Author: Jan Engoren

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Nobody’s Fault: Local band has staying power

From Led Zeppelin’s “The Ocean,” to Carly Simon’s “You’re So Vain,” to Deep Purple’s “Hush,” Nobody’s Fault, South Florida’s classic and new rock band, plays it all.

Although the origin of the name is lost in the ether, one possibility is that it’s a nod to Aerosmith’s 1976 “Nobody’s Fault,” or Led Zeppelin’s 1979 hit, “Nobody’s Fault But Mine.”

Now mostly in their 60s, guitarist Rick Friedlander, lead vocalist William (Bill) Murphy, his brother Steve Murphy (guitarist, keyboardist, and vocalist), bass player and vocalist Mark Knight, and drummer Paul Green have been playing together since 1997; and the Murphys and Knight have been playing together since high school.

“I met Bill at 17 when we worked together at K-Mart,” says Knight, who is a laser engineer by trade. “We started making noise together, and the rest is history.”

They are one of the longest continuing bands in South Florida, with a large fan base. “We’re a band of brothers,” says Bill Murphy. “For good or bad; we fight like siblings, but love each other.”

He attributes this camaraderie for their longevity. “We’re good friends and share a musical bond,” he says. “We always make time to play together. We’re in it for the fun, and we enjoy our time together on stage.”

From a musical family—his parents were folk musicians in New York—he and his younger brother Steve grew up in the business. “We had no choice,” he jokes.

At 13, Bill Murphy went to see the Jackson 5 perform, and he says that “the concert changed my life.”

That day he made the decision to make the music industry his life. “I never looked back,” he says.

Within two years, he and Steve were performing at a friend’s wedding reception.

Bill Murphy went on to have a 35-year professional career as a radio DJ, both in Dallas and in Miami at 101.5 LITE FM, BIG 105.9 classic rock, and WSHE rock & roll 103.5 (She’s Only Rock and Roll). He was the announcer and voice of the Florida Panthers for 14 years.

He has also been a part of other local bands, including Joe Rush, Company Kane, Top Priority, the Free Radicals, and Smoke and Mirrors. One of his biggest influences is Paul Carrack (aka “The Man with the Golden Voice”), best known for his 1975 song, “How Long” (“Has this been going on?”), and his rendition of “The Living Years.”

“He has such a soulful, passionate voice,” Murphy says. “It’s a huge compliment when people tell me I sound like him.”

A highlight of his career came at a Panthers game in 2012 where he played with the band pre-game, announced the game, and then played after the game to thousands of people at the Bank Atlantic Center in Sunrise.

“It was a great atmosphere and so much fun,” recalls Murphy. “I am blessed to make a living doing what I love. This is the key to a good life.”

Steve Murphy traveled the world and played with Alan Parsons, an English musician, songwriter, and record producer who was the sound engineer on the Beatles’ “Abbey Road” in 1969, “Let It Be” in 1970, and Pink Floyd’s “The Dark Side of the Moon” in 1973.

A multi-disciplinary musician—he plays guitar, keyboards, and sings—Steve Murphy also drums. With dreams of becoming Stewart Copeland, Jeff Porcaro, or John Henry Bonham (all drummers), Murphy played with some of his favorite bands, including the Police, Toto, and Led Zeppelin.

He toured with the Hit Men and the Trans Siberian Orchestra, visiting more than 40 countries in eight years with guitarist Godfrey Townsend and the Alan Parsons Live Project.

Nobody’s Fault drummer Green began playing music at the age of 13 with his mother, Susan Rose, a musician. They performed at a USO show in Japan and traveled the country, arriving in Florida in 1973.

Moving out at the age of 16, Green studied at the Recording Institute of America, where he learned lighting, sound, and stage building. He brought national acts including the Police and Pat Benatar to Florida, went on tour with the Jackson 5, and recorded an album with the Joe Rush Band.

“We love what we’re doing,” says bass player Knight, “and we hope to keep doing it. We give our fans our best every time—you never know when the last show will be.”

For Green, a highlight is the togetherness and camaraderie the band provides. “I enjoy that we’ve all been together for so long,” he says. “We communicate through music.”

He notes that over the past 25 years, the band has had its share of ups and downs.

“It’s like a boot camp,” he says. “We’ve been through thick and thin and have now become a family.”

For more information, visit nobodysfaultband.com or like them on Facebook. Upcoming dates include Saturday, Jan. 13, at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs. Visit sharkeysfl.com or call (954) 341-9990.

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Havoc 305 Wreaking havoc in all three area codes

With a passion and talent for music, Enrique “Rik” De Cubas, lead guitarist and vocalist for the rock and top-40 party cover band Havoc 305, says the band also wreaks havoc in the 954 and 561 area codes.

Originally known as the Swinging Richards, the current name evolved over a brainstorming session one evening and took hold.

Whether singing the Beatles’ “Come Together,” Rod Stewart’s “All Right Now,” or Journey’s “Don’t Stop Believing,” De Cubas and his bandmates, lead vocalist and guitarist José Almonte, bass player and vocalist Arthur Granquist, and drummer and vocalist Jwani Brito, bring their own style and energy to each gig they play.

“Playing for our fans, friends, and family brings us much happiness,” says De Cubas. “We love the energy our audience brings, and we get a lot of energy from them while we play. We couldn’t do what we do without them, and we are indebted to their support and loyalty.”

All the musicians began playing music at an early age. Granquist started piano lessons at the age of 5 and played competitively by age 7. He learned guitar in high school.

Likewise, Brito, born into a musical family, discovered his passion and love for the drums early in life, after watching “The Muppet Show” with Buddy Rich and Animal doing a drum duet. Instantly he knew that was what he wanted to do.

Both De Cubas, who picked up the guitar at age 14, and Almonte, who fell in love with music at the age of 5 and grew up watching MTV and playing records he still has to this day, have devoted their life’s work to their passion for music.

The group performs regularly at the Margaritaville Hollywood Beach Resort and Margaritaville 5 o’Clock Somewhere Bar in Hollywood, THRōW Social in Delray Beach, Copper Blues Rock Pub and Kitchen in Miami, Voodo Bayou on Las Olas Boulevard in Fort Lauderdale, Mathews Brewing Company in Lake Worth Beach, and Crazy Uncle Mike’s in Boca Raton. Additionally, they love to perform at weddings and corporate events.

For New Year’s Eve, the group will appear at Sharkey’s Bar & Grill in Coral Springs to ring in 2024.

Musician Chet Gary, who plays rock violin, mandolin, and guitar, joined the group on stage last October at THRōW Social for some impromptu jamming.

“I enjoyed playing with Havoc 305,” says Gary. “They are professional and intuitive musicians. We developed a groove immediately and generated an exciting conclusion to my electric violin solo in Guns N’ Roses’ ‘Sweet Child O’ Mine.’

“I look forward to jamming with these guys again,” he says.

De Cubas, who admires guitarists Jimi Hendrix and Eddie Van Halen, fell in love with the guitar as a teenager. Self-taught, he studied architecture but left school when he signed a record deal with Cane/Universal Records, with the Latin rock group El Duende, and toured with the band during the mid-1990s. Their first album, “Transición,” was a Top 20 hit in the Latin rock charts.

