Community News Archives -

January 22, 2024

HB Boulevard: On the road to success

Following in the footsteps of Kurt Cobain and his garage band, Nirvana, in the 1980s, five high school kids from Parkland and Coral Springs hope to steal a page from that playbook and hit it big with their grunge and rock garage band, HB Boulevard.

Named after Heron Bay Blvd., the five friends—Lawson Jay (vocalist), Jose Nunez (lead guitarist), and Josiah Jimenez (drummer), all 17, and Logan Siskin (rhythm guitar) and Anthony Pellito (bassist), both 16, all students at Marjory Stoneman Douglas High School (MSD)—have become the “unofficial Stoneman Douglas rock band.”

Last September they performed in front of 3,000 people at the MSD pep rally, and they’ve performed locally in the First Annual MSD Battle of the Bands, at Black Flamingo Brewing in Pompano Beach, and at the Black Flamingo Echoes of the Flamingo Music Festival last summer.

This is only the beginning for this group of passionate musicians, says their unofficial manager, Adam Jay, father of the band’s lead singer, Lawson Jay, who aspires one day to be a successful businessman, preferably in the music industry.

“I am super proud of these fine gentlemen,” says Jay, a sales manager at a legal education publishing company. “They have shown grit and determination in doing something they’re passionate about.”

The group practices two to three times each week in the Jays’ garage, and Adam Jay has watched their evolution over the past two years. “They have grown so much since they first started,” he says. “I’ve watched them grow, both personally and musically, and see how they treat each other with dignity and respect.

“It’s nice to see kids this age engaged in something so meaningful and special,” he says.

While the five were not even born in the 1980s, they all are passionate about music from that era and are inspired by the music of Green Day, Guns ‘N Roses, Metallica, Van Halen, Black Sabbath, and the Foo Fighters. And yes, even the Beatles get a shout-out.

Siskin, who plays rhythm guitar in the band, finds inspiration in Led Zeppelin’s Jimmy Paige. Vocalist Jay admires Green Day’s singer and guitarist, Billy Joe Armstrong; and Nunez, the band’s lead guitarist, models himself on Eddie Van Halen and Kirk Hammett, lead guitarist in Metallica.

“He inspired me to play like him—fast and furious,” says Nunez, who hopes one day to meet his musical idols.

“It’s the rebirth of this musical style, and we’re adding something new to complement the old,” says Pellito, who has numerous passions, including engineering and mechanics, creating things with his hands, and becoming an astronaut.

“It’s classic ’80s, ’90s, and early 2000s music—when music was good,” he jokes. “That’s my era.”

Pellito thanks his dad, Gregg Pellito, a retired deejay, for introducing him to this music.

In fact, they have created a new musical genre, one they like to call “rift rock,” a combination of punk, classic rock ‘n’ roll, and metal.

A recent highlight for the group was when HB Boulevard played a cover of Green Day’s “The American Dream Is Killing Me” at a New Year’s Eve party. Green Day’s lead singer, Armstrong, saw the video on YouTube and reposted it to his Instagram page with 2.7 million followers.

“Shocked” when he heard this news, Pellito cut himself while washing dishes. “That’s pretty awesome,” he says. “It encourages us to keep going.”

While they all have plans to finish high school and go on to college, they hope to make music a priority in their lives. Their long-term goals are to entertain, to spread the word of rock ‘n’ roll, and to find fame and fortune. They have performed a few original songs and hope to continue creating new works.

How will they know when they’ve made it?

For Siskin, it’s buying a Gibson Les Paul guitar; for Jimenez, it’s the luxury of personal bodyguards; and for Nunez, it’s getting a signature BC Rich guitar and getting voted into the Rock & Roll Hall of Fame.

The group supports local MSD nonprofits: Safe Schools for Alex, founded by Max Schachter in honor of his son, Alex; and Lori and Ilan Alhadeff’s Make Our Schools Safe, created in memory of their daughter, Alyssa. Both Alex Schachter and Alyssa Alhadeff were killed in the MSD school shooting in February 2018.

“We want to give back to the community,” says Lawson Jay. “We would love to perform at Pine Trails Park and Amphitheater for a local charity.

“Mayor Walker, if you’re listening,” he says, “we are ready and willing to go.”

Visit HB Boulevard on YouTube and Instagram.

December 22, 2023

Nobody’s Fault: Local band has staying power

From Led Zeppelin’s “The Ocean,” to Carly Simon’s “You’re So Vain,” to Deep Purple’s “Hush,” Nobody’s Fault, South Florida’s classic and new rock band, plays it all.

Although the origin of the name is lost in the ether, one possibility is that it’s a nod to Aerosmith’s 1976 “Nobody’s Fault,” or Led Zeppelin’s 1979 hit, “Nobody’s Fault But Mine.”

Now mostly in their 60s, guitarist Rick Friedlander, lead vocalist William (Bill) Murphy, his brother Steve Murphy (guitarist, keyboardist, and vocalist), bass player and vocalist Mark Knight, and drummer Paul Green have been playing together since 1997; and the Murphys and Knight have been playing together since high school.

“I met Bill at 17 when we worked together at K-Mart,” says Knight, who is a laser engineer by trade. “We started making noise together, and the rest is history.”

They are one of the longest continuing bands in South Florida, with a large fan base. “We’re a band of brothers,” says Bill Murphy. “For good or bad; we fight like siblings, but love each other.”

He attributes this camaraderie for their longevity. “We’re good friends and share a musical bond,” he says. “We always make time to play together. We’re in it for the fun, and we enjoy our time together on stage.”

From a musical family—his parents were folk musicians in New York—he and his younger brother Steve grew up in the business. “We had no choice,” he jokes.

At 13, Bill Murphy went to see the Jackson 5 perform, and he says that “the concert changed my life.”

That day he made the decision to make the music industry his life. “I never looked back,” he says.

Within two years, he and Steve were performing at a friend’s wedding reception.

Bill Murphy went on to have a 35-year professional career as a radio DJ, both in Dallas and in Miami at 101.5 LITE FM, BIG 105.9 classic rock, and WSHE rock & roll 103.5 (She’s Only Rock and Roll). He was the announcer and voice of the Florida Panthers for 14 years.

He has also been a part of other local bands, including Joe Rush, Company Kane, Top Priority, the Free Radicals, and Smoke and Mirrors. One of his biggest influences is Paul Carrack (aka “The Man with the Golden Voice”), best known for his 1975 song, “How Long” (“Has this been going on?”), and his rendition of “The Living Years.”

