people. The child, an embodiment of their heritage and their future. Lacroix strings life intrinsically through art value.

Lacroix’s “Jocelyn,” a 30-inch by 24-inch oil on canvas, is similar in that it digests as a mineral’s complacency as she demonstrates her commitment to accuracy, mirroring how light interacts, producing variations in tone and highlights, and portraying her subjects with honesty and precision. This piece follows Realism’s tradition by transforming its simplistic human element into a work that is visually compelling and technically refined. Lacroix’s attention to detail is apparent throughout the entire composition, as she captures the subtle variations in light and shadow. Each strand of hair appears meticulously woven, and the shading of her subject’s face enhances depth and dimension, which reinforces the sense of realism.

“Macchan Laye.” Lacroix’s 16-inch by 8-inch oil on paper (2025) refers to the merchants who play a critical role in local commerce, selling everything from local produce to handmade crafts. The painting puts the macchan at the center of the focal point, vacating details away from those surrounding her, and as she walks into the distance, so does the solidity of the imagination, and into her subject’s reality.

Paintings of macchans are accented around the room in the spirit of Pompano Beach’s Roots and Realism exhibition. That is, until one approaches still life, where it and Realism share a deep artistic connection, particularly through the art principles that govern composition and technique. In contrast to the paintings of different macchans in motion, movement is instead implied through curved shapes and leading lines, accurately scaled and reading to subject as the delicacy at hand.

In almost 30 years of professional painting, Sophia Lacroix has exhibited in both group and solo shows throughout the eastern and central parts of the nation. Her work has been recorded in several publications and has developed a loyal following of collectors around the world. Lacroix’s passion began at 4 years old, and she is a self-taught oil painter who began selling her work in 1995 while working in social services helping the underserved. It’s highly recommended that you pay a visit to the Ali Cultural Arts Center for a brief vacation into the painted depths of human observation. For more information, visit http://sophialacroix.com.

Call of the wild Photographer Jade Cave captures nature

Born in the seaside town of Southend-on-Sea in Essex, in the United Kingdom, artist, designer, and wildlife photographer Jade Cave, 34, now calls Parkland home.

First moving from the U.K. to California when the COVID-19 pandemic struck, Cave and her husband, Mark, a businessman, hit the road. They traveled 3,000 miles coast-to-coast, stopping in Arizona at the Grand Canyon National Park, Kartchner Caverns State Park, and the city of Tombstone, and of course, they visited the London Bridge in Lake Havasu City.

Arriving in Miami, they rented a house in Hallandale Beach, but it was love at first sight once they discovered the city of Parkland. “I found where I want to be,” Cave says. “It’s so beautiful here; I love all the nature.”

Growing up, Cave’s family had a home in South Africa, and they traveled there often, taking in the wildlife on safari. “Being blessed to have a house in South Africa, to have a connection with nature and experience amazing landscapes, I’ve always had a passion for the outdoors,” Cave says. The climate and landscape of Florida and the Everglades ecosystem are reminiscent to her of Africa.

With her D850 Nikon camera, Cave frequents Everglades National Park, the Arthur R. Marshall Loxahatchee National Wildlife Refuge and the Green Cay Nature Center & Wetlands in Boynton Beach, and Wakodahatchee Wetlands in Delray Beach, where she captures birds, alligators, butterflies, and the flora and fauna.

“I love being outdoors in nature and being in the moment,” says Cave, who coincidentally was born on Earth Day.

Her photograph of Bunker, the Parkland burrowing owl who lived in her community on the 18th hole at the Parkland Golf and Country Club, is on display at the British Consulate in Miami. Another, a close-up of a long-neck white swan, titled “Reflections,” from her “Glades on Glass” collection, captures the bird with its long, S-shaped neck dipping into the water, its image reflected back.

One of her favorite images is a head-on close-up of “Fluffy,” an alligator who is anything but. To capture the image, Cave waited and watched patiently. After five hours, Fluffy jumped and the waters parted.  

Cave’s camera clicked, and she caught the shot of the day—the waters rippling around Fluffy’s giant head, his black eyes glistening in the water and his gaze staring intently at the viewer. “I love the way I captured the water moving around its face and the way the eyes stare at you,” she says.

Once she captures the shot, Cave feels elated. “When I look at my work, it takes me right back to the moment and I get an adrenaline rush,” she says. “It’s quite exciting and rewarding.”

She especially loves capturing close-ups and the emotions of the animals. She often shoots in black and white to create a stronger presence or to highlight the texture of the animal’s features.