He went on to perform for more than a decade at Murphy’s Law, in the Hard Rock Casino Resort in Hollywood, from where fans still recognize him to this day.

Music, he says, is both a harbor and a refuge, and it stimulates him, makes him happy, and picks him up when he’s down.

“Once I grab the guitar and my fingers graze the metal strings and the strings hit the wood, it’s magical,” De Cubas says, noting that he still practices every day to keep muscle memory intact and his technique and precision crisp.

He met band member Almonte through drummer Brito. The two also perform separately as the Havoc Duo.

Almonte, who doesn’t remember a time before he was singing, grew up in New York and the Dominican Republic. A real rocker, he loves Guns N’ Roses and Led Zeppelin and counts Chris Cornell, Axl Rose, and Robert Plant as inspiration.

With Havoc 305 for the past five years, “it’s been a great ride,” he says. He is a married father of four grown kids in a blended family.

One of Almonte’s favorite things is to be on stage with his best friends, energized by the music and the crowd. “On those nights when the music is pumping and the energy is there from the crowd, we make a perfect match,” he says.

He loves to perform “Sweet Child O’ Mine,” and to get the crowd up and dancing along to the 4 Non Blondes’ 1992 hit, “What’s Up?,” singing along to the refrain “What’s Going On?”

Long-term goals for the band include going as far as they can here in South Florida and branching out to create original music.

Almonte has written and performed an original song titled “Warped” that the band is arranging, each adding his own touch.

“We’re a hard-working band,” he says. “We love to have fun while playing, and we hope our audience has as much fun as we do. It’s a high to see people dancing and smiling and having a great time.

“That’s our job—we’re entertainers,” Almonte says.

Visit Havoc305.com or like them on Facebook. Sharkey’s Bar & Grill is located at 10365 Royal Palm Blvd., Coral Springs. For tickets to the New Year’s Eve show, visit sharkeysfl.com or call (954) 341-9990.

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KEF! Street artist seeks and spreads harmony

Going with the flow is one way to describe the urban art of German-born street artist Simon Röhlen, 34, who goes by the street or tag name “KEF!”

While the Merriam-Webster dictionary defines the word kef as a “state of dreamy tranquility,” the artist chose the name to mean a scar on your skin, comparing the scar to the street tag, both having a long-lasting impact.

KEF! and his work will be part of the exhibit “Burner: The Exhibition,” at the Onessimo Fine Art Gallery in West Palm Beach through Nov. 12, as part of its North American tour.

A burner piece is described as a complicated, often legal street artwork that takes time and effort and makes a style statement. It’s so good that it “burns off the wall.”

The traveling exhibit of urban art features some of the most recognizable names in the graffiti and pop culture art movement, such as Banksy, Anthony Lister, Mr. Doodle, Kaws, Vinnie Nylon, Takashi Murakami, Reka One, Ben Eine, Dotmaster, Craig Knight, Harry Bunce, Henri Lamy, Dalek (aka James Marshall), Magnus Gjoen, Pure Evil, and the Connor Brothers, a pseudonym for British artists James Golding and Mike Snelle.

The two became known for their Pulp Fiction series, which uses stylized pinup artwork from dime novels juxtaposed with captions like “I drink to make other people more interesting” and “I don’t want to go to heaven,” with giclées on display at the exhibit.

“I am excited to present KEF!, a talented and influential artist, in person in my gallery, as well as some of the most important urban artists making a name in the contemporary art world,” says Debra Onessino, principal of Onessimo Fine Art Gallery.

“This exhibition opens doors to new conversations around art, freedom of expression, societal issues, and genres of work that have been at the forefront of the global contemporary art movement,” she says.

KEF! has on display the 2021 43-by-31-inch acrylic on canvas painting, “Deepness of the Moment #9,” with its strong black-and-white swirling lines and blocks of color; the 2023 “Slow Flowing River #8,” a 28-by-20-inch acrylic on canvas, the bold black lines offset by a Studebaker blue background and chunks of yellow; and the large-scale, 80-by-86-inch 2023 “Crescent Moon Fills My Heart #2,” acrylic on canvas, accented with touches of yellow, blue, and red.

KEF! began experimenting with graffiti art at the age of 14 and left his home base of Berlin for London in 2013, where his career took off.

His work can be seen at the Haus in Berlin, the Park Lane Hong Kong Hotel, and the Commerce building in Baton Rouge, LA, as well as on large-scale murals in the U.S., China, England, France, Germany, Guatemala, Israel, Spain, and Wales.

Retailer Urban Outfitters commissioned KEF! to design interiors for their stores in London, Berlin, Stuttgart, and Hong Kong. One of his most exciting commissions, he says, was the interior design he created in 2017 for the Park Lane Hong Kong Hotel’s SKYE Roofbar, with the panorama of the city and harbor below.

 “The view was just crazy over the skyline of Hong Kong,” KEF! remembers, noting that this project launched his international art career.

With a solo exhibition in Germany at the Museum Goch, a collab with Luis Vuitton, and representing Germany as a part of the official artistic efforts of @visitqatar and the FIFA World Cup in Qatar for last year’s games, his career scored more than a few goals.

Finding inspiration in nature and in the practice and rituals of Buddhism, KEF! is a devotee of Pure Land Buddhism, one of the most popular forms of Buddhism in eastern Asia, and has been to meditation retreats in China and most recently in Taiwan.

His art, a series of swirling and hypnotic patterns—he doesn’t paint lines or straight edges—is intended to promote peace and harmony in keeping with his spiritual beliefs.

“I find the flow relaxing,” KEF! says about his signature style. “It makes me calm to paint these flowing lines, and this is important to me.”

Not connecting with the traditional words and letters of graffiti-style artists, he discovered that these large-scale, patterned murals, using geometric abstract lines, resonate more with him.

“My work allows me to express what is inside of me,” says the self-taught artist who once apprenticed to be an industrial mechanic. Although he says he knew it wasn’t for him after the first week, KEF! persevered and finished the 3½-year apprenticeship.

“I took it as motivation to push my art career forward,” he says. “At the end, it was good, because it brought me to a more satisfying career.”

An admirer of London urban artist Stik (“his work is simple, but with a strong meaning”), known for his iconic depictions of stick figures, KEF! also has an appreciation for the classic art of Russian avant-garde artist Kazimir Malevich.

“His work is abstract, but very spiritual,” KEF! says. “When I read the meaning of his work, I really feel his spirit.”

As successful as he is at a young age, KEF! says his ultimate career goal would be to have an exhibit at MoMa in New York City.

“That’s when I would know I’ve really made it,” he says with a qualifier, also represented by his Buddhist philosophy and practice. “I would try to keep a beginner’s mind,” he says. “It’s unhealthy to focus on an end point. I want to keep my fire and curiosity alive.”

He says, “Success is more internal than external. As long as I can grow internally and be successful each day, I try to keep a balance between my material and spiritual goals.”

A seeker and a searcher on a spiritual journey, KEF! believes the world needs more harmony and tries to impart that message through his work.

His advice? “Try to relax when you observe my work,” he says. “Switch off your mind and try to feel my work emotionally and spiritually, and summon some inner peace and harmony.”

KIF! comments, “I hope my work conveys these feelings into my viewers’ lives so they can feel more calm, centered, and peaceful.”