“He has such a soulful, passionate voice,” Murphy says. “It’s a huge compliment when people tell me I sound like him.”

A highlight of his career came at a Panthers game in 2012 where he played with the band pre-game, announced the game, and then played after the game to thousands of people at the Bank Atlantic Center in Sunrise.

“It was a great atmosphere and so much fun,” recalls Murphy. “I am blessed to make a living doing what I love. This is the key to a good life.”

Steve Murphy traveled the world and played with Alan Parsons, an English musician, songwriter, and record producer who was the sound engineer on the Beatles’ “Abbey Road” in 1969, “Let It Be” in 1970, and Pink Floyd’s “The Dark Side of the Moon” in 1973.

A multi-disciplinary musician—he plays guitar, keyboards, and sings—Steve Murphy also drums. With dreams of becoming Stewart Copeland, Jeff Porcaro, or John Henry Bonham (all drummers), Murphy played with some of his favorite bands, including the Police, Toto, and Led Zeppelin.

He toured with the Hit Men and the Trans Siberian Orchestra, visiting more than 40 countries in eight years with guitarist Godfrey Townsend and the Alan Parsons Live Project.

Nobody’s Fault drummer Green began playing music at the age of 13 with his mother, Susan Rose, a musician. They performed at a USO show in Japan and traveled the country, arriving in Florida in 1973.

Moving out at the age of 16, Green studied at the Recording Institute of America, where he learned lighting, sound, and stage building. He brought national acts including the Police and Pat Benatar to Florida, went on tour with the Jackson 5, and recorded an album with the Joe Rush Band.

“We love what we’re doing,” says bass player Knight, “and we hope to keep doing it. We give our fans our best every time—you never know when the last show will be.”

For Green, a highlight is the togetherness and camaraderie the band provides. “I enjoy that we’ve all been together for so long,” he says. “We communicate through music.”

He notes that over the past 25 years, the band has had its share of ups and downs.

“It’s like a boot camp,” he says. “We’ve been through thick and thin and have now become a family.”

For more information, visit nobodysfaultband.com or like them on Facebook. Upcoming dates include Saturday, Jan. 13, at Sharkey’s Bar & Grill, 10365 Royal Palm Blvd., Coral Springs. Visit sharkeysfl.com or call (954) 341-9990.

May 22, 2023

‘Freddy the Ref’ Honoring Fred Yarmuth for over 30 years of service

It all started one day in 1993 when Parkland resident Fred Yarmuth, 70, was driving down the street and saw some kids playing ball in a field. “Hmm,” he thought, “I might like to be their referee.”

Little did he know that more than 30 years later, he would come to be known as Parkland’s “legendary referee,” or as Broward County Mayor Michael Udine nicknamed him affectionately, “Freddy the Ref.”

Born in Passaic, NJ, Yarmouth moved to Louisville, KY, as a child and attended the University of Louisville. He later worked for the now-defunct restaurant chain Victoria Station, and then he worked with his dad in construction and cleaning new homes.

In 1979 he moved to North Miami Beach, a move that would define the rest of his life. He met and married his wife, Karen. The two have two daughters, Lindsay, 37, an attorney, and Brittany, 33, who works for a health-care company, and a 6-year-old grandson, Brandon, who just started playing flag football and basketball in Parkland sports.

“I try not to ref him,” jokes Yarmuth.

While he may refrain from refereeing his grandson, Yarmuth has been an essential part of many children’s and families’ sporting lives in Parkland. He made his mark on Parkland sports and has been integral to the growth of the Parkland sports leagues over the past three decades.

Yarmuth is known for his patience, compassion, and kindness, and he takes time out to teach others the rules of the game and the importance of sportsmanship. He has left a lasting impact on the development of young athletes, both on and off the field.

He volunteers countless hours working with others to improve the sports services and facilities, and many say he is the true heart of recreational sports in Parkland.

“For as long as I can remember, Freddy has been a vital part of Parkland rec sports, and as a result, a part of the Brier family as well,” says Simeon Brier, Parkland’s vice mayor and city commissioner for District 1.

“Whether it was refereeing my younger brothers’ games, games I coached while in college, games for my two daughters in multiple sports, and now refereeing games for my niece and nephews, Freddy has seen multiple generations of Parklanders on the courts and fields of our city parks,” he says.

Brier, who was elected last November, and who has lived in Parkland for 40 years and coached rec sports in the city since the 1990s, is familiar with the ins and outs of the job. “Freddy has a great sense of humor, a passion for youth sports, and is a beloved part of the Parkland community.”

Yarmuth’s passion for sports began when he played basketball in high school, and he gives credit to his former intramural coach, Eugene Minton, for encouraging his love of the game.

It’s that love he passes down to his players. “I love working with the kids,” says Yarmuth. “I love teaching them the rules, seeing them play the game over the years, and watching them grow up. Some of my first kids now have their own kids in the league.

“I’ve seen them come full circle,” he says.

In his younger days, Yarmuth would pick up the little kids and put them on his shoulders to help them make a basket. “They remember me to this day for that,” he says. “That really made their season.”

One of the kids he refereed since the age of 4 is now 16-year-old Broward Preparatory School sophomore Nate Harmelin, who played flag football and basketball.

“Freddy is the grandpa that everyone loves,” says Harmelin. “He makes us laugh with his jokes. We always have a good time with Freddy, and whether I’m on the court or run into him in Parkland, I always get a good laugh from Freddy.”

His father, Adam Harmelin, who coaches football and basketball, says, “Freddy always tries to help the younger kids who are not playing well. He always looks out for the underdog. He’s a wonderful man.”

In addition to his volunteer referee duties, Yarmuth works as a paraprofessional at Riverside Elementary in Coral Springs, volunteers his time packing food boxes with Feeding South Florida, and volunteers on local political campaigns.

In 2021 he was honored with the Humanitarian Award from the Parkland Flag Football League, and in 2022 he was inducted into the Dr. Nan S. Hutchison Broward County Senior Hall of Fame and honored for his contribution and service to the community. A plaque with his name hangs in the Broward County Government Building.

“Freddy’s commitment and dedication to the league is second to none,” says Evan Golden, a Parkland flag football board member for the past five years. “Not only has he devoted countless hours to the kids, but he builds relationships with both the kids and their families.”

“Freddy makes sure to develop relationships on and off the field,” says Golden. “He’s always in a good mood, brings a positive energy and good spirit, and always tries to get all the kids involved to have fun and learn the sport.”