Her photograph of a baby monkey asleep in its mother’s arms, titled “Nap Time,” from the “Spirit of Africa” collection, is an example of this black-and-white technique.  

Cave will use a zoom lens to capture an eye or to frame a face. “It enhances the details and affords a different perspective,” she says.

Self-taught, Cave honed her technique by watching YouTube videos. She rarely enhances her photographs or uses Photoshop and only edits them to crop or sharpen the image. “What you see is what you get,” she says.

Last November, Cave traveled to Tsavo West National Park in Kenya (“Africa is part of my spirit”), where she photographed monkeys, zebras, giraffes, and the African plains.  

These images, along with ones she took in the Everglades at Flamingo Campground, were on display at the Spectrum Miami Art Fair last December during Art Week in Miami. She donated 100% of her profits to the Alliance for Florida’s National Parks, where she volunteers her efforts to raise awareness about the national parks.

“Jade exudes such positive energy,” says Lulu Vilas, executive director of the Alliance. “She can light up a room with her exuberance.”

The Alliance for Florida’s National Parks, which includes Big Cypress National Preserve, Biscayne, the Dry Tortugas, and Everglades National Parks, raises funds and awareness to support the programs and activities of these national parks.

“Jade is never happier than when she is out in nature photographing wildlife and watching people enjoy the natural world,” Vilas says.  

“We’re fortunate to have her,” she says. “She is extremely talented and has a generous spirit.”

For Cave, being part of Art Week in Miami was a dream come true and a highlight of her career.

To celebrate becoming a U.S. citizen last August, Cave put her feelings into a creative photo shoot, hiring a model to dress as a cowgirl, representing the spirit of the U.S. The photograph, titled “Freedom,” depicts a model wearing a cowboy hat, her back to the camera, her left arm upraised swirling an American flag.

Shot in silhouette at the Arthur R. Marshall Loxahatchee National Wildlife Refuge, against a dramatic ombré sky of grays, blues, and oranges, the photograph speaks to themes of freedom and personal reinvention, reflecting Cave’s journey and her heartfelt connection to her subjects.

“It’s my homage to America and the freedom of America,” says Cave, who learned the Bill of Rights and the Constitution as part of her journey to becoming an American citizen.

She admires the work of Big Cypress National Preserve photographer Clyde Butcher and English wildlife photographer David Yarrow, and she had the opportunity to have dinner with Yarrow three years ago in Miami.

“He inspired me to keep pursuing what I love,” says Cave, noting that it was Yarrow who suggested she use a Nikon D850.

Now she encourages others to learn the craft as well as they can, to persevere and differentiate themselves by capturing their own vision. 

While in school in England, Cave studied fashion design and fashion photography. In 2009, she won the young retail designer competition.

She also studied Rogerian person-centered existential therapy and applies those principles to artwork she creates, finding expression and meaning to create word art, sketching an image using quotes, phrases, or inspirational speeches of iconic moments in history.

Her whimsical drawings of the Beatles’ “Abbey Road” album cover is a testament to her ability to merge visual and verbal expression. Depicting the four Beatles crossing the iconic walkway, the words from their lyrics—“Take a Sad Song and Make It Better,” “Baby, You Can Drive My Car,” and “Can’t Buy Me Love”—define the images.

Dyslexic as a child, Cave felt ashamed not to read or write well, and she says, “Language was my enemy.” Now, she embraces words, and they have become her medium for transformation and self-expression.

Cave is happy that people like both her photographs and her word art enough to hang on their walls.

This fall, she will exhibit her work at Silver Spring State Park in Silver Spring, Fla., and has her sights set on future gallery shows.

“There is always something new to learn and the art is forever evolving,” she says. “This adds to the excitement of being a photographer.”

Cave is excited to see where photography takes her. “My work comes from my heart,” she says. “I take something in life and transform it into art as a way to project how I see things. I give others a different view of creation.

“That, to me, is what I call art,” says Cave.

Visit Jade Cave on Instagram or at jadecaveart.com.

The colors of life: Deborah LaFogg Docherty

A “colorist,” her professors in college had called Deborah LaFogg Docherty.  She is a colorist with talent for color, which is why she likes pastels.  LaFogg’s compositions are saturated in detail, and beneath the layering,  the surface of sanded pastel is full of pigments with little binder.  LaFogg brings the colors in life forward and into this month’s focus.

“It has to have motion, color, and contrast—oh man, there is always something to learn,” explained LaFogg. “The right textures and, most importantly, it is the composition that has to be right.”

