Grand Opening Event at Arthur Murray Dance

✨Invite to our Grand Opening Event✨
Celebrate with us!

Friday October 1st, 2021
The Doors open at 7:30 PM

Dance the night away!

Ribbon cutting ceremony,
Champagne & Hors D’oeuvres,
General dancing,
Spotlight performances,
Professional show dances
& Tournament of Champions Announcements!

Dress Code: Cocktail attire.
Color code:  Royal blue, Soft Blue or White.

For more information please call (754) 307-0947
Address: 7631 N State Road 7 Parkland, Florida

We are looking forward to having you!🤩

Grab life by the reins: Experience the value of an equine adventure

There’s something inherently satisfying about embarking on an adventure. Whether it’s the thrill of trying something new or pushing past your comfort zone, adventures offer us the opportunity not only to challenge ourselves but to know ourselves better. They also make for great stories.

Equine adventures are particularly rewarding because they come with a 1,000-pound comrade with its own mind and personality. Whether you’re a green or an experienced rider, at times, horses will test your patience, confidence, and perseverance. And when you manage to develop trust and understanding with your horse, you are rewarded on a whole different level.

My most recent equine adventure was a cattle drive in Colorado. It was 8 a.m. on a Friday when I arrived at the 8,000-acre working cattle ranch just outside Steamboat Springs. As I pulled into the dirt parking lot, I was greeted by a line of horses saddled and waiting. My mount for the day was Moca, a beautiful dun mare.

There were six riders including myself — my partner in his recently acquired cowboy hat, a retired couple who sold all of their property and were traveling the country in an RV, and a mother-daughter duo on a mission to visit all 50 states before the girl’s 18th birthday.

Continue reading “Grab life by the reins: Experience the value of an equine adventure”

Warning signs of a brain aneurysm

September is Brain Aneurysm Awareness Month. According to the Cleveland Clinic, 6% of people in the United States have an aneurysm in their brain that is not bleeding — an unruptured aneurysm. It is more likely to affect women ages 40 to 60 years old. If you have relatives who have had an aneurysm, you should discuss it with your primary care provider.

The most common symptoms of an unruptured aneurysm, per the Cleveland Clinic, are headaches. Other signs may include the following:

  • Vision changes
  • Enlarged (dilated) pupil, the black part of the eye
  • Seizures
  • Numbness or tingling on the head or face
  • Pain above and behind the eye
  • Neck pain
  • Nausea and vomiting.

If your aneurysm ruptures, as Cypress resident Mrs. Alonna Miller found out, it is an emergency. The most common symptom is a severe headache that comes on suddenly and lasts hours or days. Other symptoms can be the following:

  • Stiff neck
  • Drowsiness or even coma
  • Mental confusion
  • Dizziness or problems with your balance
  • Difficulty speaking
  • Weakness or no feeling in an arm or leg
  • Heart attack.

For Miller, she had to spend weeks in the intensive-care unit, and she experienced “unimaginable pain.” It took many weeks to recover, and two unruptured aneurysms were also discovered and removed in August 2020.

 

If you have concerns or have a family member who has had an aneurysm, please discuss it with your primary care doctor.

Bridging the Gap: From Education to Employment in the Arts

Moderated by Neki Mohan, an adjunct professor at Barry University who served as a broadcast journalist at WPLG for 16 years, this special event will explore the gap between education and employment opportunities in the arts and creative industries and offer insights into how we can begin to close that gap for communities of color in South Florida.

A dynamic panel of four experts with diverse experiences in the arts will examine the issue and take comments from the audience in the theater and watching online via Zoom.

Panelist Portia Dunkley is co-founder and executive director of the New Canon Chamber Collective, a non-profit chamber music ensemble offering performance opportunities for Black and Latinx musicians. FLO’etry Entertainment & QUICK2Love Foundation CEO Jerris “QUICKthePoet” Evans will also discuss the issue from his viewpoint as a performer and producer.

The panel also includes artists and academics Gregory Reed, photographer, multimedia producer and a former adjunct professor at American Intercontinental University, and Director of Miami Jazz Co-op Nicole Yarling, a vocalist and violinist who has taught at Florida Memorial University and University of Miami.

The yearlong Arts For Action: Black Voices initiative explores how the arts and artists can be a force for change in addressing critical issues of social justice and racial inequality.

Seating is limited and must be reserved at www.browardcenter.org/tickets/rsvp-arts-for-action. Those wishing to attend via zoom must register in advance at https://bit.ly/3ysrdzt

Audience participation is welcome and encouraged, in person or online. Questions may be submitted in advance to ArtsForAction@BrowardCenter.org or night of event at EventSupport@BrowardCenter.org.