Onessimo Fine Art Gallery is located at 4530 PGA Blvd., Palm Beach Gardens. For more information, visit www.Onessimofineart.com or call (561) 355-8061. Meet KEF! in person Nov. 10 from 5 to 8 p.m. or Nov. 12 from 2 to 5 p.m.

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Watercolorist celebrates nature

Growing up in Parkland in the 1990s, watercolor artist Kimberly Heise, 32, was enthralled with the natural beauty around her. She remembers an abundance of pine trees and wooded hammocks, and she gazed onto a forest of trees from her bedroom window. It was an idyllic time that resonates with her to this day.

“My love of nature comes from my childhood home in Parkland,” Heise says. “I spent a lot of time in nature as a kid.”

After graduating from Florida Atlantic University with a BFA in painting in 2016, Heise moved to Boca Raton, Delray Beach, and Miami and felt disconnected from nature. She discovered watercolors and decided to focus on scenes from nature as a way to reconnect to the natural world.

“Art became a way for me to feel connected with the natural world when access to habitats became sparse,” Heise says. Specializing in Florida native plants and animals, her style is a combination of hyper-realism with the accuracy of scientific illustration.

Now back in Parkland, Heise rides her bicycle through Covered Bridge Park, 6 Acre Wood Park, and other trails where she shoots photographs of flowers, plants, or wildlife that she later paints.

Collaborating with nonprofits, Heise creates original artwork for websites, trail signs, videos, guides, magazines, products, logos, and research presentations. “I’m partial to working with organizations that work to preserve our natural habitats and ecosystems,” she says.

Heise painted the Florida bonneted bat, a species of bat only found in South Florida and one of the most endangered mammals in North America, to bring awareness to conservation efforts.

She paints two hours each day in her home studio and devotes time to her newsletter and website, social media, emails, and other nonartistic, but necessary, tasks.

Heise says she is doing exactly what she envisioned. “Being able to sustain myself doing what I love is something I’ve wanted since my 20s,” she says. “Doing this full-time is amazing.

“I enjoy the process of painting,” Heise says “Envisioning beautiful things and bringing them to life is very satisfying.”

She became involved with the Florida Native Plant Society (FNPS), and its educational programs helped shape her work.

“Kim’s a wonderful woman, generous, friendly, and easy to work with,” says Mark Kateli, FNPS statewide president. “She’s a budding naturalist who showcases native plants and animals to raise awareness for our environment and has a bona fide talent and an astute hand in drawing animals and plants.”

For their conference, Heise donates a digital art piece and this year was featured on the front cover of The Palmetto, the group’s magazine.

Heise admires artists John James Audubon, Teagan White, and wildlife artist and illustrator Zoe Keller. “The more you learn about native species, the more exciting it becomes,” she says.

“Lawn weeds,” a native plant and host for butterflies, excite her. “Learning about these species helps me connect to Florida,” Heise says. “Florida is not just palm trees—there is so much joy and beauty here.

“It’s hard to see a native plant such as Chapman’s Cassia (a woody shrub) or Coreopsis (tickseed) and not get excited,” says Heise.

“Learning about these native habitats has made me a happier person,” she says.

Most recently, Heise completed a coloring book for the Everglades Foundation and has collaborated with the Miami nonprofit Bound by Beauty and created a field guide with 17 illustrations of native plants that host butterflies.

“This was one of my most enjoyable and meaningful projects,” the artist says.

“We have been fortunate to collaborate with Kim on our wildlife sanctuary, our field guide to wild plants that host butterflies, and others,” says Mary Benton, founding director of Bound by Beauty. “She has an affinity for the native flora and fauna and an extraordinary ability to bring them to life with watercolor.”

Benton notes, “Everybody who sees her posters is drawn to them more closely, which is our intent in educating people about the beauty and importance of nature—in this case, ‘lawn weeds.’”

Heise is also one of nine artists commissioned by West Palm Beach’s ArtLife Public Art program—”9 Artists 9 Spaces”—to create a temporary public work with the theme of play.

Titled “Birds at Play,” the mural features images of herons and egrets, whistling ducks, gallinule, kites and butterflies, painted buntings, and laughing and herring gulls. The artwork will be installed at the Mandel Library later this summer.

“I’m excited to be part of this project,” says Heise, who is creating the imagery in watercolor in separate panels, then Photoshopping them together. The finished image will be printed on vinyl and installed in the entranceway to the library by forklift.

Additionally, her exhibit “Florida Naturally Wild: Watercolor Painting by Kim Heise” runs through Aug. 26 at Kampong National Tropical Botanical Garden in Miami.

Going forward, Heise would love to have her work at Art Basel or a gallery and to have the ability to “cross-pollinate” (to use a nature term) between the fine art and conservation worlds. She says her best work is created with the intention of it being fine art.

“I’m thrilled when I set an intention for the work and the work rises to that intention,” she says.  “I’m most proud of having my art appreciated for the beauty of the art itself.”

To follow Heise’s latest works, sign up for her email newsletter at KimHeise.com/newsletter or follow her on Instagram and Facebook at KimHeiseArt. Original paintings and prints are also available for sale on her website.

 To learn more about the exhibit at Kampong National Tropical Botanical Garden, visit ntbg.org/events/florida-naturally-wild.

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Nevelson’s Shadow Chord given new life at Boca museum

“I fell in love with black; it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all. … You can be quiet, and it contains the whole thing.”
—Louise Nevelson

American sculptor Louise Nevelson (1899–1988), known for her large, three-dimensional, wooden structures, worked primarily in monochromatic black or white.

Born Leah Berliawsky to Jewish parents in the Soviet Empire in 1899, she emigrated to the U.S. with her family when she was a child.

Growing up in Rockland, Maine, Nevelson moved to New York City to attend high school, where, after graduation, she got a job as a stenographer in a law office and met her future husband, Charles Nevelson, owner of a shipping company.

Calling herself “the original recycler,” Nevelson combed the streets of New York salvaging found objects, wood pieces, and other discarded items to use in her sculptures.

During the mid-1950s, she produced her first series of all-black wood landscape structures, describing herself as the “Architect of Shadow.”

“Shadow and everything else on Earth actually is moving,” she said at the time. “Movement—that’s in color, that’s in form, that’s in almost everything. Shadow is fleeting. … I arrest it and I give it a solid substance.”

Her sculpture titled “Shadow Chord,” created in 1969 and now at the Boca Raton Museum of Art, where it was just restored, was created at the height of her artistic career and embodies the visual language of her work with complex wood assemblages and monochromatic color.

Consisting of stacked boxes completely covered by her signature flat black paint, the sculpture gives this installation the imposing presence of a cityscape that alters the viewer’s perception of light and space.

At the museum since 2001, the work was in need of repair. The restoration was funded by a grant from Bank of America’s Art Conservation Project, a global program providing grants to nonprofit cultural institutions to conserve historically or culturally significant works of art.

Since it began in 2010, the Art Conservation Project has funded the conservation of individual pieces of art through more than 237 projects in 40 countries across six continents.

Among the 13 museums in the U.S. that were awarded the grant this year, the Boca Raton museum is the only one in South Florida to be chosen.