Toy in the Attic (38″ x 28″). LaFogg’s first exhibition was at the Yale University Art Gallery in her senior year of college. “Toy in the Attic,” an oil painting on gessoed board, was exhibited there; it is of LaFogg’s Raggedy Ann doll that she found in the attic.

LaFogg, who grew up on a farm in Connecticut, was inspired by her mother at a young age to pursue art. One could say the “writings were on the wall”—when LaFogg was only 4 or 5 years old, she did a full mural of dogs, cats, trees, and birds on the wall of the hallway. Of course, her parents thought it better to give her coloring books, paints, and crayons instead, for her to continue on. And she did just that.

LaFogg, having graduated with honors in illustration and commercial art from Paire College, later relocated to South Florida, where she worked in illustration, cartooning, and as a designer for the Sun Sentinel for several years of her life. There, she did a plethora of work in the artistic field, including prepress, editorial, and advertising. She was a Special Sections designer in Deerfield Beach, and it helped her to further develop her skills in compositional strength throughout the experience.

Commissions. During and after her Sun Sentinel career, LaFogg has continued to do commissions for art lovers. Her commissions range from portraits to animals, in extensive use of detail, and even with an Impressionistic piece. She has illustrated a couple of books, including “Rosie’s Song” and “Woodrat Jill,” in themes about conservancy and nature. While LaFogg is naturally drawn to pastels due to her talent for color, her works are shaped from oils and even acrylics. Her tendency to equip detail is apparent, while maintaining balance between her softened backgrounds to pronounce the foregrounds of the composition’s focus. This cute little fur ball (pictured) is a recent commission, 11″ x 14″ oil on canvas.

Wildlife. LaFogg lives in Boynton Beach, where she works from her studio. Her property is in fact a wildlife habitat. Known well for her wildlife works, LaFogg’s achievements in wildlife conservation efforts cannot go unnoted. Winning first place in fine art in the Endangered Art4Apes International Exhibition, fourth place and honorable mention in the wildlife/animal category of the Pastel Journals International Pastel 100 Competition, and honorable mention in the International Artists Magazine Wildlife Challenge, these are just a few of many of her achievements. Her work is often featured in the NYC Salmagundi Club shows, and she’s been published in the International Artist Magazine, the Pastel Journal, and the WildScape literary journal.

LaFogg’s wildlife paintings cannot be missed. Since 2018, after she became a part of an artists group to visit Kenya for conservation efforts to bring the Northern White Rhino back from the brink of extinction, she continues creating paintings for the National Parks Trust and strives to raise awareness about the importance of wildlife conservation.

Among some of the animals painted are the wolf, the cougar, the black bear, and many more. However, her favorites are the birds, LaFogg’s main subject. She loves how they symbolize freedom and beauty, a topic very important to her.

“Frost,” an 11″ x 14″ pastel on archival sanded pastel paper, is a testament to that. The lone cardinal is the focal point of the painting, drawing the viewer in by his natural predominance—color, defining the composition by his inherited hierarchy upon the wires. As he looks on, it hints to the viewer a suggestion, perhaps, in hopes for the spring.

LaFogg’s works are spread nationally and internationally, including in China and Spain. In the U.S., a piece well worth mentioning is her real-life cowgirl, whose portrait is a 16″ x 20″ pastel on archival sanded pastel paper, titled “Ready to Ride Out.” The offsets of the composition come into focus by the pronouncing of life to her face, where her position is to skin tones, mellowed by the balance at which it borders by color. It all is complimentary—as the cowgirl looks to the light, the background remains mysterious, leaving the fluidity to the viewer in a pending sense before her journey into the great wide open.

Every little detail to experimental abstracts. After a great year in 2024, LaFogg is currently rebuilding her inventory. Subsequently, recent interests have delved into abstracts. Her “Koi Pond,” a 16″ x 20″ acrylic on canvas, explores her applied techniques into simpler strokes. Form, however, remains defined by color, as the core emphasis is toward the Koi fish. Koi, also known as Nishiikigoi, is a species that originated in China and later were extensively bred and popularized in Japan.

Inspiring others. LaFogg’s aim is to inspire others by doing demos and teaching. Currently, she teaches art at the Boyton Beach Arts & Cultural Center every Wednesday from 1 to 4 p.m. On April 4, 5, and 6, LaFogg will be at the Delray Art Fair. On April 12, she’ll be at the open house of Delray Beach’s Creative Arts School. And on May 3, LaFogg will be painting life at the Palm Beach Zoo.