In his own life, Yarmuth says his parents and two brothers were his biggest influences. “We all encouraged each other,” he says. He credits his wife Karen for “keeping me on the straight and narrow.”

When not on the field, Yarmuth enjoys a good game of golf, and cruising to Alaska with extended family.

“Freddy is a charismatic and selfless individual who has dedicated decades to the Parkland community in the form of refereeing sports and creating amazing memories and relationships with the parents, players, and coaches he has refereed,” says Jacob Brier, president of the Parkland Basketball Club.

“He is a staple in Parkland and deserves all the recognition and credit as his commitment to the community and youth sports is unmatched,” Brier says.

What have been some of the highlights of Yarmuth’s refereeing career?

“Being inducted into the Senior Hall of Fame,” he says. “Every day is an adventure. I’m very low-key, but am thrilled when a parent remembers me from refereeing their kid—that’s a thrill.”

Does he have any words of advice for someone considering the position?

“Do your best and enjoy it,” Yarmuth says. “Don’t take it too seriously. If you want it as a career, it’s a great profession—it’s been good to me.”

February 17, 2022

New winter diet for the manatees

Lettuce is being stocked in the Indian River manatee buffet to feed the local population that migrates to the estuary during the colder months of the year. So far, the manatees are skipping the buffet, which does not bode well for the local manatee herd that is still weakened from 2021.

The supplemental feeding program established by the Florida Fish and Wildlife Conservation Commission (FWC) is in response to an Unusual Mortality Event that has seen 750 deaths (all causes) on the Florida Atlantic coast in the 12-month period ending in November 2021.

A healthy adult manatee is nearly 10 feet long and approximately 1,000 pounds. They require 4%-9% of their body weight (40-90 pounds) in food each day. In the wintertime, the favorite hangout for the Atlantic coast manatees is the Indian River Lagoon, which traditionally feeds the herd with the local seagrass.

According to FWC, “since 2011, persistence of algal blooms has resulted in reduced water clarity and light penetration” and a “dramatic reduction” in sunlight getting to the seagrass at the bottom of the lagoon. The seagrass “in this region and specifically in the Indian River Lagoon has declined significantly.”

Due to the shortage of their natural food, the region saw a significant number of emaciated manatees last year, and as more resources, including the U.S. Fish and Wildlife Service, have been brought in to help with the response, a joint unified command team was established.

According to a press conference held on Jan. 13 by the joint unified command team, so far this year, the temperature in the area had been warm and manatees had not yet started to congregate in the Indian River Lagoon. But as January temperatures were starting to drop, more and more manatees would start to migrate to what is described as their “capital” for wintering.

What the manatees are seeing when they enter the Indian River Lagoon is not the lush seagrass fields they are hoping for, but a “desert,” according to Martina de Wit, a research scientist with FWC. This is the cause of the starvation we saw last year and may recur when more manatees show up in their wintering grounds.

The state allocated an extra $8 million recently to help alleviate the dire situation, and a feeding program was born. In captivity, manatees do eat lettuce but require “a week or so” before accepting it as food. In the wild, no observed feeding has occurred, as of the Jan. 13 press conference. But the FWC expects “some adjustment period when switching to a different diet,” and when the realization of lack of natural seagrass sets in, the FWC “expected that manatees can adapt to [lettuce] without any major issues.”

When asked by a reporter, “Why lettuce?”, and not some other natural vegetation, the FWC is concerned with introducing invasive species or extra nutrients to an already fertilizer-rich ecosystem, which is causing clarity issues in the first place. The lettuce that is not eaten is removed. Given the quantity of food required (40-90 pounds of food per adult animal), it’s difficult to harvest that amount of food. This is the reason it’s still illegal for the public to feed manatees.

Feeding manatees is meant as a short-term bridge until longer-term habitat restoration and improvement projects get traction. According to Ron Mezich, the provisioning chief, the lack of local seagrass donor beds is a major hurdle for the nursery that is planned to help regrow the seagrass that has been lost.

Meanwhile, Joint Command Rescue Chief Andy Garrett said that efforts to bring up more rescue facilities are ongoing. His team gets alerts from the public about distressed animals, and in 2021, a record 159 manatees were rescued and 115 went to the rehab facility. So far in the past month, 23 manatees have been rescued, and the facilities are near capacity. More facilities are being brought up, and Garrett encourages the public to call the hotline when they see an animal in distress.

As the temperatures cool, more of the manatees are expected to require help. Let us all hope that the wild manatees take a liking to lettuce and that the seagrass nursery flourishes in the Indian River Lagoon.

To help with both the rescue and the feeding program, you can donate to the Manatee Rescue & Rehabilitation Partnership or the Fish & Wildlife Foundation of Florida. It will take a significant effort to save many of the gentle giants, as the FWC works to reverse the desertification of their winter capital.

August 22, 2021August 5, 2021

Robotic Surgery is a ‘game changer’ in complex surgeries at Broward Health Coral Springs

For over a decade, Broward Health Coral Springs has provided surgeons the ability to perform complex surgeries using the assistance of advanced robot. Robotic surgery consists of a surgeon console, patient-side cart, and vision cart, allowing doctors to view 3DHD imagery of organs, vessels, and lymph nodes while operating on patients with mechanical arms ingeniously programmed to wield the smallest of tools.

“The whole goal is to enhance medical care,” said urologist Azeem Sachedina, M.D., “and from that perspective, there is no question robotic surgery is an absolute game changer.”

Often using the da Vinci surgical system, robotic-assisted procedures allow surgeons to control mechanical arms that bear surgical instruments and a camera. Robotics can sometimes enable surgeons to make smaller incisions rather than traditional large incisions, which in some cases may lead to a faster recovery with less pain. With surgeries such as hysterectomies and myomectomies, as well as prostate, gastrointestinal and other procedures, outcomes can be a benefit for the patient.

Zoyla Almeida, M.D., a gynecologic oncologist and Chair of Robotics at Broward Health Coral Springs, has done over 2,000 robotic procedures to date. Of those surgeries, there have been few limits to which reproductive health issues she can correct, including hysterectomies for both cancerous and benign conditions, pelvic prolapse, and treatment for endometriosis, which can cause severe blood loss, pelvic pain, and infertility. She said that the da Vinci system in many cases has the ability to sometimes see much more of the human body by using impossibly small cameras that not only capture high definition views of organs but also surrounding blood vessels and tissue.

Broward Health urologist Michael Tyler, M.D., also continues to see the benefits from technological advantages provided by robotic assisted surgery, saying that “the difference between traditional and robotic surgery is significant. With the robotic technique, we can really control the surgical environment. When I am at the console, it’s basically like I am at the bedside.”