“The Boca Raton Museum of Art is honored to receive this prestigious grant from the Bank of America Conservation Project,” says Irvin Lippman, the museum’s executive director. “Nevelson’s sculpture commands a singular position in our galleries, and we are grateful for this support for its restoration.

“With its engulfing, sensuous environment full of shadows and mystery, this artwork continues to be a favorite for our visitors,” Lippman says.

Nevelson studied painting, voice, and dance at the Art Students League in New York City and held her first solo exhibition in New York in 1941. Over the next several decades, she became a pioneer in large-scale installations, an uncommon achievement for women of her generation.

Nevelson, whose marriage to her husband ended when she was 42, struggled financially much of her life. It wasn’t until her early 70s that Nevelson focused on monumental outdoor sculptures, after being commissioned by Princeton University in 1969 to create a large-scale sculpture for them.

To this day, she is most known for her wooden, wall-like, collage-driven reliefs consisting of multiple boxes and compartments that hold abstract shapes and found objects from chair legs to balusters that she collected from items discarded on the streets.

Nevelson is also the first woman to gain fame in the U.S. for her public art. In 1978, New York City created a sculpture garden, titled Louise Nevelson Plaza and located in Lower Manhattan, to showcase her sculptures. It became the first public space in New York City to be named after an artist.

Her works are in the collections of major art institutions around the world, including the Metropolitan Museum of Art and the Museum of Modern Art in New York, the Hirschhorn Museum in Washington, D.C., the Tate in London, and the Centre Georges Pompidou in Paris.

 

The newly refurbished sculpture is currently on view on the second floor at the Boca Raton Museum of Art, 501 Plaza Real. Visit BocaMuseum.org.

 

 

 

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Get your art on

Van Gogh: The Immersive Experience

 Take a drive to Miami to immerse yourself in the artwork of Vincent Van Gogh in “Van Gogh: The Immersive Experience,” a 360-degree, digital art exhibition that invites you to step into the universe of the Dutch painter and see his works like they haven’t been seen before.

The organizers, Exhibition Hub, say that digital art has been shown to have health benefits, including lowering stress, blood pressure, and anxiety, and is soothing to the soul.

The exhibit is installed at the historic 1926 Olympia Theater in Miami with its Mediterranean courtyard. Step into a 20,000-square-foot light and sound spectacular and take a virtual reality trip through eight of Van Gogh’s works and their source of inspiration in “A Day in the Life of the Artist in Arles, France.”

Explore his life, his work, and his secrets through cutting-edge digital projections, a one-of-a-kind virtual reality experience, and an atmospheric light and sound show. Become completely immersed in the works of art around you, and dive deep into the world created by Van Gogh’s imagination and brush strokes.

Five iconic spring paintings to spot at the Van Gogh Immersive Experience include “Almond Blossoms,” “Fishing in Spring,” “Sunflowers,” “Irises,” and “Flowering Orchid.”

The experience is offered in both English and Spanish and runs through Labor Day. Tickets are available through Fever at vangoghexpo.com/miami.

Museum of Contemporary Art, North Miami

While you’re in Miami, check out two spring exhibitions at the Museum of Contemporary Art, North Miami (MOCA): “Lonnie Holley: If You Really Knew” and the South Florida Cultural Consortium exhibition. Both exhibitions are on view through Oct. 1.

“If You Really Knew” provides an intimate and focused look at the career of Birmingham, Alabama-born artist and musician Lonnie Holley. The exhibition, curated by MOCA curator Adeze Wilford, features 70 works including foundational “sandstone” sculptures, new works on paper, and large-scale quilt paintings depicting faces. Known for his unique style of art that draws inspiration from his life experiences, Holley often incorporates found objects and everyday materials into his work.

The South Florida Cultural Consortium exhibition brings together 12 artists working across various media, including sculpture, film, and site-specific installations. The exhibition, hosted by MOCA, provides a snapshot of the breadth and depth of the artistic talent in the South Florida art scene. The 12 artists are Farley Aguilar, Gabino A. Castelán, Nereida Garcia-Ferraz, Moira Holohan, Francesco Lo Castro, Tory Mata, Beatriz Monteavaro, Ema Ri, Asser Saint-Val, Carin Wagner, Carrington Ware, and Addison Wolff.

For more information, visit mocanomi.org.

Cultural Council for Palm Beach County—Biennial

Closer to home, head north to Lake Worth for a visit to the Biennial exhibit sponsored by the Cultural Council for Palm Beach County and curated by guest curator Juana Williams. On display are works by more than 30 artists, showcasing the diversity and breadth of work created by artists living and working in the Palm Beaches.

A juried show, presented every two years, the exhibition features works that span a variety of media, including video, painting, photography, and sculpture.

If you go, check out the three award-winning artists from the show: Boca Raton-based artist Fulya Acikgoz earned Best of Show for her oil painting “Turkish Porcelain Plates.” Delray Beach-based artist Lucia Gomez earned second place for her mixed-media oil painting “City Memoirs No. 2853.” And Lake Park-based artist Lupe Lawrence earned third place for her oil painting “I Will Fly a Kite.”

Other regional artists on display include Boca Raton’s Gregory Dirr, a multidisciplinary artist, painter and sculptor Nadine Saitlin, printmaker Ted Shaine, and Delray Beach-based painter Karen H. Salup.

The exhibit is free and open to the public through June 24. Visit www.palmbeachculture.com.

Coral Springs Museum of Art—Juan Abuela, “Pressure”

Fascination with everyday objects, the utilitarian versus the nonutilitarian, is the focus of Juan Abuela’s work. The Cuban-born, Miami-based artist’s work is the consequence of his passion for painting, design, and carpentry. He appropriates different objects to discuss why and how they are stripped of their functions, transformed, and revealed in their new design with the intention to balance matter and spirit.

Abuela researches the inner world and what is not seen: the hidden, mystical, and intangible. It emphasizes the importance of a necessary balance with its counterpart (appearance, brightness, color, tangibility, etc.). These “two universes” must balance in order to function. His work represents the parallel between these two worlds and reflects the different attitudes and behaviors that can create conflict.

The exhibit runs through June 17. Also on display: “Selections from the Permanent Collection,” through June 17; and Luke Jenkins and “Empty Walls,” running June 26 to Aug. 12. Visit CoralSpringsMuseum.org.

 Cornell Museum at Old School Square

 Cornell Museum at Old School Square in downtown Delray Beach presents “The World of Water.” This exhibition explores artistic interpretation and connection to water, the environment, conservation, and sustainability. The showcase includes a total of 43 pieces by 20 artists, featuring textural elements in mixed-media sculpture, installations, glass, digital and film photography, and oil and watercolor paintings.

See glass artist Josh Fradis’s glass sculpture of mother and baby jellyfish titled “Just Follow Me”; conceptual photographer Kasha McKee’s photographs of flamingos splashing in the West Palm Beach fountain; and Boca Raton artist and printmaker Ron Garrett’s “Manatee Lament,” an 84 x 32 x 26, mixed-media sculpture of a motorboat-scarred manatee bringing attention to the environmental threats faced by these “tearful, life-sized gentle giants.”

