Friday At Five Brings the Party Any Day of the Week

“We’re not just a band, we’re a state of mind,” says Carey Peak, 55, guitarist and lead singer for the band Friday At Five.

And, the good news is, you don’t have to wait until Friday at 5:00 p.m. to hear the band.

They play at all hours around town at THRōW Social and Johnnie Brown’s in Delray Beach, Packy’s Sports Pub in Lighthouse Point, Lefty’s Tavern & Grille in Coral Springs and will appear at Sharkey’s Bar and Grille in Coral Springs on Wednesday, Nov. 6.

“We’re a high energy party rock cover band,” says Peak. “There’s no song we don’t do.”

They take their name from country music singer Eric Church’s  lyrics in his 2011 song, “Drink In My Hand” (“Early Monday morning, ’til Friday at five; Man I work, work, work but I don’t climb, climb, climb.”)

In addition to Peak, the band, founded in 2017, includes drummer Jordan Welch, Gonzalo Gallarza on bass and their newest member, lead vocalist, Carrie Wicks Johnson, 28, who joined the band in March.  All the members sing lead vocals as well.

Peak was born into a musical family – his dad played guitar with Buddy Holly and as a child, Peak would fool around with his dad’s guitar and figured, “I could do that,” and became a child prodigy by the age of 12.

In his twenties, he formed the alternative rock band, Dore Soul and later, his second band, The C60s, an indy rock band was signed to Dreamworks Records. They charted number six on the college music charts, and received critical acclaim.

In 2006 Peak started The Free Radicals, a corporate cover band.

His most recent venture, Friday At Five, plays a selection of eclectic music from the 70s to today, including rock, pop, country, alternative rock, metal and reggae.

“One of the things our fans like is that we cover everyone from Lady Gaga to ACDC to Zack Brown to Bob Marley,” Peak says.

Peak says the band likes to put a rock edge on every song, putting big, hard rock guitars into a Whitney Houston song.  Two of his favorite songs to perform are “Sweet Child O’ Mine” by Guns N’ Roses and AC/DCs  “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll).”

“Our fans love that we cover this song,” says Peak, adding, “and with Carrie singing, it’s even better.  She’s both beautiful and an amazing singer.”

Among his musical Influences he counts Eddie Van Halen (“Unchained” is his favorite song), Buddy Holly (“That’ll Be the Day”) and, as evidence of his own eclectic tastes, Metallica and Barbra Streisand.

“Good music is good music,” he says.

Lead singer, Johnson, (she got married in October to Mike Johnson, a Coast Guard reservist) came to Florida from Long Island during the COVID-19 pandemic.

She was part of a top cover band there called, “Jessie’s Girl,” and also wrote original music and sang with the soul/rock band, “Carrie and the Cats.”  In 2018 the band won the Long Island Blues Challenge  and went to finals in Nashville, TN.

She met Peak when she made a guest appearance on stage at Mulligans Beach House Bar & Grill in Lauderdale-by-the-Sea and a friend of was in the audience.

He recommended her for the lead singer in Friday At Five and Peak hired her instantly.

Peak recalls her rendition of Whitney Houston’s “I Wanna Dance with Somebody (Who Loves Me)” as making the hair on his arms stand up.

“Carrie is the real deal,” he says.

Johnson found her calling in life at an early age and knew that she wanted to sing.

“Ever since I started talking, I was singing,” she says, noting that she considers her ability to be versatile and be comfortable in multiple genres as her best musical quality.

Her parents never pushed her to pursue other careers, although she did earn a cosmetology degree as a back-up plan.

Her musical Influences include Aretha Franklin, Amy Winehouse, John Mayer, The Allman Brothers, Led Zeppelin, James Brown, Etta James and The Beatles.

Her love for the profession and for performing keeps her motivated.

“Singing makes me happy,” she says.  “It’s the only job I’ve ever loved.”

“The best thing you can do for yourself is to only compete with yourself,” Johnson said in a 2018 interview with the blog, LongIslandSound. “Don’t try to be better than somebody else, strive to be better than you were yesterday.”

On stage she sports fun outfits and with a nod to her cosmetology background – big, platinum blonde hair.
“There’s no better feeling than being on stage,” says Johnson.

In addition to bars, Friday At Five plays at city events, the Parkland Amphitheater, Wellington’s Food Truck & Music Series and Pompano Beach’s Music Under the Stars.  Peak says it’s a “feather in their cap” to be requested for many private parties, weddings and corporate events.

Future goals include cultivating their fan base and playing in new events and venues.

“We’re happy doing what we do,” says Peak.  “We’re grateful and blessed to play in such a vibrant music scene and get support from Richard Kushner at Sharkey’s Bar & Grill as well as other bar owners.”

“South Florida is a great area for music,” he says.  “We all support each other and we’re happy to be part of this larger community of bands and do our part to contribute to this vibrant music scene.”

Friday At Five will perform live at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs on Wed., Nov. 6. For more information visit sharkeysfl.com or call (954) 341-9990.  Visit sharkeysfl.com and fridayatfiveband.com.

 

 

 

 

Rubixx brings the ’80s to life

Just like the iconic symbol of the 1980s, the Rubik’s Cube, the local tribute band Rubixx takes its name from that symbol of purity, stability, and endless possibilities.

Founded in 2018 by Coconut Creek resident Rob Lankenau, 60, the tribute band specializes in ’80s music, including New Wave, Top 40, and pop.

“I’m part of the MTV generation,” says Lankenau. “I graduated high school in 1983, and I’m fascinated by ’80s music.”

The six-member group consists of Thomas Pisani on keyboards/rhythm guitar, Rory Hickey on bass guitar, Francis Cast on lead guitar and backing vocals, Dominick J. Daniel on drums and percussion, and female lead vocalist Lisa Maciolek (also of the rock band Fifth Wheel’d). Both Daniel and Cast were members of the ’90s punk-rock band Livid Kittens, and Pisani was a leader in the rock-and-roll band Happy Daze.

Rubixx was founded as a five-piece band. Lankenau, a New York native, knew he needed to add a woman to the mix. “You cannot call yourself an ’80s tribute band without the ‘ladies of the ’80s,’” he jokes. “What would the ’80s be without Madonna, Cyndi Lauper, Whitney Houston, or Olivia Newton John?”

“I wanted to do it right,” he says. “And with Maciolek, we hit pay dirt. Lisa is one of the hardest-working people in the business and takes the bull by the horns.”

Trying to think of a good ’80s name for the band, Lankenau experimented with “The Breakfast Club” and “Members Only,” but when he hit on “Rubixx,” he knew he had a winner.

“What’s more ’80s than a Rubik’s Cube?” he comments.

Lankenau’s interest in singing began in high school, where he sang in chorus and in the “select chorus,” which competed throughout New York state. He credits his choral teacher, Ellen Levine, for her instruction and still keeps in touch on Facebook. “She was a big influence,” he remembers. “I loved to sing, and she taught me harmony and gave me purpose.”