For more information or to contact Deborah LaFogg Docherty, go to https://lafogg.com.

 

Music is on the menu with the band Vocal Menu

When somebody loves you
It’s no good unless he loves you
All the way

So begin the lyrics to Frank Sinatra’s classic song “All the Way,” on the 1961 album of the same name, and which he performed virtually with Celine Dion live in 1999 at the Millennium Concert in Montréal, Québec.

A classic love song, spotlighting both singers’ musical styles, it is a favorite to perform for local singers Catalina Prado, 29, and Carlos Iturrieta, 35, both classically trained vocalists and now members of the band Vocal Menu. Other members of the band include Jesús Herrera on guitar, Sandro Montoya on bass, and Oscar Bravo on drums.

“The song is so beautiful—I’m obsessed with it,” says Prado, the lead female vocalist, who admires both Celine Dion and Sandra Brightman.

Prado, a soprano, and Iturrieta, a bass-baritone, met in their native Chile during an audition backstage at the historic and iconic Teatro Municipal de Santiago, where they were asked to perform a duet from Mozart’s comic opera, “The Marriage of Figaro.” Both nervous for the audition, Prado sang the lead female role of Susanna while Iturrieta sang the lead male role of Figaro, two servants who fall in love and eventually marry, despite the obstacles in their way.

Luckily for Prado and Iturrieta, nerves gave way to something more. As Prado remembers, the couple, like their characters, fell in love during that audition, in a case of life imitating art.

And while they are not yet married, since that fateful day in November 2018, the couple has been singing together and two years ago relocated to Boca Raton from Chile, to be near family in Parkland.

Iturrieta studied at the Institute of Musical Arts in Concepción, Chile, under the tutelage of Chilean baritone Pablo Castillo and alongside renowned Chilean pianist Verónica Torres. A four-time scholarship winner, he studied under Chilean opera singers Rodrigo Navarrete, Oscar Quezada, and Christian Senn, as well as Italian baritone Alessandro Corbelli and Chilean soprano Pilar Aguilera.

In 2018, Iturrieta was a semi-finalist in two international competitions—in San Pedro de la Paz, Chile, and in Trujillo, Peru. The following year, he made his opera debut in Puccini’s “Madama Butterfly,” at Chile’s Biobío Regional Theater, in the role of the Imperial Commissioner, conducted by Italian maestro Lorenzo Tazzieri. And In May 2019, he was selected as a semifinalist in Plácido Domingo’s “Centre de Perfeccionament,” in Valencia, Spain.

And while Iturrieta studied opera formally for six years in IDAM, he, like Prado, realized he didn’t want to limit himself to one genre of music and felt that instead of people coming to him to hear him perform, he could bring his music to the people.

One of Iturrieta’s long-term goals is to found a performing arts center where people can come hear him perform. In addition to opera, he enjoys singing ballads, especially American music from the 1950s and ’60s, such as Frank Sinatra, Elvis Presley, Dean Martin, Andy Williams, and Nat King Cole. “The crooners,” he says.

Other musical influences include American opera singer Samuel Ramey and Russian opera singer Dimitri Hvorostovsky, who passed away in 2017.

Prado has an equally impressive background, beginning her musical journey in 2013 at the Symphonic Choir of the University of Chile, under the baton of conductor Juan Pablo Villarroel, where, at 17, she was the youngest student admitted to the program.

She studied under Chilean soprano Claudia Pereira, later graduating from the Conservatory of Music of the Universidad Mayor, in 2022. In 2018, Prado won the prestigious Amigos del Teatro Municipal de Santiago scholarship, and she performed in many of Chile’s top theaters.

Growing up, Prado attended a Waldorf School where music and the arts were an integral part of the school curriculum. She knew at a young age that she loved to sing, and to sing with others as part of a group. Finding success at an early age, she credits her mother’s prayers as having “something to do with it.”

Not one to leave fate to chance, Prado had a backup plan if her singing career didn’t take off: to become a doctor. “I always have a Plan B,” she says.

With a “strong passion” to heal people, Prado says both physicians and musicians are healing in their own way.

With a far-reaching repertoire, including arias, operettas, chamber music, popular music, and musical theater, Prado is not content to remain in one genre, and she’s looking to find her sound. “I want to explore my own sound without limitations,” she says, noting that to sing opera, one needs to conform to strict vocal techniques and requirements.

“I want more freedom,” she says, finding that freedom in musical theater and contemporary music, especially cross-over music.

“Cross-over music bridges different genres and worlds and is a way to bring people together,” Prado says. “Music is for everyone.”