Boca Raton multimedia artist Lynn Doyal’s photograph, titled “Dew from Heaven,” a digital image painted with acrylic and hand-stitched with beads and thread, depicts an original photograph of a dew drop on a leaf enhanced with her mixed-media technique.

Multidisciplinary artist Dave Rosenthal brings the sound of water to life to augment the viewing experience with a sensory and auditory musical experience.

The exhibition is curated by the Delray Beach Downtown Development Authority cultural arts director, Marusca Gatto, and Debby Coles-Dobay of Art Moves You.

All work is for sale by artist. The exhibit runs through June 25. For more information, visit oldschoolsquare.org.

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‘Freddy the Ref’ Honoring Fred Yarmuth for over 30 years of service

It all started one day in 1993 when Parkland resident Fred Yarmuth, 70, was driving down the street and saw some kids playing ball in a field. “Hmm,” he thought, “I might like to be their referee.”

Little did he know that more than 30 years later, he would come to be known as Parkland’s “legendary referee,” or as Broward County Mayor Michael Udine nicknamed him affectionately, “Freddy the Ref.”

Born in Passaic, NJ, Yarmouth moved to Louisville, KY, as a child and attended the University of Louisville. He later worked for the now-defunct restaurant chain Victoria Station, and then he worked with his dad in construction and cleaning new homes.

In 1979 he moved to North Miami Beach, a move that would define the rest of his life. He met and married his wife, Karen. The two have two daughters, Lindsay, 37, an attorney, and Brittany, 33, who works for a health-care company, and a 6-year-old grandson, Brandon, who just started playing flag football and basketball in Parkland sports.

“I try not to ref him,” jokes Yarmuth.

While he may refrain from refereeing his grandson, Yarmuth has been an essential part of many children’s and families’ sporting lives in Parkland. He made his mark on Parkland sports and has been integral to the growth of the Parkland sports leagues over the past three decades.

Yarmuth is known for his patience, compassion, and kindness, and he takes time out to teach others the rules of the game and the importance of sportsmanship. He has left a lasting impact on the development of young athletes, both on and off the field.

He volunteers countless hours working with others to improve the sports services and facilities, and many say he is the true heart of recreational sports in Parkland.

“For as long as I can remember, Freddy has been a vital part of Parkland rec sports, and as a result, a part of the Brier family as well,” says Simeon Brier, Parkland’s vice mayor and city commissioner for District 1.

“Whether it was refereeing my younger brothers’ games, games I coached while in college, games for my two daughters in multiple sports, and now refereeing games for my niece and nephews, Freddy has seen multiple generations of Parklanders on the courts and fields of our city parks,” he says.

Brier, who was elected last November, and who has lived in Parkland for 40 years and coached rec sports in the city since the 1990s, is familiar with the ins and outs of the job. “Freddy has a great sense of humor, a passion for youth sports, and is a beloved part of the Parkland community.”

Yarmuth’s passion for sports began when he played basketball in high school, and he gives credit to his former intramural coach, Eugene Minton, for encouraging his love of the game.

It’s that love he passes down to his players. “I love working with the kids,” says Yarmuth. “I love teaching them the rules, seeing them play the game over the years, and watching them grow up. Some of my first kids now have their own kids in the league.

“I’ve seen them come full circle,” he says.

In his younger days, Yarmuth would pick up the little kids and put them on his shoulders to help them make a basket. “They remember me to this day for that,” he says. “That really made their season.”

One of the kids he refereed since the age of 4 is now 16-year-old Broward Preparatory School sophomore Nate Harmelin, who played flag football and basketball.

“Freddy is the grandpa that everyone loves,” says Harmelin. “He makes us laugh with his jokes. We always have a good time with Freddy, and whether I’m on the court or run into him in Parkland, I always get a good laugh from Freddy.”

His father, Adam Harmelin, who coaches football and basketball, says, “Freddy always tries to help the younger kids who are not playing well. He always looks out for the underdog. He’s a wonderful man.”

In addition to his volunteer referee duties, Yarmuth works as a paraprofessional at Riverside Elementary in Coral Springs, volunteers his time packing food boxes with Feeding South Florida, and volunteers on local political campaigns.

In 2021 he was honored with the Humanitarian Award from the Parkland Flag Football League, and in 2022 he was inducted into the Dr. Nan S. Hutchison Broward County Senior Hall of Fame and honored for his contribution and service to the community. A plaque with his name hangs in the Broward County Government Building.

“Freddy’s commitment and dedication to the league is second to none,” says Evan Golden, a Parkland flag football board member for the past five years. “Not only has he devoted countless hours to the kids, but he builds relationships with both the kids and their families.”

“Freddy makes sure to develop relationships on and off the field,” says Golden. “He’s always in a good mood, brings a positive energy and good spirit, and always tries to get all the kids involved to have fun and learn the sport.”

In his own life, Yarmuth says his parents and two brothers were his biggest influences. “We all encouraged each other,” he says. He credits his wife Karen for “keeping me on the straight and narrow.”

When not on the field, Yarmuth enjoys a good game of golf, and cruising to Alaska with extended family.

“Freddy is a charismatic and selfless individual who has dedicated decades to the Parkland community in the form of refereeing sports and creating amazing memories and relationships with the parents, players, and coaches he has refereed,” says Jacob Brier, president of the Parkland Basketball Club.

“He is a staple in Parkland and deserves all the recognition and credit as his commitment to the community and youth sports is unmatched,” Brier says.

What have been some of the highlights of Yarmuth’s refereeing career?

“Being inducted into the Senior Hall of Fame,” he says. “Every day is an adventure. I’m very low-key, but am thrilled when a parent remembers me from refereeing their kid—that’s a thrill.”

Does he have any words of advice for someone considering the position?

“Do your best and enjoy it,” Yarmuth says. “Don’t take it too seriously. If you want it as a career, it’s a great profession—it’s been good to me.”

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David Haley, artist of the month

Selected as Parkland Library’s “Artist of the Month” in September, Parkland resident David Haley, 79, had more than 20 of his more recent paintings, many of them award winners, on exhibit.

“We are all enjoying David Haley’s artwork,” says Lenore Russo, program coordinator at the Parkland Library. “Each one of his paintings is mesmerizing and very detailed. His paintings add color and life to our gallery walls.”

The artist who moved to Parkland two years ago from Indiana is a former CEO of two major healthcare management companies, including Walter Reed National Military Medical Center. He worked in all aspects of health care, spending the last 15 years with the largest hospice group in Indiana.

With a family, three kids, enlisting in the Navy, going to graduate school, and running a hospital, Haley had a full life with not much time for extracurricular activities. It wasn’t until he divorced in 2007 that he found he had some time on his hands.

He sold his first painting for $150 in 2011 from the trunk of his car when his now-wife, Rhona, took the car to a car wash and someone spotted the painting in the trunk when she went to get her purse.

Since then, Haley’s work has gone on to win at least eight major art competitions, including First Place in the “Nature 2022” international juried painting competition conducted by Artorful for his painting “Intrepid,” depicting a froth of white water engulfing a lighthouse in a storm; Finalist Award in the 2022 Color International Juried Art Competition for “Wire Fence,” a barbed-wire fence in the foreground of a pink and orange crepuscule sky; and “Enduring,” which won third place out of hundreds of submissions in Artorful’s BlueOrGrey 2022 Art Competition. It now belongs to a collector in Naples.