Dr. Almeida, agrees, adding robotic technology in the operating room may allow her to see and correct endometriosis and ovarian cysts in patients who may have suffered for years before exploring robotic surgery as an option.

“Women know their bodies well, and if they think something is off, they should definitely seek attention immediately and not ignore it,” said Almeida. “With robotic technology like we have today, complex surgeries may no longer need to be invasive as they were years ago.”

Broward Health Coral Springs has acquired additional and more upgraded robots within the last few years to fulfill patient and physician demand. Broward Health surgeons say the demand for minimally invasive robotic surgery is gratifying. Mark Shachner, M.D., operates at Broward Health Coral Springs on patients experiencing digestive issues with the da Vinci and called it an enormous revolution.

To learn more about minimally invasive, robotic surgeries offered at Broward Health Coral Springs, click here

Photo Caption: (l-r) Dr. Zoyla Almeida is presented with a recognition for surpassing over 2,000 robotic cases by Jared Smith, Broward Health Coral Springs Chief Executive Officer.

Photo Caption: The Broward Health Coral Springs surgery team.

August 15, 2021August 5, 2021

A documentary from Parkland’s own: ‘It’s Not a Burden’

Directed by Michelle Boyaner and produced by Parkland resident Wendy Zipes Hunter, “It’s Not a Burden: The Humor and Heartache of Raising Elderly Parents” is a deeply intimate documentary that follows its director as she serves as the primary caretaker for her elderly parents, Elaine and Morris. Each parent struggles with their own battle incited by old age, with Elaine suffering from dementia and Morris being a hoarder.

Morris Boyaner in IT’S NOT A BURDEN
©2021 Greenie Films

Supplementing her own personal story and composing the majority of the film is a composition of around 20 vignettes, each telling their own story of adults providing care for their elderly parents. Each vignette features a retrospective of each parent’s life, an account of their current struggles, and occasionally an update on the family’s story.

Boyaner’s impetus for dedicating such a considerable portion of her documentary toward other people’s struggles instead of her own is to convey the film’s central message.

Coming directly from Boyaner, the message of this film is, “You are not alone. If you are somewhere in the midst of this journey, helping your parent/parents, you are not alone. Look at the people in this film, all walks of life, navigating their own version of the same thing. You are not alone.”

Frances Moore & Cynthia Moore in IT’S NOT A BURDEN
©2021 Greenie Films

In each story, including her own, it is an uphill battle against old age. Boyaner is frank in showcasing that elderly care is often embarrassing and melancholy, for both parties.

However, as Boyaner presents, no one family is solitary dealing with the strife of old age. Although each family struggles, they prove strong in the face of life’s great equalizer, and they are able to see the final time spent with their loved ones as a blessing rather than a burden.

Below is a portion of my interview with Boyaner.

Q. What kind of philosophy or belief system do you believe people should take into the final stages of their lives?

A. I relied very heavily on the book “Being Mortal” by Atul Gawande, as it explores the last stages of life through personal stories and focuses on quality of life. I highly recommend this book (you should see my copy, it’s marked up like a textbook).

Q. After filming, did you do any follow-ups with the families you interviewed?

A. We have kept in touch with many of the families we met with for “It’s Not a Burden,” and although “follow-ups” are not contained in the film, we have been in touch. The bulk of the filming with the other families was from 2016 to 2019, so unfortunately some of the parents have now passed away, and we’ve been in touch with families as they have grieved their losses. We also continue to celebrate milestones with those who are still with us.

Q. During filming, was it ever difficult for the people you interviewed to talk about their circumstances?

A. Every family who opened their homes and their hearts to us were taking a chance. They were honest and vulnerable and shared stories about their own experiences that they hoped would help other people. Those we spoke to were truly heroes and we are so grateful to them for trusting us with their truths and knowing that what we were creating was going to become something to help.

Q. What is your favorite memory with your mother?

A. I have certain memories, snapshots of simpler times from very early in my childhood that stand out as magical with my mother. In more recent times, it has just become a montage of all the time we spent — as you see in the film — out on adventures, running errands, just being together.

Q. Do you have any advice for anyone who is currently going through something similar to what you experienced?

A. My advice is really contained in the film: Let’s try harder to regard each other. To take a minute. To spend the time. To be patient. To listen. To not just see an older person as their age or their ailment but realize that they’ve lived a whole life filled with memories, and they’re still here, and it’s vital that they have a sense of purpose.

August 8, 2021August 3, 2021

Vickie Pierre: ‘Be my herald of what’s to come’

For New York-born and Miami-based artist Vickie Pierre, there’s more to come. At the age of 51, Pierre is just hitting her stride.

With a solid portfolio and major accomplishments under her belt, Pierre is currently focused on generating new works. Her current pieces on display at the Boca Raton Museum of Art are a continuation of the work she has done since her college years at the School of Visual Arts in New York City.

Her work has been exhibited at Foundation Clement in Martinique and Centro de Documentación para las Artes Visuales and Galerie Oriente in Cuba. She has exhibited at the Little Haiti Cultural Center and the Diana Lowenstein Fine Art Gallery in Miami and the Art and Culture Center in Hollywood, Florida. In 2019, she was a finalist in the Orlando Museum of Art Florida Prize in Contemporary Art.

In 2016 Pierre caught the eye of both Irvin Lippman, CEO of the Boca Raton Museum of Art, and Assistant Curator Kelli Bodle, when she was brought to their attention by Miami-Haitian artist Edouard Duval-Carrié, who was exhibiting at the museum. He flagged her as an up-and-coming artist in the Miami art scene.

“Vickie draws from her parents’ penchant for European interior design, evident in the French colonial influence on Haiti,” says Bodle.

Pierre uses resin wall plaques, ornate wall sconces, vintage Avon glass perfume bottles, wooden shelf sconces and ship bookends, jewelry, and hand-strung glass beads to create her visions. She deconstructs the perfume bottles from the 18th, 19th, and 20th centuries and reintroduces them as anthropomorphic shapes set against monochromatic backgrounds. The headless forms are no longer recognizable as the fairy-tale mistresses they once were.

Her piece titled “And Though I May Have Lost My Way, All Paths Lead Straight to You” uses the reenvisioned perfume bottles, flaxen hair from dolls, galleon ships representing the slave trade, bracelets, cuffs, and jewelry, all interconnected by long strands of beads that she strings herself in various patterns.