Known for their breadth of ’80s music, the band plays locally at THROW Social in Delray Beach, Café 27 in Weston, Gigi’s Bar & Café in Pompano Beach, Crazy Uncle Mike’s in Boca Raton, and Sharkey’s Bar & Grill in Coral Springs, where they will be playing on Sept. 21.

Lankenau, the owner of Rad Pest Services in Coconut Creek, gives a shout-out to Richard Kushner, owner of Sharkey’s Bar & Grill. “We love Richard,” he says. “Sharkey’s is one of our favorite places to play, and we always get a huge turnout.”

Lankenau does his due diligence listening to ’80s music to rediscover new songs for the band’s repertoire. “It never gets old,” he says.

And while he can appreciate the energy of hard rock, metal, and dance music, it’s Freddie Mercury and Queen that hold a special place in his heart.

Queen’s 1991 hit, “These Are the Days of Our Lives”—which recounts a story about looking back with pleasure on your life and seeing it through the eyes of your kids—resonates most for Lankenau

“It always brings a tear to my eye,” he says.

Other bands that Lankenau likes include Van Halen, Long Island’s Blue Oyster Cult, U2, and his favorite, the Australian rock band INXS.

For his wedding, he danced to Elton John’s “Your Song” and serenaded his wife with Eric Clapton’s ballad, “Wonderful Tonight.”

“It was a satisfying moment,” Lankenau says. And while he says, “I killed it,” the actual proof is on a long-forgotten VHS tape.

Lead vocalist Maciolek, 48, whose singing style has been compared to that of soul singers Chaka Khan and Aretha Franklin and vocal abilities to Celine Dion, says she is blessed to make her living doing what she loves.

In addition to performing with Rubixx, the Boca Raton resident has performed on the cruise-ship circuit and has her own business, Songbird Sessions, along with Fifth Wheel’d.

Growing up in New Jersey listening to Motown, Doo-wop, the blues, Jackie Wilson, Smokey Robinson, and Aretha Franklin, Maciolek entered a talent competition at the age of 11. With no formal training (“I came out whaling”) other than singing along to the radio in her basement, she prepared and sang “The Rose” by Bette Midler.

“It was the most exciting, frightening, and exhilarating moment of my life,” Maciolek remembers. “It sparked passion and changed my life.”

She spent six years in the program at a local performing arts high school where her career goals as a singer and entertainer were cemented. Later, she worked with many of her childhood heroes such as Benny King, Leslie Gore, and Frankie Lyman on the Doo-wop circuit and at oldies radio WCBS-FM in New York.

Maciolek opened for Vito Picone & The Elegants and Johnny Maestro & The Brooklyn Bridge. “I sing with heart and power,” she says. “It makes people feel what you’re feeling.”

Maciolek says she is excited to work with Lankenau and Rubixx and that she and Lankenau hit it off vocally. “It’s the music of my time,” she says. “Even though we all come from different worlds, I feel at home.”

They are all on the same page musically, Maciolek says. “We want the same heartbeat. We are the most driven, passionate, and talented individuals and make magic happen out of nothing.

“It’s inspiring to find others filled with the same passion,” she says. “It’s great to be a part of something greater than yourself and share the fire.”

Rubixx will perform live at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs, on Saturday, Sept. 21. For more information, visit sharkeysfl.com, call (954) 341-9990, or

visit them on Facebook.

 

Smokin Renegade The amazing world of playing in a rock cover band

Finding a niche in the South Florida cover band scene was not easy, but Frank Vestry, 62, lead vocalist of the Smokin Renegade classic rock tribute band, found a niche covering the music of rock bands Boston and Styx, both popular in the late 1970s–80s.

The band takes their name from the Boston song “Smokin’ ” on its 1976 debut album, the B-side to its first single, “More Than a Feeling,” and the 1979 Styx hit song “Renegade” from its “Pieces of Eight” album.

“When the band gathered together for the first practice, it was in a word—amazing,” Vestry writes on the band’s website. “Once the first run-through of the songs was complete, we knew we had something special.”

Vestry says, “Everything gelled together.”

He put the two song names together and “it seemed to work.” He notes that the band have been playing together in South Florida since 2018.

The band—which spotlights Boston’s “More than a Feeling” and Styx’s “Come Sail Away”—is known for their searing guitar licks, vintage synthesizers, pounding rhythms, and vocal harmonies, led by Vestry.

In addition to Vestry, the band comprises Dean Summers, lead guitarist and vocals; Ken Urquhart, keyboards, vocals, and musical director; Rob Darmanin, drums, percussion, and vocals; and Howi Hughes, bass guitar and vocals (who changed his name from Patrick to Howi because the real Howard Hughes wasn’t using it, he says).

The musicians have toured with national acts and played in some of the biggest tribute bands.

Vestry, a Long Island native, came to his vocal abilities naturally, as both parents were musical. His mother, Marie Elena, was a singer before marrying his father, Frank Vestry, a professional tenor. His dad played at renowned nightclubs in New York City, including the Copacabana and the Latin Quarter, and filled in for Tony Bennett.

A shy kid, Vestry started a garage band at age 15, and by 18 he decided that singing was what he wanted to pursue as a career. His band, Devias, played iconic venues in and around New York City and Long Island—including the Cat Club, the Limelight, the China Club, L’Amour, the Stage Door, Industry Steel, and My Father’s Place. Its members later went on to play with Alice Cooper, Dokken, and Ted Nugent.

Among his top musical Influences, he counts vocalist Brad Delp from Boston (“love his voice”), Stevie Wonder, Elton John, and the Beatles.

Driven by the love of music, the desire to be the best he can be, and the joy of seeing people loving the music is what gets Vestry up and going in the morning.

Now married and the father of two daughters, Vestry says he’s thrilled to be making music all these years later. “It’s amazing to be doing something I love and earning a living doing it,” he reflects. “It’s a blessing.”

Highlights of his career including writing original songs in the melodic rock genre and releasing an album with Rob Marcello, a Swedish guitar player, which garnered 100,000 views on YouTube, as well as playing with Bon Jovi, Van Halen, and White Snake, among others, at the National Association of Music Merchants trade show in California in 1998.

Urquhart, 53, a Florida native who now lives in Delray Beach, met Vestry when the two played together in a bar band called the Evil Monkeys.

Learning keyboards from his father as a child on an electric Lowrey organ, Urquhart sang in the church choir, where he learned to harmonize. He found his early musical influences in Billy Joel and Elton John and later with British keyboardists Howard Jones, Rick Wakeman, and Keith Emerson.

He jumped at the chance to join Vestry in the Smokin Renegade band and says, “It’s an incredible honor to play on stage in front of so many enthusiastic people.”

Urquhart jokes, “This is as close to rock-stardom as we get.”

When the band formed, they released a recording of their first live stage show on Facebook to determine fan reaction and were gratified that band promoters reached out and contacted them immediately.

They have performed as far away as Kansas and Georgia, but these days they prefer to stay within driving distance. In July, they returned to the Daytona Bandshell for the city’s Star-Spangled Summer Concert Series where they performed for a crowd of 3,000. Other highlights include playing the Plantation Seafood and Music Festival, Rock the Park in Abacoa, the Riley Center in Ocala to a sold-out audience, and the House of Blues in Orlando.