Other paintings featured in the library’s exhibit included “Blue Cap,” acrylic on canvas, a realistic portrait of a man in cold, snowy weather, with ice crystals on his beard and eyebrows; and “Broken Treaty,” oil on canvas, a portrait depicting an indigenous man realizing his people will have to go to war.

Haley’s works have been exhibited in the South Bend Indiana Art Museum, in Walter Reed Medical Center, in a juried regional gallery in Plymouth, Indiana, and in a pop-up gallery in the Chicago area.

With no formal training or art education, he says about his success, “I can’t believe it. I’m amazed.”

He says, “I paint landscapes, seascapes, animals, or portraits that speak to me. I don’t have a particular style like Van Gogh or Picasso. There is no recognizable Haley style. I try to stretch myself.”

In his artist’s statement, he explains, “I seek to produce emotion in the images I create.”

Haley paints from a studio in his third bedroom in Cascata whenever he has the opportunity. “That’s where all the magic takes place,” he jokes.

With family and seven grandkids nearby, he has other responsibilities and paints when the opportunity strikes, sometimes painting until 4 a.m., although he prefers painting in solitude with the natural light.

Haley’s personal favorite is “Drink a Beer,” an oil-on-canvas painting inspired by Luke Bryan’s song of the same name, which recounts the story of personal loss, sitting at the end of a pier, drinking a beer, and reflecting on life.

In his own life, he credits his stepfather, John Haley, for being a role model.

“He was a big foundation for me,” Haley remembers, growing up with two brothers and a single mom. “He was the most pivotal person in my life. He gave me values, showed me right from wrong, and taught me about hard work.”

Apparently, those values took hold. When asked about the quality he values most in himself, his wife Rhona jumped in: “Integrity,” she said.

With many career highlights, including his work in end-of-life care and being a part of so many touching stories, Haley’s painting brings new highlights.

“I like to watch the reactions of the viewers to my art,” he says. “Each person sees the same image, but each takes away something different.”

With so many accomplishments under his belt, what goals would he still like to achieve? “I’d love to have a solo exhibit and showcase my work at a museum.”

 For more information: www.facebook.com/DavidHaley.Art. www.saatchiart.com/account/artworks/742692.

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‘Black Pearls’ opens at Museum of Art – Exhibit documents Pearl City, historic Black city of Boca Raton

Many stories have been written about Boca Raton’s first community and historically Black neighborhood, Pearl City, but none have included photographs and first-person accounts of the descendants of the original residents and their neighborhood, built in 1915, before the incorporation of Boca Raton 10 years later in 1925.

The Boca Raton Museum of Art, which stands two blocks from the original neighborhood, located south of Glades Road between Dixie and Federal highways, commissioned Washington, D.C.-based photographer Reginald Cunningham for a series of photographs, titled “Black Pearls,” in honor of Pearl City.

“We want to tell the story of Pearl City through the current residents whose parents and grandparents were the original Pearl City settlers,” says Irvin Lippman, executive director of the Boca Raton Museum of Art. “The Pearl City residents are our museum’s closest neighbors, and we want to celebrate our neighbors with this exhibition.”

To do so, Lippman invited Imani Cheers, associate professor of digital storytelling in the School of Media and Public Affairs at George Washington University, and Candace Cunningham, assistant professor of history at Dorothy F. Schmidt College of Arts and Letters at Florida Atlantic University, to tell the full historical story of Pearl City.

Photographer Cunningham (BePureBlack.com), a social activist, was selected in 2020 to photograph the cover of British Vogue’s special issue titled “Activism Now: The Faces of Hope,” which featured his wife, activist Brittany Packnett Cunningham, on the cover.

Inspired by photographer Gordon Parks’ motto—“I chose my camera as a weapon against all the things I dislike about America: poverty, racism, discrimination”—Cunningham set out to find out as much as he could about Pearl City, its original residents, and their descendants.

“Through the lens of my photography I’m always trying to create affinity for and uplift Black people and the Black experience in this country,” says Cunningham.

“One of the things I always aim to do is inspire people to feel something when they look at my work. To have an emotional, physiological response,” he says. “Being commissioned by the Boca Raton Museum of Art to photograph the residents and cultural emblems of Pearl City—one of the South’s most beloved and enduring Black districts—is an amazing experience.”

Cunningham captures not just images of Pearl City residents, but also the physical and ephemeral elements that make up the community, including street signs, the community garden, the Little Food Pantry, and the Martin Luther King monument located at Ebenezer Missionary Baptist Church, 200 NE 12th Street.

As Candace Cunningham writes in the accompanying catalog, “On April 26, 1915, a land auction was held to create ‘a brand-new colored city’ that would be governed exclusively by colored people. African Americans purchased thirty lots that day.

“Those disparities [racial and social] pushed African Americans out of Georgia and the Carolinas and pulled them into South Florida,” she says about that time in history. “It was by no means the land of opportunity for Blacks, but it did offer more options than they were finding elsewhere.”

In more recent times, the neighborhood faced threats from developers and other outside forces. “What we’re trying to do is we’re trying to keep a sense, or an aura, or a feel for this community,” said the Rev. Henry Willis at the time.

Pearl City was known for being a safe, close-knit community where everyone knew one another.

“The people out of this area, the children, and the grandchildren out of this area have become professionals—athletes, doctors, lawyers, and teachers,” notes Pastor Calvin Davis. “They have become politicians and police officers. They have become productive citizens because of this area. That’s why this area deserves to be recognized as an area that developed many [generations] and is still developing people in so many ways.”

Life was hard in that era, especially for Black people, who worked in the fields picking beans for 17 cents a day, faced discrimination, and suffered through the segregated South.

The exhibit includes 24 photographs, including images of pastors Ronald Brown and Calvin Davis, Anne Blutcher, John Martin, the Anderson family, Katie Mae, Gladys Bettis, Geraldine and George Spain, Irene Rufus, Annette Ireland, Marie Hester and Dorothy Overstreet, Barbara Griffin, Eva Cunningham (Griffin), and Willie Jenkins. Stories in the subjects’ own words are also included.

Pearl City leaves a legacy of good memories and strong moral values with its inhabitants. The closeness of the community, the neighborliness, and the mentality of respecting and helping one another has stayed with its residents to this day.

Descendant George Spain Jr., who comes from an original family in Pearl City, remembers, “One of the founding principles of Pearl City to me was family. We had a deep sense of spirituality. We all had that foundational spiritual growth that was imparted in us to believe and trust in God.”

“That’s the only reason why it hasn’t been dispersed,” he says in the exhibit. “God blesses you to be a blessing to other people. In our house that is something that has been instilled. That’s one of the things that Pearl City was fond of—neighbor would look after neighbor. It’s a very close-knit community.”

“Black Pearls” runs through Jan. 22, 2023. Visit Bocamuseum.org.

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Artist’s ‘Terra Ephemera’ highlights environmental passions

For Gretchen Scharnagl, a Miami-based environmental artist and professor in the Art History department at Florida International University, her art and subject matter are her way of connecting — connecting herself to others, and others to her art.

For her exhibit “Terra Ephemera,” at the Coral Springs Museum of Art running through Oct. 8, Scharnagl, 64, brings a number of “stepping into her subject works,” some more mature works, and pieces created specifically for this show.

