John Bowen started with watercolor when his art teacher introduced it to him in high school, and he’s been painting with it ever since.
Art is a “labor of love,” says Bowen, whose extensive artistic career has taken him from artist apprentice right out of high school at an ad agency, and on through to the U.S. Air Force. But it doesn’t stop there. This month we recognize Bowen’s longstanding career as we honor National Vietnam War Veterans Day on Saturday, March 29.
Bowen was hired as the only illustrator (technician), graphically responsible for documenting work for about 200 soldiers in the 834th Air Division Headquarters Unit. Stationed in Tansonhert Airbase during the Vietnam War, near the city of Saigon (now Ho Chi Minh City) in southern Vietnam, Bowen at times was able to go out into the countryside and document the war in sketches. Otherwise, his job was to document actual operations in action on-site. He served eight years in the Air Force, from 1961 to 1969, and in the Vietnam War from 1967 to 1968, using mainly pencil (or pen) on paper as his medium for documentation.
Vietnam experiences. In 2013, Bowen was published by Middle River Press in Oakland Park, which recorded his physical and emotional experiences in the Vietnam War. The book is titled “Eleven Months and Nineteen Days,” and it is complemented with 43 black and white drawings made specifically for the work. The image here is a recreation of Bowen’s experience in one of his instances as he drew then. This time he was drawing from a life model as he recreated the memory. Bowen’s book could’ve been augmented with up to 60 of his original drawings; however, 43 was the magic number where he had chosen to stop. The medium was used for the purpose of keeping its authenticity as he recreated his experiences from the war.
Scratching the surface. Bowen was born in the Bronx and then grew up in Irvington, N.J., during his adolescent years. However, with his family having relocated to South Florida when Bowen left the war in December 1969, he also chose to settle in Florida, where he found a job with the Miami Herald. Some years down the road, he then worked for the Sun Sentinel. Bowen retired in 2009.
The years of painting, however, did not stop before or after the war. His work has been exhibited in major shows and has won several awards over the course of his lifetime. Bowen, from 1988, is a lifetime member of the Gold Coast Watercolor Society. He is a distinguished signature member of the Florida Watercolor Society, and his proudest accomplishment yet has been for him to be honored with signature status from the American Society of Marine Artists, more recently.
Realistic expressionism. Bowen’s creations with watercolor may seem mastered, but according to him, he is always learning and evolving (FYI, they are pretty mastered). However, he is not a purist. He admits to the use of gouache at times, predominantly zinc white, he mentions, in combinational transparency that creates a texture, such as with his trees or foliage. His ability to bring light colors over dark to increment to some extent is an evolution to depth development. He does this by using more paints and little water, which suggests a paste-like medium applied over its primary layer. Bowen’s reversed topical application assigns dualism to his expression by the concept of light.
Viscaya. The Vizcaya Museum and Gardens, or simply Vizcaya, is a lovely historic estate in Miami. It was built between 1914 and 1922. Bowen’s beautiful paintings of Viscaya can be found in prints and notecards in its gift shop, while some of his originals can be viewed in the cafe.
Chosen subjects. Bowen’s favorite subjects to paint are old homes, in detail, and of wicker, for example, a theme of one of his favorite artworks on the front porch of an old house. “Dove & Blackbird” (not pictured) is just one of many examples of the fine detail to that of interpretation, which extends from the door, amplifying the presence of that detail. Moreover, there are his “shoots”—what Bowen calls them—as he brings photographs of his subjects back home to his studio, where he then recreates the art. His work, inspired by the historical city of Charleston, S.C., was formed from some of his shoots, as he grasps moments of history and shares them through watercolor by hand.
“Antique Ford” (not pictured) is another exquisite artwork reconstructed from history. The work is of an old-time Ford with old-time luggage sitting in the back of its trunk. This work demonstrates quite vividly Bowen’s use of light and color dynamics as he exerts influence on already visually favorable subjects. He brings not only the past into a unique visual, but also the joy and tranquility of his subjects fluently through his artistic hand to life. They are fun to see.
The Florida Keys. The Keys is where viewers can find those wicker chairs, in his series of the area, ranging from his experiences at the Main Street Kennedy Gallery on Duval Street to those on West Atlantic Avenue.
Every little detail. Bowen’s ability to capture every little detail is indeed impressive, unveiling his acuity to vision. His unique Marine collection is no different. The use of light trickles down right to the most rustic authenticity. Dynamics in visual draws of color highlight each context unsparingly. It is easy to see how much his work exercises his bravery.
Currently, Bowen’s work aspires to the BRiC, Boca Raton’s Innovation Campus, expected to launch in May 2025, where three of his artworks will be able to be viewed. He currently resides in Tamarac. We extend a warm thanks for his service.
For more information or to contact John Bowen, go to johnbowenwatercolorist.com.