Pierre’s work encompasses evocative titles such as “I Can’t Say No to You (Good Enough),” “Totems for My Sisters (We Are All Illuminous!),” and “You’ve Stolen My Heart and It Hurts Me to Remember.”

“When Vickie exhibited her piece ‘Elemental Mistresses (The Power of 3)’ [also in this exhibition] at the museum in 2016, I found the sculpture beautiful, with its grand sweeps of beadwork and ornate sconces,” Bodle says. “It was also quite haunting by virtue of the elegant script (‘This Must Be the Love They Speak of’) transcribed on the wall.

“The world craves authentic, genuine people and experiences more than any faux polished façade. Vickie and her work come from a place of earnestness and authenticity.

“These attributes, paired with skill and effectual presentation, make for great art,” Bodle says.

The current exhibit is Pierre’s premiere solo museum show and one of which she is immensely proud.

“This is a significant milestone in my career,” says Pierre. “It is a tremendous opportunity and a great achievement for my work to be introduced and showcased in the Boca Raton Museum of Art, to be enjoyed by the local public as well as visitors from around the world.

“My work exemplifies who I am and what I’m trying to do,” she says from her studio in Miami’s Fountainhead. “I have a love of the fantastical and whimsical but also incorporate history, identity, and the concepts of womanhood and femininity.”

Indeed, Pierre turns pop-culture feminine icons such as Snow White and Cinderella on their head, deconstructing them à la Hans Bellmer, a German surrealist artist and photographer best known for his series of life-sized pubescent female dolls (poupées).

Pierre questions the influence of history and popular culture on identity. “My continued focus is on the exploration of identity and ethnicity, with references to design and nature, as well as connections between my Haitian heritage and the Caribbean as well as broader global cultural mythologies,” she says.

In 2020, after the social justice movements, Pierre created “Black Flowers Blossom (Hanging Tree),” as a way to honor the souls of people lost to racial injustice, including George Floyd, Breonna Taylor, and Ahmaud Arbery, among others. This piece is also included in the show.

She describes her creative process as “easy,” doing a lot of sketching and what she calls “navel-gazing.”

“I’m always reworking, cutting, and pasting,” she says. “I let the ideas marinate and my execution is superfast.”

The child of medical professionals and immigrants from Haiti, Pierre says she was raised to be 100% American. She grew up in Crown Heights, Brooklyn, in a mixed neighborhood playing with people of all different backgrounds and religions.

“This inclusivity fostered my vision to reach for the universal,” she says. “I strive for a global ideal.”

In addition to Bellmer, Pierre counts Duval-Carrié, Canadian-American artists Miriam Schapiro, and Betye Saar as influences, who also worked with assemblage to explore the myths and stereotypes around race and femininity.

In 2016, Pierre committed full-time to her artwork. “It was sink or swim, and everything came together,” she says.

When asked what drives her, Pierre reflects.

“I feel this is my destiny; I’m doing exactly what I’m supposed to be doing and I am where I’m supposed to be,” she replies. “I’m excited and amazed. Everything in my life has led me to this point.”

The exhibit runs through Sept. 5. For more information, visit bocamuseum.org.

August 1, 2021July 19, 2021

FWC putting a stop to S.T.O.P

and 2 other sea turtle rescue organizations in Broward County

In a ‘David and Goliath’-esque confrontation, Broward County sea turtle rescue organizations may soon have to turn in their night goggles.

In a letter dated March 26, the Florida Fish and Wildlife Conservation Commission (FWC) declared a “change to the Disoriented Hatchling Recovery Programs.”

“While working to decrease impacts from one form of disturbance, lighting, Disoriented Hatchling Recovery Programs increase another form of disturbance, human presence on the beach at night,” states the letter. “We are notifying you that it is FWC’s intent to phase out these programs over the next few years.”

The Sea Turtle Oversight Protection (S.T.O.P.), Sea Turtle Awareness Rescue Stranding (STARS), and South Florida Audubon Society (SFAS) were all blindsided by the notice.

“It came without warning,” says David Young, chief operating officer of SFAS. He and his colleagues wonder why the FWC would do something contraindicated and not justified. “We all have a passion for the species,” he says.

Kristine Halager, the principal permit holder for STARS, says in a statement, “Our presence on the beach not only ensures the safety of hatchlings but also serves as eyes on nesting females that may come ashore while we are present.”

Halager has made suggestions to the FWC, including limiting volunteers, having them check nests every 30 minutes, and leaving the beach so they don’t draw attention to themselves. She also has suggested enforcing the current light ordinances. All suggestions were denied.

Florida beaches are key nesting areas for sea turtles. Almost 70% of the nation’s sea turtles nest on Florida’s beaches.

Almost 90% are loggerheads (Caretta caretta), a threatened species; green turtles (Chelonia mydas), endangered; and leatherbacks (Dermochelys coriacea), critically endangered.

As any visitor to the beaches in Pompano, Fort Lauderdale, or Hollywood can see, from March 1 to Oct. 31, volunteers rope off the nesting areas of sea turtles so the hatchlings may hatch undisturbed.

Volunteers also come out at night to help guide the hatchlings to the ocean so they’re not distracted by the bright lights along A1A. Hatchlings are drawn to those lights and may end up dazed and confused, in storm drains or parking lots, unable to orient themselves to the ocean.

According to the Broward County Sea Turtle Conservation Program and Nova Southeastern University, in 2020, there were 2,596 loggerhead nests on South Florida beaches, 246 green turtle nests, and 28 leatherback nests.

Sea turtles live mostly in the ocean, but females return to the beach to lay eggs. Once she lays her eggs, she digs a nest and covers it with sand. She returns to the sea, leaving the eggs unprotected — and this is where the volunteers step in.

Females nest every two or three years and lay several nests, containing approximately 100 eggs. The eggs incubate for 60 days, and when they hatch, volunteers are needed to prevent their disorientation.

While STARS currently holds one permit, SFAS holds two, and S.T.O.P., which originally had five, now has two permits, each allowing capacity for the permit holder and 24 volunteers.

Volunteers undergo specific training as part of the permitting requirements.

For this season, Young says, “it’s business as usual. Our current number of volunteers (49) are trying to get out on the beaches seven days a week so we can prevent disorientation.”

He continues, “We’re doing what we do and not worrying about next year.”

Taking a different approach is S.T.O.P.’s director, Richard WhiteCloud, who calls his turtle family “Passionate. Coffee addicted. Probably crazy” on his website. In 2007, S.T.O.P. was the first program of its kind to rescue and release hatchlings disoriented by coastal lighting.