The Broward Center’s Arts for Action: Black Voices initiative is funded through the Community Foundation of Broward’s Art of Community grant program, which aims to use the arts as a tool or catalyst to heighten awareness, deepen knowledge, and mobilize action on social justice issues. Support has been provided by the following Funds at the Community Foundation of Broward: Mary N. Porter Community Impact Fund, Community Concerts Association of Fort Lauderdale Performing Arts Fund, A Fund for the Performing Arts and the Linda and Michael Carter Fund.

Additional supporters of the initiative include BBX Capital Foundation and JM Family Enterprises, Inc.

Parkland gives back, providing 1,119 backpacks for students in need

This year, Parkland’s annual Backpack Project provided 1,119 backpacks complete with back-to-school supplies for students in need, aiding a number of nonprofit organizations, including Kids in Distress, Hope South Florida, God’s Little Lambs Preschool, and SOS Children’s Villages Florida.

 

What started as a small family and friends operation eight years ago has become a community favorite. “I think the first year we ended up with 300 backpacks,” recalls Heather Khalil, founder and driving force behind the annual drive. “We helped one agency with a backpack project.”

 

Over the years, as the Backpack Project grew in popularity, Khalil ran out of room in her house to store the donated backpacks and asked volunteers to become team leaders in their neighborhoods. “More friends and neighbors asked to participate as I added projects, so I reached out to other agencies.” She now has team leaders not only in Parkland, but also in Boca Raton, Delray Beach, Coral Springs, Weston, Plantation, and a growing number of other communities. “Everything grew beyond what I thought was possible.”

 

One of the unique aspects of the Backpack Project, and perhaps the reason it resonates with so many, is its personal touch, an idea that originated with Khalil and one that she brought to fruition. “I think I was the first to bring the idea to do it for specific kids so people could actually shop for an assigned child and write a note to them.”

Each year, the participating agencies provide Khalil with a list of children in need. Volunteers are then given their particular student’s name, age, size, and gender so that they can purchase appropriate backpacks, first day of school outfits, socks, underwear, toiletries, school supplies, and a book, and they can also include a note of encouragement addressed to their child.

“Many people in the community tell me the whole family shops together for ‘their’ child,” enthuses Khalil. “Volunteers often provide more than what is asked for because they really want to make a difference. I get to witness a lot of kindness and love firsthand, which is truly amazing and a blessing!”

Next up for Khalil is the Halloween Project, which provides Halloween costumes for children in the foster-care and homeless system. “Children in the foster system and homeless system do not get new costumes for Halloween. If they get anything at all, it’s usually someone’s old costume. This project offers those children the chance to choose their own brand-new costume,” explains Khalil.

Again making the experience personal for both child and volunteer, Khalil asks participating agencies to provide a list that includes each child’s name, age, gender, size, and top two costume choices. Volunteers are then assigned a specific child and are responsible for providing one of the costumes requested, a durable trick-or-treat bag, and a full-size bag of candy.

For more information or to get involved, head to Facebook. Khalil has a local group called

“Heather’s volunteer opportunities” that regularly posts new events and calls for volunteers.

Beautiful Japanese gardens right in our backyard

 

After I moved to South Florida last summer, I heard about the numerous wetlands walks, nature preserves, and wildlife parks in the area. I was planning to explore many of them, especially if they were all outdoors, as it was still the middle of the COVID pandemic. 

One place that was recommended to me often was Morikami Japanese Gardens in Delray Beach. So I decided to go there with relatives when they came to visit. And I liked it so much, I went back again a couple months later with other visiting family members.

The first time I went, I was floored by the beauty and tranquility of the park. I’ve been to many botanical gardens and similar lushly landscaped parks, but I hadn’t been to one like Morikami before. They call it “Roji-en: Garden of the Drops of Dew,” and it was designed by Hoichi Kurisu. The park comprises six distinct gardens that are inspired by significant gardens in Japan. 

After arriving, you go through a large building that houses the museum, gift shop, and café, and once outside, you descend down a wide staircase to a utopian setting below. There is a gorgeous pond in the center, with walkways that lead to the left and right of it, which make a large circle meandering through the different gardens around the pond. 

In addition to the abundant trees, topiaries, plants, flowers, stone structures, and bubbling brooks, we enjoyed peeking over bridges and seeing fish, turtles, and even an alligator sunning itself in the pond. In the various quiet oases we found, one highlight was the traditional bonsai garden. And we discovered other peaceful green corners where we could immerse ourselves in the serenity and zen of the place.