Her dream, she says, is to be able to create unforgettable musical moments for everyone.

Prado cares for her voice with a healthy lifestyle that includes taking precautions against becoming sick; not eating spicy foods late at night, which can cause reflux and harm the vocal cords; and staying hydrated. She trains her vocal cords with warm-ups and scales every day.

Her dream is to play the role of protagonist Christine Daaé in “The Phantom of the Opera,” live on stage.

While the couple perform numbers from the musical, such as “The Music of the Night,” and others, Prado likes to imagine herself performing on stage in front of a large, enthusiastic audience.

“That would be unbelievable,” she says. She hopes to make professional connections here in South Florida to realize that dream.

The two also hope to make a name for themselves and the Vocal Menu band. Last year, they participated in the city of Parkland’s 60th Anniversary celebration, opened for the band Sugar Ray, performed for Veterans Day celebrations, and performed twice at the Parkland Farmers’ Market at the Equestrian Center, once as a duo and the second last February with the full band.

As recently arrived members of the community, they hope these performances are only the beginning.

“We love what we do,” says Prado. “We get to share special and emotional moments with each other and our audience.

“It’s a unique and beautiful moment,” she says. “Isn’t that what makes us human?”

To learn more, visit vocalmenu.com or go to Vocalmenu on Instagram


https://theparklander.com/2025/03/27/music-is-on-the-menu-with-the-band-vocal-menu/

Artist John Bowen Celebrating National Vietnam War Veterans Day

John Bowen started with watercolor when his art teacher introduced it to him in high school, and he’s been painting with it ever since.

Art is a “labor of love,” says Bowen, whose extensive artistic career has taken him from artist apprentice right out of high school at an ad agency, and on through to the U.S. Air Force. But it doesn’t stop there. This month we recognize Bowen’s longstanding career as we honor National Vietnam War Veterans Day on Saturday, March 29.

Bowen was hired as the only illustrator (technician), graphically responsible for documenting work for about 200 soldiers in the 834th Air Division Headquarters Unit. Stationed in Tansonhert Airbase during the Vietnam War, near the city of Saigon (now Ho Chi Minh City) in southern Vietnam, Bowen at times was able to go out into the countryside and document the war in sketches. Otherwise, his job was to document actual operations in action on-site. He served eight years in the Air Force, from 1961 to 1969, and in the Vietnam War from 1967 to 1968, using mainly pencil (or pen) on paper as his medium for documentation.

Vietnam experiences. In 2013, Bowen was published by Middle River Press in Oakland Park, which recorded his physical and emotional experiences in the Vietnam War. The book is titled “Eleven Months and Nineteen Days,” and it is complemented with 43 black and white drawings made specifically for the work. The image here is a recreation of Bowen’s experience in one of his instances as he drew then. This time he was drawing from a life model as he recreated the memory. Bowen’s book could’ve been augmented with up to 60 of his original drawings; however, 43 was the magic number where he had chosen to stop. The medium was used for the purpose of keeping its authenticity as he recreated his experiences from the war.

Scratching the surface. Bowen was born in the Bronx and then grew up in Irvington, N.J., during his adolescent years. However, with his family having relocated to South Florida when Bowen left the war in December 1969, he also chose to settle in Florida, where he found a job with the Miami Herald. Some years down the road, he then worked for the Sun Sentinel. Bowen retired in 2009.

The years of painting, however, did not stop before or after the war. His work has been exhibited in major shows and has won several awards over the course of his lifetime. Bowen, from 1988, is a lifetime member of the Gold Coast Watercolor Society. He is a distinguished signature member of the Florida Watercolor Society, and his proudest accomplishment yet has been for him to be honored with signature status from the American Society of Marine Artists, more recently.

Realistic expressionism. Bowen’s creations with watercolor may seem mastered, but according to him, he is always learning and evolving (FYI, they are pretty mastered). However, he is not a purist. He admits to the use of gouache at times, predominantly zinc white, he mentions, in combinational transparency that creates a texture, such as with his trees or foliage. His ability to bring light colors over dark to increment to some extent is an evolution to depth development. He does this by using more paints and little water, which suggests a paste-like medium applied over its primary layer. Bowen’s reversed topical application assigns dualism to his expression by the concept of light.

Viscaya. The Vizcaya Museum and Gardens, or simply Vizcaya, is a lovely historic estate in Miami. It was built between 1914 and 1922. Bowen’s beautiful paintings of Viscaya can be found in prints and notecards in its gift shop, while some of his originals can be viewed in the cafe.