Although the band takes their music seriously, Urquhart says they don’t take themselves too seriously. He says they are all motivated to go on stage and indulge in a musical conversation.

“We’re genuinely having fun,” he says. “We’re all on the same page. What sets us apart is the focus and detail to the sound.”

Because the original Boston doesn’t tour anymore, Urquhart says, audiences are excited to hear their music live. “Music is memory,” he notes. “It’s so touching when people tell us the moments they remember when they first heard this music.”

This fall, the band plans to add the music of Foreigner, now on its farewell tour, to their repertoire.

Still on an upward trajectory, Vestry and Urquhart say the band has no plans to slow down, although Urquhart does admit to a fantasy of going out on tour. “Just once,” he says. “It’s on my bucket list.”

Whether or not that happens is yet to be determined, but doing what they love is the immediate priority.

“It’s special to participate in this magic,” Urquhart says. “We can’t ask for more.”

Smokin Renegade will perform live at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs, on Saturday, Aug. 24. For more information, go to sharkeysfl.com or call (954) 341-9990. Visit: SmokinRenegade.com.

 

 

 

Shane Duncan Band S.D.B.—going the extra country mile

It’s been full speed ahead for the Shane Duncan Band (S.D.B.) for the past 15 years, and contrary to its 2014 hit, “Life’s Snooze Bar,” the band hasn’t hit the snooze bar once. The five members include singer and guitarist Shane Duncan, 46, lead singer Tiffany Rosario, 40, lead guitarist Dave Scully, 51, drummer Bryce Kretz, 27, and bass guitarist Hernan Motley Rodriguez, 44.

Formerly known as South Florida’s “premiere party band,” the homegrown South Florida band is known for its wide variety of musical genres, including country, rock, top 40, pop, disco, dance, and Latin.

Duncan says what sets S.D.B. apart from other bands is its ability to capture the audience from the get-go. In addition, the band performs all songs live with no backing tracks or studio enhancements.

“We love seeing everyone on the dance floor having a good time,” says Duncan by phone from Knoxville, TN, where he and Rosario (a couple) went for a mini-vacation. “Come Friday night, people want to cut loose, have a drink, have a good time, and dance, no matter what’s going on in their life.”

S.D.B.’s repertoire ranges from Toby Keith’s “Get Your Drink On,” to Mily Cyrus’s “Party in the USA,” to Bon Jovi’s “Livin’ on a Prayer.” The group has written and performed songs for a 2024 film, “The Rocket Club: Across the Cosmos,” and TV, including the History Channel’s “It’s How You Get There” theme song, the Cooking Channel, Velocity Channel, and Fox Business Channel.

They performed at the Super Bowl XLVI Wounded Warrior event with former Bears quarterback Jim McMahon in 2015 and at a pre-party for the American Country Music Awards in Las Vegas in 2012.

“We’re proud of our accomplishments,” says Duncan. “The producers for ‘The Rocket Club’ flew us out to Hawaii for a week, and as unsigned musicians, our music is available on all digital jukeboxes.”

Duncan began playing drums in clubs at the age of 11. His father and some neighbors had a band, and he began jamming with them and going to their rehearsals.

Early influences included 1980s pop, rock, and country music as well as country artists like Ronnie Milsap and Merle Haggard. Later, he listened to Journey, Bryan Adams, Whitney Houston, and Def Leopard.

A highlight for Duncan was meeting his musical hero, Brent Mason, a 14-time Grammy Award winner, when Mason played guitar on one of Duncan’s original LPs, titled “Shane Duncan,” in Nashville more than a decade ago.

“I think we’re doing pretty well,” says Duncan, noting that the band has accomplished all the goals they set out to achieve—good musicianship, good singers, good song list, good sound system, good lighting system, and putting together a great package. They’ve toured and been on the road, and now they’re looking forward to being the best local band and sleeping in their own beds.

S.D.B. plays private events, city events, and weddings. It also has headlined aboard cruise ships on the Royal Caribbean and Norwegian cruise lines, was voted “Best Band on a Barge” in the Seminole Hard Rock Winter Fest Boat Parade in 2018, and opened for Charlie Daniels, Joe Diffie, Mark Wills, Clay Walker, Josh Turner, and Blake Shelton.

Lead singer Rosario has been singing since the age of 2 and always knew she wanted to be a professional singer. Growing up with a big Italian family, she said they would sit around the piano in her grandmother’s music room and sing 1950s tunes.

Rosario learned Frank Sinatra, Connie Francis, Ella Fitzgerald, Natalie and Nat King Cole, and Doo-Wop. “Singing comes naturally to me,” she says, noting that she never took a lesson and is self-taught.

Later, as an adult, she listened to ’80s rock (“all the way”) and admires lead singer Steve Perry of Journey (“my all-time favorite”). She opened for singers Wynona Judd, LeAnn Rimes, and Willie Nelson at the Broward Center for the Performing Arts.

“It was a great experience,” she says, admitting to some jitters.

For both Duncan and Rosario, playing and singing with the band is more than a job—it’s a passion for both of them. Often, they befriend their audience and have been known to socialize with their fans, who become friends.

Having reached their goals and succeeded in their professional musical lives, what’s left for the band to accomplish?

“Longevity,” says Duncan. “We’ve been on the radio, we’ve been in the movies, we’ve written songs for TV, we’ve headlined on cruise ships. We’ve pretty much done it all.

“We want to continue the ride and continue to do what we love most,” he says. “If you want to have a good time and listen to a variety of music, come check us out.”

The band will perform June 28 at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs. For more information, visit sharkeysfl.com or call (954) 341-9990. Visit ShaneDuncanBand.com.

Blood brothers Southern Blood has a bond thicker than water

A shoutout to legendary guitarist Greg Allman’s final album, “Southern Blood”—created in 2016 while he was fighting liver cancer—South Florida’s band of the same name, Southern Blood, pays homage to Allman and that genre of rock ’n’ roll known as Southern rock.

Emerging from Texas, the Carolinas, and Georgia, the music, characterized by its combination of rock ‘n’ roll, country, and blues, is focused on electric guitars and vocals, as exemplified in the music of the Allman Brothers, Lynryd Skynryd, Molly Hatchett, and ZZ Top.

“These groups were my musical influences,” says Southern Blood founder and lead guitarist James (Jimi) Robinette, 59, who grew up in Hollywood. “I loved Lynryd Skynryd, Aerosmith, Bad Company, the Who, and Molly Hatchett.”

The band is composed of Robinette, Todd Jones (guitar and vocals), Alan Vine (bass guitar), Greg Smolla (slide guitar and vocals), and Rodrigo Valente on drums. They revisit the ’70s and ’80s with their unmistakable, hard-driving groove, signature Southern vocals, and dueling guitars.

The members have been around South Florida “forever,” according to Robinette, who toured the country in the late ’80s and early ’90s with a band called “Heartless,” and they’ve been playing together for the past six years.

Typically, they play 100 shows each year, including local festivals such as the Winterfest Boat Parade in Fort Lauderdale and that city’s 2021 New Year’s Eve party for a crowd of approximately 5,000 revelers.