Being from out of state, I was surprised to learn about the century-old connection between Japan and South Florida, where “a group of young Japanese farmers created a community intended to revolutionize agriculture in Florida,” according to Morikami literature. My mom and I were fascinated to hear about the rest of its history:

“In 1904, Jo Sakai, a recent graduate of New York University, returned to his homeland of Miyazu, Japan, to organize a group of pioneering farmers and lead them to what is now northern Boca Raton. With the help of the Model Land Company, a subsidiary of Henry Flagler’s East Coast Railroad, they formed a farming colony, Yamato, an ancient name for Japan.

“Ultimately, the results of their crop experimentation were disappointing and the Yamato Colony fell far short of its goals. By the 1920s the community, which had never grown beyond 30 to 35 individuals, finally surrendered its dream. One by one, the families left for other parts of the United States or returned to Japan.

“In the mid-1970s, one of the last remaining settlers, George Sukeji Morikami, then in his 80s, donated his land to Palm Beach County with the wish for it to become a park to preserve the memory of the Yamato Colony.” Morikami Museum and Japanese Gardens debuted in 1977, as a living monument and a bridge of cultural understanding between George Morikami’s two homelands.

After we learned about the history of the place and strolled through all its verdant gardens, my family and I walked over to the open-air terrace café and had delicious Bento Boxes for lunch. 

It was quite a day enjoying what are the most authentic Japanese-style gardens outside of Japan and then topping it off with an equally authentic Japanese lunch.

To visit, go to https://morikami.org.

Jennifer Merrill is a recent transplant to South Florida from northern states. 

Robotic Surgery is a ‘game changer’ in complex surgeries at Broward Health Coral Springs

For over a decade, Broward Health Coral Springs has provided surgeons the ability to perform complex surgeries using the assistance of advanced robot. Robotic surgery consists of a surgeon console, patient-side cart, and vision cart, allowing doctors to view 3DHD imagery of organs, vessels, and lymph nodes while operating on patients with mechanical arms ingeniously programmed to wield the smallest of tools.

“The whole goal is to enhance medical care,” said urologist Azeem Sachedina, M.D., “and from that perspective, there is no question robotic surgery is an absolute game changer.”

Often using the da Vinci surgical system, robotic-assisted procedures allow surgeons to control mechanical arms that bear surgical instruments and a camera. Robotics can sometimes enable surgeons to make smaller incisions rather than traditional large incisions, which in some cases may lead to a faster recovery with less pain. With surgeries such as hysterectomies and myomectomies, as well as prostate, gastrointestinal and other procedures, outcomes can be a benefit for the patient.

Zoyla Almeida, M.D., a gynecologic oncologist and Chair of Robotics at Broward Health Coral Springs, has done over 2,000 robotic procedures to date. Of those surgeries, there have been few limits to which reproductive health issues she can correct, including hysterectomies for both cancerous and benign conditions, pelvic prolapse, and treatment for endometriosis, which can cause severe blood loss, pelvic pain, and infertility. She said that the da Vinci system in many cases has the ability to sometimes see much more of the human body by using impossibly small cameras that not only capture high definition views of organs but also surrounding blood vessels and tissue. 

Broward Health urologist Michael Tyler, M.D., also continues to see the benefits from technological advantages provided by robotic assisted surgery, saying that “the difference between traditional and robotic surgery is significant. With the robotic technique, we can really control the surgical environment. When I am at the console, it’s basically like I am at the bedside.”  

Dr. Almeida, agrees, adding robotic technology in the operating room may allow her to see and correct endometriosis and ovarian cysts in patients who may have suffered for years before exploring robotic surgery as an option.

“Women know their bodies well, and if they think something is off, they should definitely seek attention immediately and not ignore it,” said Almeida. “With robotic technology like we have today, complex surgeries may no longer need to be invasive as they were years ago.” 

Broward Health Coral Springs has acquired additional and more upgraded robots within the last few years to fulfill patient and physician demand. Broward Health surgeons say the demand for minimally invasive robotic surgery is gratifying. Mark Shachner, M.D., operates at Broward Health Coral Springs on patients experiencing digestive issues with the da Vinci and called it an enormous revolution.

To learn more about minimally invasive, robotic surgeries offered at Broward Health Coral Springs, click here

 Photo Caption: (l-r) Dr. Zoyla Almeida is presented with a recognition for surpassing over 2,000 robotic cases by Jared Smith, Broward Health Coral Springs Chief Executive Officer.  

Robotic Surgery is a ‘game changer’ in complex surgeries at Broward Health Coral Springs

Photo Caption: The Broward Health Coral Springs surgery team. 

The co$t of owning a horse

“A pony is a childhood dream; a horse is an adult treasure.”

—Rebecca Carroll

Many people dream of one day owning a horse. The allure is even greater in a place like Parkland, long known for its equestrian community. But before diving in headfirst, there are a number of factors to consider, especially given that the average lifespan of a horse hovers around 30 years, making them long-term companions. 