Volunteers have rescued approximately 250,000 hatchlings, according to S.T.O.P.’s figures. In 2019, its 121 trained volunteers spent thousands of hours patrolling 18 miles of beach from dusk till dawn, rescuing 29,650 hatchlings.

“I’m not sure where FWC derived their numbers,” WhiteCloud says, referring to the letter that cites the volunteer presence as a hazard to the turtles (e.g., “Human presence on the beach at night as a significant threat to nesting and hatchling sea turtles”).

“Our hearts are broken,” he says. “Now we will risk legal action to save the turtles. Under no circumstances should they die due to the inappropriate actions of the FWC, the agency entrusted with protecting them under the Endangered Species Act.

“People need to pay attention to what their governments are doing,” says WhiteCloud. “We provide a free service. We’ve donated hundreds of thousands of dollars in resources without receiving any federal or state monies.”

Unlike Young, who plans a “wait and see” approach, WhiteCloud says S.T.O.P. will seek legal action.

Carol Lyn Parrish, spokesperson for the FWC’s south region, said that her agency is proactive in working with local government lighting appropriate for the turtles. They believe that the Broward County rescue groups should “focus on activities that protect both mother turtles coming to lay their eggs as well as hatchlings trying to make their way to open water.”

“The FWC must weigh monitoring activities for the greater good of the species and is doing so by attempting to minimize all forms of disturbance on the beach at night,” according to the agency. “This includes reducing volunteers sitting near the many nests on Broward County beaches for extended periods of time while still providing the ability to respond to and rescue disoriented hatchlings.”

Wilton Manor resident David Walker, a former biological scientist with FWC, is the Audubon Society’s urban conservation director and a volunteer since 2014. He spends many evenings on Pompano Beach and estimates he has helped tens of thousands of disoriented hatchlings get to the ocean.

“It’s very satisfying to save an endangered animal,” he says. In early June he watched 90 leatherback hatchlings come out of their nests and helped direct them toward the ocean.

“It’s unfortunate how the FWC and the other organizations tasked with their rescue can’t find a compromise,” says Walker.

Noting that only one out of 1,000 hatchlings makes it to adulthood and returns to the beach, Walker says, “When I release a hatchling, I could be assisting that one sea turtle that may have died if I wasn’t there. That’s a great feeling.”

To visit, go to browardaudubon.org or seaturtleop.com.

Note: Palm Beach County is not affected by this notice. Gumbo Limbo Nature Center in Boca Raton is open to the public for guided tours, and the Florida Atlantic University lab is raising turtle hatchlings for its studies. Also, Gumbo Limbo’s sea turtle rehabilitation department is busier than ever, and it constructed a new surgical room on-site last year to treat and rehabilitate sick turtles. To visit, go to gumbolimbo.org.

July 22, 2021July 15, 2021

The sad truth: Vision problems have no age boundaries

From young children to the elderly, no one is immune from vision problems. For some, it’s genetic; for others, it’s a part of the aging process. Four of the most common eye problems are cataracts, floaters, macular degeneration, and glaucoma.

The National Eye Institute says that in the U.S., at least 24 million people over age 40 have cataracts, 11 million have age-related macular degeneration (AMD), and nearly 3 million have glaucoma. Eye floaters affect nearly 30% of the general population.

The sad truth: Vision problems have no age boundaries — Phoropter, ophthalmic testing device machine

Cataracts

“Routinely, people over 60 develop cataracts, but they can also occur among children,” says David Rand, M.D., a specialist at the Rand Eye Institute, a premier eye-care facility that for 35 years has treated thousands of people throughout South Florida and around the world. “Cataracts cloud the natural lens inside the eye and can be caused by sun exposure, trauma, a medical condition, genetics, and aging.”

Warning signs include a need for more light, a lack of clarity, and glare from car lights or lampposts when driving at night. “Regardless of the degree, vision can be restored surgically,” Dr. Rand said. “There is more urgency among young children because their vision can be affected permanently.” Mild cataracts can be temporarily treated by changing the prescription of one’s glasses, but once visual quality becomes a problem, surgery is the definitive treatment.

Floaters

Millions experience eye floaters or “shadows” on the retina, and it’s a chronic problem that can impact the quality of life. Most are caused by age-related changes in the eye’s vitreous, a jelly-like substance that deteriorates over time. They occur primarily during middle age, or earlier, and develop due to an inflammatory condition.

“As a physician, I’m concerned that a patient who has an acute increase in flashes or floaters may have a retina tear or detachment,” said Carl Danzig, M.D., a vitreoretinal specialist at Rand Eye Institute. “It’s very important to seek a diagnosis as early as possible.”

Age-Related Macular Degeneration (AMD)

When new blood vessels grow under the eye’s retinal tissue, it’s referred to as “wet” AMD. When there is a thinning of the macula, a part of the retina responsible for clear vision in direct line of sight, it’s referred to as “dry” AMD.

“If you have trouble reading a menu, small print, or have problems driving at night, dry AMD may be the cause,” said Dr. Danzig. Vitamins with the AREDS2 formula are used for both types, but they’re especially recommended for patients with intermediate-stage AMD or worse. “The standard treatment for wet AMD is intravitreal injections; surgery is not a first-line treatment.”

Glaucoma

When there is damage to the optic nerve due to high or fluctuating eye pressure, glaucoma can occur, and if untreated it can lead to vision loss. Although diabetes, high blood pressure, heart disease, and a history of trauma are contributing factors, a genetic predisposition is also common. “If a family member has glaucoma, it’s very important to be examined and monitored to be certain that glaucoma does not develop,” says Dr. Rand. “The important point common to all treatment options is to adequately lower and maintain the eye pressure to an acceptable level to prevent progression well before it becomes advanced enough to threaten the vision.”

Glaucoma can be asymptomatic in its early stages, but gradual vision loss may still occur. “Sadly, many patients are unaware they have glaucoma until they lose their vision,” he said. According to the specialist, certain types produce painless vision loss, while other forms cause significant eye pain, pressure, and/or headaches. Among young children, it may lead to tearing or excessive eye rubbing.

David Rand, M.D.

Dr. Rand completed his undergraduate education at the University of Miami and received his medical degree from the university’s Miller School of Medicine, Honors Program. He completed his postgraduate internship in internal medicine at the Staten Island University Hospital and completed his residency at the State University of New York, Downstate Medical Center. He has published scientific papers and presented before prestigious organizations, including the Association for Research in Vision and Ophthalmology and the Radiological Society of North America.