“Our main goal is to entertain. At this stage in our careers, we’re not looking to be famous or to go on the road touring,” says Robinette. “We love to get people involved, get them dancing, singing, and clapping their hands. We’re high-energy, loud, and kick-ass. We will get you up—moving and grooving to songs such as Lynyrd Skynyrd’s “Sweet Home Alabama” and the Allman Brothers’ “Rambling Man.”

For bass guitarist Vine, 55, who grew up in Parkland, Coral Springs, and Margate, he fell in love with the band Molly Hatchett after attending a concert at the Sunrise Musical Theater with his friends in sixth grade.

“After seeing all the guys on stage making music and all the girls dancing in the audience, I decided right then and there that I wanted to do this for the rest of my life,” he remembers. He went home and asked his mother for a guitar, and the rest is a 43-year-long musical journey.

The group performed in April at Nova Southeastern University’s Miniaci Performing Arts Center with their newly formed and dedicated Lynryd Skynryd band, “Freebirds.”

“It’s cool when we perform well and do the music justice,” Vine says. “The vibe comes across and people notice the good time we’re having. We’re the best of friends and that shows when we’re performing.”

He says the band is appreciative of the support they get from fans, and they don’t take it for granted. Future goals include writing and performing original songs.

“We make a point to say hello and thank our fans for coming,” Vine says.

Chicago-born lead guitarist Smolla, 62, who now lives in Delray Beach, grew up frequenting the blues bars in downtown Chicago. He remembers seeing the big names of blues—Buddy Guy, B. B. King, Muddy Waters, Bobby Rush, and Ronnie Baker Brooks.

“You could go any night of the week and hear great blues music,” remembers Smolla, an engineer who came to South Florida 25 years ago with IBM.

His interest in piano and guitar began at the age of 10, and when he was in eighth grade, he played at the school’s ninth-grade dance. Early musical influences included Michael Schenker, a German guitarist who played with the band UFO (“my favorite”), blues guitarist Freddie King, and Irish guitarist Rory Gallagher, who influenced Jeff Beck.

 Smolla feels fortunate to have found Robinette and to be a part of Southern Blood.

“It’s the best band I’ve been in, here in Florida,” he says. “We have a big, full, Southern rock boogie sound that people gravitate toward.”

Because there are not many bands playing Southern rock, he says people travel from Florida’s west coast or from Orlando to see them perform.

“We’re authentic,” Smolla says. “Jimi is an engaging showman with a lot of charisma. We put a lot into getting the right sound and tone, and everyone is free to be themselves on stage—what you see is what you get.”

Smolla credits the band’s chemistry to translating to the audience. “Bands are all about the chemistry,” he says.

Gracious toward their audience, the band will often come off the stage and join their fans at their table or in the crowd and play something slow, quiet, and intimate.

“These are the moments that stick with you,” says Smolla. “All the songs have been written and all the parts sung, so when you’re spontaneous and get people to feel they are a part of it, those are some of our best memories.”

 Southern Blood will perform at Sharkey’s Bar and Grill, 10365 Royal Palm Blvd., Coral Springs, for Cinco de Mayo on Sunday, May 5. For more information, visit sharkeysfl.com or call (954) 341-9990. To see a complete list of Southern Blood show dates, visit southernbloodband.com

Whistling while they work The Big Rock Band plays on

Named for the iHeartRadio station Big 105.9, the Big Rock Band was created for the station by Hollywood resident and deejay Alex Lencina, 57. Inspired by the likes of Jimi Hendrix, Pink Floyd, Aerosmith, George Clinton, and the O’Jays, the band focused on less-played, familiar songs such as Autograph’s 1984 hit, “Turn Up the Radio.”

“We love to play music that has the audience bobbing their heads and tapping their feet, but is not overplayed,” says Lencina. “So, when they hear it, they remember it and remember they like it.

“That is the key to the band,” he says, paraphrasing Bee Gees guitarist Dan Warner’s parting words, “Groove is everything.”

Other band members include Fernando Santomaggio on bass, Jimi Fiano on lead guitar, Scott Sherman on guitar, John “Johnny O” Onderline on saxophone, Ysauro Hernandez on percussion, Philip Bithell on keys, and Euvoski Cunningham Sr. on drums.

The band plays at Cafe 27 in Fort Lauderdale, Galuppi’s in Pompano Beach, and Crazy Uncle Mike’s in Boca Raton, and they’ll play locally at Sharkey’s Bar and Grill in Coral Springs on April 12.

“We are a band of brothers,” says Lencina. “When we play, we are connected—no attitudes, no hang-ups—just having a good time and sharing it with our audience.”

Highlights for the band included having Big 109.5 deejay Paul Castronovo sing with them at a Super Bowl watch party on Himmarshee Street in Fort Lauderdale in 2018 and performing at Margaritaville in front of 10,000 people for New Year’s Eve this past January. “It was amazing,” says Lencina. “I will never forget it.”

While all the members have separate lives and other commitments, they all say they are happy to have this time to play together.

For bassist Santomaggio, 48, also a marine science teacher at Flanagan High School in Pembroke Pines, the time spent playing together is “intimate, deep, and profound.”

He explains, “We’re lucky to have something we enjoy, do it with those we like, and share it with the audience. We have a good time watching the audience watch us have a good time; there’s nothing better than that.”

Santomaggio especially enjoys his interaction on stage with lead guitarist Fiano, 66. “Jimi’s a local legend,” he says. “I looked up to him and now get to share a stage and learn from him.”

Fiano came to guitar playing at the age of 6, after his sister brought a guitar back from Mexico.

“I started playing it and couldn’t put it down,” he remembers. At 14, while still in middle school, he put together a band, and by the age of 16 he started playing in clubs professionally.

Influenced by the Beatles, Jimi Hendrix, Iron Butterfly, and Blue Cheer—and later, Grand Funk Railroad, a young Eric Clapton and the Blues Breakers (“full of piss and vinegar”), and blues guitarist Johnny Winter—Fiano is passionate about his craft.

Most recently, he put out a blues rock CD titled “Sweat & Pray,” which will be available on all streaming platforms. Shaun Murphy, a Nashville-based singer who sang with Bob Seger, Eric Clapton, and Little Feat, among others, did background vocals on the record.

Fiano says he hopes this CD will be his calling card as an independent artist. “I’d like to bring some like-minded people with me and go out on tour and see the world,” he says.

The father of an 18-year-old son, Fiano is at the peak of his career. He’s currently at work on his second album and says he can’t stop writing songs.

“My son won’t allow me to be old,” he jokes. “And, I want to leave a legacy.”

His advice for other would-be musicians? “Be persistent and color outside the lines,” he says. “Follow your instincts, take chances, and if you believe it, it will happen.

“I love playing with these guys and we genuinely have a great time making music together on stage,” says Fiano. “What could be better than that?”

The Big Rock Band will perform at Sharkey’s Bar and Grill, 10365 Royal Palm Blvd., Coral Springs, on April 12 at 8 p.m. Visit them on Facebook and Jimi Fiano at Jimifiano.com.