“A pony is a childhood dream; a horse is an adult treasure.” —Rebecca Carroll  Many people dream of one day owning a horse. The allure is even greater in a place like Parkland, long known for its equestrian community. But before diving in headfirst, there are a number of factors to consider, especially given that the average lifespan of a horse hovers around 30 years, making them long-term companions.   Aside from the initial purchase investment, horses require costly ongoing care.   Tack and Grooming  According to Ellie Scofield, owner of Spectrum Saddle Shop in Coconut Creek, essential grooming supplies average $50, and tack (saddle, bridle, girth, and pad) can range from about $350 for the essentials to thousands for show-level equipment.   Boarding  If you don’t have property equipped for horses, then you’ll need to board yours at a nearby stable. The following facilities offer monthly rates that include a private stall, bedding, feed (both hay and grain), stall cleaning, water, and turnout.   Millpond Stables, Coconut Creek — $1,000 monthly  Wattland II, Coconut Creek — $900 monthly or $300 monthly for stall only  Jump On In INC, Parkland — $850 monthly  Galloways Farm, Parkland — call for a customized quote.   Lessons  To refine your horsemanship skills, you’ll want to continue training in the discipline of your choosing. Millpond Stables teaches English and Western at a rate of $75 per hour.  At Wattland II, lessons are $60 per hour and include instruction on grooming and tacking, a beneficial feature for new riders/owners.  Jump On In INC teaches Hunters, Jumpers, Equitation, and Western. All lessons include basic horsemanship skills and are $65 per hour. At Galloways Farm, dressage lessons run from $65 to $80.   Equine Vet and Farrier  Your horse will require annual vaccinations, dental care, deworming, and hoof trimming/shoeing. Treatment for medical emergencies can cost thousands, though there are insurance plans available to help offset some of these costs.   Even if you can afford the cost of upkeep, horses also require a significant time commitment. Boarding rates do not include grooming and exercising, which you’ll need to do regularly, not only to maintain your horse’s health and happiness, but to develop a bond as well.   For those unsure if they’re ready for horse ownership, there are alternate options available to see if ownership is right for you. Many barns have leasing opportunities, and horse rescue ranches offer sponsorship programs and riding privileges.     [Put in sidebar box?] For those itching to jump in, here’s some takeaway advice from the experts:   “Make sure you get help. Watch and learn. Horses are very, very delicate.” 
—Dawn Watt, owner of Wattland II  “You don’t become a rider in a day. Horsemanship takes time to learn. This is the only sport in the world where you are dealing with something that has its own mind.” 
—Amanda Myman, owner of Jump On In INC   “Listen to your veterinarian, trusted trainer, and professionals, as well as good, experienced friends. Having horses is hard work, expensive, and one of the best experiences in a lifetime for both kids and adults!” 
—Ellie Scofield, owner of Galloways Farm

Aside from the initial purchase investment, horses require costly ongoing care. 

Tack and Grooming 

According to Ellie Scofield, owner of Spectrum Saddle Shop in Coconut Creek, essential grooming supplies average $50, and tack (saddle, bridle, girth, and pad) can range from about $350 for the essentials to thousands for show-level equipment. 

Boarding 

If you don’t have property equipped for horses, then you’ll need to board yours at a nearby stable. The following facilities offer monthly rates that include a private stall, bedding, feed (both hay and grain), stall cleaning, water, and turnout. 

  • Millpond Stables, Coconut Creek — $1,000 monthly 
  • Wattland II, Coconut Creek — $900 monthly or $300 monthly for stall only 
  • Jump On In INC, Parkland — $850 monthly 
  • Galloways Farm, Parkland — call for a customized quote. 

Lessons 

To refine your horsemanship skills, you’ll want to continue training in the discipline of your choosing. Millpond Stables teaches English and Western at a rate of $75 per hour. 

At Wattland II, lessons are $60 per hour and include instruction on grooming and tacking, a beneficial feature for new riders/owners.

Jump On In INC teaches Hunters, Jumpers, Equitation, and Western. All lessons include basic horsemanship skills and are $65 per hour. At Galloways Farm, dressage lessons run from $65 to $80. 

Equine Vet and Farrier 

Your horse will require annual vaccinations, dental care, deworming, and hoof trimming/shoeing. Treatment for medical emergencies can cost thousands, though there are insurance plans available to help offset some of these costs. 

Even if you can afford the cost of upkeep, horses also require a significant time commitment. Boarding rates do not include grooming and exercising, which you’ll need to do regularly, not only to maintain your horse’s health and happiness, but to develop a bond as well. 