“Terra Ephemera” makes use of traditional and nontraditional media in a way that provokes visual, conversational, human, and scientific interest.

“Gretchen is a risk taker,” says Jill Brown, executive director of the Coral Springs Museum of Art. “This translates into an important component of her creative process. Gretchen’s art transcends the familiar and leans heavily into difficult and unknown territory, leaving viewers to think and rethink what they are seeing.

“‘Terra Ephemera’ tackles the mundane while exploring the environment with a strong sense of place,” Brown says. “It makes us think about our relationship with the world and each other from the present, past, and future.”

Scharnagl lives with her husband, Robert, 64, a carpenter/contractor who often plays a role as her art assistant; two large Dobermans; and three cats.

From her backyard studio in suburban Miami, where she has lived for 40 years, Scharnagl examines common artifacts from her environs, reads copious amounts of scientific environmental studies, and is fascinated by her own compulsions, leading her to discover and explore little-known phenomena.

While visiting the Field Museum in Chicago, Scharnagl became fascinated by the story of migrating birds who collided with urban architecture and died. Her raison d’etre is to highlight little-known environmental issues — such as this and other facts like a worldwide sand shortage — through her art-making.

The mother of two women scientists, Scharnagl reads about science, the earth, and the environment and finds inspiration for her art.

She cites Edward Humes’s “Garbology: Our Dirty Love Affair with Trash,” Susan Strasser’s “Waste and Want: A Social History of Trash,” Anna Lowenhaupt Tsing’s “Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene,” and David Wallace-Wells’ “Uninhabitable Earth: Life After Warming” as influences.

“I feel an urgency that art should take a responsibility,” Scharnagl says. “Art that is speaking of something important has to jump the fence and speak to those that would not necessarily have exposure to it.”

For someone intensely committed to her art and teaching, Scharnagl came to her calling in her 40s, calling herself “a reluctant artist.”

“I did not consider myself an artist for the majority of my life,” she says. She was prodded into it by a comment she overheard by a mother saying she was wasting her talents by volunteering in her children’s school.

“She could be right,” thought Scharnagl, who hasn’t looked back since.

Her series “The Anthropocene” consists of eight works depicting climate change, water-level rise, and other “planetary boundaries” we are crossing, such as crimes against animals (think wet markets and COVID-19). “Elegy for Earth,” a melancholic lament about the state of the earth, includes three parts, “Earth Retold,” “Earth Tracings,” and “Earth Remains,” which are designed to make the audience think about the state of our earth.

A performance piece scheduled for the opening reception on Sept. 22, “The Earth Piñata Performance,” symbolizes mankind’s treatment of Mother Earth. Participants will break open the 28-inch, earth-like piñata, releasing 2,000 plastic animals, plants, and fungi, creating a new piece of work.

“The Globe Maker” (“a labor of love”) consists of 20 papier-mâché globes that Scharnagl created with her husband, born out of an “obsession” with the word “biophilia” (an innate and genetically determined affinity of human beings with the natural world, a theory developed by biologist E. O. Wilson).

The littlest globe, made from pages from her collection of National Geographic magazines, is titled “Little Blue Marble” — an homage to astronomer Carl Sagan. The globes are cradled in vintage camera and transit tripods used for surveying the earth’s surface that Scharnagl found online, a synergy she couldn’t resist.

“Every part has something to say,” she says. “What you make it with, what kind of papers, graphite, glue, or other media you use. I consider the art-making a way to think, a way to discover and explore. It’s a way to discover things about your subject and yourself.

“When I create art, it’s a personal narrative embedded in a universal idea,” she says. “I identify with the bird who hits the building, with the earth itself, and identify with poetry and cultural mythologies about Mother Earth.”

Scharnagl credits German painter Albrecht Durer as an influence and her professors at FIU, including Clive King, Manny Torres, and Bill Burke, for teaching her to self-critique.

She admires African-American artist Mark Bradford for his large-scale abstract collages; Jamaican-born American artist Nari Ward for his sculptural installations addressing consumer culture, poverty, and race; and art writer Linda Weintraub for her writings on environmental consciousness.

In her spare time, Scharnagl admits to being a “total Trekkie.” “If push comes to shove, I call ‘Star Trek’ my martini — it feeds my soul.”

Future plans include a possible residency at the Deering Estate in Miami and continuing to create art.

“I don’t want to sound like I’m blowing my own horn,” Scharnagl says, “but people have told me, ‘You’re giving a gift to the world.’”

Exhibition Dates
Aug. 23–Oct. 8, 2022

“Ask the Artist” Talk
Thursday, Sept. 8, 6:30 p.m., mingle/gallery view; 7 p.m., talk

Opening Reception
Thursday, Sept. 22, 5:30–8:30 p.m.
“Earth Piñata” Performance Piece

Live during reception

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Celebrate Jewish culture at YI Love Yiddishfest

The 4th Annual YI Love Yiddishfest ’22 returns live this year, Aug. 30 to Sept. 4, bringing six days of cultural events, including concerts, plays, lectures, and live entertainment, after two years of online events due to the COVID-19 pandemic.

Founded by actor/comedian and Coral Springs resident Avi Hoffman (known for his “Too Jewish” trilogy), who’s CEO of the Yiddishkayt Initiative and YI Love Jewish, the first event was held in 2018 at the Colony Theatre in Miami Beach. This year’s events will take place in Broward County, Boca Raton, and Miami Beach.

“It’s a little bit scary, very exciting, and very ambitious to be back,” says Hoffman. “But I think we’ll do great.”

Hoffman says the event will appeal to everybody — “not just Jews, but anyone who is Jewish, knows someone Jewish, or has a curiosity about the Jewish culture or religion.”

Highlights of the event include the musical concert entitled “Stars of David: Story to Song,” based on the best-selling book, “Stars of David: Prominent Jews Talk About Being Jewish” by Abigail Pogrebin.

“Stars of David” adapts these real-life stories of Jewish personalities, including actor/director Stephen Spielberg, Bravolebrity Andy Cohen, shoe mogul Kenneth Cole, actor Fran Drescher, singer/pianist Michael Feinstein, and former Supreme Court Justice Ruth Bader Ginsburg, to name a portion of the 62 personalities featured in the book.

The concert will feature Hoffman, Shira Ginsburg, cantor at East End Temple in New York City, Carbonell-winning actor Patti Gardner, and local singer/actor Michael Harper, with musical director Caryl Ginsburg Fantel. Cantor Ginsburg is the niece of Fantel and daughter of Arthur Ginsburg, the former television chef and author, known as “Mr. Food.”

Additional live performers include the Canadian group YidLife Crisis, based on a web series of the same name, created by two friends, Eli Batalion and Jamie Elman, as a way of paying homage to the Yiddishkeit in their upbringing and to shed a Jewish comedic lens on the life in which they were raised. The two have collaborated with actor Mayim Bialik and fellow Canadian Howie Mandel.

Jewish rapper Kosha Dillz, who has performed with rapper Fat Joe and Nisim Black and whose raps about matzoh and Passover have gone viral, will bring his unique rap style to South Florida. Hoffman hopes that his appearance at the festival will attract a younger demographic.