 

 

 

Sippin Fire is ‘En Fuego’

“Like taking a sip of fire, or listening to the band,” says Dany Roy, 58, lead guitarist for the band Sippin Fire, a native-born French Canadian, now living in Margate, explaining how the band got its name.

The South Florida-based rock, party and cover band plays a mix of 70s and 80s rock and roll, with their high energy, signature mix of guitar riffs, bass lines and down-home drum beats, accompanied by the soulful sounds of lead vocalist, Jade Fecteau-tasse, 33, daughter, of the band’s bass guitarist and promoter, Rejean (“Reggie”) Fecteau, 61.

Roy and Fecteau, also from Canada, met here in Florida when Fecteau was part of the Eagles Tribute Band, The Long Run.  The two decided to join forces and the rest is history.

“When I came to Fort Lauderdale and South Florida, it was love at first sight,” remembers Fecteau.  “I wouldn’t go back (to Canada) for anything – except maybe in the summer.”

“Together, we have phenomenal chemistry,” he says, noting that that the band is booked 3-4 times each week and has a full calendar through 2024 and into 2025.

More than a musical experience, their shows are a visual spectacle of lights, smoke and special effects, all designed to enhance the experience.

Two of their biggest fans and loyal followers are Boca Raton resident Wayne Belfer, 66, executive director of DOB Parkinson’s Charity, a non-profit based in Fort Lauderdale and Boca Raton and Keith Richard Kraft, 62, a retired car dealer manager from New York.

Kraft, 62, who moved to Tamarac from Brooklyn four years ago, went with a friend to hear Sippin Fire perform in Fort Lauderdale.

Growing up he listened to the Beatles, Deep Purple, Led Zeppelin, The Rolling Stones and got into the Bee Gees and disco in the 70s.

“I fell in love with Sippin Fire, both musically and personally,” he says. “After a set, they come out and schmooze with the audience. Jade has a personality to knock your socks off.”

Belfer, who went often to hear the band, became friends with the musicians.

“The band is impressive, dynamic and together on stage,” he says.  “Their vocals are brilliant, with furious guitar solos and non-stop rhythm romps.”

Both are looking forward to the band’s next venture, “Her Majesty the Queen,” a full theatrical tribute production that will reproduce Queen’s Freddie Mercury’s stage, complete with lights, props, costumes and videos.

Vocalist Fecteau-tasse will reprise the role of lead vocalist, Freddie Mercury.

“There’s no question, I’ll be first in line,” says Kraft, admitting that while he wasn’t the biggest Queen fan, he’s a huge Sippin Fire fan.

“Besides being high-powered, they’re easy to watch,” he says.  “And, they’re super hard workers.”

Locally, the group plays at Sharkey’s in Coral Springs, the Margaritaville Bandshell on the Hollywood Broadwalk and Mickey’s Tiki Bar in Pompano Beach, as well as throughout the country, including gigs in Illinois, Las Vegas, Nevada, South Carolina, Utah and California.

Playing drums since the age of five when his parents bought him a drum set, Fecteau was on-track to become a semi-professional hockey player, until the music bug struck.

“Once I found music, I never looked back,” says Fecteau, who is also married to Nathalie Tasse, a keyboardist who plays with the group’s Electric Light Orchestra (ELO) Tribute Band, The Ticket to the Moon, playing hits such as Strange Magic, Evil Woman and Telephone Line.

An accomplished musician, playing seven instruments, Fecteau has been featured on many gold records and performed in Canada with well-known French artists Joey Tardif, Joel Denis, Pierre Lalonde, Michel Louvain, Michel Stax and Patrick Bourgeois.

He toured the world with The Long Run and in the mid-1990s played with the tribute band, “Yesterday Les Beatles,” a mega production in Montreal, a full-circle moment for Fecteau who fell in love with the Beatles and their 1967 hit, “All you need is Love” as a child.

Although the native French speaker didn’t understand the English lyrics, he was so taken with the Beatles and the song, he made it his mission to understand the lyrics.

Likewise, he says, his daughter, Jade, fell in love with Shania Twain as a child and would mimic her singing on key, although she also spoke French and didn’t understand the English lyrics.

Opera-trained by the age of eight and headed to Broadway by the age of 12, Fecteau-tasse was trained by renowned voice coach Arron Hagen, who worked with Ariana Grande, Selena Gomez and Meghan Trainor.  At the age of 16, she had a number one hit single titled, “My Destination,” in Japan for six months.

“Her voice is deeper and more colorful than other singers,” says her dad.

Lead guitarist Roy, was exposed to music at an early age.  Most of his family were musicians and he began playing professionally at the age of 17 at local bars, weddings, corporate events and music festivals in and around Québec.

A child of the 1970s and 80s, he loved classic rock bands such as Bon Jovi, Queen, Led Zeppelin, Van Halen and Heart.  While Fecteau is also influenced by traditional rock-and-roll bands, he also admits to a fondness for Dean Martin.

When the two met Spanish-born musician, David Carrica Martincorena, 45, (aka “The Beast”) last year, they knew they had found their drummer.

“David is the perfect drummer for us,” says Fecteau.  “The energy and camaraderie we have as a group are unbelievable.”

Growing up in Pamplona, Spain, Martincorena  began playing drums at a young age after hearing Metallica’s 1986 album, “Master of Puppets.”

He toured the world with the Spanish heavy metal band Tierra Santa, with which he recorded six albums and toured Europe with Diabulus in Musica, a symphonic metal band.

He came to Miami in 2019 and taught music at Sounds of Excellence School of Music.

“With Sippin Fire, we’re all on the same page,” Fecteau says.  “We’re all professional musicians, don’t drink or smoke or do drugs.”

“We take pride in what we do,” he says.

A highlight for the group is playing at the Margaritaville Hollywood Bandshell and in their ELO tribute band, The Ticket to the Moon, playing to more than 7,000 fans in Chicago.

Currently, they are shooting a promotional video for the Queen production and looking for large venues in which to mount the show.

“It’s more than a concert,” says Fecteau.  “It’s a full-blown theatrical performance.”

The production will reprise the glamour, theatrics and rock-and-roll style that defined Freddie Mercury and Queen, says Fecteau.

With attention to detail and Fecteau-tasse as the iconic Queen lead singer, he says audiences will feel as if “they are witnessing Queen in their prime.”

“Anybody can get on stage and play songs,” says Fecteau, “but not everyone can make it a show.”

“We give it absolutely everything we’ve got,” he says.

“People are playing money to come see us and we had better give them a good show,” he says.  “That’s what we do best.”

Sippin Fire will perform at Sharkey’s Bar and Grill, 10365 Royal Palm Blvd., Coral Springs, on March 15 at 8:00 p.m.

Visit them on Facebook or at https://sippinfire.com.

Harold Garde: 100% to just shy of 100

Who remembers the GI Bill? It was a range of benefits provided by the U.S. government for World War II veterans returning home after the war. Through it, Harold Garde received his initial art education at the University of Wyoming. Seven decades later, the artist’s education engages and challenges us in his works across the decades.