Chosen subjects. Bowen’s favorite subjects to paint are old homes, in detail, and of wicker, for example, a theme of one of his favorite artworks on the front porch of an old house. “Dove & Blackbird” (not pictured) is just one of many examples of the fine detail to that of interpretation, which extends from the door, amplifying the presence of that detail. Moreover, there are his “shoots”—what Bowen calls them—as he brings photographs of his subjects back home to his studio, where he then recreates the art. His work, inspired by the historical city of Charleston, S.C., was formed from some of his shoots, as he grasps moments of history and shares them through watercolor by hand.

“Antique Ford” (not pictured) is another exquisite artwork reconstructed from history. The work is of an old-time Ford with old-time luggage sitting in the back of its trunk. This work demonstrates quite vividly Bowen’s use of light and color dynamics as he exerts influence on already visually favorable subjects. He brings not only the past into a unique visual, but also the joy and tranquility of his subjects fluently through his artistic hand to life. They are fun to see.

The Florida Keys. The Keys is where viewers can find those wicker chairs, in his series of the area, ranging from his experiences at the Main Street Kennedy Gallery on Duval Street to those on West Atlantic Avenue.

Every little detail. Bowen’s ability to capture every little detail is indeed impressive, unveiling his acuity to vision. His unique Marine collection is no different. The use of light trickles down right to the most rustic authenticity. Dynamics in visual draws of color highlight each context unsparingly. It is easy to see how much his work exercises his bravery.

Currently, Bowen’s work aspires to the BRiC, Boca Raton’s Innovation Campus, expected to launch in May 2025, where three of his artworks will be able to be viewed. He currently resides in Tamarac. We extend a warm thanks for his service.

For more information or to contact John Bowen, go to johnbowenwatercolorist.com.

 

 

 

Renaissance fun Local festivalgoers march into the past

The annual Florida Renaissance Festival in Quiet Waters Park kicked off on Feb. 1, and it’s scheduled to conclude on March 23. It is a great opportunity to enjoy a glimpse of what life might have been back in the 16th century.

Renaissance festivals have become more and more popular since first coming onto the U.S. scene 50 years ago. These events went from a small niche in New York and California, growing through the decades, to extravagant festivals in recent years. The festivals typically feature a setting during the English Renaissance period.

These events also serve as an educational tool for many. It inspires a deeper passion for history and the arts, and it showcases fashion and music from a different era. For some, the shows spark a deeper interest to learn more about the 16th century, and how the Renaissance period impacted the world.

The modern Renaissance festival was started in California in 1963 by Phyllis Patterson, a schoolteacher. It was initially created as a fundraiser for a radio station, with the vision of blending historical reenactment with performative art. For Patterson, there was a local talent pool of performers that she was able to draw upon in the Hollywood Hills community.

Since then, these cultural events have spread across the country. You typically will find both entertainers and attendees in full costume from that time period, along with music and theatrical performance acts of that era. The outfits you see can be simple, or extravagant. Many attendees and performers go out of their way to reenact every element of the outfit to be as realistic as possible.

You also will find vendors selling outfits at the festival, if you want to check them out in person. The Florida Renaissance Festival boasts more than 100 vendors to supply you with provisions. They will also provide you with a wide range of food and beverage—from turkey legs to desserts, and from cold ale to mead.

Nowadays, you will also find a large online community to help with preparing your outfit. A quick search on online store Etsy.com shows many options for historical dresses, gadgets, and accessories, including full sets of plate armor and weapons.

Typically, the festivals will have a theme, and the Florida Renaissance Festival has a theme each weekend. This year the festival is introducing a new concept—the weekend of March 8 and 9 features “Gears and Gadgets–The Lost Inventions of DaVinci,” which celebrates the retro-futuristic subgenre of science fiction. So, expect to see many creations and outfits featuring gears and spectacles if you visit that weekend.

According to one person who attends these festivals, attendees “enjoy the fact it’s historically inspired, and might require a lot of research, and build on year after year.” It’s not like when you are dressing as a character from a book or movie, such as for Comic-Con; for Renaissance festivals, it’s a character you’ve created. This person cherishes the festivals as “a creation of an agreed-upon environment.”

So if you have a weekend free this month, don’t miss out on the final days of the annual Florida Renaissance Festival. It’s on every weekend at Quiet Waters Park. But be warned, expect long lines—the park often reaches capacity by the afternoon—so get there early if you want to partake in the festivities.