For those unsure if they’re ready for horse ownership, there are alternate options available to see if ownership is right for you. Many barns have leasing opportunities, and horse rescue ranches offer sponsorship programs and riding privileges. 

For those itching to jump in, here’s some takeaway advice from the experts: 

  • “Make sure you get help. Watch and learn. Horses are very, very delicate.”
    —Dawn Watt, owner
    of Wattland II
  • “You don’t become a rider in a day. Horsemanship takes time to learn. This is the only sport in the world where you are dealing with something that has its own mind.”
    —Amanda Myman,
    owner of Jump On In INC 
  • “Listen to your veterinarian, trusted trainer, and professionals, as well as good, experienced friends. Having horses is hard work, expensive, and one of the best experiences in a lifetime for both kids and adults!”
    —Ellie Scofield, owner of Galloways Farm

A documentary from Parkland’s own: ‘It’s Not a Burden’

Directed by Michelle Boyaner and produced by Parkland resident Wendy Zipes Hunter, “It’s Not a Burden: The Humor and Heartache of Raising Elderly Parents” is a deeply intimate documentary that follows its director as she serves as the primary caretaker for her elderly parents, Elaine and Morris. Each parent struggles with their own battle incited by old age, with Elaine suffering from dementia and Morris being a hoarder.

Morris Boyaner in IT’S NOT A BURDEN
©2021 Greenie Films

Supplementing her own personal story and composing the majority of the film is a composition of around 20 vignettes, each telling their own story of adults providing care for their elderly parents. Each vignette features a retrospective of each parent’s life, an account of their current struggles, and occasionally an update on the family’s story. 

Boyaner’s impetus for dedicating such a considerable portion of her documentary toward other people’s struggles instead of her own is to convey the film’s central message. 

Coming directly from Boyaner, the message of this film is, “You are not alone. If you are somewhere in the midst of this journey, helping your parent/parents, you are not alone. Look at the people in this film, all walks of life, navigating their own version of the same thing. You are not alone.”

Frances Moore & Cynthia Moore in IT’S NOT A BURDEN
©2021 Greenie Films

In each story, including her own, it is an uphill battle against old age. Boyaner is frank in showcasing that elderly care is often embarrassing and melancholy, for both parties.

However, as Boyaner presents, no one family is solitary dealing with the strife of old age. Although each family struggles, they prove strong in the face of life’s great equalizer, and they are able to see the final time spent with their loved ones as a blessing rather than a burden.

Below is a portion of my interview with Boyaner.

Q. What kind of philosophy or belief system do you believe people should take into the final stages of their lives?

A. I relied very heavily on the book “Being Mortal” by Atul Gawande, as it explores the last stages of life through personal stories and focuses on quality of life. I highly recommend this book (you should see my copy, it’s marked up like a textbook).

Q. After filming, did you do any follow-ups with the families you interviewed?

A. We have kept in touch with many of the families we met with for “It’s Not a Burden,” and although “follow-ups” are not contained in the film, we have been in touch. The bulk of the filming with the other families was from 2016 to 2019, so unfortunately some of the parents have now passed away, and we’ve been in touch with families as they have grieved their losses. We also continue to celebrate milestones with those who are still with us.

Q. During filming, was it ever difficult for the people you interviewed to talk about their circumstances?

A. Every family who opened their homes and their hearts to us were taking a chance. They were honest and vulnerable and shared stories about their own experiences that they hoped would help other people. Those we spoke to were truly heroes and we are so grateful to them for trusting us with their truths and knowing that what we were creating was going to become something to help.

Q. What is your favorite memory with your mother?

A. I have certain memories, snapshots of simpler times from very early in my childhood that stand out as magical with my mother. In more recent times, it has just become a montage of all the time we spent — as you see in the film — out on adventures, running errands, just being together.

Q. Do you have any advice for anyone who is currently going through something similar to what you experienced?

A. My advice is really contained in the film: Let’s try harder to regard each other. To take a minute. To spend the time. To be patient. To listen. To not just see an older person as their age or their ailment but realize that they’ve lived a whole life filled with memories, and they’re still here, and it’s vital that they have a sense of purpose.

Now’s the time for dolphin fishing

Now’s the time for dolphin fishing

It used to be that May and June were the best months for dolphin fishing in South Florida, but that has changed. August and September are now the best times for catching the colorful, delectable fish from Palm Beach to the Florida Keys.

“I think the last few years, August is the peak,” Capt. Abie Raymond said. “September usually has some big ones, but not as many numbers.”

Raymond is a Miami Beach native whose Go Hard Fishing (gohardfishing.com, @abie_raymond) offers offshore and inshore charters as well as trips in Miami-Dade County’s freshwater canals for peacock bass, largemouth bass, and clown knifefish.