Garde, “the rebellious provocateur” as GrowingBolder.com has put it, was born in New York City in 1923 to Eastern European Jewish immigrant parents. He joined the U.S. Air Force and served in the Philippines and World War II from 1943 to 1945. He was exposed to Abstract Expressionism during his educational years, which clung a bit to his early career.

Garde’s prolific art career began in the later generation of Abstract Expressionists during the 1950s and ’60s. Early influences of Surrealism and Figurative painting in his educational years also seem to have held a motif to his later work. As his career matured, he seemed to grasp an individual gestural abstraction into the figurative forms of art. His works withheld hints of influence driven by the period of Neo-Expressionists between the 1980s and ’90s.

In 1984, Garde and his wife moved to Belfast, Maine, where many of his earlier works are represented. Garde was able to find his place as an artist in Belfast, where he remained an influential contemporary American artist making his mark on the world. In 1993, it was on to New Smyrna, where he then split time between Maine and his Florida home. Garde died Oct. 11, 2022, in Florida, just shy of 100 years old.

Garde invented Strappo printmaking in the mid-1980s as Neo-Expressionists were busy affecting conceptual and minimal art with their intense subjectivity. He developed this technique by combining printmaking and painting as an artistic ambivalence of originality worth mentioning. It is a transference of acrylic paint layers from smooth surfaces, such as glass, onto paper. The technique gives a reversal image of the layered medium, and a “Strappo Monotype.” His famous 2005 “Self-Portrait,” not at all shy by use of line, was acrylic Strappo mounted on paper. Garde taught his technique in workshops nationwide.

Garde challenges us to look back to the post-war movement in a new depth of today’s reality. His work transcends generations; to view it is to feel the past as an offset to emotional provocation. In the art industry, it is well identified that successful art is a work that provokes emotion, or which provokes a distinctive reaction. It is a work that defends itself while connecting points of view within the psychological stratosphere of others. It is a movement with time, as Garde proves to us, in shadows of color and thick use of strokes.

For example, “Nude Woman 2” is a geometrical offset between spatial relationships, and it is fortified with contrasts of color. It can be a reminder of the short-lived Fauvism even before his time. In one way, Nude Woman 2 appears to be divided into four separate sections. When we look deeper, the form absorbs its colorful depth, and into a minimized picture as a whole. It is then a man hiding behind the door where Nude Woman 2 is, and here we can see the desperate yearning for his helpless passions. These passions are further emphasized on the door that his back is against, where thought-provoking consciousness holds to his ear. Then we have a still life that decorates the room. What better color to use to paint a flower and what the flower sits in? The geometrical usage surpasses cleverness; it is where we see emotion as Garde shares it with us. It is the emotion that brings the painting to life.

Garde composes the figurative landscape into a two-dimensional acrylic on canvas in “Lady with a Cape” (2005). The passivity is here and is to be revealed within the autonomy of his subject, as Garde seemingly avoids any further depth away from her arm. The flattened background seems less important than the figure, and yet somehow a part of her, while the colors are geometrically atoned to emotion. Here, he develops a synchronicity of it that is held by her expression.

“Harold Garde at 100: The Unseen Works in Two Acts” features 100 never-before-exhibited artworks. This exhibition will unfold over the course of 2024, with selected paintings and works on paper from Maine, New York, and Florida. These works highlight the continuity of Garde’s clear vision and his unwavering symbolic hierarchy across decades.

Nobody’s Fault: Local band has staying power

From Led Zeppelin’s “The Ocean,” to Carly Simon’s “You’re So Vain,” to Deep Purple’s “Hush,” Nobody’s Fault, South Florida’s classic and new rock band, plays it all.

Although the origin of the name is lost in the ether, one possibility is that it’s a nod to Aerosmith’s 1976 “Nobody’s Fault,” or Led Zeppelin’s 1979 hit, “Nobody’s Fault But Mine.”

Now mostly in their 60s, guitarist Rick Friedlander, lead vocalist William (Bill) Murphy, his brother Steve Murphy (guitarist, keyboardist, and vocalist), bass player and vocalist Mark Knight, and drummer Paul Green have been playing together since 1997; and the Murphys and Knight have been playing together since high school.

“I met Bill at 17 when we worked together at K-Mart,” says Knight, who is a laser engineer by trade. “We started making noise together, and the rest is history.”

They are one of the longest continuing bands in South Florida, with a large fan base. “We’re a band of brothers,” says Bill Murphy. “For good or bad; we fight like siblings, but love each other.”

He attributes this camaraderie for their longevity. “We’re good friends and share a musical bond,” he says. “We always make time to play together. We’re in it for the fun, and we enjoy our time together on stage.”

From a musical family—his parents were folk musicians in New York—he and his younger brother Steve grew up in the business. “We had no choice,” he jokes.

At 13, Bill Murphy went to see the Jackson 5 perform, and he says that “the concert changed my life.”

That day he made the decision to make the music industry his life. “I never looked back,” he says.

Within two years, he and Steve were performing at a friend’s wedding reception.

Bill Murphy went on to have a 35-year professional career as a radio DJ, both in Dallas and in Miami at 101.5 LITE FM, BIG 105.9 classic rock, and WSHE rock & roll 103.5 (She’s Only Rock and Roll). He was the announcer and voice of the Florida Panthers for 14 years.

He has also been a part of other local bands, including Joe Rush, Company Kane, Top Priority, the Free Radicals, and Smoke and Mirrors. One of his biggest influences is Paul Carrack (aka “The Man with the Golden Voice”), best known for his 1975 song, “How Long” (“Has this been going on?”), and his rendition of “The Living Years.”

“He has such a soulful, passionate voice,” Murphy says. “It’s a huge compliment when people tell me I sound like him.”

A highlight of his career came at a Panthers game in 2012 where he played with the band pre-game, announced the game, and then played after the game to thousands of people at the Bank Atlantic Center in Sunrise.

“It was a great atmosphere and so much fun,” recalls Murphy. “I am blessed to make a living doing what I love. This is the key to a good life.”

Steve Murphy traveled the world and played with Alan Parsons, an English musician, songwriter, and record producer who was the sound engineer on the Beatles’ “Abbey Road” in 1969, “Let It Be” in 1970, and Pink Floyd’s “The Dark Side of the Moon” in 1973.

A multi-disciplinary musician—he plays guitar, keyboards, and sings—Steve Murphy also drums. With dreams of becoming Stewart Copeland, Jeff Porcaro, or John Henry Bonham (all drummers), Murphy played with some of his favorite bands, including the Police, Toto, and Led Zeppelin.

He toured with the Hit Men and the Trans Siberian Orchestra, visiting more than 40 countries in eight years with guitarist Godfrey Townsend and the Alan Parsons Live Project.

Nobody’s Fault drummer Green began playing music at the age of 13 with his mother, Susan Rose, a musician. They performed at a USO show in Japan and traveled the country, arriving in Florida in 1973.

Moving out at the age of 16, Green studied at the Recording Institute of America, where he learned lighting, sound, and stage building. He brought national acts including the Police and Pat Benatar to Florida, went on tour with the Jackson 5, and recorded an album with the Joe Rush Band.