 

Private, peaceful paradise among the palms

There is a small country road off bustling Atlantic Avenue in west Delray Beach that quietly leads to a hidden lush oasis—the Paradise Palms Botanical & Sculpture Gardens. This place combines beautiful nature and creative artwork unlike anything I’ve seen before. The unique Paradise Palms does not advertise its existence online, there are no signs to tell you where it’s located, it’s totally gated off, and visitors can enter its grounds by appointment only. I wouldn’t have known about it if someone hadn’t told me. And that’s the way they like it there.

If you’re fortunate to make an appointment and get into this 20-acre secluded paradise (it fits its title!), you can stroll through numerous well-curated gardens, groves, and micro-forests containing a plethora of plants, shrubs, and trees, including one of the most extensive palm tree collections in the country. You can see 2,500 palms in their natural environments, with at least 450 different kinds to enjoy. There are numerous pathways throughout the gardens, with ponds and bridges along the way, and breathtaking vistas.

I went with three friends one Thursday afternoon, and we were the only ones in the entire botanical park, except for some staff members. It was like we were walking through our own elegant estate. We were impressed by the large number of outdoor sculptures interspersed throughout the property, artfully situated among the landscaping of palms, vegetation, rock gardens, and cacti. We enjoyed rounding a bend and coming across yet another unique sculpture. The collection comes from all over the world, and the pieces are widely varied in style and materials used.

These sculptures have been collected over the years, some of which were commissioned for Paradise Palms, and many of them works by professional sculptors. Others are creatively made from old trees that were repurposed as art, or driftwood from nurseries, one painted a bright red. There was so much to see, a feast for the eyes. We especially liked “Guardian of the Garden,” a dramatic metal statue of a goddess with multiple horns on her head, sitting nestled among the rocks.

Paradise Palms has been an ongoing project since 2013, when 5 acres of land were acquired for this ambitious verdant undertaking. Later, two more sections, of 5 and 10 acres each, were added to make it the expansive, impressive estate that it is now. Delray Beach residents Mark and Kathryn are principal supporters of the gardens, which were developed by horticultural consultant Paul Craft and other landscape professionals.

Featured is a half-acre “open-air” conservatory of rare shade palms from Southeast Asia, Madagascar, and the Americas, in an artificially created rainforest. This environment is controlled by a complex mister system. My friends and I also appreciated the bucolic, Asian-themed zen garden. In addition, the grounds boast a yoga platform hidden in a small bamboo forest; a pond with koi fish; a tiki hut; a huge ficus tree; a butterfly garden; a miniature village for kids; and a “mini mountain” covered in trees, plants, and succulents that thrive in desert-like conditions.

We were given brochures with a map when we first entered the park, which helped us identify what we were encountering. Informative, illustrated signs are also posted along the paths to give visitors lots of details about what they’re seeing along the way. And the site’s management lets you roam the grounds on your own, but they’re frequently around to answer any questions.

Paradise Palms is a nonprofit organization whose purpose is “to preserve and promote knowledge and enjoyment of the more than 500 species of palm trees in this garden as an educational and aesthetic experience for visitors, enhanced by a variety of modern and contemporary sculptures.”

It was definitely an aesthetic experience that day for four women who felt very lucky to have discovered these secret gardens filled with displays of modern art. It was a lovely, peaceful afternoon that you wouldn’t expect just off the main drag of a busy city.

Paradise Palms Botanical & Sculpture Gardens is open by appointment on Wednesdays, Thursdays, and Saturdays. For information, go to paradisepalms.org.

‘The Nutcracker’ returns to Boca Ballet

This is the 34th year that the Boca Ballet Theatre presented the classical production of “The Nutcracker” for the holiday season. This spectacular occasion encompasses refreshing imagination and sound, pantomiming magic under the artistic vision of executive director and co-artistic director Dan Guin.

Founded in 1990, the Boca Ballet Theatre’s initial performance of “The Nutcracker” was presented in 1992, while its current version has been ongoing every holiday season since 1997. This year’s principal dancers from the New York City Ballet Company who join the performance are Emma Von Enck as Clara and Anthony Huxley as her Nutcracker Prince. This classical tradition has been the cornerstone of all holiday productions lasting centuries.

The Classical Story of “The Nutcracker”

The story of “The Nutcracker” is based on E.T.A. Hoffman’s 1816 fairy tale, “The Nutcracker and the Mouse King.” It was later adapted by Alexandre Dumas in 1844 and, by December 1892, was composed by the renowned Pyotr Ilyich Tchaikovsky; it was first performed at the Imperial Mariinsky Theatre in Saint Petersburg, Russia.