In addition to witnessing firsthand the transition from a springtime dolphin bite to a summertime bite, Raymond has come up with a couple new techniques for catching what is considered one of South Florida’s favorite saltwater fish to eat.

For starters, he uses minnow-sized pilchards that he nets before he heads offshore to attract dolphins to his boat around weed lines, weed patches, and floating debris, which he searches for from the tower of his 28-foot C-Hawk center console.

“It fires the dolphins up and it gives you more opportunities,” said Raymond of the inch-and-a-half-long baits. “They keep the dolphins around your boat. You don’t have to worry, ‘Oh, where’s my rod? Where’s my bait?’ while the dolphins are swimming by.

“You just grab a scoop and throw it overboard. The baits swim back to the boat for shelter and the dolphins bust them all over the place for 10 minutes while you’re taking your time, rigging your rod, tying a new plug on, a jig, whatever you want.”

Raymond said the idea came from seeing dolphins spit out little baitfish as they jumped or hit the deck of his boat. He also saw the baits after filleting dolphins.

“Their stomachs are packed with them. That’s the kind of stuff they’re picking out of the seaweed,” Raymond said. “So I figured they’ve got to eat the heck out of them and they’re not going to get full on them. That’s the beauty of it. You’re not going to overfeed them like you would with big bait. Even if the fish shut off, you throw a scoop and they start blowing up. It turns them on immediately.”

The tactic worked to perfection on a trip with Raymond and his father, David, out of Bill Bird Marina in North Miami Beach.

After Raymond spotted a couple of dolphins near a weed patch from his boat’s tower, he climbed down, dipped up about eight of the little baits, and flung them into the water. Those two dolphins and a bunch of their schoolmates quickly surrounded the boat. 

Raymond baited several lightweight spinning outfits with small pilchards as well as with some bigger pilchards.

At one point, David Raymond and I were both reeling dolphin to the boat and a third fish was on an outfit that Raymond had hooked while he was trying to reel up the bait to get the line out of our way. He stuck that rod in a rod-holder so he could gaff our fish.

Raymond’s dolphin outfits — a 10-pound Ugly Stick rod with a 3500 Penn Slammer reel spooled with 20-pound braided line with a 2/0 J hook — produced a fun, exciting fight with the schoolies, which weighed 5 to 10 pounds. 

“The braid is so strong and so durable,” Raymond said, “and those little reels now are so capable drag-wise, it eliminates the need for heavy tackle.”

Raymond does bring out heavier spinning outfits — 7-foot rods with Penn 7500 Spinfisher reels with 20-pound braid — for another new tactic for catching dolphins around weed lines.

He uses a fishing kite to put a skirted ballyhoo 50 feet behind his boat and another skirted ballyhoo 100 feet back. With his boat 100 to 150 feet away, Raymond trolls the baits along weed lines and across weed patches. The lure-ballyhoo combos look like flying fish, which dolphin love to eat, as they skip across the water.

Raymond wriggles a dead ballyhoo back and forth with his hands to break the entire spine, which gives the baitfish life-like movement when it’s in the water. He also breaks the tail to prevent the bait from spinning, squeezes out any intestinal matter, and breaks off the bill with an upward snap.

He inserts a 7/0 Mustad 3407 triple-strength J hook through both lips and through the front of the bait’s skull to keep the hook in place, and slides a weighted skirt or feather — a Jet Head, Billy Bait, or Sea Witch — on top of the ballyhoo. 

The lure’s weight helps keep the bait in the water instead of flying above it. Raymond uses a 1-ounce skirt on the far bait and a half-ounce skirt on the short bait.

The hook placement in the ballyhoo’s head instead of its belly, as in a trolling bait, is virtually weed-proof, especially positioned directly behind a skirt.

“If you have to go through patchy grass, it doesn’t matter because your hook is out of the water,” Raymond said. “We’ll drag the baits right over it, and that’s what makes it advantageous. You don’t have to worry about constantly picking grass off your baits.”

Now’s the time for dolphin fishing

And that means you can spend much more time enjoying the best dolphin fishing of the year.

Vickie Pierre: ‘Be my herald of what’s to come’

Vickie Pierre: ‘Be my herald of what’s to come’

For New York-born and Miami-based artist Vickie Pierre, there’s more to come. At the age of 51, Pierre is just hitting her stride.

Vickie Pierre: ‘Be my herald of what’s to come’

With a solid portfolio and major accomplishments under her belt, Pierre is currently focused on generating new works. Her current pieces on display at the Boca Raton Museum of Art are a continuation of the work she has done since her college years at the School of Visual Arts in New York City.