“We love what we’re doing,” says bass player Knight, “and we hope to keep doing it. We give our fans our best every time—you never know when the last show will be.”

For Green, a highlight is the togetherness and camaraderie the band provides. “I enjoy that we’ve all been together for so long,” he says. “We communicate through music.”

He notes that over the past 25 years, the band has had its share of ups and downs.

“It’s like a boot camp,” he says. “We’ve been through thick and thin and have now become a family.”

For more information, visit nobodysfaultband.com or like them on Facebook. Upcoming dates include Saturday, Jan. 13, at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs. Visit sharkeysfl.com or call (954) 341-9990.

Havoc 305 Wreaking havoc in all three area codes

With a passion and talent for music, Enrique “Rik” De Cubas, lead guitarist and vocalist for the rock and top-40 party cover band Havoc 305, says the band also wreaks havoc in the 954 and 561 area codes.

Originally known as the Swinging Richards, the current name evolved over a brainstorming session one evening and took hold.

Whether singing the Beatles’ “Come Together,” Rod Stewart’s “All Right Now,” or Journey’s “Don’t Stop Believing,” De Cubas and his bandmates, lead vocalist and guitarist José Almonte, bass player and vocalist Arthur Granquist, and drummer and vocalist Jwani Brito, bring their own style and energy to each gig they play.

“Playing for our fans, friends, and family brings us much happiness,” says De Cubas. “We love the energy our audience brings, and we get a lot of energy from them while we play. We couldn’t do what we do without them, and we are indebted to their support and loyalty.”

All the musicians began playing music at an early age. Granquist started piano lessons at the age of 5 and played competitively by age 7. He learned guitar in high school.

Likewise, Brito, born into a musical family, discovered his passion and love for the drums early in life, after watching “The Muppet Show” with Buddy Rich and Animal doing a drum duet. Instantly he knew that was what he wanted to do.

Both De Cubas, who picked up the guitar at age 14, and Almonte, who fell in love with music at the age of 5 and grew up watching MTV and playing records he still has to this day, have devoted their life’s work to their passion for music.

The group performs regularly at the Margaritaville Hollywood Beach Resort and Margaritaville 5 o’Clock Somewhere Bar in Hollywood, THRōW Social in Delray Beach, Copper Blues Rock Pub and Kitchen in Miami, Voodo Bayou on Las Olas Boulevard in Fort Lauderdale, Mathews Brewing Company in Lake Worth Beach, and Crazy Uncle Mike’s in Boca Raton. Additionally, they love to perform at weddings and corporate events.

For New Year’s Eve, the group will appear at Sharkey’s Bar & Grill in Coral Springs to ring in 2024.

Musician Chet Gary, who plays rock violin, mandolin, and guitar, joined the group on stage last October at THRōW Social for some impromptu jamming.

“I enjoyed playing with Havoc 305,” says Gary. “They are professional and intuitive musicians. We developed a groove immediately and generated an exciting conclusion to my electric violin solo in Guns N’ Roses’ ‘Sweet Child O’ Mine.’

“I look forward to jamming with these guys again,” he says.

De Cubas, who admires guitarists Jimi Hendrix and Eddie Van Halen, fell in love with the guitar as a teenager. Self-taught, he studied architecture but left school when he signed a record deal with Cane/Universal Records, with the Latin rock group El Duende, and toured with the band during the mid-1990s. Their first album, “Transición,” was a Top 20 hit in the Latin rock charts.

He went on to perform for more than a decade at Murphy’s Law, in the Hard Rock Casino Resort in Hollywood, from where fans still recognize him to this day.

Music, he says, is both a harbor and a refuge, and it stimulates him, makes him happy, and picks him up when he’s down.

“Once I grab the guitar and my fingers graze the metal strings and the strings hit the wood, it’s magical,” De Cubas says, noting that he still practices every day to keep muscle memory intact and his technique and precision crisp.

He met band member Almonte through drummer Brito. The two also perform separately as the Havoc Duo.

Almonte, who doesn’t remember a time before he was singing, grew up in New York and the Dominican Republic. A real rocker, he loves Guns N’ Roses and Led Zeppelin and counts Chris Cornell, Axl Rose, and Robert Plant as inspiration.

With Havoc 305 for the past five years, “it’s been a great ride,” he says. He is a married father of four grown kids in a blended family.

One of Almonte’s favorite things is to be on stage with his best friends, energized by the music and the crowd. “On those nights when the music is pumping and the energy is there from the crowd, we make a perfect match,” he says.

He loves to perform “Sweet Child O’ Mine,” and to get the crowd up and dancing along to the 4 Non Blondes’ 1992 hit, “What’s Up?,” singing along to the refrain “What’s Going On?”

Long-term goals for the band include going as far as they can here in South Florida and branching out to create original music.

Almonte has written and performed an original song titled “Warped” that the band is arranging, each adding his own touch.

“We’re a hard-working band,” he says. “We love to have fun while playing, and we hope our audience has as much fun as we do. It’s a high to see people dancing and smiling and having a great time.

“That’s our job—we’re entertainers,” Almonte says.

Visit Havoc305.com or like them on Facebook. Sharkey’s Bar & Grill is located at 10365 Royal Palm Blvd., Coral Springs. For tickets to the New Year’s Eve show, visit sharkeysfl.com or call (954) 341-9990.

KEF! Street artist seeks and spreads harmony

Going with the flow is one way to describe the urban art of German-born street artist Simon Röhlen, 34, who goes by the street or tag name “KEF!”

While the Merriam-Webster dictionary defines the word kef as a “state of dreamy tranquility,” the artist chose the name to mean a scar on your skin, comparing the scar to the street tag, both having a long-lasting impact.

KEF! and his work will be part of the exhibit “Burner: The Exhibition,” at the Onessimo Fine Art Gallery in West Palm Beach through Nov. 12, as part of its North American tour.

A burner piece is described as a complicated, often legal street artwork that takes time and effort and makes a style statement. It’s so good that it “burns off the wall.”

The traveling exhibit of urban art features some of the most recognizable names in the graffiti and pop culture art movement, such as Banksy, Anthony Lister, Mr. Doodle, Kaws, Vinnie Nylon, Takashi Murakami, Reka One, Ben Eine, Dotmaster, Craig Knight, Harry Bunce, Henri Lamy, Dalek (aka James Marshall), Magnus Gjoen, Pure Evil, and the Connor Brothers, a pseudonym for British artists James Golding and Mike Snelle.

The two became known for their Pulp Fiction series, which uses stylized pinup artwork from dime novels juxtaposed with captions like “I drink to make other people more interesting” and “I don’t want to go to heaven,” with giclées on display at the exhibit.

“I am excited to present KEF!, a talented and influential artist, in person in my gallery, as well as some of the most important urban artists making a name in the contemporary art world,” says Debra Onessino, principal of Onessimo Fine Art Gallery.

“This exhibition opens doors to new conversations around art, freedom of expression, societal issues, and genres of work that have been at the forefront of the global contemporary art movement,” she says.