Carl Danzig, M.D.

Dr. Danzig is a vitreoretinal disease specialist with experience treating a variety of complex eye disorders. He graduated cum laude from Tulane University and was accepted into the Phi Eta Sigma National Honor Society. After receiving his medical degree from Temple University, he completed an internship at Crozer-Chester Medical Center and residencies at Martin Luther King Jr. Hospital/Charles R. Drew University in Los Angeles and the State University of New York-Downstate, Brooklyn. He also enrolled in the University of Texas/Southwestern Medical Center’s vitreoretinal fellowship program.

July 15, 2021July 15, 2021

The Fantels − adjusting to a new normal in music, performing arts

In early 2020, the future looked rosy for Coral Springs couple Caryl and Roy Fantel.

One night, Roy was playing drums in the orchestra for the world premiere production of the musical “A Wonderful World” at Miami New Drama, a professional, nonprofit theater company in Miami Beach. Roy helped create the drum score for the musical biography about jazz legend Louis Armstrong.

While Roy worked on “A Wonderful World,” Caryl was music directing a production of Stephen Sondheim’s classic “A Little Night Music” by Zoetic Stage, a nonprofit, professional company in downtown Miami.

Caryl and Roy, a nationally respected couple who have been married almost 26 years, own and operate Coral Springs-based Fantel Music (www.fantelmusic.com). The couple, between them, boast more than 60 years of professional expertise in the performing arts. And the couple had already booked most of the rest of 2020 with gigs. Life was good.

Then, almost overnight, the COVID-19 pandemic hit. Folks who had booked the Fantels for jobs canceled the engagements. In fact, Caryl could not even retrieve her belongings from the Arsht Center, where “A Little Night Music” was to open. The Arsht shut down, as did the musical. Meanwhile, in Miami Beach, Miami New Drama postponed “A Wonderful World” indefinitely.

In the bleakness that followed, email message after email message reached the couple’s inboxes, confirming closures and cancellations.

For the first time in decades, the Fantels found themselves jobless. Fortunately, they are versatile and adaptable.

Caryl is a music director, event producer, pianist, teacher, editor, and arts activist. Meanwhile, Roy is a drummer, percussionist, teacher, video-audio producer, and web designer. With all the skills between them, they were able to adapt to the new normal by finding virtual work.

Their first COVID-era job was producing the Carbonell Awards, which recognizes excellence in South Florida live theater. Caryl has been part of the award show’s production team for 12 years. But this year, the awards ceremony looked different. Caryl, herself a Carbonell Award winner, decided — along with the organization — to prerecord the 2020 awards ceremony and present it virtually in August 2020. The Carbonells turned out to be one of several projects the Fantels worked on, during which they helped schools and other performers put on shows virtually.

“COVID has been extraordinarily challenging for everyone in the entertainment industry, but it has given us the opportunity to demonstrate our flexibility,” Caryl said. “Roy’s extensive technical background and abilities, and our wide experience working with groups of all sizes, ages, and levels, has enabled us to pivot into creating work that isn’t necessarily live performance, but is still art and entertainment.”

For instance, the couple worked with drama students at Coral Glades High School to virtually perform the Off-Broadway musical hit “I Love You, You’re Perfect, Now Change.” Among other things, Roy figured out via green-screen technology how to make four actors appear as though they were together.

The Fantels also used green-screen technology to virtually produce “Signs of Life.” The Yiddishkayt Initiative presented the musical drama as part of a Holocaust Remembrance Day program. Roy said because the production was virtual, people from all over the world were able to watch it on Facebook and YouTube.

Joan Limon, the producer of “Signs of Life,” praised the Fantels. “If there is an equivalent of a Tony Award for best musical direction and videography of a virtual musical drama, it definitely belongs on [their] mantel,” she said.

In addition to the Carbonell Awards, “Signs of Life,” and “I Love You, You’re Perfect, Now Change,” the couple’s projects during the past year included the following:

“Stars of David in Concert,” produced by Avi Hoffman’s Yiddishkayt Initiative. The group is a not-for-profit organization that celebrates and promotes Jewish history, life, and culture.
Two readings of new musicals that combined recorded and live elements, including one at Florida Atlantic University.
A couple of holiday concerts presented as part of the Yiddishkayt Initiative’s international Hanukkah and Purim festivals.
A musical theater production for Nova Southeastern University.
A production of “Almost, Maine” for an area high school.

“As long as there’s a need, we will continue to produce virtually,” Caryl said. “To some degree, we believe virtual productions are here to stay, as they provide unlimited audience reach.”

However, “we’re both looking forward to performing in front of live audiences again,” Caryl said. “We are cautiously optimistic that audiences will return to theaters live and in-person in pre-pandemic numbers (or even beyond those numbers). We have heard that people are starved for live entertainment. We’re hoping they will be willing to prioritize attending live events, since people haven’t spent much, if anything, on arts events in more than a year … and artists and arts organizations need support now more than ever.”

July 15, 2021July 12, 2021

‘There’s always time for tea’

Did you know — and I admit I didn’t — that there is Thai iced-tea pie, and even a small artisanal company in Brooklyn that sells Macha and Earl Grey teas ice cream?

Here we take a brief tour of teas. Look no farther than our state for retail and cafe locations for sampling numerous types, some familiar and some perhaps not. Plus there is the nonprofit U.S. League of Tea Growers, at www.usteagrowers.com, where potential growers can ask questions, research tea growing, and connect with regional organizations. There is also American Yaupon (www.americanyaupon.org), based in Florida, which promotes a number of local shops.

It’s a new day for tea. It is soothing, warming, and refreshing with excellent varieties easily obtainable. The steady trend toward natural foods and herbal teas is well known, though you may not have spent much time thinking about the varied types until the pandemic descended upon us. Tea is an enjoyable beverage whatever the time of day or season. There are, of course, basic teas.

One gardening expert of 30 years, Erica Jo Shaffer, confirms, for example, that herbal infusions are relaxing to the nerves and nourishing. She advises, “Tea is only ‘tea’ when it contains camellia sinensis, the plant that gives us white, green, black, and oolong tea.”

Sampling of organic herbal teas: You could try citrus mint with an infusion of peppermint and citrus; blueberry merlot with a taste of blueberries and a wisp of sage; chamomile citron with a blend of flower blossoms and a zest of citrus; and ginger lemongrass blended with citrusy herbs and a tingle of ginger. (There’s also a cocktail like the Sunday Tea, which some may know from having peach, moonshine, bourbon, sweet tea, and lemon, which might lull you into a generic dream of the South.)