Her work has been exhibited at Foundation Clement in Martinique and Centro de Documentación para las Artes Visuales and Galerie Oriente in Cuba. She has exhibited at the Little Haiti Cultural Center and the Diana Lowenstein Fine Art Gallery in Miami and the Art and Culture Center in Hollywood, Florida. In 2019, she was a finalist in the Orlando Museum of Art Florida Prize in Contemporary Art. 

In 2016 Pierre caught the eye of both Irvin Lippman, CEO of the Boca Raton Museum of Art, and Assistant Curator Kelli Bodle, when she was brought to their attention by Miami-Haitian artist Edouard Duval-Carrié, who was exhibiting at the museum. He flagged her as an up-and-coming artist in the Miami art scene.

“Vickie draws from her parents’ penchant for European interior design, evident in the French colonial influence on Haiti,” says Bodle. 

Pierre uses resin wall plaques, ornate wall sconces, vintage Avon glass perfume bottles, wooden shelf sconces and ship bookends, jewelry, and hand-strung glass beads to create her visions. She deconstructs the perfume bottles from the 18th, 19th, and 20th centuries and reintroduces them as anthropomorphic shapes set against monochromatic backgrounds. The headless forms are no longer recognizable as the fairy-tale mistresses they once were. 

Vickie Pierre: ‘Be my herald of what’s to come’

Her piece titled “And Though I May Have Lost My Way, All Paths Lead Straight to You” uses the reenvisioned perfume bottles, flaxen hair from dolls, galleon ships representing the slave trade, bracelets, cuffs, and jewelry, all interconnected by long strands of beads that she strings herself in various patterns.

Pierre’s work encompasses evocative titles such as “I Can’t Say No to You (Good Enough),” “Totems for My Sisters (We Are All Illuminous!),” and “You’ve Stolen My Heart and It Hurts Me to Remember.”

“When Vickie exhibited her piece ‘Elemental Mistresses (The Power of 3)’ [also in this exhibition] at the museum in 2016, I found the sculpture beautiful, with its grand sweeps of beadwork and ornate sconces,” Bodle says. “It was also quite haunting by virtue of the elegant script (‘This Must Be the Love They Speak of’) transcribed on the wall.

“The world craves authentic, genuine people and experiences more than any faux polished façade. Vickie and her work come from a place of earnestness and authenticity.

“These attributes, paired with skill and effectual presentation, make for great art,” Bodle says.

The current exhibit is Pierre’s premiere solo museum show and one of which she is immensely proud.

“This is a significant milestone in my career,” says Pierre. “It is a tremendous opportunity and a great achievement for my work to be introduced and showcased in the Boca Raton Museum of Art, to be enjoyed by the local public as well as visitors from around the world.

“My work exemplifies who I am and what I’m trying to do,” she says from her studio in Miami’s Fountainhead. “I have a love of the fantastical and whimsical but also incorporate history, identity, and the concepts of womanhood and femininity.”

Indeed, Pierre turns pop-culture feminine icons such as Snow White and Cinderella on their head, deconstructing them à la Hans Bellmer, a German surrealist artist and photographer best known for his series of life-sized pubescent female dolls (poupées).

Pierre questions the influence of history and popular culture on identity. “My continued focus is on the exploration of identity and ethnicity, with references to design and nature, as well as connections between my Haitian heritage and the Caribbean as well as broader global cultural mythologies,” she says.

In 2020, after the social justice movements, Pierre created “Black Flowers Blossom (Hanging Tree),” as a way to honor the souls of people lost to racial injustice, including George Floyd, Breonna Taylor, and Ahmaud Arbery, among others. This piece is also included in the show.

Vickie Pierre: ‘Be my herald of what’s to come’

She describes her creative process as “easy,” doing a lot of sketching and what she calls “navel-gazing.”

“I’m always reworking, cutting, and pasting,” she says. “I let the ideas marinate and my execution is superfast.”

The child of medical professionals and immigrants from Haiti, Pierre says she was raised to be 100% American. She grew up in Crown Heights, Brooklyn, in a mixed neighborhood playing with people of all different backgrounds and religions.

“This inclusivity fostered my vision to reach for the universal,” she says. “I strive for a global ideal.”

In addition to Bellmer, Pierre counts Duval-Carrié, Canadian-American artists Miriam Schapiro, and Betye Saar as influences, who also worked with assemblage to explore the myths and stereotypes around race and femininity.

In 2016, Pierre committed full-time to her artwork. “It was sink or swim, and everything came together,” she says.

When asked what drives her, Pierre reflects.

“I feel this is my destiny; I’m doing exactly what I’m supposed to be doing and I am where I’m supposed to be,” she replies. “I’m excited and amazed. Everything in my life has led me to this point.”