The ballet tells the story of Clara, who receives a nutcracker toy from her godfather, Drosselmeyer, on Christmas Eve. The toy breaks and transforms into a prince, who takes Clara on her magical journey in a battle against the Mouse King. The second part of the story is into the Land of Sweets, where its whimsical realm greets her and her prince through the Sugar Plum Fairy and her fairy court. Celebrating their victorious battle leads to a series of dances representing all the candy treats from around the world. According to the Boca Ballet Theatre, these cultural themes have been updated based on the latest trends, and predominantly since last year, by loosening up the choreography to blend in more with the contemporary times within the dance world.

The Trepak, a traditional Ukrainian dance that is often included as one of the Divertissements in Act II of “The Nutcracker,” remains one of the favorite parts among some of the Boca Ballet Theatre’s dancers. Its highly energetic, acrobatic leaps in the presence of spirited music are about as adaptable to the colors of Clara’s dream as it is in prevailing the complementary sound of Tchaikovsky’s theme.

Some versions of “The Nutcracker” differ significantly across choreography, casting, and culture, such as the English version, which remains vast among various parallels, in versions of the ballet performed across the U.S.

The first complete performance in this country was by the San Francisco Ballet on Christmas Eve in 1944. However, Tchaikovsky’s music was already highly familiar to Americans by the international popularity of his “Nutcracker Suite.” The ballet truly took wind in the U.S. in the 1950s by Russian-American choreographer George Balanchine, whose version premiered with the New York City Ballet in 1954. Since foundationalized in Europe and then into the U.S., “The Nutcracker” in America has been the gateway to ballet for aspiring dancers and remains the staple in performance classics.

What It Takes

The Boca Ballet Theatre’s “The Nutcracker” cast is made of 100 dancers, with eight to 10 professionals from all over the country, and sometimes from around the world. The theatre receives audition videos from the National Ballet of Canada, Los Angeles, New York, and the San Francisco Ballet Company, to name a few, and mostly for the male parts, as male professionals are usually lacking in these areas of the ballet community. This year’s guests, along with the principal dancers, are Samuel Huberty from the AUER Academy; Nathaniel Otto, a returning dancer dancing the Spanish Divertissement; Kayke Carvalho and Vince Pelegrin from the ABT Studio Company; and Jhostin Jimenez from the United Ballet Theatre.

Meanwhile, all students must audition for every show. Their season runs from mid-August to May, starting work promptly around the end of August and no later than Labor Day every year for the “Nutcracker” production.

With five staffers at the Boca Ballet Theatre, the production is truly a family affair. Whether it is the fathers behind the set putting things together, or the volunteers handling the costumes and makeup, it takes a community to make Clara’s dream come alive.

Handmade costumes and painted scenes are all stored in the back rooms of the Boca Ballet Theatre. It is like a magnificent library of past and present, organized by category per set, and of each unique production.

Levels

The youngest performers in the Boca Ballet Theatre’s “Nutcracker” are aged 6 to 7 from Level 1. Level 7 consists of skilled 13- and 14-year-olds, and Level 8 performers are the most experienced dancers, ages 16 and 17, who dedicate their time practicing, and up to five days a week during the school year. It takes rigorous dedication, valor, and love to ignite such a powerful production.

The theatre holds kids camps in June, while there is a six-week summer extensive for the serious, aspiring dancers, with the objective of networking for opportunities in the professional world of ballet.

“Coppélia”

The Boca Ballet Theatre holds three shows every year, and “The Nutcracker” is their staple performance. Following that is a production held in the spring, and then one in the summer, which is their repertoire show. “Summer Breezes” is this year’s repertoire, and the spring production is “Coppélia.”

The Boca Ballet Theatre will bring its spring performance of “Coppélia” on April 5–6, 2025, to the Countess de Hoernle Theatre at Spanish River. “Coppélia” is a French-originated comedic ballet about a life-like doll named Coppélia; its dollmaker, Dr. Coppélius; and the much-dismayed Swanilda, whose fiancé, Franz, is infatuated by the doll, unknowing that it is not real. Swanilda instead disguises herself as Coppélia, leading to many humorous and heartwarming events.

The Boca Ballet Theatre has performed many traditional classics over the years, including the romantic era’s “Giselle,” well worth mentioning. While “The Nutcracker” poses its original onset of romantic fantasy, the threshold is held within the dancers’ dreams similar to one of Clara’s—the imagination—an exciting context of spirit from across all cultural landscapes.