Although Hoffman is modest about his performing contribution, for his fans, another highlight of the festival will be Hoffman’s latest and perhaps last in his “Too Jewish” trilogy performance when he debuts “Still Jewish After All These Years,” a culmination of his Jewish life and career.

Hoffman is also working on a memoir to be titled “Confessions of a Nice Jewish Boy.”

For Hoffman and his mother, Miriam, co-founder of the Yiddishkayt Initiative, a former columnist for the Yiddish edition of The Forward newspaper, a Yiddish playwright, and a past lecturer in Yiddish at Columbia University, it’s an honor to be a cultural emissary for the Yiddish language and culture.

The two teach Yiddish online, a language Hoffman says was predicted to die out with this generation. Instead, he says, Yiddish is flourishing and is everywhere. For examples, he points to Seth Rogan’s 2020 film “An American Pickle” and the Emmy-nominated Netflix series “Unorthodox,” and Billy Crystal’s Yiddish call and response at the 2022 Tony Awards where he had half the audience singing “Oy” and the other half responding “Vey.”

Coral Springs OB/GYN physician Bruce Zafran, who has been practicing in the city for 35 years and moonlights as a stand-up comedian, was watching old Jackie Mason comedy bits online when he got a pop-up message asking him if he wanted to learn Yiddish. He thought, why not?

Hoffman and his mother taught that Yiddish class, and while Zafran was familiar with Hoffman, he was surprised to learn they were neighbors in Coral Springs.

Not only did he sign up for the class, he decided to sponsor the Yiddishfest, along with his wife, Lesley.“Yiddish is a beautiful language,” he says. “Whenever you hear it, you just smile.”

Says Zafran, “I’m happy to help Avi and the Yiddishkeit cause.” He jokes, “Avi is the brains and brawn and I’m the pretty face.”

Zafran’s favorite Yiddish phrase? “Freylakh zol men tomid zayn,” or, “Happy we should we always be,” a phrase he used often at his son’s wedding last June.

“Without Bruce and other supporters like him, we couldn’t do what we do,” Hoffman says. “We need people who see the value in keeping this tradition alive and giving us the ability to bring it to the world.”

Says Hoffman, “Since 1885, when a million Jews emigrated to America from Eastern Europe, Yiddish has permeated and influenced American culture.

“We [the Jewish people] have been around thousands of years and we have contributed to mainstream culture over those thousands of years,” Hoffman says. “We as a people have a lot to offer. There’s a lot to be appreciated. Come, experience Jewish culture, enjoy yourself, have fun, and learn something new.”

And, he says, echoing Zafran, “farvas nisht — why not?”

The festival is held in partnership with Florida Humanities, Miami-Dade County, and the city of Miami Beach. It is co-sponsored by the Sue and Leonard Miller Center for Contemporary Judaic Studies/George Feldenkreis Program in Judaic Studies at the University of Miami, the Greater Miami Jewish Federation, the Betsy South Beach, the Miami Beach JCC, the Adolph and Rose Levis JCC, the Holocaust Memorial of Miami Beach, and the Jewish Museum of Florida.  

YI Love Yiddishfest ’22 runs from Aug. 30 to Sept. 4. For more information, visit www.YILoveJewish.org, email info@yilovejewish.org, or call (888) 945-6835.

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Finding his purpose – Local artist paints for charity, raises over $300,000

A man on a mission. That description sums up Tamarac resident Joseph Gormley.

Born in Scotland, Gormley, 47, moved to the U.S. in 2003 after he fell in love with a Florida woman, Erin Ruth. Now married 19 years, the couple has two girls, Hailey, 6, and Mackenzie Rose, 4.

Erin Gormley bought her husband his first set of paintbrushes as a Christmas gift 15 years ago. A new world opened up for him, whose day job is as a custodian at Bayview Elementary School in Fort Lauderdale.

Once Gormley realized his passion for painting, he set about using his talent to do good, auctioning off many of his artworks for charity. His first painting raised money for an 11-year-old Scottish girl with brain cancer who needed treatment in the U.S. After reading about her, Gormley sent a painting that he did of the Glasgow Celtics head coach, Neil Lennon, to her family.

In 2012, that painting sold on eBay for $8,000. “That was the moment I realized my art could make a difference,” remembers Gormley.

“I know why I have this gift of being able to paint. It’s not for me; it’s to help raise money for others,” he says. “My day job is for my family. And my artwork is for my community.”

In 2015, Gormley painted a portrait of former Miami Marlins baseball player Giancarlo Stanton for the Marlins Foundation, which raised $25,000.

In 2018, he painted a portrait of Anthony Rizzo, a Parkland native who played baseball for the Chicago Cubs and the New York Yankees, which raised $4,000 to upgrade the baseball field at Marjory Stoneman Douglas High School.

The same year, he worked with Joe DiMaggio Children’s Hospital to benefit the Conine Clubhouse, a no-cost residence for families with children undergoing cancer treatment, and helped raise thousands of dollars.

To date, Gormley estimates he has raised $300,000 for local charities, and he has no plans to stop. In 2019, he painted at the Parkland Cares fundraiser and donated the proceeds from his work to the foundation.

“Parkland Cares is very fortunate to have been one of the recipients when Joseph Gormley painted live at our wine dinner and donated the proceeds from his paintings,” Stacey Udine wrote online after the event.

“Every brush stroke gives Joseph the chance to inspire others, and we’re immensely grateful for his continued support of Parkland Cares,” she said.

In February, the prolific painter teamed up with 105.9 BIG radio DJ Doc Reno, whose charity, My Family Matters Foundation, raises money in partnership with the Joe DiMaggio Children’s Hospital Foundation to provide assistance to families who lose wages while caring for a child with cancer.

It was founded by Doc Reno in 2019 after he battled stage IV head and neck cancer. “How could I feel sorry for myself when next to me in the waiting room is a 7-year-old with brain cancer?” he says. “I saw what families were dealing with and wanted to do something to help.”

He continues, “Joseph is an amazing person — a true angel and a very gentle soul. I was blown away by his work. I’m thrilled he has offered his talents for this cause.”

Gormley painted live at Doc Reno’s “My Family Matters” golf tournament in February, at the Jacaranda Golf Club in Plantation.

Participants included former Miami Dolphins’ Bob Brudzinski and running back Ki-Jana Carter; radio disc jockeys Drew Heyman (Y100) and Paul Castronovo (BIG 105.9); rock drummers Nicko McBrain of Iron Maiden, Tico Torres of Bon Jovi, and Carmine Appice, former Ozzy Osbourne drummer; and many others.

With Iron Maiden being Gormley’s favorite band, he was thrilled to paint the portraits of the three drummers and auction them off with their signatures.

Other celebrities he has painted include Aerosmith singer Steven Tyler, Washington Commanders quarterback Doug Williams, and talk show host Ellen DeGeneres.

Gormley says he is raising his two girls to finish the journey he started and to leave a legacy behind.

“I’m very blessed,” says Gormley, who hopes to eventually raise $1 million for charity. “So many people struggle to find their purpose in life. I know my purpose — it’s to help and inspire others.”

For more information, visit josephgromleyart.com, myfamilymattersfoundation.org, or parklandcares.org.

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