KEF! has on display the 2021 43-by-31-inch acrylic on canvas painting, “Deepness of the Moment #9,” with its strong black-and-white swirling lines and blocks of color; the 2023 “Slow Flowing River #8,” a 28-by-20-inch acrylic on canvas, the bold black lines offset by a Studebaker blue background and chunks of yellow; and the large-scale, 80-by-86-inch 2023 “Crescent Moon Fills My Heart #2,” acrylic on canvas, accented with touches of yellow, blue, and red.

KEF! began experimenting with graffiti art at the age of 14 and left his home base of Berlin for London in 2013, where his career took off.

His work can be seen at the Haus in Berlin, the Park Lane Hong Kong Hotel, and the Commerce building in Baton Rouge, LA, as well as on large-scale murals in the U.S., China, England, France, Germany, Guatemala, Israel, Spain, and Wales.

Retailer Urban Outfitters commissioned KEF! to design interiors for their stores in London, Berlin, Stuttgart, and Hong Kong. One of his most exciting commissions, he says, was the interior design he created in 2017 for the Park Lane Hong Kong Hotel’s SKYE Roofbar, with the panorama of the city and harbor below.

 “The view was just crazy over the skyline of Hong Kong,” KEF! remembers, noting that this project launched his international art career.

With a solo exhibition in Germany at the Museum Goch, a collab with Luis Vuitton, and representing Germany as a part of the official artistic efforts of @visitqatar and the FIFA World Cup in Qatar for last year’s games, his career scored more than a few goals.

Finding inspiration in nature and in the practice and rituals of Buddhism, KEF! is a devotee of Pure Land Buddhism, one of the most popular forms of Buddhism in eastern Asia, and has been to meditation retreats in China and most recently in Taiwan.

His art, a series of swirling and hypnotic patterns—he doesn’t paint lines or straight edges—is intended to promote peace and harmony in keeping with his spiritual beliefs.

“I find the flow relaxing,” KEF! says about his signature style. “It makes me calm to paint these flowing lines, and this is important to me.”

Not connecting with the traditional words and letters of graffiti-style artists, he discovered that these large-scale, patterned murals, using geometric abstract lines, resonate more with him.

“My work allows me to express what is inside of me,” says the self-taught artist who once apprenticed to be an industrial mechanic. Although he says he knew it wasn’t for him after the first week, KEF! persevered and finished the 3½-year apprenticeship.

“I took it as motivation to push my art career forward,” he says. “At the end, it was good, because it brought me to a more satisfying career.”

An admirer of London urban artist Stik (“his work is simple, but with a strong meaning”), known for his iconic depictions of stick figures, KEF! also has an appreciation for the classic art of Russian avant-garde artist Kazimir Malevich.

“His work is abstract, but very spiritual,” KEF! says. “When I read the meaning of his work, I really feel his spirit.”

As successful as he is at a young age, KEF! says his ultimate career goal would be to have an exhibit at MoMa in New York City.

“That’s when I would know I’ve really made it,” he says with a qualifier, also represented by his Buddhist philosophy and practice. “I would try to keep a beginner’s mind,” he says. “It’s unhealthy to focus on an end point. I want to keep my fire and curiosity alive.”

He says, “Success is more internal than external. As long as I can grow internally and be successful each day, I try to keep a balance between my material and spiritual goals.”

A seeker and a searcher on a spiritual journey, KEF! believes the world needs more harmony and tries to impart that message through his work.

His advice? “Try to relax when you observe my work,” he says. “Switch off your mind and try to feel my work emotionally and spiritually, and summon some inner peace and harmony.”

KIF! comments, “I hope my work conveys these feelings into my viewers’ lives so they can feel more calm, centered, and peaceful.”

Onessimo Fine Art Gallery is located at 4530 PGA Blvd., Palm Beach Gardens. For more information, visit www.Onessimofineart.com or call (561) 355-8061. Meet KEF! in person Nov. 10 from 5 to 8 p.m. or Nov. 12 from 2 to 5 p.m.

Cruising the water in a different kind of taxi

How can you tour the Intercoastal Waterway and the New River in Fort Lauderdale but on your own timetable? By buying an all-day pass on the Water Taxi!

I recently did this on a beautiful Saturday with some friends. We started our waterside adventure by parking at 15th Street Fisheries (where we could do valet all day) and having a delicious seafood lunch there, overlooking the sparkling water, fish, and boats of the Intercoastal. Then we walked out on the pier located right there and boarded a yellow water taxi, at the Fort Lauderdale Route’s stop #3.

To get your Water Taxi passes, you go online for pre-purchase and then your ticket barcode appears on your phone; just show the phone to boat staff upon boarding each taxi. The various boats are scheduled to arrive and depart every 3540 minutes (though we never waited that long), between 10 a.m. and 10 p.m. It is a great way to see the many nice features and highlights of Fort Lauderdale.

Stops 1 and 2 are along the river: #1 is the Riverside Hotel and Stranahan House, where you can enjoy the picturesque Riverwalk, and #2 is just steps away from the famous Las Olas Boulevard with all its shops, restaurants, and bars. We disembarked there and walked over to have cocktails and window-shop on the boulevard for a bit.

The other locations are on the Intercoastal: You can go to stop #4, for the Hilton Marina and Convention Center (where you also can transfer to the Hollywood Express Route, which goes to Margaritaville Beach Resort and the Hollywood Broadwalk); #5, the south end of Bahia Mar (where you can view marinas of luxury yachts docked); #6, Beach Place and Fort Lauderdale Beach; #7, GalleryOne Double Tree and Galleria Mall; #8, Birch State Park; #9, Shooters Waterfront; and #10, Bokamper’s Sports Bar & Grill.

We spent our afternoon gliding up and down the water throughout the city, seeing celebrities’ mansions and yachts as well as all kinds of other boats, including tour vessels, barges, party boats, a floating tiki bar, and young sailing students soaring by in a line of little boats. We went past “Beer Can Island,” where people frolicked on boats clustered around the sand bars, with many milling around in the shallow water and socializing. It was a gorgeous day, so there was a lot of action on the Intercoastal.

Aboard the taxis were tourists, families, and bar-hopping friends, all seeming to enjoy being out on the water and the ease of the taxi system. There was staff at each stop answering questions and, on board over a microphone, narrating the sights as we went past them, providing some interesting history and funny anecdotes. Be sure to bring some cash for tipping, as they definitely appreciate that and work hard.

Later that afternoon, two of us went ashore for a nice walk alongside A1A and the ocean, at Fort Lauderdale Beach, where we saw large groups having beach parties and barbecues and a wedding getting set up on the sand overlooking the ocean. We went on a walking bridge above A1A to buy drinks from a small market, and then headed back to our water taxi stop. I enjoyed being able to explore the area at our leisure and return when we were ready.

We ended our water tour of Fort Lauderdale by disembarking at the same place where we first got on, at stop #3, and picking up our car at the 15th Street Fisheries valet lot. A very pleasant day!

The Water Taxi all-day pass costs $35 for adults, $30 for seniors and military, $15 for children 5–11, and free for children under 5. Evening-only passes are $20 and start at 5 p.m. You can also buy a month’s unlimited pass for $90. For tickets and information, go to WaterTaxi.com.