The exhibit runs through Sept. 5. For more information, visit bocamuseum.org.

The show must go on: Barclay Performing Arts

With a great-grandmother who was a showgirl and George White Scandal dancer (Broadway revues modeled after the Ziegfield Follies) who appeared on the cover of Vanity Fair magazine, and a family steeped in musical theater, it’s no wonder that Christine Barclay founded the Barclay Performing Arts theater in 2016 as a way to honor her late father, John Barclay.

John Barclay was a director, educator, actor, and founder of the Weston Drama Workshop in Weston, MA.

“My dad was an amazing director who always found a way to bring out the very best in each and every person, whether on the stage or behind the scenes,” remembers Christine Barclay.

It is to his memory and passion that she dedicates herself and her work. “There’s no better person to be the beacon for this theater in Boca Raton,” she says.

“My dad created confident, articulate young people and made a big difference in the lives of his students,” Barclay says. “I hope to do the same.”

The theater, located next to T.J. Maxx in the Somerset Shoppes in Boca Raton, helps students of all ages find their voice, creativity, and confidence. Before moving to this location, Barclay worked out of the Boca Black Box theater on Glades Road. 

Her opening production, entitled “Spring Awakening,” is forever etched in her mind.

Pregnant with her now 3-year-old daughter Caroline and about to give birth in February 2018, the tragedy occurred at the Marjory Stoneman Douglas High School in Parkland. Many of the MSD students were performing in the production.

“The cast decided to move forward with the show,” recalls Barclay, who by that time was on maternity leave. “It was one of the most unbelievable experiences of my life.” 

“To watch these kids travel to the White House, meet with then-President Barack Obama, then board a red-eye back to Boca for rehearsals, all while mourning their friends, was just incredible,” she says.

“I’m so proud of their survival and the emotional, physical, and mental resilience of our team and that of the community,” Barclay says. “Getting through those shows after the tragedy and giving birth was a moment that fully made me realize my responsibilities.”

“I wanted to ensure my company was there to support these kids and to transition to a space with a purpose and mission to change the world,” she says.

“We want to be a community center where kids and others can come to feel safe and have a platform in which to express themselves.”

Before relocating to Florida in 2012, Barclay was the executive assistant to Marc Tumminelli, founder of the Broadway Workshop in New York City, and she was a resident member of the theater faculty for the Rodeph Sholom School in Manhattan. 

She performed, directed, and choreographed for many theaters and schools, including the Kew Forest School and the Looking Glass Theatre in New York. In addition to acting, she has directed, choreographed, stage-managed, and performed in numerous productions in New York, Florida, Massachusetts, Maine, and Pennsylvania.

During the pandemic, Barclay produced 10 virtual, live-streamed performances including “Schoolhouse Rock,” “Fame Jr.,” “Band Geeks: The Musical,” and the concert version of “Guys and Dolls.”

She is currently in production for “Peter Pan,” “Urinetown: The Musical,” and “Willie Wonka.”

“We worked just as hard during quarantine as we did previously,” says Barclay, who in addition to her 3-year-old is raising three stepchildren.

Lewis Singer, 53, a chiropractor at Singer Family Chiropractic in Boynton Beach, had his first acting role 22 years ago in “Sweet Charity” at the Lake Worth Playhouse when he played the hippie preacher, known as “Big Daddy.

Fast forward to 2015, where Singer was in the audience at the Barclay theater to support some acting friends, when he noticed one of their upcoming shows was “Fun Home,” the first Broadway musical with a lesbian protagonist, which won five Tony Awards including Best Musical that year.  

“I knew I had to be a part of it,” Singer remembers. He had seen the road show in Tampa and says “to my shock and disbelief, I landed my dream role of the father, Bruce Bechdel. This is the role of a lifetime.”

“I fell in love with Christine and fell in love with the mission of her theater,” says Singer, who also sings and plays keyboard in an ’80s cover band called Livin’ the 80s.

“She’s amazing, and her vision and mission of caring for the community using her theater as the vehicle for this are amazing as well. There is nothing I wouldn’t do for her,” he says.

Barclay is working with the nonprofit Find Your Voice Foundation, a social enterprise company that gives creative companies a voice with which to share their story with the end goal of establishing their own theater and venue. She hopes the theater will be a gathering place for people in the community.

“If anyone feels like they’re missing something in their life, a spark of interest, motivation, friendship, or someone to hug, somewhere to walk in a door and sit down and be exactly who you are, we’re the space for you,” Barclay says. “You don’t need to be on Broadway. If you need somewhere to be and be the best version of yourself, we’ll find a space for you.”

“We want to be a ball of light for our community,” says Barclay.

For more information, visit barclayperformingarts.com.