And then there’s yaupon!

Yaupon tea: Pronounced “yoh-pon,” this is the only caffeinated plant native to North America — an antioxidant-laden drink that’s been consumed for thousands of years and known as yaupon holly. It’s a specific Southern tea type that can be found in loose-leaf form at premium shops around the country, and sometimes in shrub form at select nurseries to add as a border or hedge to your own landscaping to harvest, keep in a container on the patio, or plant in a community patch!

Grown in the Southeast and traded by Native Americans for ceremonies and recreation, according to the Yaupon Brothers Tea Co. (formed in Florida in 2012), it does not need fertilizer or pesticides as it is native and requires very little water, and has less environmental impact on surrounding areas. During the Civil War, Southerners often drank yaupon in place of coffee and black tea, note historians. One fellow of the day noted, “Substitute for Tea — [yaupon] is excellent but let me say that the wild thorned leaf holly is the best that I have ever used. It would take the best of judges to tell it from the best of black tea. Fall is the time to gather the leaves. Make as black tea.”

Caffeine content: Unprocessed, the leaves of this evergreen holly with small green leaves on stiff branches contain between 65% and 85% caffeine compared to tea leaves with about 3.5% caffeine. (Black-tea caffeine content is labeled by one popular seller as “robust,” herbal infusions as “none,” green tea as “moderate,” and white tea as between “very low” and “low.”)

There is plenty of information on Yaupon and Dwarf Yaupon shrub propagating, pruning, light requirements, soil, and so on, at several informative websites; one is a University of Florida blog site, at blogs.ifas.ufl.edu/lakeco/2021/01/21/grow-your-own-yaupon-tea.

For example, the “evergreen” Dwarf Yaupon Holly tolerates wind and the hot, humid Southern summers. New growth emerges with a light purple color and darkens to green. This small mounding shrub can get 3 to 5 feet tall and wide, and it can take full sun or partial shade.

Ryan Hinson, the “tea guy” at well-known Tin Roof Teas (www.tinroofteas.com), a high-quality loose teas and accessories business, knows his teas — and their shelf life. He told me, “Yaupon is best consumed in 8 to 10 months, but good up to 2 years. Would consider an herb, so you have 8 months for maximum potency — up to 8 months for flowers and leaves, and up to 2 years for seeds, roots, and barks.”

Fragrant premium tea shops abound if you prefer to visit rather than to order in supply (see two Florida brothers’ enterprise at www.yauponbrothersamericantea.com). Many shops are now open with COVID protocols in place.

And from the Louisiana State University Ag Center is an informative May 2019 article by horticulturist Heather Kirk-Ballard, who notes that the wiry shrub’s blooms appear in early to mid-spring (eaten by many bird species), with the red berries, also enjoyed by the birds, showing in late fall and winter. She writes much more about the yaupon, including its widespread use as home decor during the holidays. Check out the article too for excellent tips for your seasonal decorating.

So whether you grow your tea fresh from the garden (or patio container) or have it shipped to your door, get out those teapots and teacups (or mugs), and have a tea party. Pinkies up!

Joan Wenner, J.D., is a widely published, longtime freelance writer who writes historical, maritime, and general interest stories. She resides in eastern coastal North Carolina, although she lived many years in Florida where she hopes to soon return. Comments are welcomed at joan_writer@yahoo.com.

July 15, 2021July 12, 2021

Sunshine, Wildlife, and Cane Toads: My First Year in the South

A year ago, I moved to southeast Florida from northern Virginia, just outside Washington, D.C. Besides arriving in a new part of the country in the middle of a pandemic, which presents its own set of challenges, I encountered a lot of new and different things to contend with in my adopted state.

Born and raised around Chicago, I moved to the D.C. area after college, got married and raised kids there, and then decided to move to Florida after a divorce and job layoff last year. Why not start fresh in a new place, where I wouldn’t have to deal any longer with snow and ice? The lingering image that had always been in the back of my mind was to someday live in a warm and subtropical place, surrounded by palm trees, and somewhere near the ocean. And so that’s what I ended up doing when the opportunity unexpectedly presented itself.

I took the settlement checks from both my divorce and my full-time job and put them toward the purchase of a nice “villa” home in Florida. And so in July 2020, I suddenly found myself moving still further south and east from where I had originally started (cold, windy Chicago). My dog Lex, a Pomeranian mix, and I arrived last summer to this sunny and humid part of the country and began to put down roots, and I soon discovered a lot of differences here.

I have no regrets, but here are some observations from my first year in Florida:

Lizards in the house. I didn’t know that there would be so much wildlife around my new neighborhood. While I appreciate all the birds, geese, ducks, and rabbits lollygagging around my lakeside community, and I’ve gotten to enjoy the various lizards darting around the lawn, I didn’t expect to be sharing my home with the geckos. These quick creatures like to sneak into the house and creep around the rooms, hang out on the ceiling, and pop out and startle me.

Cane toads that could kill my little dog. Of all the animals I’ve encountered in southeast Florida, including alligators at the wetlands reserves, the scariest for me are the ugly toads that secrete powerful toxins that could take out Lex, horribly and painfully, within 30 minutes if I’m not constantly vigilant outside.

Hurricanes! Two weeks after I moved to Florida last July, Hurricane Isaias hurdled in from the Atlantic and joined me here. I got a very quick lesson on preparing for tropical storms and securing my hurricane shutters. While my windows were tightly covered for a couple tumultuous days, it was dark and depressing in my house. I was so happy when Isaias finished up his visit and rolled away.
Gated communities. Yes, I live in a secure, gated community, and as a single woman residing alone, I am relieved to have that protection. But what I have found in this part of the country is that there are so many gated communities that it’s not easy to just drive through neighborhoods here and explore. When I lived in Virginia, I could run through any neighborhoods I felt like. Here, I can’t do that. I have to keep to my own community or on the busy roads around it.
More tattoos than I’ve ever seen before. I didn’t know before my move that Florida was the land of full-body tattoos. While I have had friends and family in my life who have sported one or two small tattoos, I was in for a surprise when I arrived here and saw that they are etched all over people’s faces and limbs, in every corner of the region.

Like the colorful tattoos, I am getting used to all the differences in southeast Florida. I enjoyed my first warm winter here, although I missed the changing of the seasons in the fall and the spring. But I am glad my winter coat is packed far away in a bin in the closet, and I don’t ever have to shovel out my car again. I’ll take it.